Wednesday, January 29, 2014

~ Download Ebook Frank: A Life in Politics from the Great Society to Same-Sex Marriage, by Barney Frank

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Frank: A Life in Politics from the Great Society to Same-Sex Marriage, by Barney Frank

How did a disheveled, intellectually combative gay Jew with a thick accent become one of the most effective (and funniest) politicians of our time?

Growing up in Bayonne, New Jersey, the fourteen-year-old Barney Frank made two vital discoveries about himself: he was attracted to government, and to men. He resolved to make a career out of the first attraction and to keep the second a secret. Now, sixty years later, his sexual orientation is widely accepted, while his belief in government is embattled.
Frank: A Life in Politics from the Great Society to Same-Sex Marriage is one man's account of the country's transformation--and the tale of a truly momentous career. Many Americans recall Frank's lacerating wit, whether it was directed at the Clinton impeachment ("What did the president touch, and when did he touch it?") or the pro-life movement (some people believe "life begins at conception and ends at birth"). But the contours of his private and public lives are less well-known. For more than four decades, he was at the center of the struggle for personal freedom and economic fairness. From the battle over AIDS funding in the 1980s to the debates over "big government" during the Clinton years to the 2008 financial crisis, the congressman from Massachusetts played a key role. In 2010, he coauthored the most far-reaching and controversial Wall Street reform bill since the era of the Great Depression, and helped bring about the repeal of Don't Ask, Don't Tell.
In this feisty and often moving memoir, Frank candidly discusses the satisfactions, fears, and grudges that come with elected office. He recalls the emotional toll of living in the closet and how his public crusade against homophobia conflicted with his private accommodation of it. He discusses his painful quarrels with allies; his friendships with public figures, from Tip O'Neill to Sonny Bono; and how he found love with his husband, Jim Ready, becoming the first sitting member of Congress to enter a same-sex marriage. He also demonstrates how he used his rhetorical skills to expose his opponents' hypocrisies and delusions. Through it all, he expertly analyzes the gifts a successful politician must bring to the job, and how even Congress can be made to work.
Frank is the story of an extraordinary political life, an original argument for how to rebuild trust in government, and a guide to how political change really happens--composed by a master of the art.

  • Sales Rank: #267463 in Books
  • Published on: 2015-03-17
  • Released on: 2015-03-17
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.37" h x 1.39" w x 6.33" l, 1.00 pounds
  • Binding: Hardcover
  • 400 pages

Review

Winner of the Randy Shilts Award for Gay Nonfiction

“Frank makes fascinating political history. It helps that it's funny.” ―James Kirchick, The Wall Street Journal

“I [once] said [to Frank] I was sorry I would never be able to vote for him as the first gay president of the United States. After reading this book, I am sorrier than ever.” ―Garry Wills, The New York Review of Books

“A sophisticated and extended work of political analysis . . . What so plainly animates [Barney Frank]--and this book--is making his case for how politics and issue advocacy should be practiced. That is part of what makes Frank so edifying: He uses his personal and political rise . . . to argue, cogently and cleverly, for his point of view . . . Enriching for students of politics of any (or no) stripe.” ―Jonathan Martin, The New York Times

“A fun book to read.” ―Chuck Todd, Meet the Press

“The early 21st century's answer to Mark Twain . . . one of the most idiosyncratic, influential and entertaining people to serve [in Congress]” ―Colin Woodward, The Washington Post

“An enlightening and entertaining romp through a half-century of American politics and policymaking. But what can it possibly offer as a guide to fixing government during an era of polarization, dysfunction, and public disaffection? The short answer is more than you might think . . . . [Barney Frank] brings life, passion and humor to these sober observations and demonstrates why politics and government should be and sometimes can be a noble and uplifting undertaking.” ―Thomas E. Mann, Brookings Institute

“Much more entertaining than most political memoirs, Frank's story isn't just revealing; it may be the most fun you can have reading about the United States Congress.” ―Kirkus (starred review)

“Filled with wonderful and insightful examples of legislative maneuvering and political intrigue . . . [Frank is] worth reading as both the story of a public figure who has lived a full and fascinating life as well as a primer about American politics from an insider who knew how to make the system work.” ―Peter Dreier, The Huffington Post

“Frank's own intertwined political and personal odysseys add up to a remarkable story.” ―Julia M. Klein, Boston Globe

“Frank deliciously charts his adventures from the closet to the center of the political stage . . . Frank is candid, and self critical on each step. He details compromises and pragmatic realities. His account of life during the Clinton years is particularly fascinating.” ―Rob Watson, The Huffington Post

“A well-written, marvelous memoir.” ―Martin F. Nolan, San Francisco Chronicle

“A vivid and candid account of a life, both private and public, that is told in the gruff, wry and blunt voice that is literally unique in American politics--the inimitable voice of Barney Frank . . . Frank is an intimate, courageous, and revealing book about what the political landscape looks like from his unique perspective.” ―Jonathan Kirsch, Jewish Journal

“Barney Frank will be remembered as one of the hardest-working, quickest-thinking, most effective--and most quotable--congressmen in our nation's history. Frank tells his story with characteristic candor, from coming out of the closet and working for LGBT rights to fighting for sensible financial reforms. Frank's belief that government can improve people's lives has given passion and energy to a remarkable career in public service.” ―Elizabeth Warren, U.S. Senator for Massachusetts

“This is authentic Barney--a compelling narrative because it mixes the personal with the professional and with his one-of-a-kind sense of humor. It's also an important piece of history by a skilled legislator who has been able to get things done in Washington, D.C., that have made a real difference in all of our lives. I was privileged to work with him.” ―Hank Paulson, former Secretary of the Treasury

“This detailed and accessible memoir certainly lives up to its title, as former Massachusetts Congressman Frank offers a warts-and-all portrait of his life in public service.” ―Publishers Weekly (starred review)

“[Frank] is an illuminating look at behind-the-scenes politics and larger societal changes and one man's struggle with sexual politics and identity.” ―Vanessa Bush, Booklist (starred review)

“You will learn so much that's new from this spectacular anecdote-riddled book--even if, like me, you've known Barney Frank for forty-nine years. Who better than the smartest, funniest man in Congress, as Barney was widely perceived to be, to make the case for government, for pragmatism, for the little guy, for equality . . . and to explain how things really work--and could be better? He was there for all of it.” ―Andrew Tobias, author of The Best Little Boy in the World

“[Frank] relates in delightful candor why a man who was told he "couldn't win," ended up a national hero . . . there is no other living politician today able to compare with Barney's tireless dedication and sprightly unusual life story!” ―Liz Smith

“Frank's acumen is on display in this polemical book, along with his sometimes-biting sense of humor . . . Frank tells all . . . with wit and gusto . . . [and] with energy and indignation--all part of the package with Barney Frank.” ―Alan Rosenberg, Providence Journal (on audiobook edition)

About the Author
Barney Frank represented the Fourth Congressional District of Massachusetts for more than three decades and chaired the House Financial Services Committee from 2007 to 2011. He is a regular commentator on MSNBC and divides his time between a home with his husband near Portland, Maine, and his apartment in Newton, Massachusetts.

Most helpful customer reviews

37 of 37 people found the following review helpful.
An absolute must for those interested in American politics and government!
By Skyhawk
Anyone expecting a juicy tell-all might be disappointed, as will those seeking snarky new quips. But this book should be required reading for anyone interested in American Government or LGBT history. I was fascinated and learned a great deal about how our government actually works. It is an excellent exposition of pragmatic politics and of fighting for the good in a system dominated by self-serving politicians and those beholden to the highest campaign contributors. It is also very funny, as Frank recounts some of his now legendary counterattacks on opponents. In general, it is sweet-spirited despite Frank's rep as an old curmudgeon and full of praise for those on both sides of the aisle who have won his admiration. He also takes the time to explain some of his controversial decisions and how he came to them. Brilliant, beautifully written and never boring. HIghly highly recommended. Fans of the American version of House of Cards should read this just to see how far the series departs from the reality of American government.

