Thursday, December 31, 2015

? Download PDF Aeneid Book VI: A New Verse Translation, by Seamus Heaney

Download PDF Aeneid Book VI: A New Verse Translation, by Seamus Heaney

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Aeneid Book VI: A New Verse Translation, by Seamus Heaney

A masterpiece from one of the greatest poets of the century

In a momentous publication, Seamus Heaney's translation of Book VI of the Aeneid, Virgil's epic poem composed sometime between 29 and 19 BC, follows the hero, Aeneas, on his descent into the underworld. In Stepping Stones, a book of interviews conducted by Dennis O'Driscoll, Heaney acknowledged the significance of the poem to his writing, noting that "there's one Virgilian journey that has indeed been a constant presence, and that is Aeneas's venture into the underworld. The motifs in Book VI have been in my head for years--the golden bough, Charon's barge, the quest to meet the shade of the father."

In this new translation, Heaney employs the same deft handling of the original combined with the immediacy of language and sophisticated poetic voice as was on show in his translation of Beowulf, a reimagining which, in the words of James Wood, "created something imperishable and great that is stainless--stainless, because its force as poetry makes it untouchable by the claw of literalism: it lives singly, as an English language poem."

  • Sales Rank: #41070 in Books
  • Published on: 2016-05-03
  • Released on: 2016-05-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x .59" w x 6.33" l, .0 pounds
  • Binding: Hardcover
  • 112 pages

Review

[Heaney's] voice carries the authenticity and believability of the plainspoken--even though (herein his magic) his words are anything but plainspoken. His stanzas are dense echo chambers of contending nuances and ricocheting sounds. And his is the gift of saying something extraordinary while, line by line, conveying a sense that this is something an ordinary person might actually say. ―Brad Leithauser, The New York Times Book Review

"So fresh and compelling that those who have never enjoyed this classic may want to give it another try . . . Heaney deftly highlights the dramatic tension of the opening passages . . . The language Heaney employs―a skillful mix of poetic phrasing and plainspokenness―gives the narrative a wonderful immediacy . . . The result is an interpretation that shows why the ancient text is both timely and timeless."―Elizabeth Lund, The Washington Post

"The book as a whole is instilled with Heaney's mastery of music―of rhythm, meter, and lineation . . . A remarkable and fitting epilogue to one of the great poetic careers of recent times."―Nick Laird, Harper's

"Seamus Heaney once wrote that Osip Mandelstam’s translation of Dante’s Divine Comedy 'possesses the poem as a musician possesses the score, both as a whole structure and as a sequence of delicious sounds.' The same could be said of Heaney’s own translation of Book VI of the Aeneid . . . A lovely rendition of one of the most stylistically rich books of the Aeneid. Though he hews closer to the original Latin than in his other translations, Heaney’s text is . . . a work of distinctive and poetic English." ―Christopher Carroll, The Wall Street Journal

About the Author
Seamus Heaney (1939-2013) received the Nobel Prize in Literature in 1995. His poems, plays, translations, and essays include Opened Ground, Electric Light, Beowulf, The Spirit Level, District and Circle, and Finders Keepers. Robert Lowell praised Heaney as the "most important Irish poet since Yeats."

Most helpful customer reviews

0 of 0 people found the following review helpful.
The translator turns what is abstract into mainstream modern literature
By Michael Boyajian
Super poet and master translator the late Seamus Heaney takes a very abstract book of the Aeneid and turns it into modern mainstream literature.

0 of 0 people found the following review helpful.
For the Classical Scholar in You
By Bruce A. Fichelson
Extraordinary masterpiece!

0 of 0 people found the following review helpful.
Five Stars
By Discerning Buyer
wonderful

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Wednesday, December 30, 2015

~~ PDF Ebook Last Last Chance: A Novel, by Fiona Maazel

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Last Last Chance: A Novel, by Fiona Maazel

Last Last Chance, Fiona Maazel’s first novel, is one of the most distinctive debuts of recent years: a rollicking comic tale about (in no particular order) plague, narcotics recovery, and reincarnation.

A lethal strain of virus vanishes from a lab in Washington, D.C., unleashing an epidemic—and the world thinks Lucy Clark’s dead father is to blame. The plague may be the least of Lucy’s problems. There’s her mother, Isifrid, a peddler of high-end hatwear who’s also a crackhead and pagan theologist. There’s her twelve-year-old half sister, Hannah, obsessed with disease and Christian fundamentalism; and Lucy’s lover, Stanley, who’s hell-bent on finding a womb for his dead wife’s frozen eggs. Lastly, there’s her grandmother Agneth, who believes in reincarnation (and who turns out to be right). And then there is Lucy herself, whose wise, warped approach to life makes her an ideal guide to love among the ruins. Romping across the country, from Southern California to the Texas desert to rural Pennsylvania and New York City, Lucy tries to surmount her drug addiction and to keep her family intact—and tells us, uproariously, all about it.

Last Last Chance is a novel about survival and recovery, opportunity and despair, and, finally, love and faith in an age of anxiety. It introduces Maazel as a new writer of phenomenal gifts.

  • Sales Rank: #2596415 in Books
  • Published on: 2008-03-18
  • Released on: 2008-03-18
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.03" h x 1.30" w x 6.71" l, 1.31 pounds
  • Binding: Hardcover
  • 352 pages

From Publishers Weekly
A sprawling debut with an alternately absurdist and sardonic tone, Maazel's debut follows the tribulations of Lucy, a young drug addict who works at a New York City kosher chicken plant. Lucy's father was a Centers for Disease Control bigwig who's recently committed suicide, presumably due to fallout from his perceived role in an outbreak of plague that is spreading across America. Her mother, Isifrid, is a crack-addled gazillionaire, while grandmother Agneth talks incessantly of reincarnation, and younger half-sister Hannah harbors a huge obsession with disease. As the novel opens, Lucy sets off with her alcoholic, over-50 co-worker, Stanley, to attend the wedding of her best friend, Kam—who is marrying Eric, whom Lucy met first and fell in love with. After some hijinks, Lucy heads to a rehab facility in Texas. Over the course of Lucy's wild road trip, Maazel, daughter of conductor Loren, delivers some electric writing: the novel is brimming with wit, ideas and delightfully screwball humor. But the whimsy undermines the story, especially on the abundant substance abuse material. The novel's earnest, surprising conclusion feels out of sync with the zingy, existential banter of its core. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"Read this book now for the sentence-by-sentence brilliance of Maazel's inimitable voice, and enjoy it to the finish for its sophisticated and vulnerable portrayal of survival -- of the individual and the world-at-large, despite so much stacked against both. Maazel was born in 1975, but her imagination has been on fire for 1000 years." —Joshua Ferris, author of Then We Came to the End

