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Truth: A Novel, by Peter Temple
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Inspector Stephen Villani, head of homicide in Melbourne, Australia, has a full agenda: a murdered woman in a penthouse apartment, three men butchered in a sadistic rampage, a tattoofaced drug dealer corrupting his rebellious daughter, a crumbling marriage. As these seemingly unrelated events begin to unfold, Villani finds himself immersed in an unfamiliar world of political scandal and ethical ambiguity. He must navigate the inept bureaucracy that is the police department, all the while maintaining a solid front and trying to keep the press, his family, and his own past from breaking him completely. With each twist and every turn of this taut crime novel, Villani is forced to question whom he can trust.
While The Broken Shore captured the harshness and beauty of regional Australia, Truth captures the grim reality of the city and the people who struggle to hold on to any certainty that they can find. Tense and unrelenting, this unforgettable novel confronts the complexity of human relationships and the difficulty of escaping the past.
- Sales Rank: #1068985 in Books
- Brand: Farrar, Straus & Giroux
- Published on: 2010-05-11
- Released on: 2010-05-11
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 9.22" h x 1.36" w x 6.30" l, 1.38 pounds
- Binding: Hardcover
- 400 pages
From Publishers Weekly
The death of a nameless prostitute in a glitzy Melbourne high-rise is the first in a series of crimes that Insp. Stephen Villani discovers are all tied to protecting the interests of the city's elite in this brutal tale of corruption, greed, and revenge from Australian author (and Ned Kelly Award–winner) Temple (The Broken Shore). Burdened by a shaky marriage and an increasingly rebellious teenage daughter while trying to stay afloat in Melbourne's treacherous political climate, Villani doesn't know where to turn. The discovery of three savagely tortured men with ties to one of the city's biggest crime bosses only adds another layer to the already twisted case, and makes Villani question eve-rything he thought he knew about the line between cop and criminal. Temple's elliptical storytelling—the past and the present are often interchangeable—fits the slippery subject of deeply ingrained police corruption and one man's determination to uncover the truth. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
Review
Praise for The Broken Shore:
“A compulsive read . . . a grim, brutally involving crime novel [from] a master of the genre . . . It’s one of those books you can’t wait to finish and then can only regret that it’s ended.” —Daily News (New York)
“Having read the new novels of Michael Connelly and Martin Cruz Smith, I have to say that Temple belongs in their company.” —The Washington Post
“Flinty, funny, subtle and smart...From a single corpse, Temple spins a complicated mystery that eventually encompasses racial tensions, scumbag cops, drugs, a grandstanding aborigine politician, stomach-turning sexual abuse, and rapacious developers...Temple ranks among [the genre’s] very best practitioners.” —Entertainment Weekly
About the Author
Peter Temple is the author of eight crime novels, five of which have won the Ned Kelly Award for Crime Fiction. He has worked as a journalist and editor for newspapers and magazines in several countries. He lives in Victoria, Australia.
Most helpful customer reviews
0 of 0 people found the following review helpful.
And nothing but the....
By Jordan61
Powerful gritty and unpredictable a great sequel to Broken Shore Characters come to life across all dimensions and its terrific to read in Australian context
34 of 37 people found the following review helpful.
To call this 'crime fiction' is to underestimate one of our best novelists
By Jesse Kornbluth
Laurie doesn't see him, so Steve Villani is able to study his wife as she walks toward him.
Jeans, black leather jacket, thinner, different haircut, a more confident stride.
She spots him, comes over.
He hasn't planned it, but he can't help himself. "You're having an affair."
She says this isn't the place to talk. He won't let it go.
"... meeting with the boyfriend, is that it?"
"I'm not having an affair," she says. "I'm in love with someone, I'll move out today."
Looking for great fiction-writing? Friends, that is it: not a word wasted, every beat true, drama at the red line, a surprise that packs a wallop.
What more do you want? Whatever your fantasy about a book, Peter Temple probably satisfies it in Truth. Peter Temple? Only one of the world's better novelists. But unknown to most American readers largely because he lives in Australia.
