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Winner of the 2015 PEN Center USA Literary Award for Creative Nonfiction

"Daum is her generation's Joan Didion." ―Nylon

Nearly fifteen years after her debut collection, My Misspent Youth, captured the ambitions and anxieties of a generation, Meghan Daum returns to the personal essay with The Unspeakable, a masterful collection of ten new works. Her old encounters with overdrawn bank accounts and oversized ambitions in the big city have given way to a new set of challenges. The first essay, "Matricide," opens without flinching:

People who weren't there like to say that my mother died at home surrounded by loving family. This is technically true, though it was just my brother and me and he was looking at Facebook and I was reading a profile of Hillary Clinton in the December 2009 issue of Vogue.

Elsewhere, she carefully weighs the decision to have children―"I simply felt no calling to be a parent. As a role, as my role, it felt inauthentic and inorganic"―and finds a more fulfilling path as a court-appointed advocate for foster children. In other essays, she skewers the marriage-industrial complex and recounts a harrowing near-death experience following a sudden illness. Throughout, Daum pushes back against the false sentimentality and shrink-wrapped platitudes that surround so much of contemporary American experience and considers the unspeakable thoughts many of us harbor―that we might not love our parents enough, that "life's pleasures" sometimes feel more like chores, that life's ultimate lesson may be that we often learn nothing.
But Daum also operates in a comic register. With perfect precision, she reveals the absurdities of the New Age search for the "Best Possible Experience," champions the merits of cream-of mushroom-soup casserole, and gleefully recounts a quintessential "only-in-L.A." story of playing charades at a famous person's home.
Combining the piercing insight of Joan Didion with humor reminiscent of Nora Ephron's, Daum dissects our culture's most dangerous illusions, blind spots, and sentimentalities while retaining her own joy and compassion. Through it all, she dramatizes the search for an authentic self in a world where achieving an identity is never simple and never complete.

• Sales Rank: #309784 in Books
• Published on: 2014-11-18
• Released on: 2014-11-18
• Original language: English
• Number of items: 1
• Dimensions: 8.49" h x .88" w x 5.78" l, 1.00 pounds
• Binding: Hardcover
• 256 pages

Review

“Meghan Daum's new book, The Unspeakable, is thrillingly good . . . Daum's powers as one of the most emotionally exacting, mercilessly candid, deeply funny and intellectually rigorous writers of our time are on glorious display.” ―Cheryl Strayed

“Someone (I'm never sure who) once said, "Write as if everyone you know were dead," and Meghan Daum really does write that way, by which I mean she writes what she wants to, without looking over her shoulder every second. In The Unspeakable her eyes are fixed firmly on the page, as are the reader's. Her mother's death, her own near-death experience, dogs, food, motherhood and, of course, Joni Mitchell --all are contained in a smart, strong and highly readable volume by this winning social critic.” ―Meg Wolitzer, The Wall Street Journal

“[The Unspeakable] is formidable, lucid and persuasive. Daum writes with confidence and an elegant defiance of expectation . . . There is no doubt Daum is a brilliant, incisive essayist. I would follow her words anywhere.” ―Roxane Gay, The New York Times Book Review

“When Ms. Daum is locked in like this, balancing self-analysis with observation of the outside world, she's among the best personal essayists of a searching, cynical generation that's lucky to have her.” ―John Williams, The New York Times

“[These essays] show an author exposing her particular being to the world, watching what happens, and coming to terms with the fallout. And they do it wonderfully, weaving a theory of identity as both unknowable and inescapable” ―Katy Waldman, Slate

“I don't think of essay collections as 'unputdownable'--in fact, one of their virtues is that they can be put aside and easily revisited--and yet I couldn't stop reading Meghan Daum's The Unspeakable: And Other Subjects of Discussion. I would promise myself, just one more, only to make the same promise at the end of the next essay.” ―Hannah Gersen, The Millions

“I admire many things about Daum's writing -- her wit, her daring, her worldliness -- but what I value most is her deployment of the forces of aimed precision. . . Like any good personal essayist, she knows how to dive and how to surface. Even at her most serious, she's funny and au courant, and her voice is boldly casual. Conversely, in some of the collection's lighter pieces, we're nonetheless privy to the workings of her questioning mind. . . [A] delightful and radiantly intelligent collection.” ―Emily Fox Gordon, Los Angeles Review of Books

“One of the things I love about Daum's new collection is that it demonstrates how a talented writer gets even better, how her craft can grow along with her body of experience, how the ‘vital partnership' between the ‘outside world' and the ‘I narrator,' like a marriage, can improve with age. . . It seems appropriate, but not quite just, that Daum should be writing profiles of today's hot young talent; as far as the essay is concerned, the younger cohort should be signing up for her master class. I know I'd like to.” ―Lydia Kiesling, Salon

“[Daum] is an expert at the kind of Gen-X nostalgia, California-mooning, cultural analysis that's catnip to me. I think I'll rub my face in the pages.” ―Sloane Crosley, Lucky

“In these fiercely intelligent personal essays, Daum explores the guilt that can follow 'when we don't feel the way we're 'supposed to feel' about the events of our lives.' . . It's impossible not to wince, laugh--and relate.” ―People

“Sometimes our feelings -- and our reactions to the things that happen to us -- go rogue. Emotions are the messy, unpredictable part of being human. It's those murky corners of the heart that are hardest to acknowledge, let alone talk about. That's the unnamed place where Meghan Daum's sharp collection of essays lives.” ―Entertainment Weekly (Rating: "A" )

“Daum is a master of the bold admission. . . she's refreshingly at peace with her idiosyncrasies and limitations, including her antipathy to food and cooking, to having children and to wandering outside her comfort zone. . . Comforting ‘redemption stories' about adversity's silver lining are exactly the sort of platitudinal sentimentality that Daum has set out to counter in this deliberately provocative book.” ―Heller McAlpin, Los Angeles Times

“Writing smart, opinionated cultural commentary for the general reader, as Meghan Daum does for the Los Angeles Times, is like campaigning against a popular incumbent: He barely notices you, so your best hope is to make him mad. The Unspeakable, Daum's book of original, self-lacerating essays--on subjects like almost hating her mother, almost having a child, and almost dying--is a sharp reminder of what a gift to the city she is. In her unrepentant defense of not cooking, she exhibits her characteristic wisdom: 'If you're good at something, do it a lot. If you're bad at something, just don't do it.' Daum is brilliant at probing the shared taboos of a society that thinks it has none. She should trust her Times readers to appreciate the intelligence that's so robustly on display in The Unspeakable.” ―David Kipen, Los Angeles Magazine