0 of 0 people found the following review helpful.
Five Stars
By Janet M. Simons
Great read! Recommend it.

0 of 1 people found the following review helpful.
The book arrived on time in good condition. A well written autobiography which was quite ...
By James R. Nielsen
The book arrived on time in good condition.A well written autobiography which was quite entertaining and educating.

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Tuesday, January 28, 2014

* Get Free Ebook House of Happy Endings: A Memoir, by Leslie Garis

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House of Happy Endings: A Memoir, by Leslie Garis

Howard Garis, creator of the famed Uncle Wiggily series, along with his wife, Lilian, were phenomenally productive writers of popular children’s series—including The Bobbsey Twins and Tom Swift—from the turn of the century to the 1950s. In a large, romantic house in Amherst, Massachusetts, Leslie Garis, her two brothers, and their parents and grandparents aimed to live a life that mirrored the idyllic world the elder Garises created nonstop. But inside The Dell—where Robert Frost often sat in conversation over sherry, and stories appeared to spring from the very air—all was not right. Roger Garis’s inability to match his parents’ success in his own work as playwright, novelist, and magazine writer led to his conviction that he was a failure as father, husband, and son, and eventually deepened into mental illness characterized by raging mood swings, drug abuse, and bouts of debilitating and destructive depression. House of Happy Endings is Leslie Garis’s mesmerizing, tender, and harrowing account of coming of age in a wildly imaginative, loving, but fatally wounded family.

  • Sales Rank: #2206607 in Books
  • Published on: 2007-07-10
  • Released on: 2007-07-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.16" h x 5.86" w x 8.56" l,
  • Binding: Hardcover
  • 352 pages
Features
  • Tan and blue hardcover, jacket with family picture. 339 pages

From Publishers Weekly
Starred Review. Artfully stitched like a well-made quilt, the patches of Garis's memoir encompass three generations. When she was eight years old, her grandmother Lilian, who wrote the early Bobbsey Twins, and grandfather Howard Garis, who created and virtually became Uncle Wiggily, moved into her family's home in Amherst, Mass. In this spellbinding memoir of green moments and gray ones, Garis chronicles how, in this book-reading, music-playing and, most importantly, loving family of writers, her grandmother went from being a vibrant woman to a recumbent recluse and how the years damaged her father, who seemed perfect; her beautiful mother; and her adorable brothers. You can't turn away from the truth because it's lurid and jarring, her playwright father advises. In lesser hands, the quarrels, litigation and violence that surface might control the narrative, but even as the family copes with disappointment, financial stress, nervous breakdowns, physical illness and death, Garis's capacity for conveying the family's vibrancy and vigor trumps. Garis's remarkable accomplishment in this memoir is to convey the normal, the enviable and the gothic with unsentimentalized affection, grace and painful honesty. (July)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Garis' grandfather was the celebrated author of the Uncle Wiggily series; both grandparents pseudonymously authored many famous children's book series, including the Bobbsey Twins and Tom Swift. In the large family home in Amherst, Massachusetts, her father, Roger Garis, attempted to duplicate that success, but his stumbling progress as a playwright, novelist, and magazine writer spilled over into his roles as son, husband, and father. Each failure plunged him deeper into depression, characterized by rages and drug abuse. As she watched her father sink, Garis pondered what his childhood must have been like, with a severe, overbearing mother and a father who charmed other children but had little time for him. Eventually the family lost their home (where Robert Frost was a regular visitor) as they struggled to maintain middle-class respectability in the midst of Roger's spiraling mental illness. With tenderness and sharp insight, Garis looks back on her father's slow deterioration and ponders the idyllic life portrayed in her grandparents' writing against the harsh realities of their family life. Bush, Vanessa

Review
“Anybody who read Uncle Wiggily and The Bobbsey Twins thinking, ‘Why isn't my family like that?’ will count their ancestral blessings when they pick up this riveting tale, which unmasks the agonized reality behind the idyll. The prose is lucid, unornamented, but full of feeling.  To enter this book is to assume the watchful air of a child who feels that it is up to her to hold together a family that is spinning apart with terrific centripetal force.” —Mary Karr, author of The Liars’ Club and Cherry
 
“House of Happy Endings conveys an exquisite restraint, a measured thoughtfulness that is simply eloquent. At the same time it renders the terrible pain of its people in the most urgent way. A sense of the helplessness of love in the face of an ongoing personal disintegration, the panic of articulate educated people enduring a progressive disaster, give the story a fearsome suspense that is absolutely riveting. Its balance of judicious, insightful reflection and the evocation of heartbreak is truly rare; it’s what distinguishes the best memoirs from the rest. Some exist beyond their subject as works of literature and I truly believe that this is one.”  —Robert Stone
 
 “Leslie Garis’ grandfather wrote Uncle Wiggily, her grandmother The Bobbsey Twins—between them Tom Swift and hundreds of other children’s stories. These benign characters of America’s childhood float over the Garis family like a Macy’s Thanksgiving day Parade in hell, exacting a fearful penalty on three generations. Leslie Garis has written a searing and chillingly objective memoir, House of Happy Endings, that so transcends the ‘problem family’ genre it becomes a dissection of the American family itself, its values, its mores, its dreams.”  —John Guare, author of The House of Blue Leaves and Six Degrees of Separation

Most helpful customer reviews

59 of 61 people found the following review helpful.
A devastating, brilliant, and fearless memoir
By Dale Hrabi
Leslie Garis' account of growing up in a harrowingly fragile family of writers in the 50s and 60s is the most affecting book I've read for months. In their vast Amherst house, we meet her gallingly successful grandfather Howard Garis (of Uncle Wiggly fame), his toxic wife (The Bobbsey Twins), and their tireless failure of a son--Roger Garis (Leslie's father)--who aimed higher than his parents but withered in their shadows, spiraling down into addiction, insanity, and fecklessness.

The hero of the book, and the one for whom I shed the most tears, is Leslie's mother, who somehow kept this combustible trio functioning as long as she could on ever tighter budgets, while raising three children (Leslie and her two brothers), each with their own heartrending challenges. The story unfolds against a fascinating literary and theatrical backdrop peopled by (among others) Robert Frost, Tennessee Williams and (posthumously, hauntingly) Emily Dickinson.

Beautifully observed, compassionate, and filled with more cliffhangers than "normal life" usually delivers, The House of Happy Endings left me rather shattered and profoundly moved. I found myself staring at the photo of the family on the book's cover long after I'd finished reading, feebly trying to stroke the faces of the little boys, as if to comfort them.

In this frightening but unforgettable book, Garis exposes how thin the membrane between sanity and insanity is, how easy it can be to fall through to the other side. And how the strong survive.

16 of 16 people found the following review helpful.
Great Book
By Barbara Radigan
This was a great book written by a very talented writer. In my opinion Leslie Garis was heroic to open her life story so wonderfully and reveal the components operating in a dysfunction that affects so many families today. Back in the 50's and 60's we didn't talk about mental illness and/or the substances used to self-medicate. It was just really, really well written - a can't put-down reading. Thank you Leslie for your life story.

22 of 24 people found the following review helpful.
A Memoir that is Stunning and Reveals the Underbelly of the Bobbsey Twins Empire
By Kcorn
I grew up in a home filled with children's series books such as Nancy Drew, The Bobbsey Twins and many others (not all of them series books, thank goodness). At the time, I thought author Laura Lee Hope was not just an author's name on the cover of Bobbsey Twins books but one that represented a single author, not a series of authors working for an organization. I thought of Laura as a kindly woman who sat down and thought of a new formulaic story for children, perhaps with a light shawl around her shoulders, sun streaming through the windows of her traditional home.