"Somehow Fiona Maazel has made plague funny and the drug recovery narrative, ossified by predictable writers and their wounds, fresh and moving again. Last Last Chance is a stylish first wonder."—Sam Lipsyte

"Last Last Chance is not for the faint of heart or dim of humour. It's wicked, witty, a little whacked and surprisingly warm: what more did you want?"—Wesley Stace, author of Misfortune and By George

"You have to look to Denis Johnson's JESUS' SON for a narrative voice as darkly funny and drug-inflected as Maazel's. This sprawling, wonderfully digressive novel is up to the task at hand: love at the end of the world as we know it."--Amy Hempel

"Fiona Maazel’s novel LAST LAST CHANCE turns heartsickness, family dysfunction, substance abuse and a superplague into the sharpest — and most forgiving — comedy you will find between two covers. It is an absurdist generational saga that ranges widely for its wisdom, shows no mercy in its satire, and stakes out hopeful truths to dwell in during troubling times."--Benjamin Anastas, author of AN UNDERACHIEVER’S DIARY and THE FAITHFUL NARRATIVE OF A PASTOR’S DISAPPEARANCE

"Vigor in every line and a wit about bodies, drugs and plague that forms a positively original voice of our day."--Barry Hannah, author of Yonder Stands Your Orphan (2001)

About the Author
Fiona Maazel, born in 1975, was the 2005 Lannan Foundation fiction fellow. She lives in Brooklyn.

Most helpful customer reviews

8 of 11 people found the following review helpful.
A great debut novel. Can't wait for her next one.
By Bill Warner
The compelling fantasy about a plague epidemic and depiction of an eccentric and disconnected family make Last Last Chance a great read in their own rights. But Fiona Maazel's greatest strength is the voice she gives to her protagonist, Lucy Clarke. She is sardonic and desperate. She is devoted to family and trapped in selfishness. Maazel deftly portrays the ambivalence, yearning and hopelessness of addiction and the cynicism felt by many addicts as they dip their toes into the recovering community pool. The recovery as reincarnation analogy she makes is aptly drawn.

Don't let the description on the dust jacket fool you. The reincarnation espousing grandmother, pagan crack-head mother, disease and Christian fundamentalism obsessed sister, the lover seeking a donor for his dead wife's fertilized eggs all make it appear to be a novel filled with absurd, flat caricatures. In fact, Maazel gives each a rich, logical and sad inner life. Any absurdity is just on the surface. You will admire and care for each of these people, even if you despise some of their behaviors.

I disagree with Publishers Weekly's criticism of the book's conclusion. Without giving away details, I'll simply say that any change in "tone" is consistent with how Lucy's life was changed by outside forces and by how she adapts despite and because of and those events.

2 of 3 people found the following review helpful.
Great debut
By April
Though not the typical type of book I pick up, Fiona Maazel's debut is definitely going on my list of top fiction books. It's a good book to start with, but considering it's a debut, I'm that much more impressed.

The first thing that struck me is the depth of Maazel's characters. The protagonist, Lucy, spends the length of the novel dealing with the suicide of her father, her social standing as an outcast, and her drug addictions. Her family members- a crack addict mother, a fundamentalist sister- are also three dimensional, despite being slightly overdone at times. A good writer can make you feel sympathy for a character you may not relate to, so even those with no history of dealing with addiction can see the struggle the characters go through and be pulled in by it.

Maazel's sardonic sense of humor and mature style grabbed me from the very beginning. Her voice is similar to the type I like most- humorous but sarcastically so at times, dark and gritty but with a light thrown in somewhere. This combines with the depth of character and subject to create a fiction that is haunting but satisfying.

The book has few flaws, and even those might be products of my own prejudices. For example, I have a dislike of finding a spiritual way out of addiction. I strongly believe that addiction can be overcome without it. I was hoping Maazel would find a unique way of looking at the issue of sobriety, though I do like Lucy's view of the subject. Her cynical side causes her to doubt the existence of anything spiritual that could give her aid. To avoid giving anything away, I'll just say you're not entirely convinced even at the end that she has beaten the addiction- at least as much as anyone can beat an addiction. My only other criticism of the novel is simply a wish to see her sister's character explored some more.

Maazel's characterization and style really blend with a good story to create something great. I definitely recommend Last Last Chance to readers of "gritty" fiction.

4 1/2 stars

1 of 1 people found the following review helpful.
Last Last Chance
By M. martin Gomez
Maybe because I am not a US born person and live in a different country, but it was not very clear at the beginning what was the meaning of the book. The second half was OK and what I liked the most and made sense to me was the end.

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Thursday, December 24, 2015

* Ebook Free Red Cloud at Dawn: Truman, Stalin, and the End of the Atomic Monopoly, by Michael D. Gordin

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Red Cloud at Dawn: Truman, Stalin, and the End of the Atomic Monopoly, by Michael D. Gordin

On August 29, 1949, the first Soviet test bomb, dubbed First Lightning, exploded in the deserts of Kazakhstan. The startling event was not simply a technical experiment that confirmed the ability of the Soviet Union to build nuclear bombs during a period when the United States held a steadfast monopoly; it was also an international event that marked the beginning of an arms race that would ultimately lead to nuclear proliferation beyond the two superpowers.

 

Following a trail of espionage, secrecy, deception, political brinksmanship, and technical innovation, Michael D. Gordin challenges conventional technology-centered nuclear histories by looking at the prominent roles that atomic intelligence and other forms of information play in the uncertainties of nuclear arms development and political decision-making. With the use of newly opened archives, Red Cloud at Dawn focuses on the extraordinary story of First Lightning to provide a fresh understanding of the origins of the nuclear arms race, as well as the all-too-urgent problem of proliferation.