“As children, we're taught to avoid certain topics in polite company. As a seasoned author, Meghan Daum knows they're the building blocks of staggeringly good essays. That said, her latest collection is no confessional. In the intro she states, 'While some of the details I include may suggest that I'm spilling my guts, I can assure you that for every one of those details, there are hundreds I've chosen to leave out.' In a post-Not That Kind of Girl world, it's a bold statement, one that's echoed in 'The Joni Mitchell Problem,' the essay that serves as the book's heart. A perfect piece of writing, it swerves between analysis and fawning and switches points of view like its subject changes time signatures. As a critic, it's best to avoid comparisons, but one is unavoidable: Daum is her generation's Joan Didion.” ―Melissa Giannini, Nylon

“Daum's 2001 debut, My Misspent Youth, is an essay collection that inspires awe and rabid devotion for its clear-eyed, ruthlessly funny take on life as an aspirational, self-excoriating college grad living in and ultimately leaving New York. The Unspeakable, though written with the same economy, sharpness, and swoon-worthy stylishness, is a far sadder book than its predecessor, a product of middle age and the inevitable losses that come with it. . . I realize all of the above makes The Unspeakable sound an unmitigated downer, but it is not. Daum is feisty, too . . . Futher, her prose is shot through with elegant and very funny observations: Anthropologie is 'to adult women what princesses are to little girls. . . a twirling motion in the form of an international brand'; an audience laughs 'as though davening to the ghost of Henny Youngman.' She does fun and glamorous things, too, like attending a party at Nora Ephron's house where she plays charades with Larry David and having dinner with Joni Mitchell. . . The latter incident she recalls in 'The Joni Mitchell Problem,' an essay in which Daum, a lifelong fan of the singer, writes of Mitchell's mixed reception and her predicament of 'either being not liked or being liked for the wrong reasons.' Like all of the longer pieces in this book, it traverses far greater terrain than its central question. What begins as an essay about a songwriter's divisiveness spins out into a larger meditation on the utility of art, which the reader cannot help but relate to Daum's own.” ―Eugenia Williamson, Boston Globe

“In a series of essays reminiscent of a slightly restrained David Sedaris, Los Angeles Times columnist Meghan Daum comes off as humorously dysfunctional and occasionally deranged as she plunges into topics best avoided . . . Reading The Unspeakable is a bit like watching Zach Galafianakis act: funny and slightly unsettling. You're not sure you like Daum, but you can't wait to see what she'll say next.” ―Michael Mechanic, Mother Jones

“A collection of alarmingly sharp-eyed essays.” ―Amanda Lovell, More

“Meghan Daum might just be the new Joan Didion: a whip-smart, incisive, and often hilarious cultural commentator whose personal essays will stand the test of time.” ―Refinery29

“Sharp, witty and illuminating, Daum's essays offer refreshing insight into the complexities of living an examined life in a world hostile to the multifaceted face of truth. An honest and humorously edgy collection.” ―Kirkus

“Engaging . . . Daum is a smart and candid writer.” ―Publishers Weekly

“I think it's fair to say that I can't tell you what Meghan Daum's remarkable book means to me--the exceptional often denies verbalization. Her diverse subject matter aside--Mom, Joni Mitchell, the fetishization of food--it's Daum's galvanizing energy that one finds so attractive; nowhere in her work is there evidence of the ‘trance' that Virginia Woolf said characterized so many women's lives. Instead, Daum builds her various worlds out of great presence and imagination, and who wouldn't want to live in her new city?” ―Hilton Als, author of White Girls

“People I know still talk about Meghan Daum's 2001 debut essay collection, My Misspent Youth. Nobody writing about her generation was more incisive or entertaining than she. Now, as incisive and entertaining as ever, and having grown in experience, knowledge, compassion, and eloquence, Daum has clearly reached a peak. The honesty with which she explores our current culture as well as her individual conscience make this book as important as it is affecting. The Unspeakable is a brave, truth-telling book, a paragon of its genre, and a triumph.” ―Sigrid Nunez, author of Sempre Susan: A Memoir of Susan Sontag

“Meghan Daum is the real thing: a writer whose autobiographical essays--generous, frank, and unusually hilarious--reflect a steady, unflinching gaze at the truth. While ever alert to human fatuousness and contradiction (starting with her own), Daum actually adores the world around her--its wonder and strangeness, beauty and dilapidation--and conveys that love in a way that honors the reader even as it delights.” ―Terry Castle, author of The Professor: A Sentimental Education

“The Unspeakable speaks with wit and warmth and artful candor, the fruits of an exuberant and consistently surprising intelligence. These are essays that dig under the surface of what we might expect to feel in order to discover what we actually feel instead. I was utterly captivated by Meghan Daum's sensitive fidelity to the complexity of lived experience.” ―Leslie Jamison, author of The Empathy Exams

“I loved these essays for a completely startling reason: they give voice and shape to so many of my own muddled thoughts--and to lurking sentiments I've never looked square in the face. Meghan Daum is a cultural clairvoyant: in exposing her secrets, she's listening to ours. She's also just a wonderful storyteller--funny, perceptive, and painfully wise.” ―Julia Glass, National Book Award–winning author of And the Dark Sacred Night

“The Unspeakable is a fantastic collection of essays: funny, clever, and moving (often at the same time), never more universal than in its most personal moments (in other words, throughout), and written with enviable subtlety, precision, and spring.” ―Geoff Dyer, author of Otherwise Known as the Human Condition

“Here's the skinny on Meghan Daum: she's one of the most humane, entertaining, and articulate contrarians you're likely to encounter in any book. She challenges our assumptions--and her own--in the bracing, unsentimental manner of great British essayists such as William Hazlitt and George Orwell. Her precision is Didionesque. Her humor detonates unexpectedly. In page after page, Daum pinpoints aspects of love, grief, and daily survival that you've sensed vaguely but have never found the words for. To read this book is to begin to grasp the intricacies of living in a fresh and penetrating way. I solemnly promise, lucky reader, you are about to be changed.” ―Bernard Cooper, author of The Bill from My Father

About the Author

Meghan Daum is a columnist for the Los Angeles Times and the author of the essay collection My Misspent Youth. She is also the author of Life Would Be Perfect If I Lived in That House and The Quality of Life Report, a novel. Her essays and reviews have appeared in The New Yorker, Harper's, The New York Times Book Review, Vogue, and other publications. She has also contributed to NPR's Morning Edition, Marketplace, and This American Life. She lives in Los Angeles, California.