Wrong! Instead, a group of various authors worked for Edward Stratemeyer to create many of those children's books. Stratemeyer was a shrewd man who hired writers to work for his syndicate, allowing him to maintain control and most of the profits.

After reading the book, House of Happy Endings, written by Leslie Garis, I had a whole new perspective on the world of peaceful families, solid values and the sugar-coated world of those children's series books, ones populated with the names of Tom Swift, Baseball Joe, Dorothy Dale and the Bobbsey Twins. Our home had a fair number of these books, although I admit I found them a bit too formulaic for my tastes. Still, I have memories of those covers and the beaming faces and idyllic scenes that graced those covers.

In the books I'd read, everything generally ended well and the children and adults went off to bed to dream happy dreams -never nightmares. I do feel compelled to warn potential readers of House of Happy Endings that if you have cherished memories of those books - as well as illusions of kindly authors spinning these lovely fantasy tales - ....you might want to avoid reading the book. But if you like wonderfully told memoirs that are both powerful and enlightening, I'd suggest you get a copy of this and sit down for a good read.

Why? Because House of Happy Endings openly examines the life of one author, Leslie Garis, and her family and how their lives were seriously twisted by trying to live a life modeled on illusions of perfection like those reflected in the books. Leslie Garis's grandfather, Howard Garis, was the creator of the famed Uncle Wiggily books. He couldn't walk down the street without children clamoring for him to tell them stories about Uncle Wiggily and he'd often do just that. He was seen as a kindly gentleman who love children and eagerly looked forward to coming up with more tales to enchant them. The truth was far darker.

Imagine being the son of the man who created Uncle Wiggily. The son of "the man who created Uncle Wiggily" was Roger Garis. Try to think about how that might impact your life. Intrigued? Then you'll want to pick up the book, House of Happy Endings, because Leslie Garis reveals exactly how intimidating it was for a budding writer (her father) to try to compete with the reputation of his own father. You'd think he'd want to avoid becoming anything but a writer but his father encouraged him to continue the family tradition even as his mother undermined him.

By now it should be clear that the Garis household was definitely not one of life imitating art, of the sunny, cheerful Bobbsey Twins, but of a family struggling desperately to hold things together in the wake of impending crisis. Leslie Garis's father, Roger Garis, had terrible mood swings, drug addictions and the ill luck to be overshadowed by his famous father. She describes his struggles, mental breakdowns and odd behavior in an open, but also loving, style. I consider this book to be one of the best I've read in quite some time.

At this point, you may be cringing and wondering why on earth anyone would ever want to pick up this book, one which tears apart the illusions anyone might hold about the beloved Bobbsey Twins and Uncle Wiggily and the authors behind them.

Here's some quick reasons you should put this on your "to read" list of books:

1. It reveals a piece of American social history, especially children's literature and book history, that is both personal and engaging. There are larger truths and insights here about what people wanted to read, the ideals they cherished and the type of books they bought for themselves and their children - especially in the 30s and 40s. Author Leslie Garis had rare access to some of the letters sent by those readers as well as the demands of the publishing company.

Reading this allows one to get a "behind the scenes" looks at children's book series authors, their readers and the way the work was written and published. As a reader and a writer, I found it impossible to put down!

2. The book is written with enough drama to be completely riveting but also a certain amount of restraint. This could easily have seemed like a "Mommy or Daddy Dearest" story but the author has the good sense to pull back from that and to simply reveal what life was like at The Dell, a family home bought with much hope and promise and one that was indeed expected to be a house of happy endings. Instead, life in that large home turned into a downward spiral and a steadily worsening nightmare. Leslie Garis was witness to it all and reconstructs the entire situation with amazing clarity.

3. There is previously unrevealed information about the inside workings of the Stratemeyer syndicate. They really held dear the illusions they created, including the fact that there was one author named Laura Lee Hope who wrote The Bobbsey Twins. Even today, many unknowing readers assume that there was a single author who wrote all those books. I really enjoyed learning the truth as well as the impact that trying to keep secrets had on the Garis family. The Stratemeyers could be cruel, demanding and vengeful!

4. The book is inspirational, although not in the way that many "inspirational" book fit that genre. It is a sideways kind of inspiration, one that can be intuited by reading the author's bio and learning that she went on to write New York Times Magazine profile of many authors, including John Fowles and Joan Didion and Georges Simenon.

Before that, however, she had her own breakdown and struggles. For all readers of House of Happy Endings, one message could well be that life can be hard but resilience can be found even when all hope truly seems lost.

5. Leslie Garis doesn't pull any punches. She describes the weaknesses of her father, grandfather, mother and grandmother in graphic detail. The family was like a turbulent cloud of dysfunction and yet there were happy moments and even touching ones. From hysterical fits to money troubles, Garis gives a first person account, first seen from the eyes of a child and then as the emerging woman she was becoming. No one was left untouched, from her brothers to Garis herself. All suffered from the family dynamics.

Perhaps most touching of all is the plaintive question that opens the book but which I find to be an excellent summary of how Leslie Garis felt so much of the time, the question she seem to return to - time and again:

"We were a nice family once, weren't we? "

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Saturday, January 25, 2014

@ Fee Download The Longest Fight: In the Ring with Joe Gans, Boxing's First African American Champion, by William Gildea

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The Longest Fight: In the Ring with Joe Gans, Boxing's First African American Champion, by William Gildea

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The Longest Fight: In the Ring with Joe Gans, Boxing's First African American Champion, by William Gildea

Many people came to Goldfield, Nevada, America's last gold-rush town, to seek their fortune. However, on a searing summer day in September 1906, they came not to strike it rich but to watch what would become the longest boxing match of the twentieth century--between Joe Gans, the first African American boxing champion, and "Battling" Nelson, a vicious and dirty brawler. It was a match billed as the battle of the races.

In The Longest Fight, the longtime Washington Post sports correspondent William Gildea tells the story of this epic match, which would stretch to forty-two rounds and last two hours and forty-eight minutes. A new rail line brought spectators from around the country, dozens of reporters came to file blow-by-blow accounts, and an entrepreneurial crew's film of the fight, shown in theaters shortly afterward, endures to this day.

The Longest Fight also recounts something much greater--the longer battle that Gans fought against prejudice as the premier black athlete of his time. It is a portrait of life in black America at the turn of the twentieth century, of what it was like to be the first black athlete to successfully cross the nation's gaping racial divide. Gans was smart, witty, trim, and handsome--with one-punch knockout power and groundbreaking defensive skills--and his courage despite discrimination prefigured the strife faced by many of America's finest athletes, including Jesse Owens, Jackie Robinson, and Muhammad Ali.

Inside the ring and out, Gans took the first steps for the African American athletes who would follow, and yet his role in history was largely forgotten until now. The Longest Fight is a reminder of the damage caused by the bigotry that long outlived Gans, and the strength, courage, and will of those who fought to rise above.

