jouseabooks: April 2014

Tuesday, April 29, 2014

## Get Free Ebook Jay's Journal of Anomalies : Conjurers, Cheats, Hustlers, Hoaxsters, Pranksters, Jokesters, Imposters, Pretenders, Side-Show Showmen, Armle

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A dazzling tour through the world of singular entertainers, con men, and unusual phenomena.

For the past four years, the multitalented Ricky Jay (sleight-of-hand artist, author, actor, film consultant, and scholar of the unusual) has published a unique and beautifully designed quarterly called Jay's Journal of Anomalies. Already a coveted collector's item, the complete set is gathered here for the first time. A brilliant excursion into the history of bizarre entertainments, the journal covered such subjects as dogs stealing acts from other dogs, an anthropological hoax involving the only survivors of a caste of ancient Aztec priests, and the ultimate diet: ingesting only air.In a delectably deadpan and winning style, Jay conveys his admiration and affection for the offbeat that characterized his bestselling Learned Pigs and Fireproof Women. He explains how wags since the sixteenth century have cheated at bowling; he explores the ancient relationship between conjuring and dentistry; and he chronicles the exploits of ceiling walkers and human flies. Crammed full of illustrations drawn from the author's massive personal archive, Jay's Journal of Anomalies will baffle, instruct, and, above all, delight.

Sales Rank: #510008 in Books
Published on: 2001-09-12
Original language: English
Number of items: 1
Dimensions: .83" h x 8.76" w x 11.20" l,
Binding: Hardcover
216 pages

From Publishers Weekly
Author and actor Ricky Jay (Learned Pigs and Fireproof Women) gathers four years of his quarterly Jay's Journal of Anomalies in one volume of the same name. An expert on the improbable, Jay trains his curiosity on unusual forms of entertainment and recorded history, and entries include "A Compendium of Giant Children" and "A Verbally Challenging Bestiary." He has unearthed gems like an advertisement for "Miss Silvia, Skandenavian Ceiling Walker" and a centuries-long fascination with the public spectacle of nose amputation. Jay's new one-man show, Ricky Jay on Broadway, opening this spring, and his role in Mamet's forthcoming movie Heist promise publicity for this witty and bizarre collection. Color illus.

Review
"With apologies to Tom Waits and Charlie Watts, Jay's Journal of Anomalies, proves that Ricky Jay is the coolest person currently walking the planet. He's talented, charming and shrewd; not a confidence man out for the quick fin at your expense, but rather the craftsman crafting, learning and laughing knowingly on the way to his next engagement."

About the Author
Ricky Jay is the author of Learned Pigs and Fireproof Women. His one-man show, Ricky Jay & His 52 Assistants, was a critical and popular success. He has appeared in the films House of Games, The Spanish Prisoner, Boogie Nights, and Magnolia.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Odd Tastes? Read This Book.
By Chris Ward
Wonderfully entertaining and enjoyable scholarship on extremely odd topics: flea circuses, hunger artists, nose-removal devices, and humbug of all sorts. Jay proves himself once again to be not only a supremely talented performer on the stage but on the page as well. Peruse this and be amazed at what people found entertaining a century or two ago... it's not so different from what you watch every evening on the TV (especially if you watch Fox).

10 of 10 people found the following review helpful.
'An Anomaly of Anomalies'
By Dr. Christopher Coleman
What wasn't quite clear to me when I got this book is that it is exactly what it says it is: a compellation of a quarterly 'newsletter' or journal written by magician Ricky Jay over a period of six years. The newsletter combines Jay's interest in entertainers of the outrageous kind with high quality publication; as he says,"a magazine printed letterpress on mold-made paper, with tipped-in color plates to present the illustrations I cherished with dignity and clarity." Although I have not seen either the original newsletters or the paperback version of the book, I can testify that the hardback retains these fine qualities.
As one might expect given the nature of the project, the quality of individual chapters evolves with time. Each chapter of the book is one volume of the newletter, preserved with the original masthead; the first few chapters show Jay warming to his subject. Chapter one, on trained dogs, is only 6 pages long; Chapter two, on Edward Bright and other early "Fattest Man/Woman/Child" is eight pages. Honestly, these opening chapters did not particularly interest me. But then the topics became more interesting to me and Jay seemed to 'hit his stride'--the final chapter, on the Amazing Chess Automaton, is twice the length of the first. Nonetheless, I still found the book a bit uneven--the chapter on bowling begins superbly, with a short description of Matthew Buchinger, born in 1674 who became a bowling wizard in spite of having neither arms nor legs. But after a single paragraph and picture, this singular character is not mentioned again. Instead, Jay concentrates the remaining pages on a general discussion of cheating at bowling--substitute "pool" for 'bowling' and the situation is pretty much unchanged today; and the association of bowling with amorality in the Victorian mind. Moderately interesting, but give me a ceiling walker, chess automaton, or Bonassus any day. It would be churlish of me to make more of this--it is, after all, Jay's Journal of Anomalies, not Coleman's Journal.
Among the more fascinating chapters are those on fasters, where Jay brings in the modern example of the Breatharians, who supposedly live on air alone; the Aztec Lilliputians; and a quirky chapter on "nose amputations". The common but unspoken thread among all the chapters is that odd but universal human quality--an eagerness to be deceived. The Amazing Chess Automaton, a device which has been treated at great lengths elsewhere, is a real testament to this quality; having been purchased by not one, but two members of royalty!
Each chapter is thoroughly footnoted, so that the book stands not only as an entertaining collection of quirks, but also as a scholarly source of information. One of the highlights is the Afterward, in which Jay publishes, presumably for the first time, additional material and pictures supplied by his readers in response to the original newsletter. All in all, Jay has succeeded admirably in creating (in his own words) 'an anomaly of anomalies."

14 of 14 people found the following review helpful.
A Fabulous Journey Into The Bizarre
By Chip Pearson
Ricky Jay in not a magician, and would cringe at the term. He is a deceiver. Unlike more convention illustionists, like Copperfield, Jay never asks you to suspend your disbelief. In his live stage shows, he is out to deceive you, and he wants you to know it. He defies the laws of physics before your very eyes in his live stage show, and in this remarkable book, he introduces you to people who have done the same over the centuries. This is not a man you want to play cards with!
In this book, Jay takes you on a journey spanning centuries of some of the most deceptive, fascinating, and truly bizarre characters that have populated the fringes of the conventional world. The characters in this journey are truly bizarre, but truly human. Jay doesn't merely describe their acts. He presents them as real human beings, living in a world all their own. They may seem to be 'freaks' but Jay presents them to you with a dignity and admiration that is rarely seen in this genre.
Jay is as adept at playing games with words as he is with games of cards. Jay has a true love of language, and revels in the poetry of the con man. As a curator of rare books, he loves the history of con men, and other things that we all love to see, if not fall victim to. He describes how we today fall for the same tricks as we did centuries ago.
Jay clearly loves the people who he describes in his book. He introduces you the the people behind the acts. The reader is introduced to these hoaxsters and con artists as real people, living in a real world. He gives them a unique dignity.
Ricky Jay has the gift of a true appreciation for language. He plays the same games with words as he plays with cards. Jay never views his subjects as 'freaks' who are exploited. He presents them as unique people with very unique talents.
This book is a pleasure to read. At times, you'll laugh out loud, and at times you'll cringe. But you will never be bored.
Ricky Jay will take you on a fascinating journey into a most unique and bizarre world.
Fans of Ricky Jay will love the book. And those who don't know about Ricky Jay will be introduced to a new world, and introduced to one of the most fascinating people in the world today. There are only two types of people in the world -- those who think Ricky Jay is a genious, and morons. And if Mr Jay reads this review, I want you to autograph my copy of this book!

