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It is winter in Area X, the mysterious wilderness that has defied explanation for thirty years, rebuffing expedition after expedition, refusing to reveal its secrets. As Area X expands, the agency tasked with investigating and overseeing it--the Southern Reach--has collapsed on itself in confusion. Now one last, desperate team crosses the border, determined to reach a remote island that may hold the answers they've been seeking. If they fail, the outer world is in peril.
Meanwhile, Acceptance tunnels ever deeper into the circumstances surrounding the creation of Area X--what initiated this unnatural upheaval? Among the many who have tried, who has gotten close to understanding Area X--and who may have been corrupted by it?
In this last installment of Jeff VanderMeer's Southern Reach trilogy, the mysteries of Area X may be solved, but their consequences and implications are no less profound--or terrifying.
- Sales Rank: #36320 in Books
- Published on: 2014-09-02
- Released on: 2014-09-02
- Original language: English
- Number of items: 1
- Dimensions: 7.50" h x .99" w x 5.04" l, 1.00 pounds
- Binding: Paperback
- 352 pages
Review
“A satisfying conclusion to this captivating trilogy” ―Booklist
“This trilogy is that rare thing--a set in which the whole is as great as the parts.” ―Publishers Weekly
“I'm loving The Southern Reach trilogy by Jeff VanderMeer. Creepy and fascinating.” ―Stephen King on The Southern Reach Trilogy
“Chilling.” ―Julie Bosman, New York Times on The Southern Reach Trilogy
“VanderMeer masterfully conjures up an atmosphere of both metaphysical dread and visceral tension . . . Annihilation is a novel in which facts are undermined and doubt instilled at almost every turn. It's about science as a way of not only thinking but feeling, rather than science as a means of becoming certain about the world. . . . Ingenious.” ―Laura Miller, Salon on The Southern Reach Trilogy
“A clear triumph for Vandermeer . . . a compelling, elegant, and existential story . . . .The solitary voice of its post-humanist narrator is both deeply flawed and deeply trustworthy--a difficult and excellent balance in a novel whose world is built seamlessly and whose symbols are rich and dark.” ―Lydia Millet, LA Times on The Southern Reach Trilogy
“A book about an intelligent, deadly fungus makes for an enthralling read--trust us.” ―Tara Wanda Merrigan, GQ on The Southern Reach Trilogy
“[A] strange, clever, off-putting, maddening, claustrophobic, occasionally beautiful, occasionally disturbing and altogether fantastic book . . . Annihilation is a book meant for gulping--for going in head-first and not coming up for air until you hit the back cover.” ―Jason Sheehan, NPR Books on The Southern Reach Trilogy
“Successfully creepy, an old-style gothic horror novel set in a not-too-distant future. The best bits turn your mind inside out.” ―Sara Sklaroff, The Washington Post on The Southern Reach Trilogy
“If J.J. Abrams-style by-the-numbers stories of shadowy organizations and science magic have let you down one too many times, then Annihilation will be more like a revelation. VanderMeer peels back the skin of the everyday, and gives you a glimpse of a world where science really is stretching the bounds of our knowledge--sometimes to the point where we can't ever be the same . . . [Annihilation] will make you believe in the power of science mysteries again.” ―Annalee Nevitz, io9 on The Southern Reach Trilogy
“Fans of the Lost TV series . . . this one is for you.” ―Molly Driscoll, Christian Science Monitor on The Southern Reach Trilogy
“What frightens you? According to many psychologists, our most widely shared phobia is the fear of falling. Jeff VanderMeer's novel Annihilation taps into that bottomless terror . . . VanderMeer ups the book's eeriness quotient with the smoothest of skill, the subtlest of grace. His prose makes the horrific beautiful.” ―Nisi Shawl, Seattle Times on The Southern Reach Trilogy
“Much of the flora and fauna seem familiar, but that's what's so fascinating about the carnage that VanderMeer sets loose. He has created a science fiction story about a world much like our own.” ―John Domini, Miami Herald on The Southern Reach Trilogy
“Annihilation feels akin to isolated sci-fi terrors of Alien . . . teases and terrifies and fascinates.” ―Kevin Nguyen, Grantland on The Southern Reach Trilogy