Most helpful customer reviews

71 of 78 people found the following review helpful.
Like Daum, but not this collection
By Booky Galore
I loved Meghan Daum's early work so much that I required students to read it. She was, and is, an immensely gifted stylist. And I admire her prose sufficiently to have read every word of "Unspeakable." Indeed, I bought the collection as soon as it was available. Others may have different reactions, but I was floored by how immensely petty and mean-spirited the essay "Matricide" was. Her mother's chief offenses seem to have been reinventing herself after a marital separation and fishing for praise from her unimpressed and disengaged daughter, but to read this essay, you'd think she'd maintained a second, secret life as a serial killer...or that Daum is withholding something much darker and more disturbing about her mother. The essay is, indeed, a kind of matricide, and as I am dealing with a difficult elderly mother myself, I was prepared to feel empathy; but the hateful, mocking tone of this gives readers more information about Daum than her mother who, after all, can't defend herself now that she's dead. Hugely disappointing and disturbing and far clunkier than the more nuanced pieces we've come to expect from this writer. She writes about her friendship with Norah Ephron and her attendance at a party with A-listers that Ephron threw, at which Daum felt ill at ease. She writes about her serious illness without explicitly identifying it (it's just "a virus"), and her references to her husband are bewilderingly cold and detached...all we know about him is that he'd like to have a child (Daum claims not to be maternal) and that he writes in the science field. She writes about having Lesbian sensibilities without being Lesbian, which perhaps would be fertile ground for a writer to explore, but the piece reads like it was written to increase her book's required word count. Nothing new or fresh there. Is this Meghan Daum book better than no Meghan Daum? Because I think so highly of her previous work, I read on and on, thinking that surely the good stuff was just around the corner. Even now, I am asking myself whether it's the writing I disliked, or if I am just disappointed in the descent of this author from her earlier promise and great humor and humanity. It would be sad to think her best work is behind her.

41 of 45 people found the following review helpful.
Makes You Feel Like It's Okay To Look
By Ingrid Abrash
I haven't finished the book yet, but I don't think that's required to know that Meghan Daum nailed it.

I came home last night way past my bedtime and picked up the book when I should have been asleep. It was an exercise is sheer willpower to put it down in the middle for the first essay "Matricide." Just a few sentences in and I'm dying to know what went down during the last days of her mother's life, which would make normally make me feel guilty and a little gross, but somehow not in this case. Daum makes you feel like it's okay to look (Which is a testament to her craft), and it seems to me that this whole book is about that: it's okay not to be grief stricken when your mother dies, it's okay to not change after a traumatic experience, it's okay to love your dog more than your boyfriend (my words, not hers, extrapolating a bit here) and it's okay to not buy into precious food culture. Especially cool to read stuff like this after turning 40, when you all of sudden don't care at all about your own peccadilloes (oh, say, an obsession with wallpaper or the Real Housewives franchise) and want someone else to say that they too, are not buying in either to all the overwrought, manufactured "appropriate" responses to life's big and small issues.

I loved Daum's last book, "Life Would Be Perfect if I Lived in That House" because she wove together a personal narrative about a seemingly singular obsession with real estate with what ultimately turns out to be a common, universal obsession with real estate. I think the same is about to happen here, and I can't wait.

34 of 41 people found the following review helpful.
Un-self-aware and teenage-y
By A
This book gets a star for being technically flawless and another for being mildly interesting. However, the essays display a lack of self-awareness that quickly becomes exasperating. For example, the author spends many pages exacting literary revenge upon her mother, in the language of someone who never passed the truculent teenager stage, for the mortifyingly embarrassing crime of trying to transcend her suburban housewife beginnings and trying to live a life on her own terms. The irony of this criticism is left unexamined, and pages are spent explaining and excusing acts of terrible unkindness on the part of the author. The essay on the author's appropriation of lesbian tropes, for example, is breathtaking homophobia disguised as homophilia (imagine the outcry if the author had appropriated African-American tropes instead). Once again, the author appears entirely unaware of this. And so it goes, on and on.

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~ PDF Ebook The God Factor: Inside the Spiritual Lives of Public People, by Cathleen Falsani

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When religion reporter Cathleen Falsani climbed aboard Bono's tour bus, it was to interview the rock start about AIDS awareness. Instead, they plunged into a lively discussion about faith. "This is a defining moment for us," Bono said. "For the culture we live in."

Spirituality clearly now plays a key role in the United States. But what is also clear is that faith is a more complex issue than snapshots of the country convey. Jesus. Buddha. Kabbalah. Angels. This may be a nation of believers but not of one belief—of many. To shape a candid picture of modern faith, Falsani sat down with an array of people who shape our culture, and in turn, our collective consciousness. She’s talked about Jesus with Anne Rice; explored “Playboy theology” with Hugh Hefner; discussed evil with crusading attorney Barry Scheck, and heaven with Senator Barack Obama. Laura Esquivel, basketball star Hakeem Olajuwon, Studs Terkel, guru Iyanla Vanzant, rockers Melissa Etheridge and Annie Lennox, economist Jeffrey Sachs, Pulitzer-winning playwright John Patrick Shanley—all opened up to her.

The resulting interviews, more than twenty-five in all, offer a fresh, occasionally controversial, and always illuminating look at the beliefs that shape our lives. THE GOD FACTOR is a book for the believers, the seekers, as well as the merely curious among us.  Included are interviews with Sherman Alexie, Bono, Dusty Baker, Sandra Bernhard, Sandra Cisneros, Billy Corgan, Kurt Elling, Laura Esquivel, Melissa Etheridge, Jonathan Safran Foer, Mike Gerson, Seamus Heaney, Hugh Hefner, Dr. Henry Lee, Annie Lennox, David Lynch, John Mahoney, Mark Morris, Mancow Muller, Senator Barack Obama, Hakeem Olajuwon, Harold Ramis, Anne Rice, Tom Robbins, Russell Simmons, Jeffrey Sachs , Barry Scheck, John Patrick Shanley , The Reverend Al Sharpton, Studs Terkel, Iyanla Vanzant, and Elie Wiesel.

 

• Sales Rank: #2346525 in Books
• Published on: 2006-03-07
• Released on: 2006-03-07
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.11" w x 6.13" l, 1.10 pounds
• Binding: Hardcover
• 288 pages