See all 18 customer reviews...

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Monday, April 28, 2014

## Get Free Ebook Strange Piece of Paradise, by Terri Jentz

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Strange Piece of Paradise, by Terri Jentz

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In the summer of 1977, Terri Jentz and her Yale roommate, Shayna Weiss, make a cross-country bike trip. They pitch a tent in the desert of central Oregon. As they are sleeping, a man in a pickup truck deliberately runs over the tent. He then attacks them with an ax. The horrific crime is reported in newspapers across the country. No one is ever arrested. Both women survive, but Shayna suffers from amnesia, while Terri is left alone with memories of the attack. Their friendship is shattered.

Fifteen years later, Terri returns to the small town where she was nearly murdered, on the first of many visits she will make “to solve the crime that would solve me.” And she makes an extraordinary discovery: the violence of that night is as present for the community as it is for her. Slowly, her extensive interviews with the townspeople yield a terrifying revelation: many say they know who did it, and he is living freely in their midst. Terri then sets out to discover the truth about the crime and its aftermath, and to come to terms with the wounds that broke her life into a before and an after. Ultimately she finds herself face-to-face with the alleged axman. Powerful, eloquent, and paced like the most riveting of thrillers, Strange Piece of Paradise is the electrifying account of Terri’s investigation into the mystery of her near murder. A startling profile of a psychopath, a sweeping reflection on violence and the myth of American individualism, and a moving record of a brave inner journey from violence to hope, this searing, unforgettable work is certain to be one of the most talked about books of the year.

Sales Rank: #1299652 in Books
Published on: 2006-05-02
Released on: 2006-05-02
Original language: English
Number of items: 1
Dimensions: 9.00" h x .97" w x 6.00" l,
Binding: Hardcover
560 pages

From Publishers Weekly
The author was a Yale student biking cross-country during the summer of 1977 when she and her roommate were attacked by an axe-wielding cowboy while camping in Oregon. Jentz escaped with a gashed arm, while her friend was nearly blinded from head injuries. Fifteen years later, in 1992, Jentz returns to the scene of the attack to repair the psychic wound and attempt to close the case. Dogged in her pursuit of the truth (though largely abandoning the subtitle's promise of introspection), Jentz interviews the witnesses who saw her stumble out of Cline Falls State Park that June night; she scrutinizes police files and discovers the halfhearted investigation of suspects, learning about several horrific killings that took place in Oregon then. Jentz even befriends the former girlfriends of one suspect who becomes frighteningly plausible as the culprit. She finally tracks down the local cowboy known for carving his initials into his axe handle; though he can no longer be prosecuted for the attack, the satisfaction of seeing him convicted for another offense is a bittersweet vindication. While a thorough, forthright detective, screenwriter Jentz tends to meander and includes unnecessary detail. Still, her story is chilling and will enthrall true crime readers. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Terri Jentz's harrowing story finds voice in Strange Piece of Paradise, her first book. Critics praise Jentz's courage for returning to the scene of such violence, though several comment that the difficulty of uncovering compelling evidence nearly 30 years later precludes a satisfying conclusion. The book's chronological organization also presents some minor problems, and the book can be plodding at times. Still, the shortcomings do little to mute Jentz's powerful and elegant style, her craft honed by a career as a screenwriter. Critics favorably compare the effort to Alice Sebold's The Lovely Bones, Norman Mailer's The Executioner's Song, and Truman Capote's In Cold Blood, and they applaud the author's willingness to face her demons.

Review
"In this memoir Terri Jentz grapples with the deep subconscious of America, as well as its flesh and blood. Her writing has the weirdness and gravitas and beauty of life." —Nick Flynn, author of Another Bullshit Night in Suck City: A Memoir

"An extraordinary story about the scars of the spirit and how they heal, Jentz’s epic American journey is both heart-rending and heartening, devastating and redemptive." —Melanie Thernstrom, author of Halfway Heaven

"Strange Piece of Paradise is a haunting, lyrical journey through one woman's nightmare. Terri Jentz’s debut is harrowing, gripping and poignant. The impact lingers long after the final page is turned." —Harlan Coben, author of No Second Chance

"Strange Piece of Paradise is a haunting masterpiece. A journey into the heart of American violence, it is both a vividly brutal story and a redemptive tale of self reclamation and justice—asking why is America such a violent place, who are the perpetrators, and what is the nature of the suffering they inflict, not only on their victims but on whole communities. As the author describes her own emotional progression with dazzlingly discerning and subtle precision, the story holds us in its grip until we realize we have witnessed a stunning reversal: the victim hunts down the suspected perpetrator.
No one will be the same after reading this brilliant book. It is transformative in the best way, soul changing, with the promise of altering a culture that far too often aims toward and glorifies destruction." —Susan Griffin, author of A Chorus of Stones: The Private Life of War (Pulitzer Prize and National Book Award finalist)
"Start this book, and you won’t stop. Memoir, detective story, travelogue, time capsule, horror movie come to life (and swinging a hatchet), obsessive manhunt, a tale of American innocence dashed and left for dead—Terri Jentz’s Strange Piece of Paradise has the narcotic force of a nightmare that won’t let go its grip until the truth is found and set free. In synopsis, Strange Piece of Paradise sounds like pulp fiction: 1977, two Yale students—hopeful and buoyant—embark upon a bike trip across the country’s "most scenic blue roads" only to be brutally attacked at a campsite by a psycho stranger in cowboy boots who drives off into the desert night. But the story is true, the locations real, the scars left on the author’s body bearing the track marks of her trauma. As if to perform reconstructive surgery on her psyche (to reconcile the adventurous young woman she was with the "scarecrow self" that has haunted her since), Jentz returns to the scene of the crime to conduct an epic investigation as shadowed in grief and as stricken by violence as Truman Capote’s Kansas in In Cold Blood." —James Wolcott, Vanity Fair columnist and author of The Catsitters

Most helpful customer reviews

104 of 110 people found the following review helpful.
An Honest Book That Is Felt As Much As It Is Read
By Amazon Customer
This is an incredible read!

Even if the story were lacking, which it certainly isn't, Terri Jentz skillfull and honest re-telling of the events that forever altered and in many ways shaped the rest of her life could make up for it. But instead this book, 542 pages of very closely typed small print, is worth a thousand pages of raw emotion that left me feeling that it had been under, rather than overstated.