  • Sales Rank: #944540 in Books
  • Published on: 2012-06-19
  • Released on: 2012-06-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.51" h x .92" w x 5.96" l, .85 pounds
  • Binding: Hardcover
  • 256 pages

Review
A gem of a book . . . In lean prose, Gildea gives us a blow-by-blow account of Gans's career. He pivots from describing the fight to exploring his subject's life to examining the racism of the age and the contradictions of 'sportsmanship' that belittled blacks while making money off them. (The Washington Post Book World)

A biography of a champion who faced racial challenges at the turn of the 20th century that would presage those of a coming generation of athletic color-barrier breakers . . . Gildea makes a strong case for Gans as the pride of Black American before Johnson threw a punch. (The Boston Globe)

A memorable book about a time that should not be forgotten. (The Economist)

Knowledgeable fight fans know that Gans was the first American-born black champion and perhaps the most technically advanced fighter of his time . . . Now, thanks to The Longest Fight, by William Gildea, Gans comes to life again. The Longest Fight will enhance any reader's appreciation and understanding of Gans. Gildea crafts a sense of time and place and a moving personal portrait of his subject. (The Sweet Science)

With fascinating period detail and skillful writing, the author highlights his subject's considerable appeal and symbolic significance. (Kirkus Reviews)

Gildea gives full measure of Gans' remarkable accomplishments as an athlete--Gans fought 196 matches while Tyson, for example, fought 58--while also showing Gans' equally remarkable poise in the face of horrific prejudice, officially sanctioned or not, during his entire career. A strong title for any boxing collection. (Alan Moores, Booklist)

I vaguely knew the name Joe Gans, but Gildea introduces us to the man and the era, the early twentieth century. Gans was so good and so dignified that some white boxing fans of that time actually managed to get past their blatant prejudices and detect his humanity. Gildea has done masterful research and writing, recalling a gold-rush outpost in rural Nevada, where in 1906 Gans staged an epic fight-to-the-finish with Battling Nelson. The match itself is re-created excellently, but I liked even better the way Gildea presents the details of the time--what people ate, how they traveled, how whites and blacks interacted in daily life. (George Vecsey, author of Stan Musial: An Americal Life)

Before Jack Johnson, there was Joe Gans. William Gildea's deep knowledge of boxing, his wonderful storytelling skills, and his love of Baltimore and of unappreciated characters make The Longest Fight a terrific read. It's a championship book. (David Maraniss, Pulitzer Prize–winning author of When Pride Still Mattered: A Life of Vince Lombardi)

William Gildea has written a touching tribute to a boxer from long ago who's largely been forgotten. Anybody who reads this fine book, though, will always remember Joe Gans. (Frank Deford, author of Over Time: My Life as a Sportswriter)

William Gildea's The Longest Fight is a nifty and informative biography of one of the most important fighters of early-twentieth-century America: Joe Gans. A story of race, the sporting world, and masculinity in the Progressive Era, The Longest Fight will be of interest not only to boxing devotees but to students of African American studies, American studies, and American industrialism. (Gerald Early, Merle Kling Professor of Modern Letters, Washington University in St. Louis, and editor of The Muhammad Ali Reader)

About the Author

William Gildea was a writer for The Washington Post from 1965 through 2005. He has covered the Olympic Games (four times), the World Cup (four times), and about fifty championship or major fights, principally in Las Vegas. Many of his pieces have appeared in Best Sports Stories and The Best American Sports Writing. He lives in Bethesda, Maryland, with his wife, Mary Fran.

Excerpt. © Reprinted by permission. All rights reserved.
THE LONGEST FIGHT (Chapter 1)

He had an unmarked face except for a modest scar above the outer corner of each eye and a small amount of puffiness below the left—remarkable for someone approaching, at minimum, his 187th professional prizefight. He was trim, with broad, sloping shoulders, but stood just 5 feet 6½ inches and weighed about 140 pounds. A photograph of him taken in 1906 shows him shirtless, arms folded across his midsection, his upper body spectacularly muscled.

One August evening that year, Joe Gans rode a train deep into the Nevada desert. The newly built rail line extended south for twenty-six miles, the brief last leg of a trip that had taken him from San Francisco’s East Bay up the mountains to Reno, then to a seemingly endless journey to Tonopah, Nevada, and on toward a mining boomtown called Goldfield. A group of settlers had named it three years earlier after prospectors had come upon yellowed rocks that held the promise of a great gold strike.

In thirteen years as a professional boxer, Gans had crossed the country several times by train. On different occasions he had traveled from the East Coast to fight in Oregon, San Francisco, Los Angeles, and Seattle. He had seen the desert. But it had never been his destination. And it never would have been except that he, like the prospectors aboard the train, was being lured across a wilderness of sand and sagebrush by a quest for wealth. They went for the gold. He went for the payday that came with defending his world lightweight championship. His glories in the ring notwithstanding, he was virtually broke.

The newspapers were predicting an epic encounter between him and Battling Nelson, a fighter succinctly and gruesomely described by Jack London as “the abysmal brute.” Gans and Nelson would meet on Labor Day afternoon, under the desert sun. There would be no scheduled end to the fight. It would be a fight to the finish, usually when one man dropped and stayed down until the count of ten. Fights with no prescribed end could feel, to a fighter, like an eternity. They left most scarred. More than once, a manager threw a towel into the ring because he had no doubt that the next blow would leave his fighter dead. Sometimes the towel landed too late.

Gans anticipated danger. It came with his business and his skin color. He was the first black American boxing champion, but that achievement brought him more peril than renown. The discrimination that black boxers faced reflected American life. In 1906 racial injustice was far worse than it had been three and a half decades earlier when Walt Whitman recognized the separation of races as one of the flaws that made the country’s future “as dark as it is vast.” Gans had received death threats throughout his career, and he wouldn’t be surprised to hear from someone betting for or against him at Goldfield that he had better win or lose as directed or risk not getting out of town alive.

No entourage accompanied him aboard the Tonopah and Goldfield train. It wasn’t his style to make himself the center of attention, even if a black man dared to. He passed the time in thought, knowing that trouble was coming, merely unsure what form it would take. Only recently—quite belatedly, out of misplaced loyalty—had he fired his manager, Abraham Lincoln Herford, known as Al. For years, this burly, cigar-smoking white man had treated him as a serf, pocketing most of his earnings while posing as his best hope.

What little Herford left him, Gans gambled away. He was bad at picking winners at the racetrack, and he was a loser at cards and dice. He always kept enough money, however, to maintain a fine wardrobe. He wore three-piece suits with a handkerchief jutting from the breast pocket, white shirts with starched collars, a diamond stickpin, a loop of gold watch chain across his chest, and a derby when he stepped out at night. One of his outfits was especially celebratory: a pale green suit, Alice blue socks, and yellow shoes. Daytimes, he preferred turtleneck jerseys or sweaters, slacks, and a cap.

Appearances aside, Gans was as poor in 1906 as in 1896, when he emerged from his native Baltimore to seek the lightweight championship. If the heavyweight division was boxing’s most prestigious, the lightweight ranks were its most competitive. A boxer could make good money as a lightweight. The division was filled with great fighters, and almost every one was vicious and unforgiving. Nelson, born in Copenhagen and nicknamed “the Durable Dane,” was a brawler who could withstand the hardest punches. If knocked down, he could be counted on to get up and keep swinging as though he hadn’t been touched. He hit below the belt, he held and hit, and he gouged eyes. There wasn’t a dirty tactic that he hadn’t tried.

Like prospectors out for gold, Gans would work with his hands, and his work, like theirs, would take time. It might punish and discourage him. The desert fed discouragement. So did Nelson, who was twenty-four and in his fighting prime.

Gans was thirty-one. He had been boxing almost half his life, and there were indications that his best days in the ring had passed. As he sought a divorce the previous year, The Washington Post paraphrased his testimony in Baltimore’s Circuit Court No. 2, saying that even Gans himself believed “the zenith of his success had been reached and that he was now on the backward track … that he was about all in as a professional scrapper.”

Gans’s wife demanded $200 to cover her lawyer’s fee and $25 a week in alimony pending the outcome of his suit. Gans explained that he was not only broke but also in debt to Herford for thousands of dollars with little hope of repaying him. No one could say that he was exaggerating his decline as a boxer and his capacity for earning money in the future, including the presiding judge, who awarded Gans’s wife a customary $25 for her lawyer’s work and $5 a week in alimony pending the court’s decision.

Herford had a reputation for paying his fighters next to nothing.