Features

• The God Factor: Inside the Spiritual Lives of Public People

From Publishers Weekly
Starred Review. Religion reporter Falsani dishes up a whimsical and absorbing collection of interviews with assorted literati and glitterati, dissecting issues of faith, ethics and personal spirituality. Since several of these profiles originated as columns in the Chicago Sun-Times, it is perhaps not surprising that many of the interviewees have a Chicago connection, like radio shock jock Mancow, Smashing Pumpkins lead Billy Corgan and Dusty Baker, the manager of the Cubs. But the questions undertaken are truly universal. Some of the stars evince a fairly traditional stance on faith, including observant Muslim basketball star Hakeem Olajuwon, who prays in Arabic daily and runs all of his businesses according to the anti-interest tenets of Islamic law; novelist Anne Rice, who has recently returned to the Catholic faith and written a novel about Jesus' childhood; or Bush speechwriter and policy wonk Michael Gerson, a committed Protestant who like Falsani is a graduate of Wheaton College in Illinois. Others, like musicians Annie Lennox and Melissa Etheridge, fall into the spiritual-but-not-religious crowd, borrowing creatively from both Eastern and Western religions to craft a personal spiritual practice that works for them. Still others—primarily writers like Studs Terkel, Tom Robbins and Jonathan Safran Foer—place themselves in the agnostic camp. Falsani handles the profiles with sensitivity, painting the book's diverse spiritual seekers with compassion and grace. (Mar. 14)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Library Journal
In this charming book, Falsani, columnist for the Chicago Sun-Times, interviews more than 25 people of note—politicians, celebrities, writers, and musicians—about their spirituality in an effort to lift the reader's spirit while satisfying a certain guilty delight in gossip; indeed, some hitherto-unrevealed divine secrets of the famous and infamous are as tasty as their first marriages and real names. Who could have predicted that Hugh Hefner would describe himself as "a moral guy"? Or that, according to popular novelist Tom Robbins, we live in hell "because we take ourselves too seriously"? By turns surprising, dismaying, and entertaining, this work is recommended for most collections. Christian Science MonitorIn an absorbing first book - The God Factor: Inside the Spiritual Lives of Public People - she takes the reader along on spirited, often-surprising interviews with more than two dozen creative artists and thought-leaders. The journey becomes engrossing because of the remarkable openness and candor she encounters among the famous, as well as the depth and variety of their beliefs... This sensitive spiritual portrait of popular culture evokes, in thought-provoking fashion, the vibrant and highly individualized nature of contemporary faith. Chicago TribuneCathleen Falsani is above all else, an exemplary conversationalist...She is enthusastic, well-read, articulate and open-minded. [In The God Factor,] she sweeps us right along... She has done what only great interviewers have the wisdom and patience to do. She has set the stage and dimmed the lights just so. She has invited us in to the conversation and left us with wonder, confusion, elation and grace.

About the Author
Cathleen Falsani is a columnist for the Chicago Sun-Times. She attended Wheaton College, an evangelical Christian college, and holds masters in journalism and theology. The God Factor is her first book

Most helpful customer reviews

12 of 12 people found the following review helpful.
What? Talking about God? Are you crazy?
By KRyan
Finally, a book that gets the most taboo subject out there without blushing or politicizing. People certainly talk about sex more openly than they talk about how they really feel about Jesus and they'll talk about their psychiatric health with Dr.Phil before they'll talk about their spiritual life. Here, Falsani, makes the metaphysical, the existential, and the personal... tangible. I don't think Hugh Hefner has been as intimate with a woman as he is with Falsani in his interview. He is so shy, but when she reveals that her idea of a spiritual pop-culture cannon includes the cult favorite Harold and Maude, he virtually gushes with excitement and proceeds to divulge the most intimate of spiritual details about this own life. I never thought that I would learn something about God from Hugh Hefner, but as Falsani talks openly, without judgment, to these mostly American icons, we learn that God's truth permeates every pore of our culture. How inspiring and uplifting to know that God is that big!

Great stories from Studs Terkel, Tom Robbins, and Sherman Alexie. Best moment in the book, however, comes from Irish poet, Seamus Heaney. Moved me to tears.

Falsani is funny, self-depricating, and searching for truth not in an "I'm okay, you're okay" kinda way, but through a deep faith that God is good and just and loves us all - even if we don't know He's there.

15 of 18 people found the following review helpful.
Gems Within
By Danusha V. Goska
I wasn't crazy about this book as a whole, but there were some gems within that moved me deeply.

First, why I wasn't crazy about it: "God" shouldn't be the first or second word in the title; "Celebrity" should be. The premise of the book is that famous people talk about their take on God.

There are a few problems with that. One is that many of these folks aren't much interested in God, and aren't the most interesting people when talking about God.

The other problem is that if you are attracted to a book that talks about celebrities' take on God, you'll probably want bigger name celebrities. There are quite a few folks here who aren't all that famous. So, if celebrity is what draws you, you might not be drawn by the celebrities here.

The other factor that didn't work so well for me was Cathleen Falsani's extremely gentle interview style. Falsani lets her subjects say pretty much whatever they want, and does not press them when another interviewer, a Terry Gross, say, might.

For example, performance artist and practising Jew Sandra Bernhard rants against non-Jews who are attracted to Kabbalah. She also condemns those who claim to follow Kabbalah and who get tattoes.

Bernhard's ranting has its value, but I wish Falsani had pressed her a bit harder. Bernhard, after all, is an openly gay woman who posed for Playboy and who speaks, especially in her interview here, in four letter words.

There are many Jews who would object to Bernhard's word choice, her Playboy photos, and her orientation. (For the record, I do not.) How does Bernhard reconcile her own departures from what many regard as Jewish orthodoxy, even as she inveighs against others whom she identifies as inappropriately unorthodox in their following of Jewish tradition?

I'd like to know the answer to that question, but I didn't find the answer in this book; there is no record of Falsani asking.

But I loved a few of the interviews here.

The interview with Holocaust survivor Elie Wiesel was outstanding. I've read Wiesel's books, and heard him speak, and read others work about him, and, even so, I cherish his interview in this book.

As ever, Wiesel, who survived the worst hell on earth, talks about how and why someone who has suffered profoundly can continue in a life of faith. This is very, very worth reading.

The interview with U2 lead singer and political activist Bono astounded me, mostly because of Bono's beautiful and unique language use. Example: "The idea that some love and logic would choose to describe itself as a baby born in [dung] and straw and poverty is genius. And it brings me to my knees."

Seamus Heaney, Nobel Prize winning poet, politely declined to be interviewed, but sent along a lovely poem instead. His brief poem is as good as any other lengthy interview in the book.

The interview that surprised me by bringing tears to my eyes was with John Mahoney, the actor we all remember from the Cher movie "Moonstruck," where he was so memorably dating younger women who threw drinks into his face, and as Kelsey Grammer's father on the NBC sitcom, "Frasier."

I don't want to say much of anything about this interview; I don't want to reveal its details so as to spoil it for you. I will just say that I've been watching, and appreciating, Mahoney for years, and this interview offered me a glimpse into this celebrity's, and human being's, life, that gave me pause, and made me think, and really touched me.

It's worth the book to read the Mahoney interview.

9 of 10 people found the following review helpful.
Now the rest of you can enjoy Cathleen Falsani's writing
By David P. Graf
By way of disclosure, I have never met Ms. Falsani in person, but we have corresponded via email on various issues. Now-on with the review!

One of the joys for people living in Chicago is the vibrant writing found in the city's newspapers. Cathleen Falsani is on the religion beat for the Chicago SunTimes and she brings a new and fresh and dare I say "fun" perspective to writing about religion. She does the same in the "God Factor". Her style of listening and careful questioning brings out unexpected insights from people you might be surprised to find out even think about issues of faith.

Originally, I was going to give this book only four stars. I wish she had been a bit more challenging of some of the answers to her questions. In her shoes, I would have gagged on some of the replies given by interviewees. However, that's not her style and that's why Falsani could bring us a book as good as this. In constrast, I will only bequeath book reviews to posterity.

If your view of religion extends beyond the stained glass stereotypes, Falsani is going to be one of your favorite reads.