Page by page, the author takes you on a tour of her life from age 19, when as a college student at Yale, she and her roommate Shayna undertake a cross-country bicycle ride. Beginning and ending in Oregon, the summer-long excursion ends in a mere 7 days when an axe-wielding maniac first drives over the tent as the girls lie at camp sleeping, and then hacks and carves into them before returning to his truck and driving away.

The girls live, but Terri tells the story, detail by detail, and as a reader, I sensed that I too was on that bike ride, in the tent, and almost twenty years later, re-tracing both the steps leading up to the attack and the attack itself. But even more compelling is that the way Terri tells her story, all emotion is felt, including not only the fear and terror, but the emotionally blank periods in Terri's life in which, to cope with the horror, she had shut out her ability to sense the reality of what had happened to her as she related her experience to friends and acquaintences as if it were a piece of amusing fiction.

Finally, coming to grips with the knowledge that she had "disassociated with the self in the sleeping bag that night" in order to survive it emotionally, Terri sets out not only to retrace her steps in hope of regaining her lost emotions, but also, to discover the identity of her would-be murderer and the incredulity of a small town that knew so much more about what happened to her than she did herself.

This is a book that you wont want to put down until it is finished. It is not light reading, but told with such skill and honesty, it goes much more quickly than expected. Don't read it caffienated!

69 of 76 people found the following review helpful.
"Strange things happen to people in America. Some bitterly cruel. And some so beautiful that faith is retired forever."
By Jessica Lux
To Terri Jentz, Oregon is a dark and strange piece of paradise. After her freshman year at Yale, Jentz and her roommate Shayna set off on a summer 1977 Great American Journey--crossing the country from Oregon to Virginia on a BikeCentennial route. On Day 22 of the journey, Jentz and Shayna separated from a couple they had met on the road and then decided to stop for the night in an unapproved campground. They awoke that night to the unimaginable horror of a pickup truck driving through their tent, and then a handsome phantom of a cowboy striking them repeatedly with an axe.

Jentz was physically damaged by the event, but she moved on with her life as a woman unafraid of telling her story, unafraid of the dark, and still willing to tent-camp. Her companion Shayna had amnesia about the night and barely survived with limited vision. She distanced herself from Jentz and the memories of that night as much as possible.

Fifteen years later, Jentz returned to Cline Falls, Oregon to investigate her past. "Could I ever apply meaning to what had long seemed a senseless act, one that happened without pattern or reason?" "Who was the man who emerged that night in a desert park, bent on destruction?" The statute of limitations on attempted murder in Oregon was a mere three years, so Jentz's adult odyssey was truly a personal exploration, not a formal legal investigation. In Orgeon, Jentz teamed up with victim's rights advocate Dee Dee, who puts it best: "We kind of reward you because you're not very good at what you do. The only difference between attempted murder and murder is that somebody was inadequate in what they tried to do. Their intent was the same. That person is as great a danger to society as the person who completed the murder. Maybe they're a bad shot. Why would you reward them?"

It was the lack of formal legal recourse that allowed Jentz access to the close-knit community of Cline Falls. Over the course of a decade, she traveled to Oregon repeatedly to chase down leads, interview police, talk to witnesses, and re-unite with her rescuers and with the hospital staff who cared for her. The girls "who got chopped up at Cline Falls" were ingrained in the collective memory of Oregonians and the nation, and everyone had a flicker of recognition when Jentz identified herself. She quickly discovered that the town had long suspected one of their own, an alcoholic, abusive sadist with a long history of domestic violence, as the perpetrator. He even had a nickname--Dick Duran the Hatchet Man. In candid prose, Jentz describes the bureaucratic mistakes made in the investigation of her case (it became a turf war between three local agencies), as well as the 1977 public relations nightmare of talking about two girls who "asked for it" by camping alone in an unapproved area, and the face of crime in the 1970's (the term serial killer hadn't even been invented yet, and there were no crime tabloids and TV shows).

Despite the inconsistencies and missteps Jentz discovered in the official investigation, nothing about the case is open and shut. Jentz finds witnesses who contradict one another, who contradict previous statements, and people who made claims but have been influenced by the gossip around town in the two decades since the crime. Her research is exhaustive, and she accepts nothing at face value. The author should be commended for her dedication to factual accuracy (she refused to accept hearsay); however, the extreme detail does weigh the action down partway through the book. As an armchair detective, I would have gladly accepted a more condensed version of interviews. This is still, without question, a 5-star narrative that succeeds both as a personal memoir and as a criminal case study.

35 of 41 people found the following review helpful.
Gripping, powerful, important
By Kevin Kouns
I am not normally a "true crime" or even a "memoir" lover, but this is a remarkable book. In my opinion, the book works well on three different levels:

First, it is a gripping, page-turning, dectective story with the twist that the investigation is taking place fifteen years after the crime and the victim is pursuing the criminal. Second, it is an important exaimination of the effects of voilence on our communities and an expose of our ineffective criminal justice system. Finally, the book is a powerful study of identity, an unusual "coming of age" story that takes place over thirty years. The author was deeply traumatized by her random brush with death. I found her struggle to integrate and make sense of this senseless act very moving.

This is a complex book and undoubtedly it will provoke comdemnation from some who disagree with its premisees or who do not "get" its introspective components. The author challenges conservative notions by powerfully revealing the pervasiveness of violence against women in our culture, and challenges liberal naivete about forgiveness and reformation of criminal minds. This book grapples with important issues and I hope it provokes some much needed national discussion.

This review is not particularly objective; Terri is a friend, and my parents play a supporting role in her tale. However, rather than coloring my judgement, I believe my familiarity with Terri and my family's experience as victims of crime gives me a unique vantage point for reviewing the book. Terri captures the complexity and nuances of the effects of trauma. Most importantly, her work is profoundly honest and genuine. I watched her go through this process for over a decade. Her book is the real deal.

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Sunday, April 27, 2014

! Download Collected Poems, by Ted Hughes

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All the poems of a great 20th-century poet

From the astonishing debut Hawk in the Rain (1957) to Birthday Letters (1998), Ted Hughes was one of postwar literature's truly prodigious poets. This remarkable volume gathers all of his work, from his earliest poems (published only in journals) through the ground-breaking volumes Crow (1970), Gaudete(1977), and Tales from Ovid (1997). It includes poems Hughes composed for fine-press printers, poems he wrote as England's Poet Laureate, and those children's poems that he meant for adults as well. This omnium-gatherum of Hughes's work is animated throughout by a voice that, as Seamus Heaney remarked, was simply "longer and deeper and rougher" than those of his contemporaries.