Boxing was a bettor’s province, and for years Herford had raked in money by betting heavily on Gans—not only that he would win, but when he would win—in what round. He often arranged to have Gans go easy on white fighters, enabling them to last a respectable amount of time so as not to embarrass them too badly. Gans had the talent to score a knockout in the round Herford ordained—and bet on. When Herford let him fight without restrictions, he was practically invincible. In time, Herford found fewer and fewer takers for his bets; almost no one wanted to bet against Gans. So he persuaded Gans to lose intentionally. One effect of this was to take money out of the pockets of poor blacks who bet on Gans religiously—and the thought tormented him. Six months before his trip into the desert, he admitted his folly to a newspaper reporter and vowed to fight honestly every time. Leaving Herford behind, Gans headed to Goldfield nagged by regret.

THE LONGEST FIGHT Copyright © 2012 by William Gildea

Most helpful customer reviews

3 of 3 people found the following review helpful.
Best book on Gans
By John Davenport
This was a well written account of Joe Gans life. It was not filled with useless filler as I found with Colleen Ayock's biography. This book has a great narrative that shifts between coverage of perhaps most important fight and his life story. It keeps the reader entertained and is very well researched. I read it in 3 days. Which is saying something given my pickiness regarding styles of writing. Anyway I hope there will be more clear concise and entertainng books about old time boxers to enjoy.

1 of 1 people found the following review helpful.
One Terrific Read !!!
By HE Grant
I've been a boxing fan for over forty years and there is very little that has been written in that period of time and before for that matter that I have not read. Boxing books tend to fall into categories .. some are simple thin recounts, some are sociological portraits of a man and his time and some are transport you into the man with a touch of poetry .. the outstanding "One Fight, One Night" about Louis and Galento a few years back was one .. this is another .. a terrific read and an outstanding job. I tried the other Gans bio recently and had to stop twenty pages in because I kept coming up against flat out incorrect facts .. just could not do it .. this I truly enjoyed.

1 of 1 people found the following review helpful.
An excellent read
By Steven Shedlin
Bill Gildea really captured the mood of the country and of the boxing world in the early 2oth century. Joe Gans was a very interesting man and I enjoyed learning about him and the era in which he lived. I highly recommend this book for sports fans and non sports fans alike.

See all 17 customer reviews...

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! Get Free Ebook Rapunzel's Daughters: What Women's Hair Tells Us About Women's Lives, by Rose Weitz

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Rapunzel's Daughters: What Women's Hair Tells Us About Women's Lives, by Rose Weitz

The first book to explore the role of hair in women's lives and what it reveals about their identities, intimate relationships, and work lives

Hair is one of the first things other people notice about us--and is one of the primary ways we declare our identity to others. Both in our personal relationships and in relationships with the larger world, hair sends an immediate signal that conveys messages about our gender, age, social class, and more.
In Rapunzel's Daughters, Rose Weitz first surveys the history of women's hair, from the covered hair of the Middle Ages to the two-foot-high, wildly ornamented styles of pre-Revolutionary France to the purple dyes worn by some modern teens. In the remainder of the book, Weitz, a prominent sociologist, explores--through interviews with dozens of girls and women across the country--what hair means today, both to young girls and to women; what part it plays in adolescent (and adult) struggles with identity; how it can create conflicts in the workplace; and how women face the changes in their hair that illness and aging can bring. Rapunzel's Daughters is a work of deep scholarship as well as an eye-opening and personal look at a surprisingly complex-and fascinating-subject.

  • Sales Rank: #2096670 in Books
  • Published on: 2004-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.02" h x 5.86" w x 8.32" l,
  • Binding: Hardcover
  • 288 pages

From Publishers Weekly
This earnest roundup of anecdotes, interviews, statistics and remarks about hair and self-image among women in postwar America is engaging enough, but there's not much news here. Apart from a short historical survey at the beginning that includes a few suggestive facts, the only really informative part of this book is the chapter called "At the Salon" where we learn a good deal about the profession of hairdressing: who does it, what its economics are, how its distinctive caste system works. To be fair, information is not really Arizona State University sociologist Weitz's aim. Her main goal is to authorize a common feminine obsession with hair (her own included, of course) as a subject of serious discussion. It is also, worthily enough, to make the discussion more inclusive than other books like this often are. Weitz interviews many minority women, children, lesbians and older women, but her analysis of this rich material suffers from insufficient depth of cultural perspective. Weitz avers that hair is a uniquely powerful medium of self-presentation, but makes no attempt to distinguish between hair and dress, say, or between head and facial or body hair. Observing that the typical black hair salon functions not as a feminine preserve but as a community meeting place, she finds little large-scale significance in its public and private constructions of the activity of coiffing. Similarly, she alludes to different meanings attached to long hair, short hair or hairlessness mostly in terms of different individual experiences. The overall effect is diverting, well-intentioned light reading (including 16 pages of b&w photos) that doesn't quite fulfill the subtitle's promise.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Hair has provided the inspiration for everything from Bible lore to Broadway scores, from fairy tale fantasy to artistic imagery. Whether long or short, straight or curly, blonde or brunette, a woman's hair can be everything from her crowning glory to the bane of her existence. Indeed, the shape, style, and substance of a woman's coiffure communicates volumes to the world at-large and defines her own self-image as perhaps no other physical attribute can. Far from being a frivolous matter of purely personal hygiene, this heightened concern about her hair's appearance affects a woman's life on social, economic, and cultural levels, often determining professional success and personal acceptance. In a meticulous examination of the history, psychology, and sociology behind women's hairstyles, Weitz explores the various ways in which hair dominates a woman's existence, and the far-reaching ramifications of her choice of length, style, and color. Weitz's approach is both broadranging and specific, and she provides fresh insights into hair's public and private influences. Carol Haggas
Copyright © American Library Association. All rights reserved

Review
"This book is a fascinating read of the ways in which women have changed their identities by changing their appearance. Through in-depth interviews, Rose Weitz explores the cultural statements that different women make through their choice of hairstyle, which is a creative way to approach questions of identity, adolescence, and aging, changing cultural norms about appearance, and power dynamics." --Rosanna Hertz, Chair, Women's Studies, Wellesley College

"We spend so much time obsessing about our hair--and so little time understanding why we do it! This great, clever and insightful book gives new insight into our cultural fetish. A fascinating read." --Pepper Schwartz, Professor, Department of Sociology, University of Washington

Most helpful customer reviews

0 of 0 people found the following review helpful.
Nice and thought-provoking overview, though I was hoping to see her thoughts on some major cultural identities not covered here.
By Miss Phoenix
I read an excerpt of this book four years ago and really liked how Weitz was able to capture so well the multifaceted meanings behind (female) hair. This book is a nice overview, full of anecdotes, that discuss the implications of natural hair, baldness/shaving your head, short hair and "butch" appearances, discourse on beauty salons, greying hair, dyeing hair, etc. Overall, I liked the book, but I wished that Weitz could have covered more ethnicities and cultures than she did here (the primary identities covered were white, African-American, Latino, and I believe some Jewish).

1 of 4 people found the following review helpful.
Amazing
By K.
Dr. Weitz is an amazing author and researcher. This book helps to fill in a large gap that has been missing from research on the culture of women in America. In fact, everything that she writes is well-researched, deeply analyzed, and highly sigificant. I have had the great pleasure of being in one of her classes, and it was quite possibly the most challenging, and entertaining class of my undergraduate career. Thanks, Dr. Weitz! (And I'm still working on a definition for resistance!)