  • Sales Rank: #944478 in Books
  • Published on: 2009-09-29
  • Released on: 2009-09-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.29" h x 1.34" w x 6.47" l, 1.45 pounds
  • Binding: Hardcover
  • 416 pages

From Publishers Weekly
The world waited anxiously for the other shoe to drop, according to this history of the fraught period between America's atomic bombing of Japan and the Soviet Union's 1949 test of its first nuclear device. Princeton historian of science Gordin (Five Days in August) treats the era as a study in the pitfalls of incomplete information. American officials tried to keep nuclear technology secret (but not too secret: they fretted that not publishing crucial data would tell the Soviets what to look for) and conjectured endlessly about when Russia would get the bomb. Meanwhile, the Soviets, working from espionage and revealing American public sources, wondered whether their information on bomb making was trustworthy and struggled to overcome huge gaps in their knowledge. When American radiological monitors detected a Soviet nuclear blast in 1949, American officials worried about the geopolitical fallout from revealing their knowledge of the Russian success, which Stalin kept secret. Gordin's suggestion that the mania for information control furthered an arms race that might have been avoided seems dubious, but his account of the epistemological hall of mirrors that was the early cold war is fluent. 7 b&w illus. (Oct. 7)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

Praise for Red Cloud at Dawn

“Gordin has crafted a quite wonderful book . . . [It] greatly expands what we should know about the contest for nuclear supremacy in the early Cold War. Heartily recommended.” —Ed Goedeken, Library Journal

“More than a tale of scientific ingenuity, [Red Cloud at Dawn] probes the human motives of those involved in a high-stakes drama . . . A perceptive study, rich with implications for a twenty-first-century world still fraught with nuclear tensions.” —Bryce Christensen, Booklist

“Michael Gordin brings vividly to life the end of the American atomic monopoly. By focusing on what each side knew—and did not know—about the other, he sheds new and original light on the origins of the U.S.-Soviet nuclear arms race. This is a stylish book, with important implications for how we think about nuclear weapons past and present.” —David Holloway, author of Stalin and the Bomb

“Nothing about the early cold war can be understood without grasping the terrifying first few years of nuclear weapons. Everything was in play: who would have them, who would control them, would they be used to enforce a pax Americana. Spies, diplomats, treaties, and detonations—nothing gripped decision makers as much as the atomic arsenal, from screaming headlines to the silent intelligence analyses on both sides of the divide. In Red Cloud at Dawn, Michael Gordin zeros in on the crucial years from Hiroshima to the first flash of ‘Joe 1’ in 1949, the first Russian bomb and the ninth nuclear explosion. Using a spectacular variety of sources from Soviet and American sources, Gordin gives us a book that must be read to understand how we came to the sprawling nuclear proliferation in which we now live.” —Peter Galison, Joseph Pellegrino University Professor, Harvard University

“Beginning with Truman’s revelation to Stalin that the United States had an unusually powerful weapon, Michael Gordin tells the story of the Soviet A-bomb and the origins of the Cold War arms race. The ‘dialectical dance’ of the superpowers entailed a deadly embrace that cost millions but miraculously avoided nuclear holocaust. This is a story of intelligence in both senses of the word—of spies and scientists, of information rather than simply fissionable material and devices. The red mushroom cloud rose on August 29, 1949, and, as Gordin’s compelling narrative shows, the fallout, in its many senses, remains with us today.” —Ronald Suny, Charles Tilly Collegiate Professor of Social and Political History, University of Michigan

About the Author

Michael D. Gordin is an associate professor of the history of science at Princeton University. He is the author of Five Days in August: How World War II Became a Nuclear War.

Most helpful customer reviews

9 of 9 people found the following review helpful.
ARMAGEDDON SHARED
By Paul Gelman
August 29,1949 would have been another day in the history of mankind, had it not been the day when the American monopoly over the atom bomb had come to an end.On that day,the first Soviet bomb, called "First Lightning" exploded in the deserts of Kazakhstan.This event was to lead to nuclear proliferation beyond the two supepowers.
The book starts with the Potsdam Conference, where Truman had revealed to the Russian dictator Stalin that the USA were in the possession of a devastating weapon.Stalin remained calm and it was at this point where speculation started as to the reasons of why Stalin has reacted(or did not react)the way he had.One thing was clear:the Russians knew berofehand about the American atom project,called "Manhattan".They obtained this information from so many spies who were responsible for transmitting this news to them.These spies were not necessarily employed by the GRU or the NKGB bosses.There were many scientists, like Klaus Fuchs or Alan Nunn May who were working for comrade Stalin because they shared his ideological ideas.The extent of espionage about the "Manhattan Project" for the development of the first Soviet nuclear bomb became known after the Russian archives holding relevant materials
opened their gates to the public and scholars alike.One of Moscow spymasters was Pavel Sudoplatov-the man who was also responsible for dispatching the man who would assassinate Leon Trotsky in Mexico in 1940.Sudoplatov claimed that Beria summoned him in February 1944 to head a new department (dubbed "S") to deal with atomic espionage.This department was to integrate the information which the NKGB and the GRU got from their various sources.The name of the whole espionage operation was "Enormoz",showing the extent of suh a mammoth enterprise.
There were many rings of spies that were vying for the atom secrets.The most famous one was the notorious Cambridge Five Group.Among its members there were Kim Philby and Guy Burgess.
Then the defection of Igor Gouzenko, a Russian cipher clerk ,in Canada in 1945, demonstrated again what the west had suspected before: the most secret project of theirs was riddlled with spies and informers.
But ,as Professor Gordin makes it clear, all this information was not good enough for the Russians.They had so many pieces of information but they never knew whether these purloined secret papers were authentic or part of a deception plan.Second, they needed a lot of scientists to make sense of the huge amount of information that was making its way to the center of Moscow.
Third, the Russians were not naive.At the end of WW2, they have taken steps in order to ensure that Nazi scientists ,who were suspected of having relevant infornmation about nuclear fission,would be convinced to cross over to their side.The recruitment of German scientists was to take part during May to November 1945 and this process continued until 1948.The recruited were scientists, engineers and lab assistants-three hundred in all.
The following chapters of the book detail the everyday routine of those working to satisfy Stalin and his henchman, Beria.Professor Gordin asks many questions about what each side knew or did not know about the other's intentions.
We also get a very detailed account of the American reactions when they heard about the successful Russian experiment.These is done with the help of many American and Russian sources offering new perspectives on the issue.He highlights the role played by key players in this drama, such as Bernard Baruch,David Lilienthal and Dean Acheson as well as those scientists who were responsible for the development of the Russian bomb.
Nuclear proliferation started in 1949 and is still with us,unfortunately.This is why this book is so relevant and merits to be read by everyone who cares about our planet.

3 of 3 people found the following review helpful.
The Ramifications of August 29, 1949
By Dave Schranck
That's the day when the Cold War heated up; it was the day when the Soviet Union exploded their first fission bomb, the US lost its monopoly and the world becomes much more dangerous. Much of what is presented in this enlightening, fact filled book will be the ramifications of that event but the book begins at the Potsdam Conference in 1945 when President Truman tells Stalin of the new weapon the US has. Truman, over confident in the US monopoly in nuclear technology, believed Stalin was ignorant of the Manhattan Project or of the capabilities of nuclear weapons when in reality the Soviet Union knew all about the Manhattan Project and had already started their own program. That over confidence will cause the US to make some poor decisions in the coming years.

