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Digressions on Some Poems by Frank O'Hara: A Memoir, by Joe LeSueur
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An unprecedented eyewitness account of the New York School, as seen between the lines of O’Hara’s poetry
Joe LeSueur lived with Frank O’Hara from 1955 until 1965, the years when O’Hara wrote his greatest poems, including “To the Film Industry in Crisis,” “In Memory of My Feelings,” “Having a Coke with You,” and the famous Lunch Poems—so called because O’Hara wrote them during his lunch break at the Museum of Modern Art, where he worked as a curator. (The artists he championed include Jackson Pollock, Joseph Cornell, Grace Hartigan, Jane Freilicher, Joan Mitchell, and Robert Rauschenberg.) The flowering of O’Hara’s talent, cut short by a fatal car accident in 1966, produced some of the most exuberant, truly celebratory lyrics of the twentieth century. And it produced America’s greatest poet of city life since Whitman.
Alternating between O’Hara’s poems and LeSueur’s memory of the circumstances that inspired them, Digressions on Some Poems by Frank O’Hara is a literary commentary like no other—an affectionate, no-holds-barred memoir of O’Hara and the New York that animated his work: friends, lovers, movies, paintings, streets, apartments, music, parties, and pickups. This volume, which includes many of O’Hara’s best-loved poems, is the most intimate, true-to-life portrait we will ever have of this quintessential American figure and his now legendary times.
- Sales Rank: #1339958 in Books
- Published on: 2003-04-01
- Original language: English
- Number of items: 1
- Dimensions: 1.25" h x 6.28" w x 9.18" l,
- Binding: Hardcover
- 336 pages
From Publishers Weekly
LeSueur shared four New York apartments (and dozens of famous friends) with the poet Frank O'Hara during the last 10 years of the poet's life. Because O'Hara moved in the now-legendary New York art world of the 1950s, and because his poems constantly bring up friends, acquaintances, lovers and social events, O'Hara's readers usually welcome knowledge of his life and times. Admirers, disciples and critics of the charismatic and increasingly influential O'Hara (1925-1965) will thus line up to read this informative and surprisingly readable memoir from the screenwriter and editor LeSueur, who completed the volume just before his own death in 2001. LeSueur's memoir offers plenty of firsthand knowledge-both facts and anecdotes-nobody else has put in print; it does so, moreover, in an entertaining format, organized (after an autobiographical preface) in 40 short (three to 10 pages) bursts of storytelling, each pegged to a particular O'Hara poem or part thereof. This unusual format arranges LeSueur's copious anecdotes into assimilable chunks, and links facts about the life to the poems they best explain. Readers can learn, among many other tidbits, when (and why) O'Hara stopped "making out with strangers," how he came to write his famed Billie Holiday elegy and how he rescued a drowning boy off Fire Island. LeSueur tells memorable stories not just about O'Hara, but about almost all the eminent poets, composers and painters of '50s New York-Ashbery, Auden, Koch, Schuyler; Rauschenberg, Johns, Kline; Morton Feldman ("Morty") and Gian Carlo Menotti-whose lives intersected with his own. Sometimes chatty, sometimes incisive and sometimes not so sweet, this book should supplant Brad Gooch's O'Hara bio City Poet (widely seen as a clip job) as info-hungry readers' first stop.
Copyright 2003 Reed Business Information, Inc.
From Library Journal
The life and mostly wild times of a great American poet, from the man who lived with him from 1955 to 1965.
Copyright 2002 Reed Business Information, Inc.
Review
"Allen Ginsberg complimented Frank O'Hara on his 'common ear for our deep song.' Joe LeSueur, who lived with O'Hara for ten years, has a gifted ear of his own as well as the rare ability to make the gossip of decades past seem new and newly worth hearing. LeSueur shrewdly organizes his memories in the form of commentary on selected O'Hara poems, an admirable conceit that makes Digressions a must-read for fans of this central figure of the N.Y. School."
