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** Fee Download Zola: A Life, by Frederick Brown

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Zola: A Life, by Frederick Brown

Zola: A Life, by Frederick Brown



Zola: A Life, by Frederick Brown

Fee Download Zola: A Life, by Frederick Brown

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Zola: A Life, by Frederick Brown

An definitive biography of the French writer draws on a new edition of Emile Zola's letters and examines the turmoil of a man caught between a mistress and wife, his literary relationships, and his novels in their cultural context.

  • Sales Rank: #655582 in Books
  • Published on: 1995-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.75" w x 2.75" l,
  • Binding: Hardcover
  • 888 pages

Amazon.com Review
Frederick Brown, in his modest and superlative way, has written the great novelists' biography as Zola himself might have aspired to write one of his own finest novels. His book is a meticulous, expertly crafted entity that gathers strength from strength as it goes along toward its dramatic denouement, its length adding to the cumulative passion and moral importance of the whole work. This is a momentous achievement. Enthralling!

From Publishers Weekly
French novelist Emile Zola (1840-1902), who believed the fiction writer should observe reality dispassionately, like a scientist, led a messy emotional life. Obsessed with death ever since the death of his father when he was seven, the fanatically orderly novelist relied on superstitious rituals to avert danger. At 48, Zola, a married man, took as his mistress his 21-year-old ex-chambermaid, Jeanne Rozerot, setting her up in a flat near his own and secretly having two children with her. His clandestine double life, which his wife, Gabrielle Mely, discovered only through an anonymous letter, brought Zola ecstasy and torment. He saw every novel he wrote as a victory over impotence, over death and over guilt, according to Brown, professor of French and French literature at the State University of New York. This shrewd, arresting, monumental biography, with discussions of all the novels set against the seamy politics of the Second Empire, makes one appreciate Zola's greatness and originality anew. The Dreyfus Affair, Brown maintains, was a natural elixir for Zola, who had championed the victim and the outcast in many novels, and his heroic articles defending Alsatian Jewish army captain Alfred Dreyfus against false charges of espionage helped revive his waning creativity. Photos.
Copyright 1995 Reed Business Information, Inc.

From Booklist
Emile Zola (1840-1910) was the sort of writer who is difficult to imagine animating our own times: a novelist of achievement who also dedicated himself to social change. Brown, a professor of French language and literature, offers a detailed portrait of the artist as seen in a cultural and political context. In Zola's case, each one was tumultuous, leading to the controversial emergence of naturalism ("that circumstances and milieux work profound modifications upon an organism," as Zola once characterized his creed) and to the riots and death threats that attended the novelist's involvement with the nationally transfixing Dreyfus case. Brown steers an admirably balanced course through the writer's exceptionally prolific career in letters, journalism, and public life, drawing on previously unavailable sources. Especially noteworthy are the biography's extended and vivid asides on such friends and colleagues of Zola as Paul Cezanne and Gustave Flaubert. And though Brown does not seek to elevate his subject, presenting Zola as a man of various gifts and flaws, his version of the novelist will be instructive to those trying to envision a more useful public role for artists now. Molly McQuade

Most helpful customer reviews

33 of 34 people found the following review helpful.
Not an easy read, but worth the effort
By Karl Janssen
I came to this book after having read Zola's twenty Rougon-Macquart novels. I wanted to read the most comprehensive, authoritative biography of the great writer, and I think this book qualifies. The level of detail is tremendous. Brown not only provides us with the story of Zola's life, but also the lives of his many contemporaries (including Cezanne, Flaubert, Turgenev, Goncourt, Manet). In addition Brown puts these lives in valuable perspective by thoroughly examining the events of French history, which, during Zola's life consisted of a very complicated series of wars, revolutions, and political upheavals. (Before reading this biography, it helps the reader to have a basic preliminary knowledge of French history in order to navigate the serpentine rise and fall of governments.)

