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A Little Too Much Is Enough, by Kathleen Tyau
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A first novel set in and around Honolulu after World War II depicts a young girl's struggle for her own identity in a large and complicated Hawaiian-Chinese family that is a mixture of traditions and racial identities.
- Sales Rank: #3318705 in Books
- Published on: 1995-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 6.00" w x 1.00" l,
- Binding: Hardcover
- 225 pages
From Publishers Weekly
Tyau's first novel, set in Honolulu during the years following WWII, is an evocative story of a Hawaiian girl whose extended family blends Chinese and Japanese traditions with the changing values of Hawaiian and American culture. In short chapters, we are guided through family meals, gatherings and outings by hip, young Suzanne Mahealani?"Mahi" for short?who, unlike the older generation of women in her clan, eventually goes to college, in Oregon. Mahi's voice is strong, but it can't carry the whole story line, which suffers from loose and sometimes confusing chronology and plotting. Still, Mahi coveys the rhythm of life on the island for a restless teenager and makes sharp observations about numerous, often hilarious family eating scenes: "At every nine-course dinner, as far back as I can remember, Aunty Nona waited until the food came out and we were ready to dive in. Then she'd make us wait while she took a picture. In all her photos, our heads are chopped off, but the food looks great." This light novel with serious moments conjures well the mood of the islands, which seem no longer exotic but still rich in folk wisdom.
Copyright 1995 Reed Business Information, Inc.
From Booklist
Mahi is the young protagonist in Tyau's warmly rendered novel featuring a delightful (and vast) Chinese-Hawaiian clan living on the island of Oahu. Tyau tells her tale in a series of vignettes that occur after World War II, developing a vivid, enveloping portrait of the girl's formative years surrounded by a loving group of uncles and aunts, grandparents, siblings, and devoted parents. Each family member contributes a valuable link to precious traditions that will shape the adult Mahi is destined to become. Tyau's sparkling dialogue reveals the cadences of a spoken English influenced by both the Hawaiian and Chinese languages, especially when depicting rituals revolving around the preparation of food. Even though the experience is vicarious, it is still satisfying to share the lively meals in Tyau's often poignant narrative. Alice Joyce
Review
“A delightful and aromatic feast for the soul.” (Willamette Week)
“This is a well-crafted and rich book, product of a skilled and talented writer.” (Maya Muir - Portland Oregonian)
“A delightful, imaginary memoir of growing up in Hawaii in the 50s.” (Harry Eagar - Maui News)
Most helpful customer reviews
5 of 5 people found the following review helpful.
Eat and grow up
By Harry Eagar
"A Little Too Much Is Enough" may not be a novel, but it is a delightful, imaginary memoir of growing up in Hawaii in the '50s.
Mahealani Suzanne Wong is a bright, observant girl in a Chinese-Hawaiian-American family that is in a generational transition from more Chinese to more (Mainland-style) American. This is neatly encapsulated in the short chapter (they are all short) "Still the Same Saimin," in which Mahi recalls the fragrance and taste of saimin (noodles) throughout the years, first at home, then at the fair and the movies, finally at McDonald's in Waikiki.
Food serves the function that plot performs in most novels. There is no problem, leading to a crisis and a denouement. Rather, life for the Wongs is divided into sections marked by nine-course Chinese dinners commemorating weddings, funerals, graduations.
Mahi, clever child, uses these occasions to observe the social maneuverings of her women kin. Aunty Nona, the sensualist who can sell crackseed (local snack, not related to cocaine) to anybody; and Mahi's mother, full of platitudes and pretty good advice; and a host of cousins.
All the Wong women, and eventually Mahi, want to travel, to get beyond the wonderfully supportive but also smothering influence of family.
The men, barely limned compared with the vigorous women in the book, are completely content with life in late Territorial Hawaii. They never leave, or if they do, it is by force, as when Mahi's father, Kuhio, is "shanghaied" to grow up in China. Mahi's brother Buzzy sums it up:
"I could never be like you, Sis. I can never go away from here. I don't care if I never eat sweet pineapple again. But everything else I'm going to keep. They can't charge me fifty dollars for the beach and the sun and the surf. Hawaii no ka oi [is the best], that's what I say. Nobody can make me pay for that."
Nothing much happens in Buzzy's Honolulu. Members of the family and friends go to school, change jobs, marry and divorce, start businesses that succeed or fail. The only novelistic touch is the story of the adoption of Uncle Wing, an extraordinary and touching tale, but that happened long before Mahi was born.
The lack of storm and stress does not at all mean that "A Little Too Much Is Enough" moves slowly. Though it is quickly apparent that all that is going to happen is that Mahi will grow up and move to Oregon (as Tyau did), getting there is all the fun.
Tyau manages a doubly difficult task: She transfers the cadence and lilt of local speech to the printed page without awkwardness (though the non-English words will baffle Mainlanders). And she also manages to do so without slowing to the pace of loquacious local talk.
Plus, Tyau has a way with a phrase. "It's not easy to hold onto poi." "Her skirt rides on her hips like a boat in a storm."
"A Little Too Much Is Enough" is charming, graceful, sentimental and, with one exception, accurate.
This is an Oahu book. When Tyau goes to Maui, there is a serious mistake.
In "Ocean Is for Drowning," Mahi's best friend's cousin goes bodysurfing on Maui and breaks his neck. "Roy's sister told us that a lot of people have broken their necks at Makena, but nobody puts up a warning sign, because the hotels don't want to scare away the tourists."
Wrong all around. At the time of this novel, there weren't any hotels in Makena or anywhere nearby. Oneloa (also known as Big Beach, where I suppose this incident occurs) has a fearsome shorebreak, but there never were any signs, so the hotels cannot be responsible for their absence. (There still aren't any hotels at Big Beach; it is now a state park.)
( I did not like Tyau's second novel, Makai, nearly as much.)
5 of 5 people found the following review helpful.
Kathleen Tyau fashions a beautiful Hawaiian patchwork quilt.
By A Customer
I did not want this book to end. The characters were interesting and the story was beautifully crafted. I would have liked to find out what happened to the family as time went on. I have lived on Oahu since 1979 & reading a story such as this one is a treasure. This era has given way in many areas of these islands and stories such as this one are reminders of kinder, gentler days.
3 of 3 people found the following review helpful.
A memorable, heartwaring novel of post WW II Hawaii.
By David J. Gannon
This is Kathleen Tyau's second novel about life in post WW II Hawaii. Like it's predecessor, A Little Too Much is Enough, it conveys a sense of what life in Hawaii was like foe the native, local Hawaiians through the eyes and experiences of one family.
This is a much more expansive book than it predecessor. It introduces elements of the impact of mainland society into the picture through expatriate's returning home for a visit, providing for a comparative look at shared memories that begin in Hawaii during World War II and continue to a present in the 1970s from divergent viewpoints.
Alice's best friend, Annabel Lee, is coming back to Maui after years in Florida, but she has been preceded by her son, Wick, who is romancing Alice's daughter. Alice is beside herself with the preparations of Annabel's return and flooded with memories of their lives growing up together at St. Andrew's Priory after the war. As if all this weren't enough, Alice's daughter has announced she's broken up with her husband and is now seeing Annabel's son after a visit to their family in Florida.
Like it's predecessor, this is a book rich in detail and evocative of a time past that not too many people really know about. It stands as both a fascinating character study and history lesson as well.
On the whole this is a better written and more sophisticated book than A Little Too Much, but I thought the earlier effort was a better story as it captured much more effectively the spiritual and mystical side of native Hawaiian culture, which is almost totally absent from this effort. Nonetheless, both are excellent and I would recommend either in a heartbeat.
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