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>> Free Ebook Master of the Mountain: Thomas Jefferson and His Slaves, by Henry Wiencek

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Is there anything new to say about Thomas Jefferson and slavery? The answer is a resounding yes. Master of the Mountain, Henry Wiencek's eloquent, persuasive book―based on new information coming from archaeological work at Monticello and on hitherto overlooked or disregarded evidence in Jefferson's papers―opens up a huge, poorly understood dimension of Jefferson's world. We must, Wiencek suggests, follow the money.

So far, historians have offered only easy irony or paradox to explain this extraordinary Founding Father who was an emancipationist in his youth and then recoiled from his own inspiring rhetoric and equivocated about slavery; who enjoyed his renown as a revolutionary leader yet kept some of his own children as slaves. But Wiencek's Jefferson is a man of business and public affairs who makes a success of his debt-ridden plantation thanks to what he calls the "silent profits" gained from his slaves―and thanks to a skewed moral universe that he and thousands of others readily inhabited. We see Jefferson taking out a slave-equity line of credit with a Dutch bank to finance the building of Monticello and deftly creating smoke screens when visitors are dismayed by his apparent endorsement of a system they thought he'd vowed to overturn. It is not a pretty story. Slave boys are whipped to make them work in the nail factory at Monticello that pays Jefferson's grocery bills. Parents are divided from children―in his ledgers they are recast as money―while he composes theories that obscure the dynamics of what some of his friends call "a vile commerce."

Many people of Jefferson's time saw a catastrophe coming and tried to stop it, but not Jefferson. The pursuit of happiness had been badly distorted, and an oligarchy was getting very rich. Is this the quintessential American story?

• Sales Rank: #561684 in Books
• Published on: 2012-10-16
• Released on: 2012-10-16
• Original language: English
• Number of items: 1
• Dimensions: 9.45" h x 1.20" w x 6.42" l, 1.32 pounds
• Binding: Hardcover
• 352 pages

Review

“[A] brilliant examination of the dark side of the man who gave the world the most ringing declarations about human liberty.” ―Jonathan Yardley, The Washington Post

“In this deeply provocative and crisply written journey into the dark heart of slavery at Monticello, Henry Wiencek brings into focus a side of Jefferson that Americans have largely failed―or not cared―to see. This book will change forever the way that we think about the author of the Declaration of Independence.” ―Fergus M. Bordewich, The Wall Street Journal

“As an engrossing investigation into Jefferson’s change of heart and mind, Master of the Mountain is narrative history wrapped around an incendiary device: surely, political pundits and Jeffersonians will be wrestling over Wiencek’s explosive interpretations of the historical evidence―some of it newly discovered―for years to come . . . One of the incontestable strengths of Wiencek’s book is the way it transports readers deep into the hierarchical world of Jefferson’s Monticello.” ―Maureen Corrigan, Fresh Air

“[Wiencek's] account of Jefferson's evolving and convoluted position on the subject is all the more damning for his restraint . . . Every American should read it. As depicted by Wiencek, the older Jefferson resembles a modern-day 1-percenter . . . We try to persuade ourselves that the author of some of our most inspiring political works was not a self-serving hypocrite. But given the bountiful evidence offered in Master of the Mountain, it's now impossible to see him any other way.” ―T. H. Breen, The American Scholar

“Compelling and utterly damning.” ―Tina Jordan, Entertainment Weekly

“Wiencek carefully probes the historical record, parsing the enormous body of Jefferson literature. His work is a thoughtful and well-documented contribution, offering a powerful reassessment of our third president.” ―Kevin J. Hamilton, The Seattle Times

“[Wiencek] reviews Jefferson's record like a prosecutor, hammering away at the evasions, rationalizations, and lies that have preserved Jefferson's reputation as a profoundly decent man trapped by the conventions of his own times. In Master of the Mountain, Wiencek does not reargue the tawdry details of the Sally Hemings affair. Rather, he invites readers to reflect seriously on one famous man's stunning refusal to provide moral leadership for a nation that desperately needed it.” ―T. H. Breen, The American Scholar

“[A] meticulous account . . . Wiencek's vivid, detailed history casts a new slant on a complex man.” ―Publishers Weekly (starred review)

“Well-rendered yet deeply unsettling . . . Wiencek scours the primary sources . . . for a thoughtful reexamination of what was really going on behind the harmonious façade of the great house on the mountain . . . Beautifully constructed reflections and careful sifting of Jefferson's thoughts and deeds.” ―Kirkus Reviews (starred review)

“Esteemed historian and author Henry Wiencek . . . creates a detailed, poignant analysis from Jefferson's younger years as an emancipationist through his later years as a slave-trade profiteer . . . Master of the Mountain is a well-written, intelligently constructed account that captures years of controversy and debate surrounding one of the most revered founding fathers. Wiencek brilliantly and comprehensively reevaluates the revolutionary-turned-slave-owner's reputation, questioning why America holds Jefferson as a pillar in its moral composition . . . [Jefferson] is exposed as a beneficiary of America's selective historical memory.” ―Anthony Steven Lubetski, Shepherd Express

“Master of the Mountain is a remarkable re-creation of Monticello's economy and culture . . . Whether you agree or not with Wiencek's provocative analysis, it's a book worth taking seriously as we continue to struggle with slavery's legacy” ―Anne Bartlett, BookPage

“Henry Wiencek's Master of the Mountain is the most important challenge to Jefferson on slavery since DNA suggested a link between him and Sally Hemings. Arguably it is even more significant, because it uncovers wider secrets about Monticello than a possible sexual liaison. Not everyone will accept all of Wiencek's arguments, but no one who would understand our history can ignore this pathbreaking exploration of our foundations.” ―William W. Freehling, author of The Road to Disunion and The Founding Fathers and Slavery

“Master of the Mountain is bound to cause a firestorm. It completely upends our view of Jefferson and his attitudes on freedom, slavery, and wealth. It's a tough-minded book by a master craftsman, completely convincing and a joy to read.” ―Richard Ben Cramer, author of What It Takes: The Way to the White House

“Master of the Mountain is wonderful! Eloquent and carefully researched, this invaluable book takes us behind the curtain of Jefferson's familiar public words and shows us Jefferson the Virginia planter, committed to slavery because he was utterly dependent on it for all his wealth, status, and power. Henry Wiencek's insights help to debunk the whole myth of the ‘humane masters.” ―Bruce Levine, author of The Fall of the House of Dixie: The Civil War and the Social Revolution That Transformed the South

About the Author
Henry Wiencek, a nationally prominent historian and writer, is the author of several books, including The Hairstons: An American Family in Black and White, which won a National Book Critics Circle Award in 1999, and An Imperfect God: George Washington, His Slaves, and the Creation of America (FSG, 2003). He lives with his wife and son in Charlottesville, Virginia.