Brown also examines Zola's writings from a critical perspective, and draws a complex web of literary influence to and from the author. For every novel that Zola published, Brown provides a detailed synopsis of the story (spoilers included), a critical analysis of the work, and valuable information on the critical and public reception of the book. Brown seems to grow tired of this, however, as books described in the beginning of Zola's life are more thoroughly examined than his later works. I myself got a little tired of Brown's constant Freudian analysis. "Zola did this because of his father. He did this because of his mother." It's as if Brown lacks confidence in the intelligence of his readers, and feels the need to relentlessly push his thesis on us.

This book is not an easy read. It is a scholarly work, written for an audience of literature professors, not for the casual reader. The beginning of the book is particularly challenging. When discussing Zola's education and literary influences, brown rattles off references to a lot of titles that most readers outside academia probably have not read. In every other sentence he'll throw in metaphors pertaining to obscure classical literature. Once over this intial hump, the reading goes more smoothly and one becomes accustomed to Brown's particular wordcraft. (He uses the word "tergiversations" about once in every chapter.)

Another problem with the book is that there is a period of Zola's life that just isn't very interesting. Brown's depiction of Zola's early hardscrabble career as a journalist, critic, and part-time novelist is particularly fascinating, but once Zola strikes it rich the excitement dies down quite a bit. While seclusion in a country house made it possible for Zola to create some of his greatest masterpieces, it doesn't make for the most exciting narrative. This is rectified late in Zola's life, however, by the Dreyfus affair. Brown's relation of the events surrounding the scandal are rewardingly exhaustive, covering at least 150 pages.

Despite my complaints, I'd have to say that I'm glad I read this book. I wanted to read "Everything You Wanted to Know about Emile Zola", and that's what I got. Something else I got from this book is a long wish list of books for future reading, by Zola and other authors discussed in the book.

8 of 8 people found the following review helpful.
A biography worthy of its subject
By B. Boeke
This very full and long biography does an exemplary job of placing Zola's life, career and views within the context of his times. The reader comes to understand his life as he lived it, surrounded by friends, opponents, obstacles,
and challenges, both personal and societal. Reading this biography helps the reader to share a lived experience of one of France's most interesting periods of history. In addition, Brown gives a complete account of the historical
and biographical sources of Zola's fiction, though the literary traditions upon which he drew, and by which he was shaped, receive less notice. But this is a minor complaint. His discussions of Zola's friendships, especially with
Paul Cezanne, are very even-handed and persuasively argued. This is not a biography that lionizes its subject, freeing him of human faults and limitations; it does not patronize Zola either, but fully presents the significance of
his achievements. The discussions of Zola's upbringing in Provence, his struggles to make his way in Paris, his rise to success and fame, and Brown's analysis of the Dreyfus Affair, are highlights in a book that never disappoints.
Brown writes clearly, with energy and a keen eye for anecdotes and details that bring the story to life. Nonetheless, it takes energy to make one's way through a biography of this size, but the rewards are considerable, and the subject interestingly complex. Zola is one of the figures - both admired and scorned - who dominated his period in France, and this biography makes clear how and why.

2 of 2 people found the following review helpful.
Thoroughly Enjoyed
By Jerry B Schutz
This book is more than a biography, a history, and a eulogy to a great man; it is also a great piece of writing. Brown goes through all of Zola’s major writings, describing the research that went into it, the time it took to write it, Zola’s struggles with creating something that represented his vision, and his eventual acceptance of something that never quite met his hopes. But it isn’t just a work about Zola’s writing, it is very much about his life also. It is a large work at 803 pages, but it never lets up. I never felt like Brown was dragging it out, or had lost the will to finish the job and finish it to high standards. Before I was half way through, I had gone on-line and bought a copy of his book on revolution in French theater. If I have any criticism it is that I feel that the first job of any author of non-fiction is to communicate clearly, but Brown likes to show off his vocabulary. For the first time I was introduced to terms like; epiphenomenon, circumvallation, Pirandellian, obscurantism, lycopodium, primogenitive, tergiversation, and flibbertigibbet. While it did take time from my reading to look these words up, I must confess, I love words and loved every moment of it.

See all 5 customer reviews...

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