Though spending some time describing the Soviet's nuclear program, the author doesn't spend any appreciable time describing the Manhattan Project but delves into the political and intelligence aspects of these two super powers escalating the Arms Race into the 1950s and beyond.
During the Yeltsin era, Soviet classified documents were opened to the public and using this material and other sources the author has updated the Soviet position of what they knew and when they knew it as well as what they did and why they did it. Much coverage is given to the espionage programs of both countries in determining the developments of the other. To complete the story, Mr Gordin describes the actions the US took to block, neutralize and prevent Soviet dominance in the nuclear arms race as well as its standing in the world as our world was becoming polarized. He also describes the political environment Washington was morphing into. Its a fascinating but frightening story that is still shaping the world today. That world became even scarier when both countries started working on Teller's Super Bomb. The author includes the controversy and delay of starting the Super Bomb in the US while the Soviet Union accelerated their research. This is the briefest of outlines for the author covers the whole spectrum of concerns of this conflict.
The author includes a few photos and more importantly an outstanding Notes section and a Source list.

Mr Gordin, a professor and accomplished author has written an important and engaging book about developments that have the potential to overshadow and in some aspects have overshadowed WWII and all generations should read this book to understand the origins of the Arms Race that's impacting our world today.

2 of 2 people found the following review helpful.
Excellent study of the "atomic monopoly" period 1945-1949
By David Alan Tussey
if you are interested in nuclear proliferation and nuclear strategy, then you'll be thrilled reading this book. It is a very, very interesting look at the period of time from the detonation of the "Trinity" test, up until the detonation of "First Lightening" (the Soviet test). Each chapter focuses on a certain side of the government and the politics, such as the "announcement" of Trinity to Stalin, the announcement of the first Soviet test, the effort to put in-place nuclear detection devices...all fascinating.

One thing I would like is more pictures. Many of the figures here, such as the AEC chairman and even the SecDef(s), are mostly unknown today. I'd love to see more pictures of these people, the devices involved, the atomic tests, etc., etc. This was a time of enormous "look at that" stuff, and I wish the book had many more pictures, drawings and illustrations.

Also, I would be thrilled to see the author do a sequel to this book, say the next decade when the atomic bomb led to a full-blown arms race, particularly with the US Strategic Air Command (SAC). That would be fascinating.

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~ Download Ebook The Collected Stories, by Leonard Michaels

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The Collected Stories, by Leonard Michaels

Leonard Michaels was a master of the short story. His collections are among the most admired, influential, and exciting of the last half century. The Collected Stories brings them back into print, from the astonishing debut Going Places (1969) to the uncollected last stories, unavailable since they appeared in The New Yorker, Threepenny Review, and Partisan Review.

At every stage in his career, Michaels produced taut, spare tales of sex, love, and other adult intimacies: gossip, argument, friendship, guilt, rage. A fearless writer―"destructive, joyful, brilliant, purely creative," in the words of John Hawkes―Michaels probed his characters' motivations with brutal humor and startling frankness; his ear for the vernacular puts him in the company of Philip Roth, Grace Paley, and Bernard Malamud. Remarkable for its compression and cadences, his prose is nothing short of addictive.

The Collected Stories is a landmark.

"Leonard Michaels's stories stand alongside those of his best Jewish contemporaries -- Grace Paley and Philip Roth." -- Mona Simpson, The New York Times Book Review

  • Sales Rank: #784201 in Books
  • Published on: 2007-05-29
  • Released on: 2007-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.06" w x 6.00" l, 1.66 pounds
  • Binding: Hardcover
  • 416 pages

From Publishers Weekly
Though Michaels, who died in 2003 at the age of 70, is probably best known for his novel The Men's Club (1981), these 38 stories attest to his skill as a short story writer. Readers coming to Michaels's work for the first time will find the early, pointed stories from his noteworthy collections, Going Places and I Would Have Saved Them If I Could as well as some of his later works that have never been collected. Michaels's early stories are written with a frantic sexuality that displays his distinctive dark humor. In "Fingers and Toes," recurring characters Henry and Phillip weigh the value of their friendship against their encounters with the same woman through a set of urban hallucinations characteristic of the early stories. Raphael Nachman, the icon of Michaels's later fiction, is an aging mathematician at UCLA and a surprising foil to Michaels's usual kinetic energy. In the first Nachman story, the professor takes a guest lectureship in his ancestral Poland and tries to reconcile his analytical yet peaceful view of the world with his family's history. Fans of the author should be thrilled at having such a wide body of work between two covers.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Larky, fifully brilliant, as profane as they are aphoristic, Leonard Michaels's stories stand alongside those of his best Jewish contemporaries--Grace Paley and Philip Roth. Like theirs, Michaels's vernacular achieves the level of song ... ["Murderers"] measures up to that other masterpiece about a young boy on a rooftop, Philip Roth's "Converstion of the Jews" ... Michaels's later work contains his greatest writing ... The seven astonishing Nachmann stories ... consider moral problems freshly. All the ornament seems burned off, purified; the narratives distilled and gorgeously plain, as only a great stylist's can become. Less crackling than the earlier work, they're smoother in the mouth, stark in form. Michaels was writing more Nachmann stories when he died. If finished and published together, they might have made a novel. As it is, they're seven irregular beauties, to be read again and again.” ―The New York Times Book Review

“[Michaels's] every page reveals the mark of an extraordinarily original and gifted talent.” ―William Styron

“Anyone concerned with the American short story should read and know these stories.” ―Charles Baxter, San Francisco Chronicle

“Though Michaels, who died in 2003 at the age of 70, is probably best known for his novel The Men's Club (1981), these 38 stories attest to his skill as a short story writer. Readers coming to Michaels's work for the first time will find the early, pointed stories from his noteworthy collections, Going Places and I Would Have Saved Them If I Could as well as some of his later works that have never been collected. Michaels's early stories are written with a frantic sexuality that displays his distinctive dark humor. In 'Fingers and Toes,' recurring characters Henry and Phillip weigh the value of their friendship against their encounters with the same woman through a set of urban hallucinations characteristic of the early stories. Raphael Nachman, the icon of Michaels's later fiction, is an aging mathematician at UCLA and a surprising foil to Michaels's usual kinetic energy. In the first Nachman story, the professor takes a guest lectureship in his ancestral Poland and tries to reconcile his analytical yet peaceful view of the world with his family's history. Fans of the author should be thrilled at having such a wide body of work between two covers.” ―Publishers Weekly

About the Author

Leonard Michaels (1933–2003) was the author of Going Places, I Would Have Saved Them If I Could, and The Men's Club, among other books.

Most helpful customer reviews

1 of 1 people found the following review helpful.
he is a superb writer. finished the entire collection ...
By Amazon Customer
he is a superb writer. finished the entire collection in 3 days. the ones about the mathematician Nachman are extraordinary. Michaels has a captivating style, as well as poignant stories. very sorry he's not around to write anymore.