Most helpful customer reviews

83 of 91 people found the following review helpful.
Rich, Original, Thoughtful
By PJE
This is a remarkable book on Thomas Jefferson--it has already kicked up a great deal of controversy and no doubt will kick up more. And that's a good thing--we can't brood and argue enough about the nature of Jefferson. But what the controversies may obscure is what a thoughtful, detailed, intelligent and above all engrossing book this is. The author has spent many years studying Jefferson and his times and he has fully metabolized his subject, so that the portrait of the Founder that emerges is subtle,very serious and quite fresh. Is this a darker, more self-interested Jefferson than the one we have gotten to know? Yes, it is. But the portrait is patient and qualified and the overall sense of the man and his age that emerges is remarkable. By the time you're through, you know a lot more about Jefferson, about the 18th and early 19th century in America and (maybe above all) about American slavery than you did before. I've read quite a few books about Jefferson over the years (I'm a Virginian-it's almost mandatory), but I've never learned so much from a Jefferson book as I have from this one. Nor have I ever been so impressed by a Jefferson author's serious devotion to his subject. It's a wonderful book.

83 of 94 people found the following review helpful.
A Sick Institution
By Richard Alvarez
Before reading Master of the Mountain I had viewed slavery and the role of Jefferson in bits and pieces. The details of his relationship with Sally Hemings, the treatment of his slaves on the mountain, the contradictions of his early and late attitudes on the institution, etc. It turns out that the details are the least important part of the picture. This book opened my eyes to the utter depravity of the institution. Master and slave were equally debased. Mulberry Row, the slave quarter, was the equivalent of a neighborhood bordello for the Jefferson family and for those residing nearby. Slaveholders, including Jefferson, became indolent, utterly dependent on the institution and indifferent to the human cost of enslavement.

Jefferson was a master wordsmith. In his writings, early and late, he dances expertly around the issues of slavery, leaving his reputation for enlightened thinking intact for history (until now). The fact is that Jefferson saw his slaves as assets which produced more profit from activities in the breeding shed than in the fields. He sold slaves away, broke up families and viewed his slaves as lazy wards who owed him a return on investment. The chilling aspect of this book, which is beautifully written and structured, is that conditions on the mountain, while simply appalling, were probably much better than conditions on other plantations, especially in the Deep South. Healthy young men who were sold south had a life expectancy of 18 months on the rice plantations. Slaves were cheap so they worked them to death and then bought more.

I was struck by Jefferson's skill at self justification. If it worked for him, he was able to conjure noble purposes for his actions, no matter how depraved. Jefferson's daughter, Martha and grandson, Jeff Randolph, repeatedly tried to nudge the old man in a liberal direction to no avail. Thaddeus Kosciuszko, the Polish hero of the American Revolution gave Jefferson $20,000 in his will and encouraged him to use the money to free his slaves . . . Jefferson did nothing.

Our family moved from New York to Virginia in 1956 when I was 10. This was during Jim Crow, and I heard over and over from respectable people, the 200 year old echoes of Jefferson's refrain, "the time is not right . . . be patient". Jefferson's reputation as an enlightened thinker is a sham. George Washington freed his slaves in his will (1799) and other prominent Virginians did the same . . . Jefferson talked and wrote a good game all his life but he didn't back it up.

44 of 50 people found the following review helpful.
Master of the Mountain
By John
As a Charlottesville, VA native and descendant of Jefferson's slaves, the book impacted me on many levels. Understanding (at the risk of sounding Marxist) that the American Revolution was more about economics than freedom, so many beliefs I have had about America were affirmed by this book. There are many but here are a few: 1) the inferior treatment of women by men; 2) the belief that the white race was superior to all groups of color; 3)the schizophrenic mentality Blacks have to this day regarding issues ranging from hair texture to skin complexion. Of course, all these issues resonate more loudly when it involves your family. I am fortunate as a black man to know my roots to the West African Fulani people that is my link to Africa on my father's side. I know this because of research of the Monticello Foundation's research that is the foundation of Mr. Wiencek's book. The fact that the journey involves Monticello is noteworthy for me because it is the Hughes family slave connection. The historical significance of the slave owner is noteworthy to the extent it highlights the hypocrisy of America and its peculiar institution.
When an otherwise historical account involves your biological family the emotions are bittersweet with pride in the fortitude of the people despite the toils they endured. Their experiences leave scars on me to this day.

John Hughes
Author
[...]

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~~ Fee Download Mrs. Adams in Winter: A Journey in the Last Days of Napoleon, by Michael O'Brien

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Early in 1815, Louisa Catherine Adams and her young son left St. Petersburg in a heavy Russian carriage and set out on a difficult journey to meet her husband, John Quincy Adams, in Paris. She traveled through the snows of eastern Europe, down the Baltic coast to Prussia, across the battlefields of Germany, and into a France then experiencing the tumultuous events of Napoleon’s return from Elba. Along the way, she learned what the long years of Napoleon’s wars had done to Europe, what her old friends in the royal court in Berlin had experienced during the French occupation, how it felt to have her life threatened by reckless soldiers, and how to manage fear.

The journey was a metaphor for a life spent crossing borders: born in London in 1775, she had grown up partly in France, and in 1797 had married into the most famous of American political dynasties and become the daughter-in-law of John and Abigail Adams.

The prizewinning historian Michael O’Brien reconstructs for the first time Louisa Adams’s extraordinary passage. An evocative history of the experience of travel in the days of carriages and kings, Mrs. Adams in Winter offers a moving portrait of a lady, her difficult marriage, and her conflicted sense of what it meant to be a woman caught between worlds.

• Sales Rank: #197793 in Books
• Published on: 2010-03-02
• Released on: 2010-03-02
• Original language: English
• Number of items: 1
• Dimensions: 9.29" h x 1.32" w x 6.69" l, 1.36 pounds
• Binding: Hardcover
• 384 pages

From Publishers Weekly
Beginning her nearly solitary winter trek from St. Petersburg to Paris in 1815, Louisa Adams experienced 40 days of independence from the constrictions she suffered as wife to future American president John Quincy Adams. Recounting her journey in minute detail, O'Brien, Cambridge professor of American intellectual history, juxtaposes her encounters with a dazzling array of fashionable nobles with ruined towns and impoverished survivors struggling in the aftermath of the Napoleonic wars. O'Brien (Conjectures of Order: Intellectual Life and the American South, 1810–1860) effectively highlights Louisa's unease as a European-bred, naturalized American descended from a mother's illegitimate birth, who marries into the intimidating Puritan family of John and Abigail Adams. Using a range of sources, O'Brien reconstructs memories omitted in Louisa's memoir and delves into a 50-page diversion on her marriage, slowing the travelogue's pace. Readers of American and European history will exult in the informative contrast of postrevolutionary American values and the glittering European and Russian courts, which steadfastly ignored the horrific effects of continental warfare. 40 b&w illus., 1 map. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Though much has been written about Abigail Adams, the feisty First Lady and Revolutionary War heroine who captured the collective imaginations of generations of Americans, little interest has been paid to her daughter-in-law, Louisa Catherine Adams. Married to John Quincy Adams and the only First Lady to be born and raised outside of the U.S., she spent her formative years in England and France, never setting foot upon American soil until she was twenty-six years old. Her full-length biography is a fascinating one, but historian O’Brien has extrapolated an incredible adventure to serve as a metaphor for her life and times. During the winter of 1815, Mrs. Adams and her young son set forth from St. Petersburg, Russia, traveling overland through battle-torn Europe for 40 days, to meet her husband in Paris. Years later, Louisa penned a memoir of that arduous journey, and O’Brien has adeptly filled in her gaps with historical and sociological texturing. This compelling combination of biography, travelogue, and adventure does an admirable job resurrecting one of the many forgotten females in the annals of American history. --Margaret Flanagan