“The plot moves quickly and has all the fantastic elements you'd ever want--biological contaminants, peculiar creatures, mysterious deaths--but it's the novel's unbearable dread that lingers with me days after I've finished it.” ―Justin Alvarez, The Paris Review on The Southern Reach Trilogy
“Jeff VanderMeer ventures on to strange ground in this enigmatic story.” ―Alex Good, The Toronto Star on The Southern Reach Trilogy
“[VanderMeer's] writing is courageously imaginative, fiercely unformulaic, and utterly immersive. You don't read Jeff VanderMeer, you experience him.” ―Paul Goat Allen, The Barnes & Noble Book Blog on The Southern Reach Trilogy
“The first book in what may be a modern classic of post-apocalyptic sci-fi . . . .Annihilation's story struck me hard and pulled me in fast. I haven't had a reading experience this creepy, intense, and edge-of-your-seat since H.P. Lovecraft's At the Mountains of Madness.” ―Paul Schwartz, UR Chicago on The Southern Reach Trilogy
“Annihilation is smart, tense and utterly engrossing.” ―Mike Reynolds, Bookgasm on The Southern Reach Trilogy
“Master of the literary headtrip Jeff VanderMeeer's Annihilation is simply unlike anything you've read before. It gnaws away at your nerves with a slow-building sense of dread and impending madness.” ―Marc Savlov, Kirkus Reviews on The Southern Reach Trilogy
“VanderMeer both defies and challenges genre boundaries, forcing readers to forget about traditional tropes and clichés and simply enjoy the storytelling.” ―John DeNardo, Kirkus "Best Bets for Speculative Fiction Books, February 2014 on The Southern Reach Trilogy
“A gripping fantasy thriller, Annihilation is thoroughly suspenseful.” ―Heather Paulson, Booklist on The Southern Reach Trilogy
“After their high-risk expedition disintegrates, it's every scientist for herself in this wonderfully creepy blend of horror and science fiction. . . . Speculative fiction at its most transfixing.” ―Kirkus (Starred Review) on The Southern Reach Trilogy
“A gripping fantasy thriller, Annihilation is thoroughly suspenseful. In a manner similar to H. G. Wells' in The Island of Dr. Moreau (1896), VanderMeer weaves together an otherworldly tale of the supernatural and the half-human. Delightfully, this page-turner is the first in a trilogy.” ―Heather Paulson, ALA Booklist (Starred Review) on The Southern Reach Trilogy
“Brilliant . . . ever-more-terrifying, yet ever-more-transcendent . . . .Using evocative descriptions of the biologist's outer and inner worlds, masterful psychological insight, and intellectual observations both profound and disturbing--calling Lovecraft to mind and Borges--VanderMeer unfolds a tale as satisfying as it is richly imagined.” ―Publishers Weekly on The Southern Reach Trilogy
“In much of Jeff VanderMeer's work, a kind of radiance lies beating beneath the surface of the words. Here in Annihilation, it shines through with warm blazing incandescence. This is one of a grand writer's finest and most dazzling books.” ―Peter Straub, author of Lost Boy, Lost Girl on The Southern Reach Trilogy
“Original and beautiful, maddening and magnificent.” ―Warren Ellis on The Southern Reach Trilogy
“One of those books where it all comes together--the story and the prose and the ideas, all braided into a triple helix that gives rise to something vibrant and alive. Something that grows, word-by-word, into powerful, tangled vines that creep into your mind and take hold of it. Annihilation is brilliant and atmospheric, a novel that has the force of myth.” ―Charles Yu, author of How to Live in a Science Fictional Universe on The Southern Reach Trilogy
“A dazzling book . . . haunted and haunting.” ―Kelly Link, author of Magic for Beginners on The Southern Reach Trilogy
“A tense and chilling psychological thriller about an unraveling expedition and the strangeness within us. A little Kubrick, a lot Lovecraft, the novel builds with an unbearable tension and a claustrophobic dread that linger long afterward. I loved it.” ―Lauren Beukes, author of The Shining Girls on The Southern Reach Trilogy
“The great thing about Annihilation is the strange, elusive, and paranoid world that it creates. . . .I can't wait for the next one.” ―Brian Evenson, author of Last Days on The Southern Reach Trilogy
“It's been a long time since a book filled me with this kind of palpable, wondrous disquiet, a feeling that started on the first page and that I'm not sure I've yet shaken.” ―Matt Bell, author of In the House upon the Dirt between the Lake and the Woods on The Southern Reach Trilogy