12 of 14 people found the following review helpful.
dude is a genius
By John B. Cragar
Writing this precise doesn't get learned. It comes straight from something higher. This is as poetic as you are likely read. Words will smash your face in. Desparation looms everywhere, and hope is just around a deserted corner.

9 of 12 people found the following review helpful.
A great collection
By Rais3dByWolv3s
These stories present vision of many different times and places, all told with precision and biting humor. Many take place in New York in the '50s and '60s. You will witness a major social and cultural center at a crucial moment. You will feel you lived there for a brief time while you read the story.

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Saturday, December 19, 2015

!! Download Ebook Do Fathers Matter?: What Science Is Telling Us About the Parent We've Overlooked, by Paul Raeburn

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Do Fathers Matter?: What Science Is Telling Us About the Parent We've Overlooked, by Paul Raeburn

A 2015 National Parenting Publications Awards Gold Winner
A Mom's Choice Awards Gold Medal Winner

For too long, we've thought of fathers as little more than sources of authority and economic stability in the lives of their children. Yet cutting-edge studies drawing unexpected links between fathers and children are forcing us to reconsider our assumptions and ask new questions: What changes occur in men when they are "expecting"? Do fathers affect their children's language development? What are the risks and rewards of being an older-than-average father at the time the child is born? What happens to a father's hormone levels at every stage of his child's development, and can a child influence the father's health? Just how much do fathers matter?
In Do Fathers Matter? the award-winning journalist and father of five Paul Raeburn overturns the many myths and stereotypes of fatherhood as he examines the latest scientific findings on the parent we've often overlooked. Drawing on research from neuroscientists, animal behaviorists, geneticists, and developmental psychologists, among others, Raeburn takes us through the various stages of fatherhood, revealing the profound physiological connections between children and fathers, from conception through adolescence and into adulthood-and the importance of the relationship between mothers and fathers. In the process, he challenges the legacy of Freud and mainstream views of parental attachment, and also explains how we can become better parents ourselves.
Ultimately, Raeburn shows how the role of the father is distinctly different from that of the mother, and that embracing fathers' significance in the lives of young people is something we can all benefit from. An engrossing, eye-opening, and deeply personal book that makes a case for a new perspective on the importance of fathers in our lives no matter what our family structure, Do Fathers Matter? will change the way we view fatherhood today.

  • Sales Rank: #392211 in Books
  • Published on: 2014-06-03
  • Released on: 2014-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.47" h x .96" w x 5.92" l, .90 pounds
  • Binding: Hardcover
  • 288 pages

Review

“Raeburn's book reveals the fascinating ways in which dads matter to children, and how children matter to dads . . . at center stage here is Raeburn's ability to present research in ways both engaging and clear.” ―Jenni Laidman, Chicago Tribune

“A thought-provoking field piece on the science of fatherhood, studded with insights on how to apply it in the real world” ―Alex Stone, The New York Times (Science)

“A zippy tour through the latest research on fathers' distinctive, or predominant, contributions to their children's lives, Do Fathers Matter? is filled with provocative studies of human dads--not to mention a lot of curious animal experiments . . . [Paul Raeburn] writes clearly, untangling cause from effect, noting probabilities and inserting caveats. . . he is an ideal guide to tricky, uncertain research in a nascent field. . . . father research cuts across disciplines, and Mr. Raeburn excels at mapping the twistiness of the road ahead.” ―Mark Oppenheimer, The New York Times

“Raeburn shows with mounting evidence the role of the father and his effect on the care and nurturing of children . . . As the father of a rapidly growing and changing little girl, I gained more from Raeburn's work than all the daddy lit put together.” ―Kent Black, The Boston Globe

“[Do Fathers Matter? is] a clear-eyed march through the history of family studies and a helpful review of the new generation of research devoted to identifying the impact of dads . . . [it] gathers an impressive diversity of studies into a single, highly readable volume, covering such topics as conception, pregnancy, infants, teenagers and aging fathers.” ―Bruce Feiler, The Washington Post

“[Raeburn's] lively tour through the latest research in biology, ethology, psychology, sociology and neuroscience is intriguing.” ―Joshua Kendall, Los Angeles Times

“A valuable, compelling book for fathers, mothers, grandparents and parents-to-be -- and perhaps even for their children . . . Do Fathers Matter? uncovers a trove of good research about fathers and parenting.” ―Kevin Begos, Associated Press

“[Do Fathers Matter?] aims to dispel [the] uncertainty about fathers' roles in their children's lives...Raeburn's broad argument--that fathers have been maligned, even though they matter as much as mothers--is convincingly made.” ―Joshua Rothman, The New Yorker

“[Do Fathers Matter] is dedicated to presenting the most remarkable of those hidden studies about dads to the layperson, and arguing that the evidence suggests fathers do matter, in ways that conform to conventional wisdom as well as in some that may be surprising.” ―Andy Hinds, The Daily Beast

“A wide-ranging plea for both genders to remember that dads are not also-rans in the business of child rearing.” ―Lenore Skenazy, The New York Times Book Review

“A good, solid piece of science journalism . . . stuffed with studies showing the vital role fathers play in their children's lives from the moment of conception, through the mother's conception onward.” ―Jeffrey Kluger, Time

“[Do Fathers Matter?] is astounding in its scope and perspective on fatherhood, with some of its revelations being downright shocking.” ―Janice Shaw Crouse, The Washington Times

“A warm, enjoyable collection of stories about the science of fatherhood . . . a highly readable account.” ―Peter B. Gray, Psychology Today

“When science journalist Paul Raeburn first assessed the available research on fathers, he found the pickings decidedly slim. Scientists are now redressing the balance, and Raeburn has rounded up key findings in developmental psychology, evolutionary biology, genetics and neuroscience.” ―Nature

“I recommend Do Fathers Matter? to anyone who has ever wondered if indeed fathers are as important as mothers when it comes to setting the stage for success later in life. My prediction is you will be able to relate to Raeburn's well-developed and wonderfully executed book in a way that will change the way you feel about both of your parents.” ―Aaron W. Hughey, Bowling Green Daily News

“As food for thought, [Do Fathers Matter?] provides an ample helping for anyone willing to look at the ways fathers are portrayed, the realities of male parenting and all the gray areas in between.” ―Kirkus Reviews

“Whisking readers through research in evolutionary biology, psychology, sociology, and genetics to provide a 'new understanding of the biology of fatherhood,' Raeburn is on comfortable ground discussing the hard science, such as the discovery of imprinted genes, and his personal concern about the 'medical price' paid by older fathers...Raeburn's attempt to promote the modern father as a 'similarly nurturing and attentive' parent might indeed help, as he hopes, prompt a more informed cultural conversation.” ―Publishers Weekly