Review

Praise for Mrs. Adams in Winter

“Into this chronological narrative of life on the road, O’Brien skillfully weaves a series of telling anecdotes from Louisa Catherine Adams’s experience as a wife, mother, and American expatriate in Europe . . . In Mrs. Adams in Winter, Michael O’Brien takes up her challenge, and succeeds commendably in bringing to light her story—a story that might otherwise have remained in the shadow of the family into which she never truly fit.” —Grace E. Jackson, The Harvard Crimson

“This enthralling, vividly written book tells the story of an amazing journey in extraordinary times undertaken by a most uncommon woman . . . [O’Brien] displays admirable psychological insight into Mrs. Adams’ usually complex personality and general gestalt . . . Mr. O’Brien has done a superb job of really understanding one of our lesser known first ladies.” —Martin Rubin, The Washington Times

“A splendid success . . . In addition to his vivid portrait of the European countryside, its history, and its notable personalities, O’Brien includes well-placed and often lengthy digressions that combine to form a sort of biography of Mrs. Adams . . . Mrs. Adams in Winter contains the best biography yet published of Louisa Adams . . . O’Brien’s elaborate description of Europe’s post-road system as it existed 200 years ago helps make his book such a pleasure to read.” —Paul C. Nagel, The American Scholar 

“O’Brien’s subtle and sinuously original book provides a detailed reconstruction of the journey and what it meant to make it . . . It was daring of O’Brien to find the core of Louisa’s journey in the notion of a woman raising her head in a society that had no place for the elevation. Daring, but his brilliantly argued portraits of Adams versus Adams make it convincing.” —Richard Eder, The Boston Globe

“O’Brien’s narrative is richly contextual, encompassing not only the great personalities of the age, whom Mrs. Adams met, but penetrating the secrets of a complicated marriage . . . A wide-sweeping historical survey and original intellectual journey.” —Kirkus Reviews

“This innovative and creatively told personal history of a forgotten figure bound by marriage to an ambitious American statesman bristles with insight into the era. Witty, informed, sophisticated, and moving; essential reading.” —Stewart Desmond, Library Journal

“Louisa Catherine Johnson Adams, a woman who spent her life in voyages both literal and metaphorical, above all longed to leave her mark on the landscape of the life she passed through. The noted historian Michael O’Brien gives Louisa her voice, assuring her place in history as a woman ‘who was,’ as she put it. Take these twin journeys, rendered with precision and grace by a master—across the dramatic frozen landscape of Napoleon’s Europe, and deep within the mind and heart of one of the most compelling characters in American history.” —Catherine Allgor, Presidential Chair and Professor of History, University of California at Riverside

“Louisa Catherine Adams is an unjustly forgotten figure in American history, a formidable woman with a keen eye for the smallest details of political life. Now comes Michael O’Brien with a fresh, engaging account of Mrs. Adams’s 1815 journey from St. Petersburg to Paris. It is a brilliant conceit, beautifully executed, and O’Brien succeeds admirably in capturing the complexities of the woman and her times.” —Jon Meacham, author of American Lion“O’Brien creates a brilliant portrait of a complex woman.”

“When we find a book like Mrs. Adams in Winter, we can’t sing enough praises . . . The book is written in a wonderful style . . . This unique book is home run.” —Booklegion.com

“Marvelous . . . O’Brien . . . demonstrates an enviable mastery of the historian’s craft.” —Alan Cate, Cleveland.com

“O’Brien’s compelling [and] . . . splendidly researched work . . . makes for the best of reading.” —Phyllis Meras, The Providence Journal

“O’Brien creates a brilliant portrait of a complex woman.” —The Week

Most helpful customer reviews

0 of 0 people found the following review helpful.
Very interesting
By Carol A. Case
This book is great for history buffs. I've read it twice.

28 of 30 people found the following review helpful.
40 Days
By Christian Schlect
A great small history. The hard journey of Louisa Adams from St. Petersburg, Russia to Paris in 1815 serves here as a platform to tell of the life of John Quincy Adams' wife; their not untroubled marriage; the work of a diplomat and his spouse; the court of the Czar; the methods and mechanics of a long distance overland trip; and Napoleon's affect on the European countryside.

Abigail was not the only interesting woman who married an Adams.

Professor Michael O'Brien writes clearly and with easy authority on a multitude of interesting historical points. His book should win prizes.

20 of 22 people found the following review helpful.
Portrait of a Lady
By Susan Shwartz
If you combine the history of travel, the last days of the Bonaparte era and the early history of the U.S. with the work of Henry James, you -may- have MRS. ADAMS IN WINTER.

This detailed, insightful account of Louisa Adams' journey with her son from Petersburg to Paris through what was a maze of countries and war zones is both an incredible journey in terms of travel and an odyssey of the mind of a complex woman who combined personal sensitivity with an awareness of her role in one of America's most prominent (and difficult) families.

I found the author's attempts to portray Mrs. Adams' feelings of alienation, insecurity and inferiority very moving: her sadness, and her identification with other women linked to powerful men, were concealed almost as well as her formidable Mother-in-Law might have liked under the guise of a lovely, accomplished, socially adept lady (in the old sense).

Adding to this book's particular appeal is the grace of its writing. Like Henry James and Jane Austin, the author focuses on the interior monologue and the small square of ivory, set against the backdrop of monumental events.

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~~ Free Ebook A Vanished WorldFrom Farrar, Straus and Giroux

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This pictorial history of Jewish life in Germany in the 1930s before the Holocaust, shows the stories of individuals, their increasing poverty, sad wisdom and enduring love in the years leading up to World War II.

• Sales Rank: #434421 in Books
• Published on: 1983-09-01
• Original language: English
• Number of items: 1
• Dimensions: 12.14" h x .75" w x 12.06" l,
• Binding: Hardcover
• 179 pages

Amazon.com Review
Roman Vishniac's A Vanished World is an extraordinary record of the lives of German and Eastern European Jews in the years immediately preceding the Holocaust. Vishniac, a Russian Jew, began to take photographs of village life during World War I, when Russian Jews who lived near the front were accused of being German spies and were deported to Siberia. He later moved to Germany, where he witnessed the horrible events of Kristallnacht and the anti-Jewish legislation that allowed Hitler to declare his enemies stateless and therefore unworthy of international protection. As we study Vishniac's photographs--a surviving fraction of the more than 16,000 he took--we are aware that we are seeing the faces of those soon to die, witnessing a world that has all but perished. Yet that world, of shops and schools, of busy streets and quiet farms, remains with us if only as a ghostly memory, thanks in part to Vishniac's compassionate eye.