6 of 7 people found the following review helpful.
Cultural history of women's hair
By E. L. Weinhold
A fascinating look at women and their relationship with their hair. Weitz conducted many interviews and personal research to provide the nine interesting and thought-provoking chapters. She begins with a short history of women's hair, touching briefly on some ancient, medieval and early modern sources and pictures. Most of the book focuses on modern women and the advances within the past one hundred years such as chemical treatments for straightening and relaxing the hair, as well as permanent waves and dyeing treatments. She devotes special portions of the book to African hair, and other ethnic/cultural hairstyles, and how hair makes up the identity of many women. Some particularly interesting styles she mentioned were the Mexican-American "chola" style, dreadlocks, and lesbian hair styles.
Why do women dye their hair? How are women affected when they lose their hair (whether they have alopecia, chemotherapy, or a voluntary buzzcut?) What are women's relationships like with their stylist? You will find out some very interesting answers to these questions when you read the book!

See all 16 customer reviews...

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Thursday, January 23, 2014

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How Architecture Works: A Humanist's Toolkit, by Witold Rybczynski

An essential toolkit for understanding architecture as both art form and the setting for our everyday lives

We spend most of our days and nights in buildings, living and working and sometimes playing. Buildings often overawe us with their beauty. Architecture is both setting for our everyday lives and public art form―but it remains mysterious to most of us.
In How Architecture Works, Witold Rybczynski, one of our best, most stylish critics and winner of the Vincent Scully Prize for his architectural writing, answers our most fundamental questions about how good―and not-so-good―buildings are designed and constructed. Introducing the reader to the rich and varied world of modern architecture, he takes us behind the scenes, revealing how architects as different as Frank Gehry, Renzo Piano, and Robert A. M. Stern envision and create their designs. He teaches us how to "read" plans, how buildings respond to their settings, and how the smallest detail―of a stair balustrade, for instance―can convey an architect's vision. Ranging widely from a war memorial in London to an opera house in St. Petersburg, from the National Museum of African American History and Culture in Washington, D.C., to a famous architect's private retreat in downtown Princeton, How Architecture Works, explains the central elements that make up good building design. It is an enlightening humanist's toolkit for thinking about the built environment and seeing it afresh.
"Architecture, if it is any good, speaks to all of us," Rybczynski writes. This revelatory book is his grand tour of architecture today.

  • Sales Rank: #566357 in Books
  • Published on: 2013-10-08
  • Released on: 2013-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.38" h x 1.16" w x 6.02" l, 1.07 pounds
  • Binding: Hardcover
  • 368 pages

From Publishers Weekly
Starred Review. Prize-winning architectural writer and University of Pennsylvania emeritus professor Rybczynski (A Clearing in the Distance) follows in the spirit of Steen Eiler Rasmussen's classic Experiencing Architecture to supply an ideal layperson's handbook on the fundamentals of modern and contemporary architecture. Focusing on the functional and aesthetic considerations that define a building, and often calling upon his experience as an architect to illustrate major concepts, Rybczynski vividly explains particulars such as how to read architectural plans and how sunlight figures into designs, as well as discussing issues of style, history, and taste. While the book tends to address structure after structure at a speedy clip, the upshot is a commanding view of the field for beginners. An especially rich example is the walk-through of several designs submitted to the competition for the National Museum of African-American History and Culture: this not only illustrates how different architects respond to constraints, but also how such competitions function. Rybczynski is not a polemicist, but he effectively argues certain basic principles, and makes a cogent analogy to typography to show how the past always influences the present. Here, architecture is treated as craft executed with prudence and conviction. The author doesn't care much for theories, or buildings that fail to be practical, but welcomes a variety of design approaches, all of which make him a model teacher. 140 b&w illus. (Oct.)

From Booklist
*Starred Review* “Architecture, if it is any good, speaks to us all.” With this maxim, the first of many clarifying observations in this conversational and invigorating treatise, Rybczynski deepens our understanding of all that goes into the design and construction of buildings. An architect, emeritus professor, and outstanding and prolific architectural writer, Rybczynski takes palpable pleasure in throwing open the doors to reveal the complex, often contradictory demands of architecture, illuminating “the practical as well as the aesthetic.” His “toolkit” contains 10 fundamental topics, from ideas to structural matters, the difference between a building’s setting and site, and the importance of such seemingly prosaic details as balustrades. As he instructs us in the implications of the fact that “new buildings almost always have old neighbors,” for example, he describes how Frank Gehry dealt with this challenge in funky Venice Beach, and the diverse approaches taken by top architects competing to build the National Museum of African American History and Culture on the Mall in Washington, D.C., and a new ballet-opera house in St. Petersburg. With fluent analysis of buildings by architects ranging from Louis Sullivan to Louis I. Kahn, Mies van der Rohe to Renzo Piano, a sweet absence of “isms,” and an invaluable glossary, Rybczynski’s expert, holistic, down-to-earth guide awakens us to architecture’s profound humanness. --Donna Seaman

Review

“The book's chief pleasure may be that Rybczynski, ever the engaging and thoughtful writer, offers a wide-ranging tour of the glories and curiosities, old and new, in the field.” ―Peter Whoriskey, The Washington Post

“The beautiful and the useful, in buildings as well as books, never becomes obsolete. Neither do writers like Rybczynski, who can teach us how to recognize and appreciate both.” ―Laura Miller, Salon

“In this conversational and invigorating treatise, Rybczynski deepens our understanding of allthat goes into the design and construction of buildings . . . [This] expert, holistic, down-to-earth guide awakens us to architecture's profound humanness.” ―Booklist

“[A] robust tour of architecture . . . Rybczynski is an artful conductor and learned hand who leaves much of the pleasure of architectural discovery to readers.” ―Kirkus (starred review)

“A commanding view of the field . . . Here, architecture is treated as craft executed with prudence and conviction.” ―Publishers' Weekly (starred review)

Most helpful customer reviews

10 of 10 people found the following review helpful.
An Appreciation of Architecture
By Brian Lewis
This is a unique book, one that examines the requirements, needs and tools of an architect and how this public art has an impact on us all. Rybczynski `s great skill as a writer is to see the complexity and detail of the ordinary. As great artists do, he shows us the beauty in the mundane, and the value of the ordinary.

To be honest, the book does not have a strong narrative line, which is usually a major drawback for me. But the author wisely organizes his story around architectural considerations, which roughly follow a project from beginning to completion. Chapter titles are Ideas, The Setting, Site, Plan, Structure, Skin, Details, Style, The Past and Taste.

Each chapter offers numerous real world examples of the author's point, and almost all are supported with black and white photographs, which occur every 2-3 pages. (This refers to the hard cover print edition.)

For the most part his observations are appreciative. Rybczynski's observations on the buildings discussed are informative and insightful. I feel I learned a lot about a topic that has always interested me, but which has seemed too complex for a layman like myself to penetrate.

I highly recommend this, and would say the same for another book by the same author A Clearing In The Distance: Frederick Law Olmsted and America in the 19th Century , his biography about the man who designed New York City's Central Park.

15 of 17 people found the following review helpful.
Review from ArchitectureBoston
By Emily Grandstaff-Rice
Below is my review from ArchitectureBoston ([...]

In my first architectural history class, each student was given a brick along with an assignment to live with it for a week. This meant never letting it out of your sight and drawing it as much as possible. The goal was to personalize it and understand its essence. (Six residences later, my brick lives on my front porch.) All architects graduate with experiences that fundamentally shape how we understand architecture and materials that make our work more than just the sum of its parts. In How Architecture Works, Witold Rybczynski has created an educational journey for us, breaking down the elements of architecture to create a framework for the reader to build an understanding of how to see and feel things similar to how architects approach their work. It is both a toolkit for the reader and an author’s journey to uncover a topic that cannot be conveyed in words only.

The book is loosely grouped into Fundamentals, Craft, and a philosophical discussion of style, history, and taste. As with my brick assignment, architecture is presented as an assemblage of elements, each with its own meaning, function, and spirit. Rybczynski delights in considering how architects bring these pieces and their permutations together. His approach was likely influenced by the freshman seminar class he taught at the University of Pennsylvania. A reader not familiar with the many building references may do well to keep Google handy. Still, the writing is approachable, so much so that I felt I was having a beer with my professor and hearing all the back stories.