Sales Rank: #1523079 in Books
Published on: 2003-11-15
Original language: English
Number of items: 1
Dimensions: 9.50" h x 2.25" w x 6.38" l, 3.65 pounds
Binding: Hardcover
1376 pages

From Publishers Weekly
The main details of Hughes's life are well-known: after his National Service with the RAF, the dashing poet marries the brilliant American Sylvia Plath in 1954, and becomes an instant celebrity with the publication of Hawk in the Rain in 1957. While "The Thought-Fox" scampers its way into numberless anthologies, he publishes the poems of Lupercal (1960) and Wodwo (1967), where he treats his own voice as a force of nature, threaded through a violent animism. His wife and his lover die by suicide. He makes a major artistic breakthrough with the widely praised sequence Crow (1971), which draws on his deep knowledge of English folklore, and sacrifices, for a kind of Zarathustrian bluntness, all lingering traces of formalism (though blank verse and ballad would continue to be favored methods). He writes plays and several children's books, and becomes poet laureate in 1984, publishing a surprisingly good book of civic verse, Rain Charm for the Duchy, in 1992. His final volume, Birthday Letters, is a conflicted, front-page-news-making account of his relationship with Plath. This enormous, rewarding compendium contains all of the above as well as numerous poems that were previously uncollected (such as the lovely, Williams-y miniature "Snail" and the long "Scapegoat and Rabies," an indictment of the soldier culture that partly shaped Hughes); the entirety of his acclaimed Tales from Ovid; Hughes's appendices to the books as originally published; and copious bibliographic notes. Hughes is already canonical in Great Britain, and this volume, with its resolutely undomesticated bestiary, will mark out permanent space on the shelves of U.S. readers.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Lauded as a poetic genius and demonized for the suicide of his poet wife, Sylvia Plath, Hughes remains a controversial and compelling figure, one deserving of the serious attention this mammoth first collected edition of his poems demands. Precocious and ambitious, Hughes began winning literary awards with his debut collection, The Hawk in the Rain (1957), thanks to Plath's encouragement. Earthy and mystical and steeped in folklore and myth, Hughes wrote lush and confident nature poems until Plath's death, after which his poetry turned spare and wary. In Crow (1970), for instance, images of fallen trees, shrunken forms, camouflage, sickness, and stasis abound, followed by the torment of Prometheus on His Crag (1973). But slowly the prolific and irrepressible Hughes regained his artistic grounding, and ultimately created a great treasury of original and exalted works, finally addressing his intense relationship with Plath in his final book, Birthday Letters (1998), a resounding collection that stunned the literary world. Supported with extensive notes, this definitive volume brings Hughes into crisp focus as a complex and major poet. Donna Seaman
Copyright © American Library Association. All rights reserved

About the Author
Ted Hughes (1930-1998) produced more than forty books of poetry, prose, drama, translation, and children's literature, including, in the last decade of his life, Shakespeare and the Goddess of Complete Being; Tales from Ovid; verse adaptations of Aeschylus's Oresteia, Racine's Phedre, and Euripides' Alcestis; and Birthday Letters. He lived in Devonshire.

Paul Keegan is poetry editor of Faber and Faber in London.

Most helpful customer reviews

40 of 43 people found the following review helpful.
Bury the Hate, Celebrate the Greatness
By David Scott Goen
Ted Hughes has been reviled for over four decades for his part in the life and death of the poet Sylvia Plath. So strong is her mythology that many have relegated Hughes to a minor role, a bit player, in her epic tragedy. Plath was an astonishing and powerful poet. In the end she became one of the best poets of the twentieth century. So did her one-time husband.
Ted Hughes evidently had a great many faults both specifically as a man and more generally as a human being. This book has nothing to do with that, for either good or bad. Anyone familiar with the private lives of such artists as James Joyce and Picasso already know that artistic greatness does not guarantee moral greatness. We rightly celebrate their work.
This book collects the work of someone who touched greatness many times over a long and distinguished career. It includes not only the "official" editions originally published by Faber and Faber, but also work from literary journals and small-press editions. It is a volume from which Hughes work volcanically erupts, rather than develop in small increments.
"Crow" is one of the great cycle of poems in the English language. At last we can see other poems that both led to and came after this landmark work. Hughes revisited and revised throughout his career, and this volume does not cheat us of this growth. There are poems with the same content but possessing different names. There are poems with the same name but different contents. All have their place in the lexicon presented here.
Ted Huges was much more than "Mr. Plath." An accomplished poet, a skilled translator, a visionary, Ted Hughes' work transcends Ted Hughes. We must celebrate his work and let it take its place amongst the other great works of our times. Revisit what you may have already known of his poems. Discover the work that is new and glorious to you. And know that one may transcend personal limitations and achieve greatness.

14 of 19 people found the following review helpful.
Ted Hughes...Poetical Perfection!...
By Jay Dee
Ted Hughes "Collected" should not be missed by anyone who loves poetry and wants a base of inexhaustible grist for their "mill".

Incredibly, some, including apparently a well meaning reviewer here for Amazon have come to see Ted Hughes as adjunct in importance to his one time wife, Sylvia Plath..."Mr. Plath"?! Please! For the poet in the know this is a laugher!...Sylvia was a bright shining star, but history will note that she could never eclipse her one time husband in either sphere or poetical influence...Hughes work in the realm of the meta-physical animal world around us, which Sylvia tried at times to dabble in is only equaled by poets like Jim Dickey, Don Hall, or Bob Frost.

The "Crow" cycle as has been mentioned elsewhere is incredible and mind blowing for those who stumble upon it for the first time...Hughes Crow work included completely here, reads like passages from a second Bible. You can see the timeless quality in this and all of Hughes work that will continue to influence poets down the road...

Don't miss his work on the "Jaguar" and even his juvenalia work is outstanding...

If you're a poet who wants wood for his fire, there isn't anything smaller here than heavy cedar. Go for your kindling elsewhere..This sterling collection of poems I highly recommend will cook up for you a bonfire of images and ideas that won't fail to keep you warm on a cold winter's night while they send a cool chill down your spine on a hot summer's day...

5 of 7 people found the following review helpful.
Amazing, Amazing. Amazing.
By Reader and Writer
Without a doubt the best thing I've read in half a year. A keeper, a gem, a wealth between covers. What a book. What a writer. His flow, rhythm, depth, lilt, phrasing are unequalled by any contemporary writer I know. He was a great, great writer and this book does justice to his memory.

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Saturday, April 26, 2014

!! Get Free Ebook Prime Time Blues: African Americans on Network Television, by Donald Bogle

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Primetime Blues is the first comprehensive history of African Americans on the network series. Donald Bogle traces the changing roles of African Americans on primetime -- from the blatant stereotypes of television's early years to the more subtle stereotypes of recent eras. Bogle also reveals another equally important aspect of TV history: namely, that television has been invigorated by extraordinary Black performers -- from Ethel Waters and Eddie "Rochester" Anderson to Cicely Tyson, Flip Wilson, Redd Foxx, and those mighty power brokers Cosby and Oprah -- who frequently use the medium to make personal and cultural statements, and whose presence on the tube has been of enormous significance to the African American community. Bogle's exhaustive study moves from the postwar era of Beulah and Amos 'n' Andy to the politically restless sixties reflected in I Spy and the edgy, ultra-hip characters of The Mod Squad. Bogle comments on the short-lived East Side, West Side, the controversial Julia, and the television of the seventies, when a nation still caught up in Vietnam and Watergate retreated to the ethnic humor of Sanford and Son and Good Times; and on the politically conservative eighties, marked by the unexpected success of The Cosby Show. He explores die-hard Bonded Buddies on such series as Spenser: For Hire, and those Teen Dream heroes of Miami Vice. Finally, Bogle turns a critical eye to the television landscape of the nineties -- when Black and white viewers often watched entirely different programs -- with shows such as The Fresh Prince of Bel Air, ER, and The Steve Harvey Show. He also examines TV movies and miniseries such as The Autobiography of Miss Jane Pittman and Roots. Ultimately, this important book gives us a history rich in personalities and tensions as well as paradoxes and achievements.