-David Lehman
Most helpful customer reviews
11 of 11 people found the following review helpful.
among other things, a joy to read and hard to put down
By A Customer
This is a remarkable book. If you ever loved Frank O'Hara's poetry, the book is really a necessity. It gives personal reminiscences about the writing of some of the famous poems: 'The day Lady died', 'A true account of talking to the Sun...', etc. It brings many of the more obscure and personal poems into remarkable focus. It also illumines many of names and references that appear throughout the poems. All of this from probably the closest witness to O'Hara's life, creative and otherwise. For these reasons, it is a quite an unusual treasure.
But beyond its usefulness to O'Hara's poetry, the book is the story of a friendship. And an account of a special time in American arts and letters - told from one of the members at the party. LeSueur's presence in O'Hara's life might have been partly due to charm and good lucks (which he discusses), but that apparently never stopped him from being important to O'Hara. (The famous 'Lunch Poems' is dedicated to him.) We are fortunate that he was a careful observer and was blessed with a remarkable memory. Apparently he died shortly before the book was published, which is poignant, because the book is also a tribute to LeSueur's life, and a celebration.
6 of 6 people found the following review helpful.
When NY was the center of the art world and friends mattered
By Charles S. Houser
At Frank O'Hara's funeral, composer Virgil Thomsom turned to the poet's longtime friend Joe LeSueur and said, "Baby, I hope you kept a journal." Though clearly not drawing upon stale journal entries, LeSueur's memoir of his relationship with O'Hara (which survived the vicissitudes of its ever-changing status...friends to lovers to friends, etc.) is a nice blend of personal memories and feverish impromptu research (Brad Gooch's biography seems to have been ever at his elbow). LeSueur is neither vindictive nor pointlessly benign. He truly understood and appreciated O'Hara's central position in the explosion of art that was happening in New York in the 50s and 60s. Unlike Ginsberg and the Beat poets, O'Hara was equally at ease among literary folk, musicians, and painters (especially the abstract expressionists). To read about O'Hara is to read about the greatness of post-war New York.
DIGRESSIONS is actually helpful, too. Because O'Hara often adopted a casual, off-hand, personal approach when writing his poems, it is great to have someone who was intimate with the poet to explain "who's who" and "what's what." LeSueur, however, is equally comfortable admitting when he's baffled by an O'Hara reference, and explanations (and reminiscences) are never forced.
One other thing--DIGRESSIONS is an enlightening portrait of gay life in New York prior to the Stonewall riots. O'Hara and LeSueur were both openly gay, though they had quite different approaches to meeting their sexual needs. O'Hara seems to have had fewer partners, usually choosing them from his circle of friends and aquaintances. LeSueur seemed to favor one-night stands and casual sex. Perhaps this difference is one reason their friendship continued long after their sexual intimacy ended. If only LeSueur had lived long enough to write DIGRESSIONS ON GAY LIFE BEFORE STONEWALL.
5 of 5 people found the following review helpful.
Yes, 5 stars. A great book.
By I. Sondel
Joe LeSueur's memoir of his friend and companion, is a truly illuminating portrait of the artist. What makes these digressions so rich and rewarding for the reader, is the unique perspective LeSueur is able to bring to this material. These are LeSueur's memories of experiences and events shared with O'Hara and their myriad of friends and acquaintances. I found this book to be compelling, intimate and inspiring (indeed, "Lunch Poems" and "Selected Poems" were never too far out of reach, and both read from cover to cover). By virtue of having been a participant or, at the very least having been an eye witness to the events depicted, LeSueur has captured not just a time and place, but the essence of a cherished friend. I found myself reading slowly, savoring each passage. By the end of the book I felt I had really gotten to know O'Hara and his circle of friends, and found myself in tears as I read the last few pages. LeSueur's memoir is a tribute to Frank O'Hara as both an artist and a beloved friend.
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