“This swift surreal suspense novel reads as if Verne or Wellsian adventurers exploring a mysterious island had warped through into a Kafkaesque nightmare world. The reader will want to stay trapped with the Biologist to find the answers to Area X's mysteries.” ―Kim Stanley Robinson, author of the Mars trilogy
“Unsettling and un-put-downable like an old-fashioned adventure story, only weirder, beautifully written and not at all old-fashioned.” ―Karen Joy Fowler, BookPage on The Southern Reach Trilogy
“The prose is phenomenal . . . it toyed with my imagination in ways that haven't happened since A Wrinkle in Time.” ―Madison Vain, Entertainment Weekly on The Southern Reach Trilogy
“Its deepest terror lies in its exploration of . . . the human heart, and the terror that can grow from the ways in which we are untrue to each other, and to ourselves.” ―Jared Bland, The Globe and Mail on The Southern Reach Trilogy
“VanderMeer's masterful command of the plot, his cast of characters, and the increasingly desperate situation will leave the reader desperate for the final volume in the trilogy.” ―Publishers Weekly on The Southern Reach Trilogy
“What frightens you? According to many psychologists, our most widely shared phobia is the fear of falling. Jeff VanderMeer's Annihilation taps into that bottomless terror . . . VanderMeer ups the book's eeriness quotient with the smoothest of skill, the subtlest of grace. His prose makes the horrific beautiful.” ―Nisi Shawl, The Seattle Times on The Southern Reach Trilogy
“There's something Poe-like in this tightening, increasingly paranoid focus . . . the payoff is absolutely worth the patience.” ―N.K. Jemisin, The New York Times on The Southern Reach Trilogy
About the Author
Jeff VanderMeer is an award-winning novelist and editor. His fiction has been translated into twenty languages and has appeared in the Library of America's American Fantastic Tales and in multiple year's-best anthologies. He writes nonfiction for The Washington Post, The New York Times Book Review, the Los Angeles Times, and The Guardian, among others. He grew up in the Fiji Islands and now lives in Tallahassee, Florida, with his wife.
Most helpful customer reviews
66 of 76 people found the following review helpful.
Trilogy Review
By Tyson
'Annihilation' is a great book. It was mysterious, dripping with imagery, and told through an intimate, brilliant, journalistic narrative. Unfortunately I have no praise for book 2 or 3.
I agree with critics 95% of the time, but any rave review of 'Authority' and 'Acceptance' truly has me baffled. Both books are almost entirely plotless, repetitive and feature annoying characters who ramble about nothings. The magic of the first book is instantly snuffed out. If I were Vandermeer's editor, I would encourage him to avoid 3rd person narration and refuse to publish anything in 2nd person. Whenever he does 1st person (and we get a small chapter of it in this book too) it's miraculous. All other times, I want to throw the book across the room. Even when he writes from Ghost Bird's point of view in 3rd person, it's terrible.
OVERALL: I suggest stopping at book 1. The mysterious ending will make you want to pick up the rest of the series, but the other books ruined it for me. If you liked book 2, I'm sure you'll enjoy book 3 as well, because there's lots more of the same. It does appear that I have a minority opinion here, but that's my reaction and I'm sticking to it.
45 of 51 people found the following review helpful.
well written but thinnest of the three (weak 4), still a great, great series
By B. Capossere
I wouldn't be surprised to find that Jeff VanderMeer's first two books in his SOUTHERN REACH series, Annihilation and Authority, end up on my top ten list for the year, so it was with great excitement and high expectations that I opened up Acceptance, the third and final book of the trilogy. Having finished, I can't honestly say those expectations were wholly met, though my lack of satisfaction has less to do with any real complaints about the novel itself and more about the question I had at the end, which was, if it was still a good novel, was it a necessary one? Thinking about it a day later, I'm still not sure about the answer to that.
While I'm going to try as much as possible to avoid spoilers for Acceptance (which admittedly may make this review somewhat vague at times), it will be hard to do the same for the first two books. Fair warning.