Sales Rank: #1991696 in Books
Published on: 2001-02
Original language: English
Number of items: 1
Dimensions: 1.78" h x 6.42" w x 9.56" l,
Binding: Hardcover
512 pages

From Publishers Weekly
From its earliest days, television has always had a problem with color. The advent of Technicolor didn't change the fact that most actors on TV were white. Even in the mid-1970s, when African-American actors began appearing more regularly on network shows, the roles open to them were rigidly circumscribed. In this thoroughly researched, witty and often shocking social history, media scholar Bogle fashions an in-depth chronicle of the way television has mirrored and influenced the politics of race in the U.S. His analysis remains attuned to how the earliest black performersD"Eddie" Rochester on The Jack Benny Show; Ethel Waters, Hattie McDaniel and Louise Beavers playing the indefatigably cheerful black maid Beulah; and Alvin Childress and Spencer Williams in Amos n' AndyDmanaged to communicate authentically with African-American viewers, despite often finding themselves "cast in parts that were shameless, dishonest travesties of African American life and culture." Situating its critique within a broad economic and industry analysis, the book addresses such major issues as the pressure of sponsors and the advent of cable on the portrayal of African-American subject matter. The author of Dorothy Dandridge and Toms, Coons, Mulattos, Mammies, & Bucks, Bogle pulls no punches (e.g., chastising the popular Sanford and Son for what he sees as its anti-Asian racism and homophobia). This major new work in television and media studies will be welcomed by both academics and general readers. 60 b&w photos. Agent, Marie Brown. 5-city author tour. (Feb. 24)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
The history of network television is filled with examples of talented black actors tackling memorable roles in noted primetime television series. In scholarly yet accessible fashion, Bogle (history, New York Univ.; Dorothy Dandridge: A Biography) brings these examples together. His book is particularly notable as perhaps the first complete chronicle of the evolution of black television from its inception in the 1940s to the present. The author, who has covered the exploits of black TV and media personalities before (he recently appeared on an E! Entertainment Network biography of Josephine Baker), here shows us that people of color have helped define network television as we know it today and continue to contribute creatively to the medium. His illuminating and entertaining study is recommended for all popular TV and media sections.
-DDavid M. Lisa, Wayne P.L., NJ
Copyright 2001 Reed Business Information, Inc.

From Booklist
Bogle, author of Dorothy Dandridge (1997), offers an absorbing look at the potential and the disappointment of television, the most ubiquitous American cultural medium, and its place in the racial history of the nation. With the aid of photographs and detailed descriptions of the plots and characterizations of television shows, Bogle traces television's treatment of race and black performers from the controversial racial stereotyping of Amos 'n' Andy and Beulah through the deracialized appeal of The Cosby Show. The discussion is further enlivened by profiles of black performers' careers, such as that of Ethel Waters and Oprah Winfrey, noting their triumphs and humiliations. Bogle recalls the firsts in television and race history, for example, the first television show with a black star (The Ethel Waters Show) and the first interracial kiss on a television show (Uhura and Captain Kirk on Star Trek). He examines the slow process of moving from the racial neutrality of Julia to grittier portrayals of urban and racial realities in the U.S with Hill Street Blues, Equal Justice, and similar dramas. This is an extensive and even-handed look at how television has mirrored and distorted race images and issues in the premier multiracial society. Vanessa Bush
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

2 of 2 people found the following review helpful.
A CLASSIC,BUT WITH A FEW FLAWS
By J. Johnson
PRIMETIME BLUES is an excellent history of African-Americans
on primetime television,from the days of "Beluah" to "The Parkers".Smart,honest,and very,very,very insightful,PRIMETIME
BLUES makes you want to read even more.But if I had to put in
some complaints,it'd be Donald Bogle's political bias.Suggesting
that all Blacks live rough and that any Black show that wants to
show a normal,calm Black family is phony.And at times,PRIMETIME
BLUES comes off a textbook as well.But anyway,buy this book
for excellent coverage of Blacks on your TV screen!

2 of 2 people found the following review helpful.
FRESH PRINT
By A Customer
What an excellent, thoughtful study of a worthwhile topic. Bogle is to first writer to acknowledge the shows that are the most influential in the history of African American television. Special credit should go to him for identifying "The Fresh Prince of Bel-Air" as the one truly groundbreaking show of the last thirty years. Much like that show, this book is thoroughly intelligent and well done from start to finish.

5 of 7 people found the following review helpful.
PRIMETIME BLUES a politically biased take on black TV series
By Steven Bailey
In all of the 512 pages of Primetime Blues: African Americans on Network Television, the most telling sentence is author Donald Bogle's admission that "no one television show can answer everyone's needs." Ironically, this admission comes in the middle of Bogle's critique of "The Cosby Show," Bill Cosby's landmark 1980's sitcom that showed a middle-class black family doing well for itself, and surely one of the most popular sitcoms of its era.
It doesn't take a major historian of television to show that African Americans have been incredibly wronged by most television entertainment. Besides the obvious cases such as "Amos 'n Andy," Bogle goes to great and justifiable lengths to show many other cases where stereotypes abounded, such as Louise Beavers as a maid giving her all to a bland white family in "Beulah," and Hazel Scott, a unique and talented TV singer whose career was eventually undone by the '50s Communist witch hunt. Bogle also cites examples such as Martin Lawrence's career-boosting sitcom "Martin" to show that pandering, black entertainment has hardly gone by the wayside. Bogle also writes in a very down-to-earth style that subtly makes his case for positive black entertainment.
My biggest problem with the book is that Bogle is all too eager to examine each and every black sitcom and dramatic show in a socio-political prism. In Bogle's view, "The Cosby Show" suffered for overlooking political issues such as the 1985 Howard Beach killing of a black man, even though "The Cosby Show" never claimed to be politically oriented. (In any case, Cosby was far subtler about such issues, as when his sitcom son Theo sported an "Abolish Apartheid" poster on his wall and the show called no huge attention to it, though Cosby had to fight for that poster behind the scenes.) And the short-lived but critically acclaimed "Frank's Place" is taken to task by Bogle for being too different (no laugh track; filmed with a multi-camera movie-type set-up)--exactly the kind of unique programming for which Bogle pleads most of his case.
Most abominably, Bogle's idea of an exceptional black sitcom is "The Jeffersons," simply because it depicted George Jefferson as an up-and-coming businessman who made it on his own terms. As a long-time (admittedly white) viewer of the show in my teens, I feel the show had a lot of punch in its early years but eventually deteriorated into a slapstick sitcom. My most overwhelming memory of the show's later years is its opening montage that included clips from a show in which George and Louise dressed up for a costume party. Who did they dress up as? George did Charlie Chaplin, while Louise did Mae West--two blatantly white entertainment icons. What sort of message do you suppose that sent to young black viewers?
Prime Time Blues is an easy read (no small feat at over 500 pages) and offers some insight into the occasionally glimmering desert that is black television entertainment. But when one reads Bogle's criticisms of nearly every black show in history--even the ones that tried to make some headway for blacks--one wonders exactly what kind of show would make Bogle happy.