“To answer the provocative question ‘Do fathers matter?,' Paul Raeburn draws extensively on cutting-edge science, animal research, neurobiology, and large-population studies. Anyone interested in parenthood, human development, and culture must read this thoughtful book.” ―Gretchen Rubin, bestselling author of Happier at Home and The Happiness Project

“A must-read book for anyone who cares about the well-being of children, Do Fathers Matter? is a scientifically rigorous paean to the importance of fathers. Writing with grace and clarity, Paul Raeburn turns conventional wisdom on its head and places fathers, right alongside mothers, on a well deserved pedestal.” ―Susan Cain, bestselling author of Quiet: The Power of Introverts in a World That Can't Stop Talking

“A thoughtful, sensitive, and nuanced exploration of how fathers enrich the lives of children.” ―Robert E. Emery, Director of the Center for Children, Families, and the Law at the University of Virginia, and author of The Truth About Children and Divorce

“Dispelling one myth after another, Do Fathers Matter? offers a detailed, state-of-the-art map of a much neglected and misunderstood terrain--the unique, complex, and powerful role fathers play in the healthy development of children. From anthropological studies to the latest brain research, Paul Raeburn gives us a thorough, eye-opening, and moving account that will change your vision of men in families forever. A tour de force.” ―Terry Real, family therapist, founder of the Relational Life Institute, and bestselling author of I Don't Want to Talk About It, How Can I Get Through to You?, and The New Rules of Marriage

“Outdated myths and perceptions about fatherhood continue to exist, but Paul Raeburn's comprehensive, scientific approach lays them all to waste. If you doubt a father's importance or capabilities as a parent, this indispensable read should change your mind.” ―Doug French, cofounder, Dad 2.0 Summit

“Do fathers matter? Yes, they do, and Paul Raeburn shows us why, in the most engaging and illuminating way imaginable. Delving into psychology, biology, sociology, and history, Raeburn returns with rich insights and practical lessons for today's dads, and for the sons, daughters, and partners who love them. Do Fathers Matter? fills a gap in our knowledge about parenting, but it also opens broad new vistas that we scarcely knew existed--until the science of fatherhood, and its chronicler Paul Raeburn, came along to reveal them.” ―Annie Murphy Paul, author of The Cult of Personality Testing, Origins, and Brilliant: The Science of How We Get Smarter

“Paul Raeburn does a fantastic job of exploring the science of fatherhood as well as the myths that have affected how we think about fathers. With a keen understanding of science and a journalist's commitment to hard facts and data, he sheds light on what is known about men as fathers--and what's yet to be discovered. Ultimately, Raeburn answers the title's question, ‘Do fathers matter?,' with an emphatic yes.” ―Josh Levs, CNN journalist and "dad blogger," fathers' rights advocate, and author of a forthcoming book on modern fatherhood

About the Author
Paul Raeburn is a journalist and the author of four books, including Acquainted with the Night. His stories have appeared in Discover, The Huffington Post, The New York Times Magazine, and Psychology Today, among many other publications. A past president of the National Association of Science Writers, Raeburn has been a science editor at BusinessWeek and the Associated Press; and the creator and host of Innovations in Medicine on XM satellite radio. Raeburn lives in New York City with his wife, the writer Elizabeth DeVita-Raeburn, and their children.

Most helpful customer reviews

35 of 36 people found the following review helpful.
An empowering book for fathers, and enlightening for everybody else!
By Dennis Meredith
This fascinating, clearly written book contains a wealth of information about fathers’ importance to their children—both psychological and biological. Conversely, it explores how children affect their fathers—again both psychologically and biologically. The book should be a must-read for fathers, mothers, family psychologists, and any other professionals who deal with family issues. It should also be a standard text in any course about the family. The author answers the book’s title question “Do Fathers Matter?” with a resounding yes! And he offers the eye-opening evidence to back that answer up. This evidence comes from not only studies involving humans, but those on fathering in monkeys, birds, mice, rats, and voles. When I was reading the book, I marked with sticky notes the information I found most interesting and surprising. I ran out of sticky notes and ended up with a book festooned with them!

0 of 0 people found the following review helpful.
Fathers Matter
By Koparcener
A great reminder that men really do matter in the lives of their children and are critical to their development

0 of 0 people found the following review helpful.
Four Stars
By m
Interesting book. Not a book that you can't put down but it's definitely a book to go back to.

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Monday, December 14, 2015

* Get Free Ebook The Secret Life of the American Musical: How Broadway Shows Are Built, by Jack Viertel

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The Secret Life of the American Musical: How Broadway Shows Are Built, by Jack Viertel

The Secret Life of the American Musical: How Broadway Shows Are Built, by Jack Viertel



The Secret Life of the American Musical: How Broadway Shows Are Built, by Jack Viertel

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The Secret Life of the American Musical: How Broadway Shows Are Built, by Jack Viertel

A New York Times Bestseller

For almost a century, Americans have been losing their hearts and losing their minds in an insatiable love affair with the American musical. It often begins in childhood in a darkened theater, grows into something more serious for high school actors, and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical?

In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next―by design or by accident, by emulation or by rebellion―from Oklahoma! to Hamilton and onward.

Structured like a musical, The Secret Life of the American Musical begins with an overture and concludes with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales. The ultimate insider, Viertel has spent three decades on Broadway, working on dozens of shows old and new as a conceiver, producer, dramaturg, and general creative force; he has his own unique way of looking at the process and at the people who collaborate to make musicals a reality. He shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically.

The Secret Life of the American Musical makes you feel as though you’ve been there in the rehearsal room, in the front row of the theater, and in the working offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast―the Broadway hit.