Acceptance picks up shortly after Authority, and much more so than the prior two novels, either of which could have stood on its own, it needs to be read in context (i.e. after reading the first ones) as so much depends upon knowledge of earlier events. Annihilation dealt with the exploration by the latest in a string of expeditions of "Area X", a weird anomaly on the coastal US that has been abandoned for decades, cut off from the "normal" world by a deadly barrier that has only one entryway. For years, a governmental agency, the Southern Reach, has been sending these teams into Area X, always to horrifically tragic ends. We follow the Twelfth Expedition through the first-person POV of the Biologist as they discover amidst the oddly pristine wilderness an underground chamber filled with strange writing. Eventually, the Biologist descends into the chamber.
In Authority, VanderMeer shifted the focus from Area X to the Southern Reach bureaucracy. The Biologist (now calling herself Ghost Bird) has mysteriously reappeared on our side of the barrier, and the new Director of the Southern Reach, who asks to be called Control, tries to figure how that happened, why she seems different, what happened to the twelfth and prior expeditions, and finally, what is it in Area X that is reshaping that portion of our world and can anything be done to stop it?
Acceptance returns to Area X, as have the two main characters from the previous novels -- Ghost Bird and Control. As they further explore Area X, aiming at first for the island that has been mentioned but not yet seen, the book moves backwards and forwards in time, shifting points of view amongst Ghost Bird, Control, the former director of the Southern Reach (the psychologist in Annihilation), and Saul -- the lighthouse keeper in Area X before it was Area X, in other words, just before the anomaly, whatever it is, happened.
That, "whatever it is" is of course one of the larger questions of the series: What is Area X? And following not too far behind are How is Area X doing what it is doing and Why is Area X doing what it is doing? Does VanderMeer answer the questions?
Well, I guess it depends on the meaning of answer. We do get some answers, that's for sure. And we also get some theories. But a lot is left open, something I'd say is to be expected because it seems to me that one of the major subjects of this series (and I could be wrong both on the subject idea and on the idea that some things are not answered -- maybe they were and just sailed over my head), is what happens when human beings confront the unknowable. The truly strange. The truly incommunicable. I think as a reader I would have felt it a bit of a cop out had everything been explained, so I for one am glad of this feeling that it was not.
Another aspect of Acceptance that adds to a sense that not all is known is that even when we get theories, we get them from people who themselves admit (or make it clear in other ways) that they don't know a heck of a lot, and who are, let's just say, not always in the clearest frame of mind. Add to this a major sense of temporal dislocation as the many shifting time frames begin to blur one into the other, constant references to "messages" being sent but not understood, and just-as-constant references to worlds behind worlds: copies, doppelgängers, reflections, hybrids, and the reader, or at least this reader, is left standing on always shifting sands. On a strange beach. Under unfamiliar skies. With weird people. Who talk funny. And maybe the reader did a little acid. And had a beer or seven. And. Well, you get the point.
In a novel that focuses on the unknowable and the incommunicable, plot would seem to be a rather low priority, and I'd say that has been true throughout the series. What seems most important in the trilogy is not how the plot happens but how the books feel. In the prior novels VanderMeer proved himself a master of the creeping dread. I found this less true in Acceptance, perhaps because there was less of it or perhaps because I'd seen/felt it before and so it was less creepy because it was more familiar (though, in some ways, familiarity can make things more creepy, especially with doppelgängers). I also felt I saw a little too much of the man behind the curtain, whom I would have preferred more hidden -- too many references to mirrors, to copies, to reflections. A few serve to unify a novel, express a theme, too many begin to distract, and that's how I felt here.
Too, because Acceptance was less steeped in atmosphere for me, plot became more noticeable, and there were several times where the book slowed a bit too much for me, where it became a little repetitive, or felt as if we were traveling for the sake of traveling to fill in some time between flashbacks. In many ways, just as little "happened" in the other two books, but I was so unconcerned with "happening" that it didn't matter. Here, it did. I think plot felt thin to me as well because I had never felt while reading the first two books that I needed, or even wanted, answers or explanations as to how Area X came to be, why it came to be, and so forth. In fact, I said in my review of Authority that I would have been perfectly happy if it had ended there.
On the other hand, it's true there is a lot to admire and enjoy in Acceptance. The writing at a sentence level is consistently superb -- sharp, vivid, often highly original, and as in the prior two novels, VanderMeer's prose really shines when it comes to descriptions of the natural world. Saul is a wonderful creation of a character and while I'm not sure I needed to be back in time with him, I enjoyed every moment I spent with him, and thought the sections showing him interacting with young Gloria and with his lover Charles were warmly, realistically related. And when VanderMeer wants to offer up some emotional heft, he falls into a lovely cadence of language that moves the reader as much via sound and style as by what is being described.