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Friday, April 25, 2014

## Download Ebook My Two Italies, by Joseph Luzzi

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A poignant personal account from a child of Calabrian peasants whose lifelong study of Italy unveils the mysteries of this Bel Paese, "Beautiful Land," where artistic genius and political corruption have gone hand in hand from the time of Michelangelo to The Sopranos

The child of Italian immigrants and an award-winning scholar of Italian literature, in My Two Italies Joseph Luzzi straddles these two perspectives to link his family's dramatic story to Italy's north-south divide, its quest for a unifying language, and its passion for art, food, and family.
From his Calabrian father's time as a military internee in Nazi Germany-where he had a love affair with a local Bavarian woman-to his adventures amid the Renaissance splendor of Florence, Luzzi creates a deeply personal portrait of Italy that leaps past facile clichés about Mafia madness and Tuscan sun therapy. He delves instead into why Italian Americans have such a complicated relationship with the "old country," and how Italy produces some of the world's most astonishing art while suffering from corruption, political fragmentation, and an enfeebled civil society.
With topics ranging from the pervasive force of Dante's poetry to the meteoric rise of Silvio Berlusconi, Luzzi presents the Italians in all their glory and squalor, relating the problems that plague Italy today to the country's ancient roots. He shares how his "two Italies"-the earthy southern Italian world of his immigrant childhood and the refined "northern" Italian realm of his professional life-join and clash in unexpected ways that continue to enchant the many millions who are either connected to Italy by ancestry or bound to it by love.

Sales Rank: #619413 in Books
Published on: 2014-07-15
Released on: 2014-07-15
Original language: English
Number of items: 1
Dimensions: 8.45" h x .81" w x 5.63" l, 1.00 pounds
Binding: Hardcover
224 pages

From Booklist
The American-born son of poor but tough Calabrian immigrants, Luzzi yearned for the Italy of Dante and Michelangelo, not the one of sharp cheese and salted anchovies. But while building a distinguished scholarly career writing about Italian high culture, the very different Italy of his parents continued to haunt him with the smells of its cooking, the calloused hands of his uncles, and the unsentimental way in which his mother dispatched animals for the family table. Luzzi is not, of course, the first to note the distance between these two Italies—as he notes, Tony Soprano grappled with the same issue—but the contrasting ideals provide Luzzi with a lens through which to examine Italy and the Italian American experience, especially that of his family. In part, he is trying to puzzle through the miseria of his parents, who survived the war to suffer a lifetime of backbreaking labor and enduring but pugnacious love. But when Luzzi shares his deepest pain—the sudden death of his pregnant wife in a car accident—his investigations of his extended family turn powerfully poignant, for it was they who cared for his infant daughter while he curled in a fetal position in his childhood bed. The result is a memoir that balances thoughtful observation with feelings that, one senses, still remain quite raw. --Brendan Driscoll

Review

“My Two Italies [is] a brilliant tour de force that is part memoir, part cultural criticism and part paean to the magical city of Florence. A narrative at once elegant and elegiac, the book encapsulates the essence of contemporary Italy--sordid politics, organized crime, the bella figura--in a fast-paced prose that rushes by much too quickly.” ―Arlice Davenport, Wichita Eagle

“In his elegant, thoughtful new memoir, My Two Italies, [Joseph Luzzi] writes of watching his father and uncle carve up an entire goat, make wine, and hold a meeting of brothers to determine the fate of an uncle's unfaithful wife. And this was not 19th-century Calabria, but Rhode Island in the 1970s . . . In this relatively slim book, Luzzi effectively covers lots of ground on Italian identity as a whole: the concept of mammoni (40-year-old Italian men who live with their mothers), Italy's Slow Food movement, and a somewhat dutiful examination of the country's politics since World War II. On Americans of Italian descent, he writes ‘we Italian Americans suffer from a form of cultural schizophrenia, half of our soul nourished by centuries of European arts and letters,' while the other half is ‘contaminated' by The Godfather and The Sopranos. But Luzzi can be heartbreakingly tender, as when he recalls his pregnant wife, who was hit by a car and died just after his daughter was delivered. It's only a few passages, but it is amazingly affecting. His daughter is now four years old; at bedtime he reads to her and tells her stories, for ‘stories will be all that binds her to Calabria.' And when he travels to Florence now, without his wife, Luzzi considers yet another two Italies: ‘the Italy of the living and the dead.' As for his own sense of being an Italian American, he strikes a bittersweet chord: ‘We commemorate our past only to remind ourselves how far we have traveled from it.'” ―Mark Rotella, NPR

“My Two Italies touches, lightly and elegantly, on politics, history, geography, sociology, language, literature, film, food and family . . . [There are] deeply felt stretches of memoir.” ―Craig Seligman, The New York Times Book Review

“Written as part memoir, part disquisition on Italy, its dialect and grammar, its food and idiosyncracies, its celebrated writers and painters, its Mafia and founding myths, My Two Italies is also a thoughtful book about exile, the sense of displacement and confusion that those driven from their roots carry with them forever. Even if, as in Luzzi's own case, it is exile from a world that he himself never actually knew. Some things, he notes, are indeed translated into the idiom of a new life; others, ‘felt in the blood,' endure unchanged.” ―Caroline Moorehead, The Times Literary Supplement

“Joseph Luzzi['s] . . . charming new book, My Two Italies . . . succeed[s] in capturing the spirit of a certain form of biculturalism and the ambivalence and conflict it causes . . . Luzzi is particularly good when he shares personal experiences and conveys observations and ideas about identity. His anecdotes about family will strike a chord with any reader familiar, even vaguely, with the immigrant experience. The best of the book comes in the middle, in the chapter called ‘The Fig Tree and the Impala,' a lovely, well-composed rumination on the cultural and generational divide between Luzzi and his father that doubles as a thoughtful essay on the nature of language . . . Luzzi, a sympathetic storyteller with an easy, sometimes elegant style, succeeds admirably.” ―Adam Parker, The Post and Courier