  • Sales Rank: #17995 in Books
  • Published on: 2016-03-01
  • Released on: 2016-03-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.15" w x 6.35" l,
  • Binding: Hardcover
  • 336 pages

Review

"Both revelatory and entertaining. Viertel combines a scholarly approach with a light touch that enables us to see anew familiar songs and musical theater moments we'd long taken for granted." ―The New York Times Book Review

"Viertel’s knowledgeable, engaging blueprint of [the] Broadway musical framework is instructive fun for cognoscenti and general readers alike." ―The Washington Post

"A lively manual for writers and public alike on how the songs suit the story and how the story needs the songs." ―The Wall Street Journal

"The best general-audience analysis of musical theater I have read in many years." ―The Charlotte Observer

“Jack Viertel changed my theater-going life, and he might change yours . . . The Secret Life of the American Musical: How Broadway Shows Are Built is a delightful, accessible guide to why your favorite productions work. It’s a little bit history, a little bit memoir, a little bit criticism and, for any theater fan, a whole lot of fun.” ―The Dallas Morning News

"Viertel is well-steeped in Broadway culture, lore and productions . . . An enlightening trip for lovers of musicals." ―Kirkus Reviews

"A valuable addition to the theater lover’s bookshelf." ―Publishers Weekly

"[An] engaging, insightful anatomy of a singularly American art form . . . There is much to savor." ―MORE

"Viertel articulates his rules of commercial success so lucidly that even seasoned hands will come away with a clearer understanding of why some shows work while others flop." ―Commentary

"Thoroughly interesting . . . There’s just something very pleasant about reading someone intelligently and affectionately look at what make a show tick, beat by choreographed beat." ―The A.V. Club

"Viertel has written what will become a classic textbook on the architecture and construction of the American musical . . . What Harold Bloom did for Shakespearean exegesis and Peter Drucker for management, Viertel has done for theater: written a definitive work by raising the curtain and laying bare the work of playwrights, composers, librettists, choreographers, and directors." ―Barry X. Miller, Library Journal (starred review)

“Viertel is well-steeped in Broadway culture, lore and productions . . . An enlightening trip for lovers of musicals.” ―Kirkus Review

“Jack Viertel writes about the master craftsmen of the American musical, past and present, and reveals his own mastery on every page―his knowledge of the Broadway musical and of the intricate formula in the making of a show (or the breaking of it), and his passion for Broadway and the citizens who make the street come alive. I’ve been schooled.” ―Patti LuPone

“In The Secret Life of the American Musical, Jack Viertel, a Broadway producer and dramaturgical swami, has broken down Broadway’s greatest musicals into their constituent storytelling parts (a sort of anatomy of joy) and delivered a showstopper: one of the best-written, most illuminating, and most infectiously entertaining books on the genre I know. Delight and insight vie with each other on every scintillating page. ‘It’s boffo!’ as they say on the Rialto.” ―John Lahr, author of Tennessee Williams: Mad Pilgrimage of the Flesh

“This is unfair: no one who knows so much should be able to write so well. And no one in the world knows as much about the shape and substance of the classic American musical as Jack Viertel. His book is a treasure.” ―Daniel Okrent, author of Last Call: The Rise and Fall of Prohibition

“Jack Viertel’s remarkable book has the uncanny effect of making us see something we thought we knew everything about in a way that makes us feel as though we are seeing it all for the first time. He invents a way of thinking about musicals that is utterly fresh and insightful, and while doing so he makes us remember exactly why we love them so much―by somehow re-creating the overwhelming, heart-stopping feeling we had when we were likely ten years old and fell in love with them the second our first overture began. By simultaneously (and brilliantly) embracing and deconstructing a beloved American art form, he brings us back to our most innocent selves, and all we can do is be grateful to him for reminding us of who we used to be.” ―Scott Rudin

About the Author

Jack Viertel is the senior vice president of Jujamcyn Theaters, which owns and operates five Broadway theaters. He has been involved in dozens of productions presented by Jujamcyn since 1987, including multiple Pulitzer Prize and Tony Award winners, from City of Angels to Angels in America. He has also helped shepherd six of August Wilson’s plays to Broadway. He is the artistic director of New York City Center’s acclaimed Encores! series, which presents three musical productions every season. In that capacity he has overseen fifty shows, for some of which he adapted the scripts. He conceived the long-running Smokey Joe’s Cafe and the critically acclaimed After Midnight and has been a creative consultant on many shows, including Hairspray, A
Christmas Story, and Dear Evan Hansen. He was the Mark Taper Forum’s dramaturg and the drama critic
and arts editor of the Los Angeles Herald Examiner, and he has spent a decade teaching musical theater
at the Tisch School of the Arts at New York University.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Really good read and very informative
By Justin Woulard
Excellent book, a really nice companion piece to Razzle Dazzle: The Battle for Broadway that I finished last week. Whereas the earlier book made me want to read more about theatre history. The Secret Life.. made me want to listen to and/or go see some shows that I have missed. There were a few places where I felt that the conceit fell apart a little bit (the book is structured like the musical structure it is teaching), but overall it works. This is a textbook, and at times it reads like one, but overall a fun read and very informative. I really loved the recommend cast albums section at the end.

0 of 0 people found the following review helpful.
The hidden structure of a Broadway Musical
By Larry B
Inside almost every musical in the "Golden Age" (from about Oklahoma to A Chorus Line), there is a covert structure where each number plays a role, eg The Opening Number, The I Want Song, and the 11:00 o' clock number.

The author of this book clearly knows his way around the dramaturgy of the musical. He shares his knowledge with us in the most delightful way. It was great to revisit so many shows and learn of this covert structure structure in which the numbers live.

This is one of those great books that provide both enjoyment and learning. Enjoy! And learn!

0 of 0 people found the following review helpful.
An Up-to-Date Course in Musical Theatre
By Alan W. Nielsen
An informative analysis based on Mr. Viertel's years of experience in the Broadway theatre and teaching a class on the subject. Much of it has been noted before over the past 70 years, from the use of the "I Want" Song to the Secondary Love Plot and Reprises, etc., but Viertel brings his remarks up to date by noting the changes being made to these conventions by works such as SPRING AWAKENING and, yes, HAMILTON. For anyone interested in musical theatre--including directors and writers new to the genre--this book brings it all together.

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Sunday, December 13, 2015

# Fee Download Before and After, by Rosellen Brown

Fee Download Before and After, by Rosellen Brown

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Before and After, by Rosellen Brown

Before and After, by Rosellen Brown



Before and After, by Rosellen Brown

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Before and After, by Rosellen Brown

Beautifully written, compassionate and wise, Rosellen Brown’s novel is the extraordinary story of a family’s struggle to survive the throes of a tragedy. Before and After centers on Carolyn and Ben Reiser and their two children, Judith and Jacob, who live comfortably in a small New England town. When the chief of police comes looking for seventeen-year-old Jacob to question him about the bludgeoning to death of his girlfriend, the Reisers’ lives are changed forever. Before and After is the compelling drama of the search for Jacob, his capture, and the chain of events set in motion by a brutal crime of passion. It is a story that pits parent against parent, brother against sister, family against community, blood loyalty against the law. With a flawless ear for dialogue and profound understanding of character and motive, Rosellen Brown has written a heart-wrenching novel that questions the very nature of violence in our society and our ability to ever really know our children.

  • Sales Rank: #2061118 in Books
  • Brand: Farrar, Straus and Giroux
  • Published on: 1992-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x 1.18" w x 6.14" l,
  • Binding: Hardcover
  • 354 pages
Features
  • Great product!