How Architecture Works is a contemporary response to Steen Eiler Rasmussen’s Experiencing Architecture, a book the author studied during his own education. Following Rasmussen’s example, Rybczynski writes only about buildings he visited personally — with two exceptions — and it is clear that the influences are predominantly Western architecture. The carefully selected images rightly focus on the built work of architects, not the architects as individuals. However, Rybczynski sometimes lapses into anecdotes about Le Corbusier’s influential eyewear and the clothing preferences of architects. Missing is any discussion about the role of female architects, with only a few references to women currently in practice.

Rybczynski draws interesting parallels between how architects approach practice in the public realm and their own residences. The homes of Marc Appleton, Michael Graves, Frank Gehry, and Peter Bohlin provide insight to their professional approach to history and materiality. Rybczynski argues that architecture lasts longer than any fashion or popular cultural item, spanning generations; therefore, its longevity has great social impact. Although the practice of architecture may appear to be simply based on function and aesthetic, it is also a social practice. Architects learn their craft from other architects, and the author’s focus on the personalities that create the buildings and the result of their creations strikes the right balance.

I fell into contemplative states as I read, attempting to reconcile my own concepts of architecture with Rybczynski’s ideas. Then I realized that a great teacher presents you with just enough information to spark independent ideas. There are no judgments in his writing, only positions. Two exceptionally well-written chapters, “Detail” and “Style,” gave me a renewed appreciation for the subtlety of details. Rybczynski stops short of providing answers, thankfully so.

The book opens with a quote from Ludwig Mies van der Rohe: “Architecture starts when you carefully put two bricks together. There it begins.” Like my beloved brick, I consider How Architecture Works a useful item to add to my understanding of architecture.

7 of 7 people found the following review helpful.
A superb insight into architecture
By Marvin McConoughey
How architecture works: A humanist's toolkit.---+

This is the seventeenth and most recent (at the time of this writing) of Witold Rybczynski's books on my bookshelf. Each has offered a different, and useful, perspective on architecture.

"How Architecture Works: A Humanist's Toolkit," is an extended love letter to the world of architecture and some of its notable examples of built architecture. The love is objective, as he observes in the introduction that "the rationalizations of architects are usually unreliable, intended to persuade others rather than to explain." Explaining is one of the author's notable strengths. The book touches on his professional education and tells about the design of houses, skyscrapers, bridges, public buildings, their illustrious architects, and some personal architecture. All this is written with rare grace and intellect. One learns how some famous buildings succeed and others fail, and why. When faced with a siting conflict between orientation and sun, the author designed a house of angled sides, one toward a road and the other toward the sun.

I recommend the book for anyone with an interest in architecture and building design. Home planners and buyers can find numerous tips and insights to help achieve the best possible outcome to their search. Quibbles are few. I seem to recall that architect Jeremiah Eck, referenced in the text, wrote "The Distinctive Home," not the `Distinctive House,' but books are sometimes printed with more than one title. I read "How Architecture Works" from the viewpoint of a non-architect and found that I had gained a deeper appreciation of the challenges and vibrancy of good architectural design. Highly recommended.

See all 13 customer reviews...

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Sunday, January 19, 2014

^ Fee Download Tinderbox: A Novel, by Lisa Gornick

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Tinderbox: A Novel, by Lisa Gornick

Christina Baker Kline, No. 1 New York Times bestselling author of Orphan Train:
"Tinderbox is a brilliant gem of a novel: a page-turner that reminds us that, while we are never without the weight of our past, we also choose how we carry it. Lisa Gornick mines her characters' hidden histories and ignites our interest from page one. Absolutely riveting."

When you invite a stranger into your home, you never know who's really coming in . . .

Myra is a Manhattan psychotherapist. A quick study and an excellent judge of character, she thinks she knows what she's getting when she hires a nanny--it's her job, after all, to analyze people. Her phobia-addled son has just moved back in with his wife and child, and the new nanny, Eva, seems like a perfect addition: she cleans like a demon and irons like a dream, and she forms an immediate bond with Myra's grandson.
     But as Eva, a Peruvian immigrant, reveals more of herself, what seemed a felicitous arrangement turns ominous. She racks the household with screams from a night terror. She spits in her hands to ward off evil spirits. Then, one afternoon, she settles into Myra's patient chair and begins to expose the secrets of her past. Their relationship slowly and inexorably becomes too close, too dependent, and, ultimately, terrifyingly destructive. As events spiral out of Myra's control, she learns that even a family as close-knit as her own can have plenty to hide.
     In the rich tradition of Lionel Shriver, Jane Hamilton, and Anne Tyler, the psychoanalyst and novelist Lisa Gornick tells us a story about the tragedy of good intentions. Tinderbox spins a suspenseful mystery of hidden traumas. It's a searingly perceptive, deeply honest novel about families and secrets, and power, and love.

  • Sales Rank: #357220 in Books
  • Brand: Brand: Sarah Crichton Books
  • Published on: 2013-09-10
  • Released on: 2013-09-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.49" h x 1.13" w x 5.98" l, .98 pounds
  • Binding: Hardcover
  • 320 pages
Features
  • Used Book in Good Condition

From Publishers Weekly
This well-crafted novel from Gornick (A Private Sorcery) tells the story of a family knocked off-balance with warm assurance. Myra is the definition of graceful aging, but her carefully structured life is interrupted when her son and his family move back in with her while his wife, Rachida, completes her medical training. At the same time, Myra hires Eva, a Peruvian Jewish woman just arrived in New York, as a housemaid and nanny. Eva is sweet and diligent, but Myra, a psychologist, quickly notices signs of troubling behavior. Eva's issues and their causes hover in the background as the marriage of Myra's son, Adam, sputters and her daughter, Caro, successful in her career but stalled otherwise, tries to work through her own problems. The novel builds to a dramatic crisis, but it maintains a level tone throughout; sometimes this formality or equanimity takes away from the reading experience, as when conversations seem unnaturally articulate, but in general, turning the pages is a pleasure. There is betrayal, sadness, and tragedy, and particular richness in details about the varieties of the characters' Jewish experiences—Eva and Rachida come from communities in Peru and Morocco, respectively, while Myra's family is ambivalent about religion—that provide interest and structure, but apart from all this, it's the realistic portrayal of relationships and personalities that carries the book. (Sept.)

Review
"Tinderbox is a brilliant gem of a novel: a page-turner that reminds us that, while we are never without the weight of our past, we also choose how we carry it. Lisa Gornick mines her characters' hidden histories and ignites our interest from page one. Absolutely riveting."
--Christina Baker Kline, No. 1 New York Times bestselling author of Orphan Train

“This vivid portrait of a family unravelling is perfect for book clubs.” ―People, Four-Star Review

“Lisa Gornick's second novel, Tinderbox, will certainly be compared to Jonathan Franzen's acclaimed The Corrections. And it should be, since Gornick creates a world of characters every bit as complex and flawed--and as real--as Franzen's subjects.” ―Juli Berwald, Jewish Book Council

“Lisa Gornick's novel, Tinderbox, explores the entanglement of human lives and the stunning result when lightness and darkness meet. Without a doubt, Tinderbox is corporeal, and a beating product of Gornick's experiences.” ―Caitie Hannigan, Slice Magazine

“Read Lisa Gornick's Tinderbox, and you may adopt her family of characters as your imaginary friends. So palpable, lifelike, and worthy of your love are these New Yorkers that after finishing the book, you'll probably find yourself having conversations with them aloud . . . I clung to every page of Tinderbox; the writing is intelligent and sharp, and with each turn of the story, my investment surged. Gornick has translated the very real and tender chaos of family into a novel that's expertly constructed and engaging. This book is so cling-worthy, you almost risk clinging too much and confusing the book with reality.” ―Claire Luchette, Bustle.com