Along with the above-mentioned subjects, I'd say isolation is another theme throughout the series, and VanderMeer has created a slew of characters who feel isolated, who are seen as or see themselves as "other" in many ways. The biologist is called anti-social, Control has family issues, Saul is a homosexual at a time when it was considered "deviant" (not to mention being a lighthouse keeper is pretty much the symbol of the isolated human), Ghost Bird wonders how human she is, if at all. Failure to communicate is a form of isolation. And of course, the isolation presented is also that of being isolated from nature, from the world that surrounds us, isolated even from our own day-to-day lives. Acceptance details this isolation in sundry ways and explores it movingly and thoughtfully.
Finally, on a more ground level construction-pragmatics note, authors of trilogies/series could do worse than to take lessons from VanderMeer on how to slide in reminders of previous events, who slips these sly references in almost unnoticed so that the reader has all the information they need from prior books without even knowing they're being fed these recaps.
Partway through Acceptance, one of the characters wonders:
if perhaps so many journals had piled up in the lighthouse because on some level most came, in time, to recognize the futility of language. Not just in Area X but against the rightness of the lived-in moment, the instant of touch, of connection, for which words were such a sorrowful disappointment, so inadequate an expression of both the finite and the infinite.
That's a hell of a statement for an author to toss into a novel made up wholly of language. And yet, it does get at the heart of not just this book but also the series as a whole. I guess if language is futile, I can't get too bent out of shape if Acceptance didn't quite match my expectations or even felt a little, well, unnecessary. But despite being an exercise in futility, this series as a whole, and several of the scenes in this concluding novel, pack a wallop. One that will linger for some time after you close the pages. Not only do I highly recommend this series, but I strongly recommend budgeting yourself the time to read it not as three books over a lengthy period of time, but as a single story read in as few sittings as possible so that you can better catch its haunting echoes, and be more fully enveloped in its strangely wonderful world.
50 of 58 people found the following review helpful.
“You could know the what of something forever and never discover the why.”
By Gregory Baird
Well this was disappointing. Seriously disappointing. The Southern Reach trilogy started out promisingly enough in Annhilation, but there were signs of trouble even then. Jeff Vandermeer began spinning a wickedly creative story about an expedition into the heart of a mysterious, possibly alien wilderness that had completely overtaken a portion of the coastline and separated itself from the rest of the world. I compared it to the first season of Lost (which I loved, for the record), but wondered if like Lost it would eventually begin drowning in its own mythology and refusal to provide answers.
Disappointingly, that is exactly what happened in Authority, the second part of the trilogy. Vandermeer changed up the setting that time, putting us at the heart of the Southern Reach, the organization responsible for the expeditions into Area X. But instead of revealing much of anything about what went down in the first book (or even peeling away a few layers), things only got crazier. Vandermeer was so enamored of the mythology he was creating that it all began to get overhwelming. I became worried that all of this ... stuff was ultimately leading nowhere. There would be no payoff, no big reveal, no satisfaction for bearing with all the mystery for three books.
And once again, I was disappointingly correct. It turns out that Vandermeer never wanted or cared about getting to the heart of what has been going on in Area X (or in the Southern Reach, for that matter). In fact, Vandermeer frequently tries to enhance the mystery by distracting you. These increasingly desperate attempts at misdirection get more obvious and more annoying each time. It reaches the point where something incredibly bizarre will happen to someone, only for that character to actively avoid thinking about what just happened. Ostensibly this is because they can't process what is going on around them, but the truth is that if Vandermeer allowed them to pursue the clues we might actually have to arrive at a conclusion (or start dispensing some of those answers Vandermeer disdains so much). It also only serves to make his characters frustrating to no end.
What the Southern Reach ultimately centers on isn't a mystery, nor a mythology or an adventure--it's nothing more than a serious of deliberate obfuscations. That gets old pretty darned quickly.
Look, I'm not saying you need to wrap everything up in a neat little bow in order for a book to be satisfying. That would be patently untrue. It's the execution of the Southern Reach trilogy that ruins it in the end. It's deliberately unsatisfying in every way, and it only gets worse as the series goes on.
Grade: D
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