“My Two Italies deals with the enduring disconnect between the ideal Italy that is admired as a center of civilization, and the hardship and hardness of the emigrant experience. Both come vividly alive in Luzzi's heartfelt and illuminating book.” ―Gay Talese, author of Unto the Sons

“Joseph Luzzi has written a funny and often moving family history that opens onto wider vistas that he knows and loves equally well--the Italian cultural and political landscape from Dante to Silvio Berlusconi. Full of charm and insight, but admirably frank and unsentimental, My Two Italies should be required reading on all flights to Italy.” ―Ross King, author of Leonardo and the Last Supper

“This is a delightful, poignant, moving, entertaining but above all illuminating book, which like the best art has many layers--of the Italian-American experience, of Italy's north-south divide, of Italy's strange but fascinating modern history and of the personal journey of its author. I commend it warmly.” ―Bill Emmott, author of Good Italy, Bad Italy and former editor of The Economist

“Joseph Luzzi has skillfully woven together a powerful and moving memoir of his Calabrese family and an entertaining, incisive study of an Italy split between north and south, St. Francis and Berlusconi, Botticelli and the Sopranos. My Two Italies is sad, funny, and deep--a timely book, packed with searching questions.” ―Marina Warner, winner of the 2012 National Book Critics Circle Award for criticism and author of The Lost Father

“Anecdotes . . . give Luzzi's work richness. And Luzzi's academic prowess in all cultural things Italian, adds spice. He draws from numerous authors, both long-gone and still alive, to delve into Italy's history and explain how the country's dialect-driven languages eventually were woven into one.” ―Lee Coppola, Buffalo News

“Luzzi's evocative personal history and incisive cultural critique illuminates the complex forces that have shaped his own identity. Being Italian and American, he comes to realize, has been both a bountiful gift and 'an ethnic cross I had to bear.'” ―Kirkus

“Midway along the journey through his life, Dante scholar Luzzi wakes to find himself in a dark wood of longing and desire, wishing to know more about his Calabrian heritage. Luzzi, a wonderful storyteller, plays Virgil to our pilgrim, guiding us through the schizophrenic character of Italian culture. To arrive at a deeper understanding of his Italian heritage, Luzzi enrolls in a doctoral program in Italian literature and language, studying Dante and Northern Italy rather than his family ancestral homeland of Calabria in the south. Luzzi energetically, and with some nostalgia, recounts stories of his various travels through Naples and Florence, his encounters with the works of Italian writers, and his meetings with members of his family. He learns that ‘the Italian family is like Italy itself: fragmented on the surface, riven by intrigue, resistant to change, suspicious of outsiders, and quick to set individual interests over group ones.' In the end, Luzzi embraces his two Italys--Calabria and Tuscany--not as a burden or as a struggle, but as a gift that has brought him ‘inside the disappearing world of my parents and millions of other Italian exiles.'” ―Publishers Weekly

“The American-born son of poor but tough Calabrian immigrants, Luzzi ‘yearned for the Italy of Dante and Michelangelo, not the one of sharp cheese and salted anchovies.' But while building a distinguished scholarly career writing about Italian high culture, the very different Italy of his parents continued to haunt him with the smells of its cooking, the calloused hands of his uncles, and the unsentimental way in which his mother dispatched animals for the family table . . . The contrasting ideals provide Luzzi with a lens through which to examine Italy and the Italian American experience, especially that of his family . . . When Luzzi shares his deepest pain--the sudden death of his pregnant wife in a car accident--his investigations of his extended family turn powerfully poignant, for it was they who cared for his infant daughter while he curled in a fetal position in his childhood bed. The result is a memoir that balances thoughtful observation with feelings that, one sense, still remain quite raw.” ―Brendan Driscoll, Booklist

About the Author
Joseph Luzzi, the first American-born child in his Italian family, holds a doctorate from Yale and is a professor of Italian at Bard. He is the author of Romantic Europe and the Ghost of Italy, which won the Scaglione Prize for Italian Studies from the Modern Language Association, and A Cinema of Poetry: Aesthetics of the Italian Art Film. An active critic, his essays and reviews have appeared in The New York Times, the Los Angeles Times, Bookforum, and The Times Literary Supplement. He is the author of the audio courses In Michelangelo's Shadow: The Mystery of Modern Italy, The Blessed Lens: A History of Italian Film, and The Art of Reading. His honors include an essay award from the Dante Society of America, a teaching prize from Yale, and a fellowship from the National Humanities Center. Luzzi lectures widely on Italy, literature, art, and film.

Most helpful customer reviews

18 of 19 people found the following review helpful.
A Journey of Identity
By Filomena Abys
A Journey of Identity

I watched a short video on FB of Professor Luzzi discussing the reasons he wrote this book, and was quickly drawn to his story by the strong similarity in our Italian-American experience. I'm an Italian immigrant from Naples Italy, and understand the struggles of Southern Italians trying to adjust to the American life-style.
I think most Americans understand how difficult it must be for immigrants to adjust to a new American life style but what Professor Luzzi describes so well is the struggle for Italians to understand each other. Most Americans don't realize how different the cultures of Italy really are. Most second and third generation Italian-Americans don't understand the cultural differences themselves, and sadly many don't know what part of Italy their ancestors came from.
My Two Italies is not only a personal journey of coming to terms with Joseph Luzzi identity but a wonderful account of the history of a country that has given so much to the world. Professor Luzzi describes the differences of the North and South while the reader follows his personal journey of coming to terms with his Southern Italian identity.
This is a must read for all who wish to understand the complex Italian Culture. Bravo Professor Luzzi
Filomena Abys-Smith author of A Bit of Myself

9 of 9 people found the following review helpful.
I wanted to like this book more
By Sue Z. Smith
For the most part, this is an enjoyable book. The insight I derived regarding my father's experience growing up in N.Y. as a first generation child of Italian immigrants, oftentimes, was enlightening. As a second generation child (Italian-American father; German-American mother), I related to the ambivalence the author felt wrestling with the age old dilemma of Italian-Americans vs. Italians from Italy; Italians from the north of Italy vs. Italians from the south.

As I read on, however, I wearied of his clichéd comparisons of northern Italians: fair-hair, fashionably thin bodies, refined cuisine and artistic culture -- with the Italians of southern Italy: swarthy looks, radically different culture (often born of poverty), spaghetti and meatballs, thicker torsos and women's preference for black clothing (often born of vendettas and widowhood). Nothing new in this regard was brought to the table.

The author's exploration of Italy's beginnings, the formation of city states and eventual "union" of the country, provides interesting insights into Italy's enduring divisiveness, subscribing as it does to a political structure similar the that of the U.S. Reading his descriptions of Florence, of the piazza Santa Croce, the Duomo, etal., I drifted into a fugue state of reminiscence, recalling vividly my glorious visit to that enchanting city in 1988.

I wanted to like this book more. I wish the book been structured differently. If only the author's personal/familial relationships had been more fleshed out, highlighting the human side of his story throughout the book. The reader's experience would have been exponentially enriched. He has a tragedy to reveal, as the reader finds out almost at the end of the book -- which is too late, unfortunately, to have real emotional impact.