From Publishers Weekly
In what is arguably her best novel to date, Brown raises challenging issues in a dramatic and provocative context. Her questions--How well can parents know their children? How far should they go to protect them?--are framed in a powerful narrative that weds the suspense of a psychological thriller to a novel of character. As in her previous work ( Civil Wars ; Tender Mercies ; etc.), she demonstrates remarkable insight into human relationships and scrutinizes ethical principles in crisis situations. The initial chapters of this story of one family trapped in a nightmarish situation are riveting. In the hospital of her small New Hampshire town, pediatrician Carolyn Reiser views the viciously smashed skull of teenager Martha Taverner, who had been a classmate of her son Jacob. Carolyn and her sculptor husband Ben soon discover that Jacob--mysteriously missing--was the girl's lover and is the prime suspect in her murder. Brown captures the Reisers' shock and disorientation as they confront the unthinkable, and makes credible Ben's instant decision to destroy the incriminating evidence--a blood-covered jack that he finds in the trunk of Jacob's car. As the family disintegrates during the course of Jacob's arrest and trial, the moral conflict that develops between Carolyn and Ben, though an inevitable outcome of their personalities and principles, is played out in a way that strains credulity somewhat. Yet readers will remain immersed in Brown's gripping story, mesmerized by the questions she raises and by the brave, intelligent, compassionate manner in which she deals with which she grapples with them. (Sept.) .
Copyright 1992 Reed Business Information, Inc.

From Library Journal
This fascinating novel, by the author of such critically acclaimed works as Tender Mercies ( LJ 11/15/78. o.p.) and Civil Wars ( LJ 4/15/84), concerns a family's struggle to hold itself together after a teenaged son murders his girlfriend. The story is told alternately from the viewpoint of the boy's mother, father, and sister. The story moves from initial shock and denial (our son could never have done this!) through anxiety over his disappearance and the difficulties of his capture and incarceration to the murder trial itself and finally to life "afterwards," when the family has had to relocate to another part of the country to avoid cruel gossip in the small New Hampshire town where these events took place. The family members are not only at odds with the community but frequently at odds with one another as well. Deep questions of loyalty, honesty, and love are forced to the surface in this psychologically riveting tale.
- Jessica Grim, Oberlin Coll. Lib., Ohio
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews
Brown, as she showed in Civil Wars (1985), is particularly drawn to what happens to families when a wheel comes off, when the domestic unit begins to careen and veer and ultimately crash. Here, this is her theme again, and once more she accomplishes its dreadful focus with remarkable emotional nuance and high-quality flexible prose. The Reisers, Ben and Carolyn, have two children, Jacob and Judith. Carolyn is a pediatrician, Ben a sculptor, the kids normal enough for their teen and preteen ages. They are Jews among gentile New Hampshire-ites, but are accepted and like where they live, chose it. And then the son's girlfriend is killed. And it is the son who has killed her, in a rage, then has disappeared. It is as terrible a thing for the parents as actually having Jacob be the one killed. How to know one's kid? Ben's reaction is to hide evidence, then (when Jacob is found) to hide the boy, the truth, anything: he even refuses to testify to the grand jury and eventually goes to jail for it. Carolyn--along with daughter Judith--is ripped open not only by the shame and horror but by the lying; and ultimately she finds herself in a cruel grip of conscience she can't deny--even when it means she must deny her son. The plight here--``the forfeit of ordinary life''--is so raw and impossible to finesse that half the time you're almost wincing with the pain that Brown so delicately and dramatically gives shades to. The book is occasionally boggy, stuck in the starkness of its unadorned architecture, with no way to move ahead, to put its agony to momentary rest. And Ben's and Carolyn's and Judith's eloquence of thought sometimes seems too good to be true. Yet true it ultimately all feels--and this is thanks to the tactile, nervy writing Brown accomplishes throughout. A remarkable, nightmarish, often shattering novel. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

15 of 15 people found the following review helpful.
The Spring of 1965
By Philip S. Wolf
Whew, things were different 42 years ago. Chad & Jeremy had been pop stars for two years, by the time of the release of this record. "Before & After" was their first on Columbia Records, in May 1965. The duo did have plenty of chart hits on their previous record label. But, they had little money to show for theis success, so: "Before & After" starts up the 'American' chapter of the Chad & Jeremy story.

Recorded in New York City in early 65 this CD contains some of Chad & Jeremy's best early numbers. The production & performance are on this are first rate for a recording from over four decades ago. This CD has the original record of 11 cuts AND 11 bonus tracks. This clocks in at 57 minutes. There are many outstanding cuts featured here such as the title track: "Before & After", "Why Should I Care"," I'm In Love Again" & "What Do You Want With Me" standout as excellant songs. Covers of Gordon Lightfoot: "For Lovin' Me" and Doc Pomus: "Can't Get Used To Losing You" fit in with the record's theme of winning & losing love. All the Chad & Jeremy elements are in place on: "Before & After." Sparkling acoustic guitars, light orchestration and those trademark 5-star harmonies. There are some rockers mixed in as well, with this great folk-rock.

Of the 11 bonus tracks, three are previously un-released: "Don't Get Around Much Anymore" features a jazzy sound with fast piano runs. "Sometimes" is an Rod Argent rocker and "Fare Thee Well" is an really pretty folk ditty. There are both sides of an Italian Single on here as well as the "Other" duo of Chad & Jill Stuart doing "The Cruel War" & "I Can't Talk To You" and they are noteworthy.

This is a very nice package, with 4 pages of Notes from Chad & Jeremy, AND the bonus tracks that INCREASE it's value.
Four Stars !!!

0 of 0 people found the following review helpful.
I found the book too wordy, especially first three ...
By war story enthusiast
I found the book too wordy, especially first three fourth's of the book, last part to end more interesting. Much of the book information leading up to trial could have been told in fewer words. I skipped much of it until Jacob was arrested. I couldn't understand the way father wanted to lie to save son from punishment. No one seemed to ever confront boy about what he had done and how wrong it was. I wasn't surprised that he got off without punishment nor that family moved. At end of book, I felt he was still a timebomb waiting to go off and thought family, each one, was more miserable than when they lived in NH. A downer from beginning to end!

9 of 10 people found the following review helpful.
Stuffy Reviewers - Good book
By Jamie
Unfortunately, many reviewers don't seem to realise that the review is for how good the book is, not whether or not you like the family that in this case are the main characters. Just because a book challenges what you think of life or moves you (even negatively) does not mean it is a bad book. In fact that is quite often criteria for a good book. Some people seem to be too stuck in their ways to appreciate this great novel.

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