Temple is under-appreciated here for another reason: His books are thrillers with violent crimes as the problem to be solved and cops as the characters who must solve them. In our country, that's the province of genre specialists like Patricia Cornwell and James Patterson --- writers who favor simple plots, cardboard dialogue and lots of white space on the page. Temple, in comparison, is Dostoevsky.
The comparison is not casual. Temple's characters are complex, his plots complicated, his world smudged if not outright dirty --- that is, his books are entirely credible. In this one, a young prostitute is found murdered in a super-luxury high rise that boasts the ultimate in technology --- though on the night of the murder, none of it works. In Temple's books, high and low always meet. Not only might the murder be connected to the torture and execution of three thugs, but Steve Villani, chief of the Homicide squad in Melbourne, must deal with citizens of every caste.
He's having an affair, for instance, with a successful TV newscaster. He's invited to a party given by a gazillionaire, where he recognizes "a millionaire property owner, an actor whose career was dead, a famous footballer you could rent by the hour, two cocaine-addicted television personalities, a sallow man who owned racehorses and many jockeys." And, when it's time to be a tough cop, he can go there: "He fell sideways and Villani stopped him meeting the concrete, not with love, laid him to rest, put a shoe on his chest, rested his weight, moved it up to the windpipe and pressed, tapped, you did not want to mark the [...]."
If the plot has more layers than a Goldman Sachs bond deal, it's fun to try and figure out what's coming. (Good luck.) What's simple --- and simply delightful --- is Temple's dialogue, which verges on shorthand.
Here he is, giving a deputy his marching orders for the daily media update on the prostitute's murder:
"Take the media gig this afternoon?"
"Well, yes, certainly. Yes."
"Give them the waffle. Can't name Ribarics. On the torture, it's out there, so the line is horrific and so on. We're shocked. Scumbags' inhumanity to other filth. With me?"
"Urge people to come forward?"
"Mate, absolutely. In large numbers."
And here, in a scene so emotionally rewarding you'll want to give Villani a fist-pump, is the Homicide chief grilling a high government official who just happened to have been the young prostitute's final client:
"Are we done?" said Koenig. "I'm a busy man."
"Not done, no, not at all," said Villani. "But we can conduct this interview in other circumstances."
"Is that, we can do this here or we can do it at the station? Jesus, what a cliché."
"That's what we deal in," said Villani.
"I'm a minister of the crown, you grasped that, detective?"
"I'm an inspector. From Homicide. Didn't I say that?"
Fun, but never charming. This is, after all, Homicide, "where animals hated you, dreamed of revenge, would kill your family." It's a job that eats you, "your family got the tooth-scarred bone." A job where crimes are sometimes solved by looking at footage taken by a security camera at night and noticing the reflection of a car's license plate on a window, and sometimes solved in nastier ways.
You want a mindless beach read? Skip this. You want to be slapped into full attention by a master? Come ahead.
14 of 14 people found the following review helpful.
Dialogue to die for - wonderful writer!
By 4 Corners 87401
Peter Temple is simply one of the best writers to come along in the last decade or so. The fact that he writes mysteries and police procedurals is beside the point.
I started with Identity Theory, and then bought everything he has written - as one reviewer mentioned, this wasn't easy given his little-known status in the US. I had to buy the books from Australia and it was worth every penny!
I've re-read all the books several times and am still in awe of his grasp of personalities, moods, scenery, horses, political jackels, you name it. I just finished reading the Jack Irish series again and feel like I know him, his friends, his pub, everything. There are little treasures littering the writing like gems. Discussing his problem with sleeplessness and nightmares, he describes dreams as "the mind's cinematic memories." Lovely.
The books, with the exception of Identify Theory, are set in Australia and written in Australian. Reading them offers up a whole new world, with its own slang and meanings. The Broken Shore and Truth include a glossary of Australian terms in the back which is not only helpful but hysterical reading. The glossary also help when you go back to re-read the other books as well.
I would suggest starting with Identity Theory, not because that is where I got hooked, but because it starts in South Africa, then bounces back and forth between Hamburg and London, and comes together again in Wales. It is a pretty complex book but the characters and places just step off of the pages, and you keep turning them.
I am almost envious of those of you who have never read any of his work...you have SO much to look forward to now. Enjoy!
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