“Lisa Gornick is both a writer and a psychoanalyst. Her gifts for seeing beyond the surface, for appreciating and depicting the consequences of unrealized love and psychic pain, for observing with unblinking honesty the dynamics of family life and human foibles, come together in this novel, which starts off like a brush fire and then engulfs and burns with fury.” ―Lloyd I. Sederer, The Huffington Post

“Tinderbox is the story of a family undergoing seismic changes brought on by a stranger who unwittingly forces her hosts to face themselves. A masterly and dramatic group portrait, drawn with intelligence, precision, and deep feeling.” ―Daniel Menaker, author of The Treatment

“A fiery, tender novel about the smoldering secrets that can destroy a family. Lisa Gornick is a psychoanalyst as well as a novelist, and the training serves her well. She exposes her characters with a skilled therapist's blend of gentility and intensity. She knows just when to hang back--and when to light the match.” ―Lisa Zeidner, author of Love Bomb and Layover

“I was gripped from the first line of Lisa Gornick's ingenious novel to the last. Using a polished prose to scratch hard and deep through the surface of a pristine upper-middle-class Upper West Side family's life, Gornick's incisive narrative explores the creepy underbelly of privilege and self-satisfaction.” ―Jenny McPhee, author of A Man of No Moon

“I loved this novel--it is deeply intelligent and shot through with suspense. The light that it shines on family life--from lethal traumas to daily love to misguided intentions--has a rare sort of rightness. An extraordinary book, written for adults.” ―Joan Silber, author of Fools and National Book Award finalist for Ideas of Heaven

“What a smart, compassionate novel Lisa Gornick has written! In the first line of Tinderbox, Myra says yes when she should say no, allowing her maternal instincts to trump her wisdom as a therapist. That tension--the tug of war between the advice we give others and the life we actually live--pulls the reader through this wonderful book of family turmoil. Getting to know these characters truly, madly, deeply is as gut-wrenching and joyful as life itself.” ―Mary Kay Zuravleff, author of The Bowl is Already Broken

“A Private Sorcery is a deep, powerful, exciting story that casts a spell on the reader from the opening pages. I was riveted and entranced--and something even more than that: thrilled to be in the presence of an important and authentic new voice.” ―Dani Shapiro, author of Slow Motion on A Private Sorcery

“Every now and then a new voice comes along that makes sense of our deep need for stories and their tellers. Lisa Gornick is one of those voices--she manages to match a compelling storyline with a language that is simultaneously intimate, intelligent, and crafted. It's certainly not easy to make it seem so easy. A Private Sorcery is a wonderfully honest book, deeply felt, with characters carved from the true stuff of what we are. A first-rate novel, all the more surprising since it is Gornick's debut.” ―Colum McCann, author of This Side of Brightness on A Private Sorcery

“An astonishingly good novel and completely compelling, A Private Sorcery is superbly written and sparkles with intelligence and subtlety. I can't remember a first novel in the last ten years that has impressed me as much as this. The characters are complex and fascinating. The evocation of place and time is vivid and convincing. This seems to me to be a novel for grown-ups.” ―Charles Palliser, author of Quincunx and The Unburied on A Private Sorcery

About the Author
Lisa Gornick is the author of A Private Sorcery, a novel. Her stories have appeared in Agni, Confrontation, The Massachusetts Review, Slice, and other journals; have received awards, including Best American Short Stories Distinguished Story of the year; and have been named a finalist in the Glimmer Train Fiction Open and a winner of the Summer Literary Seminars Unified Literary Contest. Her essays have been published in The Huffington Post, The Sun, and various psychoanalytic journals. She has a BS from Princeton, and a PhD in clinical psychology from Yale, and is a graduate of the writing program at New York University and the psychoanalytic training program at Columbia, where she is currently on the faculty.

Most helpful customer reviews

10 of 10 people found the following review helpful.
book club beauty
By Jerseywoman
Tinderbox is a book club lover's dream come true. it has everything---mother/daughter issues; the incursion of the inexplicable (and often evil) event; loss; many opportunities to discuss the difference between appearance and reality (if there is one); the impact of the insoluble past on the present; a clash of cultures, angles of vision, history (real and imagined); guilt (real and imagined) and the impact of social position.

Order several large, large pizzas and some other stuff. Your book club may be camping out in your living room for the weekend.

Mickey Pearlman, Ph.D., author of What to Read

9 of 9 people found the following review helpful.
Quite enjoyable
By Terry A. Guzel-Yunker
I'm truly amazed to find so many "haters" for this novel. Then again, I too, have read great reviews, purchased a novel, and wondered what all the hoopla was about.

Since the storyline has been put under the microscope by lovers and haters of the book, I won't go into the story.

Personally, it gripped me from the beginning and I read it with the kind of mounting horror that was felt by the person who hired the very unbalanced maid. Not knowing the author was herself a psychologist made it a better read for me as I was astounded as to how she portrayed the trauma the maid had suffered and how the true story finally was told.

I would highly recommend this book to anyone who enjoys reading thrillers. If you worry about the type of details some of the naysayers pointed out, you probably will not enjoy the book so don't buy it! On the other hand, if you are the type of person who can just allow yourself to relax into a very different type of narrative about psychosis, I think you will find your money was well spent.

Oh, are the single star reviewers themselves editors? I was amazed at how critical so many people were in thinking they knew better than whomever had done the editing on this book. Perhaps they should consider taking up editing as a career.

6 of 6 people found the following review helpful.
Packed with pleasures
By T. B. Eicher
This is a wonderfully packed book, full of satisfactions, at least for this reader. Other reviewers have already suggested its story and referred to its cast of characters, so I'll do no more than briefly name a few of its many pleasures: A one-word title and all it promises. Short chapters, almost always welcome to me. The whole book is compact, brief and full of life, without waste, like a sustainable eco-system. Short title. Short chapters. Short book. Perfect. It moves along briskly. The talk is terrific. Letters play a role, too unusual today in life and in fiction. Its psychological wisdom is deep. Its characters are full, even as their stories unfold with economy and restraint. Some appear and disappear, just as characters in our own lives do. And the story is not without alluring exotica, with brief stops in Peru and Morocco, and running riffs on American westerns, Frank Lloyd Wright, and psychotherapy. All this and more in a small space that rewards the reader's utmost attention. It all fits. With attention, even what may seem wayward, like an excursus on South American Jewish Indians, is true to a main thrust of the book--outsiders enter a little world (like a family), fertilize it, ignite it, and depart, leaving that world altered. It's very tight and true to itself, and, I think, to our lives. All carefully designed and crafted, with clear lines --like a Frank Lloyd Wright house.

I've been little puzzled by some commentators who have expected or described a thriller. That's not the book I read, though it does have its suspense. But, even better, one of the beauties of this book is that the author lets her story unfold, like some of the best novels, out of a small event in the life of a family. Think on the small scale of something even like Pride and Prejudice, where everything follows from no more than the little announcement that someone new is moving to the neighborhood. So it is with Tinderbox, which is, above all, the story of a family and a home, its old growth, undergrowth , overgrowth, and new growth. No thriller, but thrilling in its own flammable intricacies, perhaps even like your family or mine.

Back to that great title. I once read that John Irving said that the working title of every book he started was "Great Expectations," which couldn't capture writerly aspirations any better. But "Tinderbox" is another title that any book could desire. What writer doesn't want to make something incendiary, smoldering, and illuminating--between covers and within the reader? If families are tinderboxes, so are books--boxlike, compact, packed. This one is. Reader: supply match; strike.

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