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The story of World War I, through the lives and words of its poets
The hundredth anniversary of the outbreak of what many believed would be the war to end all wars is in 2014. And while World War I devastated Europe, it inspired profound poetry―words in which the atmosphere and landscape of battle are evoked perhaps more vividly than anywhere else.
The poets―many of whom were killed―show not only the war's tragedy but also the hopes and disappointments of a generation of men. In Some Desperate Glory, the historian and biographer Max Egremont gives us a transfiguring look at the life and work of this assemblage of poets. Wilfred Owen with his flaring genius; the intense, compassionate Siegfried Sassoon; the composer Ivor Gurney; Robert Graves, who would later spurn his war poems; the nature-loving Edward Thomas; the glamorous Fabian Socialist Rupert Brooke; and the shell-shocked Robert Nichols―all fought in the war, and their poetry is a bold act of creativity in the face of unprecedented destruction.
Some Desperate Glory includes a chronological anthology of the poets' works, telling the story of the war not only through the lives of these writers but also through their art. This unique volume unites the poetry and the history of the war―so often treated separately―granting readers the pride, strife, and sorrow of the individual soldier's experience coupled with a panoramic view of the war's toll on an entire nation.
- Sales Rank: #941510 in Books
- Published on: 2014-06-10
- Released on: 2014-06-10
- Original language: English
- Number of items: 1
- Dimensions: 9.26" h x 1.17" w x 6.28" l, 1.00 pounds
- Binding: Hardcover
- 352 pages
From Booklist
Biographer-novelist Egremont goes the extra mile with his selection of Britain’s WWI poetry. Focusing on the 11 soldiers who wrote the best and most famous war poetry, he presents their poems chronologically, in five sets of poems written in each of the war’s five years and a final set of postwar work. He prefaces each set with an account of what happened to the poets during the time in which they wrote them. He introduces everything with a “Prelude” about the run-up to the war, especially for his 11 selectees. As former public-school boys or, in Edward Thomas’ case, an established professional, 9 were junior officers. They were variously shot, gassed, shell-shocked, retired from the front, and driven mad. Six were killed, and line soldier Ivor Gurney, as gifted a composer as a poet, spent most of his postwar years in mental asylums. Hardly supplanting comprehensive anthologies like Tim Kendall’s Poetry of the First World War (2013), Egremont’s group-biography-cum-anthology impressively accounts for how—the allusion is to Wilfred Owen—the pity came to be in the poetry. --Ray Olson
Review
“Haunting and beautiful, the work of poets such as Robert Graves, Siegfried Sassoon and Wilfred Owen continues to fascinate almost 100 years after the war began. . . In his new book, Some Desperate Glory, historian Max Egremont tells the stories of these half-forgotten poets.” ―Ruth Styles, The Daily Mail (UK)
“Elegant and convincing . . . Egremont's [Some Desperate Glory] is an exceptionally thoughtful treatment of 11 complicated men. He lets poignant vignettes take the place of familiar descriptions of the trenches' horrors--from Thomas, on his last night of home leave before his death, tenderly carrying his wife upstairs to bed wrapped in his greatcoat and whispering to her 'all is well between us for ever and ever" to Owen's keen distress as the 'universal perversion of Ugliness' that somehow intensified the death he was surrounded by. Above all, Egremont reminds the reader that the poems record not one amorphous war but 11 individual conflicts.” ―Michael Prodger, Evening Standard
“This is not simply another anthology of the ‘best' poetry of the Great War, though, but an attempt to tell the story of the war through its poets and explore their development through the impact of the conflict on their writing. . . Some Desperate Glory carries a punch . . . . both [Egremont's] choices and the strict chronology that he imposes on them make certain things strike home with a new freshness.” ―David Crane, The Spectator (London)
“Egremont's . . . beautifully written volume makes an ideal guide to this shifting, shadowy realm . . . On visiting Kaliningrad in the 1960s, the poet Joseph Brodsky wrote that the trees ‘whisper in German.' They don't anymore. But Egremont heard their last words.” ―Andrew Stuttaford, The Wall Street Journal on Forgotten Land
About the Author
Max Egremont was born in 1948 and studied modern history at Oxford University. He is the author of several novels and biographies, including Siegfried Sassoon: A Life (FSG, 2005) and Forgotten Land: Journeys Among the Ghosts of East Prussia (FSG, 2011). Egremont is a Fellow of the Royal Society of Literature. He lives in England.
Most helpful customer reviews
18 of 19 people found the following review helpful.
Part history, part biography, wholly fascinating
By someproseandcon
Egremont’s examination of the First World War as seen through the lives and work of its most famous poets is a fascinating book (the poets include Rupert Brooke, Wilfred Owen, Siegfried Sassoon, Edward Thomas, Robert Graves, Ivor Gurney, Isaac Rosenberg, Edmund Blunden, Julian Grenfell, Charles Sorley, and Robert Nichols).
Part biography, part history, the book is unique in its organization: a chapter is devoted to each year of the war, detailing the circumstances and mental states of each of the eleven writers who supply the lenses through which we see and understand the horror and the heroism of modern warfare.
For those not particularly interested in poetry, the book should still be of great interest: Egremont is concerned with the meaning and meaninglessness of the WWI, arguing its general significance (“More than twice as many British were killed in the First World War as in the Second”), as well as describing its particularities (after Charles Sorley was killed by a sniper as he led his men into battle at Loos, his manuscript of the poem “When You See Millions of the Mouthless Dead” was found on his body , including the line, “It is easy to be dead”).
While Egremont’s book isn’t concerned with interpreting the poetry, poems that are mentioned in the chronological account of the war are included at the end of each chapter, and placing the poems in the context of the time and the battle experiences in which they were written allows readers to see them in a new light.
For those who are familiar with the writers of the late 19th and early 20th century, it’s fascinating to learn how small the artistic community was: Edward Thomas was an intimate of Robert Frost, Siegfried Sassoon befriended Oscar Wilde’s former lover, E.M. Forester worked in Egypt for the Red Cross, Virginia Woolf knew Rupert Brooke and reviewed his posthumous Collected Poems, and Ivor Gurney studied music under Ralph Vaughn Williams after the war.
But the book is at its best in its last chapter, “Aftermath.” Here, Egremont tells of the lives of the men who survived, as well as the ways in which certain poets became more admired after the war, while others fell out of fashion, often due to a writer’s vision of the war or the style in which he chose to communicate that vision. The book asserts that as time passed, “the poets’ war was seen as the truth,” much to the dismay of historians, and that “What the poets wrote was seductive, often spellbindingly good, so much so that it was claimed they contributed to the climate of appeasement in the 1930s: the wish to avoid war at almost any price.” As well, Egremont compares the poetry of WWI with other retellings of the war, from BBC documentaries to television comedies such as "Blackadder."
Most importantly, this book frees the poets from the superficial label of “British World War I poet” and reveals the individual writers in all of their complexities: Fabian socialist, manic depressive, handsome narcissist, pre-war advocate for pacifism, gifted musician, aristocratic fox-hunter, son of poor Jewish immigrants – these are the men who fought and died, or survived to be haunted by a war that transformed the modern world, the men who described the war with such power and poignancy that their language has shaped our view of The Great War.
1 of 1 people found the following review helpful.
Great Gift for Veterans
By Shannon
I bought this as a gift for a friend in the military and he absolutely enjoyed it. He thought it was a great read and a really unique gift.
0 of 0 people found the following review helpful.
Five Stars
By Will Fischer
Great
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