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Reborn: Journals and Notebooks, 1947-1963, by Susan Sontag
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"I intend to do everything...to have one way of evaluating experience―does it cause me pleasure or pain, and I shall be very cautious about rejecting the painful―I shall anticipate pleasure everywhere and find it too, for it is everywhere! I shall involve myself wholly...everything matters!"
So wrote Susan Sontag in May 1949 at the age of sixteen. This, the first of three volumes of her journals and notebooks, presents a constantly and utterly surprising record of a great mind in incubation. It begins with journal entries and early attempts at fiction from her years as a university and graduate student, and ends in 1964, when she was becoming a participant in and observer of the artistic and intellectual life of New York City.
Reborn is a kaleidoscopic self-portrait of one of America's greatest writers and intellectuals, teeming with Sontag's voracious curiosity and appetite for life. We watch the young Sontag's complex self-awareness, share in her encounters with the writers who informed her thinking, and engage with the profound challenge of writing itself―all filtered through the inimitable detail of everyday circumstance.
- Sales Rank: #444271 in Books
- Published on: 2008-12-09
- Released on: 2008-12-09
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .75" w x 5.50" l, 1.00 pounds
- Binding: Hardcover
- 336 pages
From Publishers Weekly
Starred Review. The first of three planned volumes of Sontag's private journals, this book is extraordinary for all the reasons we would expect from Sontags writing—extreme seriousness, stunning authority, intolerance toward mediocrity; Sontags vulnerability throughout will also utterly surprise the late critic and novelists fans and detractors. At 15, when these journals began, Sontag (1933–2004) already displayed her ferocious intellect and hunger for experience and culture, though what is most remarkable here is watching Sontag grow into one of the century's leading minds. In these carefully selected excerpts (many passages are only a few lines), Sontag details her developing thoughts, her voluminous reading and daily movie-going, her life as a teenage college student at Berkeley discovering her sexuality (bisexuality as the expression of fullness of an individual), and meeting and marrying her professor Philip Rieff, with whom, at the age of 18, she had David, her only child. Most powerful are the entries corresponding to her years in England and Europe, when, apart from Philip and their son, the marriage broke down and Sontag entered intense lesbian relationships that would compel her to rethink her notions of sex, love (physical beauty is enormously, almost morbidly, important to me) and daughter- and motherhood, and all before the age of 30. Watching Sontag become herself is nothing short of cathartic. (Dec.)
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From Booklist
Rieff sensitively portrayed revered critic and novelist Sontag during her last days in Swimming in a Sea of Death (2008) and now continues to navigate the great sea of her legacy as editor of her journals. He didn’t want to open his mother’s private life to public eyes, but because her papers are available to scholars, he does so preemptively, granting readers access to the innermost thoughts of a genuine prodigy. In 1948, at age 15, Sontag asks, “And what is it to be young in years and suddenly awakened to the anguish, the urgency of life?” After starting college at 16, she fills her journals with passionate analysis of books, her intellectual ambitions, her struggle to accept her homosexuality, and the ecstasy and torment of her first lesbian relationship. Then, suddenly, this ardent seeker becomes a wife and mother. She loves her son, but marriage does not suit her, and her battle to reclaim her true self is one of several dramatic rebirths punctuating this electrifying record of Sontag striving to become Sontag. Two more volumes are planned. --Donna Seaman
Review
“What ultimately matters about Sontag . . . is what she has defended: the life of the mind, and the necessity for reading and writing as ‘a way of being fully human.'” ―Hilary Mantel, Los Angeles Times Book Review
Most helpful customer reviews
28 of 32 people found the following review helpful.
Fascinating
By Steiner
Aside from David Rieff's overly meddlesome editing, this collection of journals is a penetrating, deeply personal portrait of the late Susan Sontag. Perhaps what is most astonishing in this scattering of notes, commentaries, and lists, is Sontag's astonishing precociousness. Her entries at the age of 16 bear the mark of a burgeoning intellectual of the first order. We are granted access (perhaps for the first time)to Sontag's personal life, and given her reclusive nature I couldn't help feeling that I was reading something that should not have been published. Still, what is most interesting here is Sontag, the young collector of ideas and works of art, living life the only way she knew how-with intellectual and moral "seriousness" and undying passion. A fantastically entertaining read.
2 of 2 people found the following review helpful.
On Dissociative Faits Accomplis
By Mary E. Sibley
Her son notes that Susan Sontag's diary filled about a hundred notebooks. When she was ill she made sure her son knew where her diaries were kept. The diaries are self-revealing. The son has misgivings.
The diaries are filled with people, social engagements, musings, comments about literature and philosophy. Sontag's favorite high school teacher was blacklisted a few years after she graduated. Susan Sontag wondered how to make anguish metaphysical.
In a somewhat fictionalized version of her life, Sontag asserts she had always had a desire to go to Europe. Watching dancers she opines that every person has a mystery. A friend complains that Susan Sontag is not very sharp about other people, what are they thinking and what are they feeling. Her reading is hoarding.
The ideas and people Susan Sontag selects to focus on are described in lively fashion. The editing is perfect, unobtrusive.
4 of 5 people found the following review helpful.
A great diary, which could have been better edited!
By JaneA
I really loved Sontag’s diary. It reveals her as a passionate intellectual, in pursuit of full living, one could even say of having it all – loving both sexes, reading all that she can get her hands on, coping with her wish to write, become an author herself. She also revealed herself as an uncertain woman, a woman who doubts her choices and has a hard time making decisions. But I really had trouble with the editor’s interventions. Having read a lot of published women’s diaries, I have never seen an editor’s commentary intervene with the author’s text. The editor’s comments should have been written in endnotes or footnotes, and should not have made a mess of the original text. I do not think the editor had bad intentions, but the result is really troubling, and it sometimes even made me mad! Nonetheless, I am looking forward to reading the second part of the journal, As Consciousness Is Harnessed to Flesh.
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