10 of 11 people found the following review helpful.
Crossing the divide
By Louis M.
The reader is quickly drawn into this autobiography that narrates the struggles of a Calabrian immigrant family whose peasant background starkly contrasts with the high culture of Florence. Luzzi describes his efforts to navigate these two worlds, to be a sophisticated scholar and still recognize his uncultured roots. Along the way he teaches us about Italian politics and history, art and literature, society and economy. He tells of personal tragedies and triumphs, of the complex dynamic of a family living by values that are out of place in America, and of the peace that comes from suffering for love. Will greatly appeal to those who experienced family life as a transition from a foreign language to American English or anyone who just wants a good and enjoyable read.I read it right through and was sorry when there was no more.

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Tuesday, April 22, 2014

!! Get Free Ebook Riding Westward: Poems, by Carl Phillips

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The singer turning thisand that way, as if watching the song itself
--the words to the song--leave him, as he
lets each go, the wind carrying most of it,
some of the words, falling, settling into
instead that larger darkness, where the smaller

darknesses that our lives were lie softly down."
--from "Riding Westward"

What happens when the world as we've known it becomes divided, when the mind becomes less able--or less willing--to distinguish reality from what is desired? In Riding Westward, Carl Phillips wields his celebrated gifts for syntax and imagery that are unmistakably his own--speculative, athletic, immediate--as he confronts moral crisis. What is the difference, he asks, between good and evil, cruelty and instruction, risk and trust? Against the backdrop of the natural world, Phillips pitches the restlessness of what it means to be human, as he at once deepens and extends a meditation on that space where the forces of will and imagination collide with sexual and moral conduct.

Sales Rank: #4049944 in Books
Published on: 2006-04-18
Released on: 2006-04-18
Original language: English
Number of items: 1
Dimensions: 9.21" h x .48" w x 6.33" l, .57 pounds
Binding: Hardcover
64 pages

From Publishers Weekly
The prolific, always articulate Phillips attained late-'90s acclaim for a series of books (among them Pastoral and From the Devotions) whose intricate clauses and mythic topics followed the passions and trials of physical embodiment and erotic (especially same-sex) love. In recent years, he has sought clearer, more various styles in which to take on the same concerns: never more than in this eighth collection, which proposes "cruelty as a means of understanding... love's conditions—not clear,/ but clearer," and wants us to admit, "that's/ how we like it, I'll break your heart, break mine." Short sentences mixed with long, arresting confessions mixed with hard explanations, make parts of the love poems and antilove poems as memorable as ever. Phillips's command of syntax, while changing favored forms, remains, as does his acquaintance with the knots and contradictions of desire: "Trust me," one poem asks, "the way one animal trusts another." (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Phillips' eighth poetry collection showcases his distinct philosophical bent, penchant for classical allusions, and shift-gear, em-dash syntax. This is a tidal collection with poems that are wavelike in their formation, breaking and falling abruptly or gently rinsing the shore, all in a dance of creation and erasure. The poems' speakers question cruelty, desire, regret, and possibility, often through interaction with the natural world, whether a sacred grove or a mutilated bird. Phillips' masterful ordering of the poems evokes connection through themes and imagery, and produces an overall sensation of rhythmic rising and falling. Although Phillips' poems are challenging, their fearless questioning and fierce exploration prod the reader to think. They also, occasionally, give up such simple and rewarding nuggets of wisdom as "some mistakes, given time, don't seem mistakes-- / I'm counting on that; others though perhaps / a little bit still worth being sorry for, / lose force." Riding Westward offers an expansion of mind that can only be compared to riding out into the boundaryless field of vision our Western plains offer. Janet St. John
Copyright © American Library Association. All rights reserved

Review
Praise for The Rest of Love:

"Complicated, atmospheric, passionately private . . . Like Donne, Phillips mixes the divine with the beloved [and] proves that the great English verse tradition of erotic religious poetry is alive and well." -David Orr, The New York Times Book Review

"Phillips has made over the years something not unlike a new musical scale. Singing the music of mythology, history and philosophy, his poems are delicately crafted to sound like common speech even though there is nothing pedestrian about them. Because of their dexterity, they are approachable without sacrificing their loftier aspirations." -Dionisio Martinez, The Miami Herald

"Phillips linds eroticism and mutability, which leads him to create beguiling images of vulnerability...The Rest of Love is the scintillating record of a poet struggling to understand desire and to find a pattern of understanding within the struggle itself." --John Palattella, Newsday

Most helpful customer reviews

3 of 3 people found the following review helpful.
Excellent
By Franciscondine
This, like most of the rest of Carl Phillips' work, makes the reader work towards meaning and the unmasking of desire. The density of language and the "baroque" sentence structure urge the reader to delve into the semantics and syntax of passion and longing. One thing I have always appreciated about Phillips' poetry is the incredible demand upon the reader: it's a work/collaboration between the reader and the author, rather than a one-way street of meaning-creation.

Thus what might seem cruel and sordid on the face of it becomes an incredible legend to a map of longing and emotional upheaval (or more than one read: one reviewer calls attention to same sex desire as a problematic aspect of the work; lack of earnest engagement -- or of understanding -- shouldn't be an excuse for airing one's barely concealed homophobia, in my opinion). As a reader, one must be willing to read the map and strive to make the journey suggested by the words, by the lines of desire. Cruelty, as a recurring image or trope, becomes part of a sorrowful process of becoming, of dealing with oneself and of literally (f)laying oneself on the page.

7 of 37 people found the following review helpful.
Linda Jo Smith, Book Review Editor, Sisters~Nineties Literary Group
By Linda Jo Smith
After reading and re-reading Riding Westward: Poems I finally got some semblance of coherence. At first, I blamed myself for being so structured in my poetic thinking...like is this a sestina or a pantoum? or am I just not deep enough to get it? or why are the sentences in this poem indented without symmetry or fluency?

Carl Phillips is lauded for his imagery as he was a finalist for the National Book Award, winner of the Kingsley Tufts Poetry Award, and recipient of a American Academy of Arts and Letters Award in Literature. I guess you have to be in the club.

There was a title I liked: "Radiance Versus Ordinary Light," but I didn't find the poem illuminating. "The Smell of Hay" stimulated my memory of how hay smells but the poem makes no reference to hay, or the animals who eat hay, or what the hay (obviously I didn't get it)! "Ocean" described the writer's obession for a man so I was grateful that I got the redundant codependency message. "Bow Down" impressed me as a poem about a self loather looking for the slightest hint of affection from someone who holds him in contempt as he bends over.

In conclusion, my impression of this book is that there is some sordid preoccupation with male genitalia with a touch of mental cruelty masked in images of birds and their winged ability to elude tangible, confining relationships.

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Tuesday, April 29, 2014

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Sunday, April 27, 2014

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Friday, April 25, 2014

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Tuesday, April 22, 2014

!! Get Free Ebook Riding Westward: Poems, by Carl Phillips

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