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12 of 12 people found the following review helpful.
A stunning historical record
By A Customer
I was amazed at the quality of the images and the sensitive approach to what has become an amazing record of that,which many of us could only imagine from verbal accounts.It is without doubt the best photographic recording of a society which was to be brutally decimated. Vishniac's photographic artistry in my mind are on a par with Cartier Bresson whom I greatly admire. Thanks to the publisher for printing such a wonderful book.

10 of 10 people found the following review helpful.
An amazing record
By David Light
What is incredible is how Vishniac captured the variety of Jewish life in late 1930s eastern Europe--from the streets of Warsaw, Cracow, and Lublin, to villages in the Carpathians. His photographs also contrast the extreme poverty many Jews fell into at the time (especially as a result of official boycotts of Jewish establishments) with the richness of intellectual and religious life (the two being inseparable in that time and place).

We are shown grandfathers and babies, sages and porters, tzaddiks and merchants, women in the market, boys in cheder, children at play. While strife, anxiety, and resignation are seen on the faces in many of the photographs, there are also many smiling faces--some shy, some beaming at the camera. The most beautiful are those of small children--a girl returning home with a pot of soup and a bottle of milk for the family's dinner, so pleased; a small boy looking off at something his classmates do not see; a boy on a crowded street giving the photographer a friendly wave.

Also of great value are Vishniac's captions, printed at the front of the book. One hopes that some publisher will bring this valuable book back into print.

23 of 23 people found the following review helpful.
Alive, at Most, in Memory
By A Customer
One look at the pages of this wrenching book will tell the story. Roman Vishniac, secretly, in some cases, shot thousands of pictures of the Jewish population of Eastern Europe, shortly before they were swallowed up by the Holocaust.
Young, old, in-between are shown going about their ordinary lives, some already paying the price of the prevalent Eastern European anti-Semitism, virtually oblivious to what was coming their way.
You can't look at these pictures and not shudder: certainly no one in these pictures can still be alive, and it's not just because of the passage of time. Most of the people photographed here lived in the smaller villages, segregated in many cases from the Gentiles, wearing clothes that quickly and easily identified them to their destroyers.
Vishniac shot an estimated 16,000 pictures, but managed to get only about 2,000 out when he fled to the United States in 1940. We should be grateful for what he's given us, and mourn all that was lost.

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> PDF Download Los Secretos Del Oasis: (Secrets of the Oasis) (Spanish Edition), by Abby Green

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Cuando Jamilah Moreau se había entregado al jeque Salman en París, cinco años antes, había soñado con vestidos de novia y finales felices, mientras que él sólo había actuado movido por el deseo…

Ahora, Salman podía tener todo lo que deseara, y tal y como descubrió Jamilah cuando se la llevó a un oasis, ¡la seguía deseando a ella! No obstante, el tiempo los había cambiado y hacer el amor ya no era suficiente. Lo ocurrido en París había tenido consecuencias duraderas para ambos…

• Sales Rank: #6322003 in Books
• Published on: 2012-04-03
• Original language: Spanish
• Number of items: 1
• Dimensions: 6.62" h x .42" w x 4.21" l,
• Binding: Mass Market Paperback
• 160 pages

About the Author
Abby Green worked for twelve years in the film industry. The glamour of four a.m. starts, dealing with precious egos, the mucky fields, driving rain...all became too much. After stumbling across a guide to writing romance, she took it as a sign and saw her way out, capitalising on her long-time love for romance books. Now she is very happy to sit in her nice warm house while others are out in the rain and muck! She lives and works in Dublin.

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0 of 0 people found the following review helpful.
Five Stars
By santi
Wife read and enjoyed it. She recommends it.

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! PDF Ebook The Labyrinth of Exile: A Life of Theodor Herzl, by Ernst Pawel

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Theodor Herzl was the founder of modern Zionism and therefore probably the most important contemporary Jewish figure. His long overdue biography is produced by Ernst Pawel, the award-winning biographer of Kafka, The Nightmare of Reason.

• Sales Rank: #1776988 in Books
• Published on: 1989-11-21
• Original language: English
• Number of items: 1
• Dimensions: 9.20" h x 1.70" w x 5.70" l,
• Binding: Hardcover
• 564 pages

From Publishers Weekly
Herzl (1860-1904), a Hungarian-born Viennese Jew, at age 35 transformed himself from journalist and dandified minor playwright to leader of the secular Zionist movement by dint of willpower and charisma. He emerges in Pawel's near psychobiography as a dictatorial, sexually repressed, cruelly misogynistic, arrogant fame-seeker who believed in his own legend and "channeled his self-destructive impulses into a self-transcending cause." Pawel ( The Nightmare of Reason ) shatters the icon of the bearded prophet with burning eyes; the figure that remains in this probing portrait is a great man, but not a likable one. Herzl, in this telling, rose above his elitist bias to create a democratic mass movement that spawned the nucleus of a future state. His "life of tragic grandeur which left much wreckage in its wake" is candidly re-created. Photos.
Copyright 1989 Reed Business Information, Inc.

Review

“Pawel brings to his study of the first Jewish leader in modern times an intellectual energy and literary elegance that combine to make the book not only a masterpiece of its genre but an absorbing, indeed definitive, portrait of a prophet.” ―Alyn Brodsky, The Detroit News

“A spellbinding narrative...It is impossible to finish this book without feeling the exhilaration that comes from plumbing the depths of a powerful personality.” ―Jim Miller, Newsweek

About the Author

Ernst Pawel was born in Berlin and lived in Yugoslavia before coming to the United States. He was the author of three novels and the award-winning The Nightmare of Reason: A Life of Franz Kafka.

Most helpful customer reviews

8 of 8 people found the following review helpful.
Interesting study of Zionism and its first leader
By A Customer
Pawel attempts and largely succeeds at placing Herzl and the Zionist movement in its historical and cultural setting. He thoroughly and without sentiment unveils the conflicts and crises that drove Herzl to become the international leader of Zionism. The rise of Jewish nationalist sentiment and the personalities involved in its emergence are well presented. I especially enjoyed the depiction of the Vienna of Herzl's era. I recommend it for readers with an interest in the origins of the Zionist movement and its uniquely gifted leader, Theodor Herzl.

2 of 2 people found the following review helpful.
Eye-popping social history, serious yet fun
By Simon Barrett 'Il Penseroso'
Amos Elon's 1975 work is considered the standard Life but by comparison seems rather novelised; this riveting read, about a decidedly bizarre yet wholly admirable gentleman, surely surpasses it

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