Saturday, November 7, 2015

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How Markets Fail: The Logic of Economic Calamities, by John Cassidy

Behind the alarming headlines about job losses, bank bailouts, and corporate greed is a little-known story of bad ideas. For fifty years or more, economists have been busy developing elegant theories of how markets work—how they facilitate innovation, wealth creation, and an efficient allocation of society’s resources. But what about when markets don’t work? What about when they lead to stock market bubbles, glaring inequality, polluted rivers, real estate crashes, and credit crunches?

In How Markets Fail, John Cassidy describes the rising influence of what he calls utopian economics—thinking that is blind to how real people act and that denies the many ways an unregulated free market can produce disastrous unintended consequences. He then looks to the leading edge of economic theory, including behavioral economics, to offer a new understanding of the economy—one that casts aside the old assumption that people and firms make decisions purely on the basis of rational self-interest. Taking the global financial crisis and current recession as his starting point, Cassidy explores a world in which everybody is connected and social contagion is the norm. In such an environment, he shows, individual behavioral biases and kinks—overconfidence, envy, copycat behavior, and myopia—often give rise to troubling macroeconomic phenomena, such as oil price spikes, CEO greed cycles, and boom-and-bust waves in the housing market. These are the inevitable outcomes of what Cassidy refers to as “rational irrationality”—self-serving behavior in a modern market setting.

Combining on-the-ground reporting, clear explanations of esoteric economic theories, and even a little crystal-ball gazing, Cassidy warns that in today’s economic crisis, conforming to antiquated orthodoxies isn’t just misguided—it’s downright dangerous. How Markets Fail offers a new, enlightening way to understand the force of the irrational in our volatile global economy.

  • Sales Rank: #118179 in Books
  • Published on: 2009-11-10
  • Released on: 2009-11-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.22" h x 1.34" w x 6.48" l, 1.36 pounds
  • Binding: Hardcover
  • 400 pages

From Publishers Weekly
Market disasters—and the cycle of delusions responsible—receive lively, engaging analysis by Cassidy (Dot.con), a journalist at the New Yorker. The author focuses primarily on the rise and fall of free market ideology and the mostly unrealistic ideal of a self-correcting marketplace. An excellent comprehensive history of the economic thought that led to this kind of utopian economics provides a refresher course in Adam Smith, Friedrich August von Hayek, Kenneth Arrow and Hyman Minsky. Both a narrative and a call to arms, the book provides an intellectual and historical context for the string of denial and bad decisions that led to the disastrous illusion of harmony, the lure of real estate and the Great Crunch of 2008. Using psychology and behavioral economics, Cassidy presents an excellent argument that the market is not in fact self-correcting, and that only a return to reality-based economics—and a reform-minded move to shove Wall Street in that direction—can pull us out of the mess in which we've found ourselves. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Cassidy, economist and journalist, launches a theoretical attack on Milton Friedman and the Chicago school’s free market concepts, calling them Utopian Economics, which Cassidy explains in part one. The author describes his replacement theories in part two, which give market failure a central role, calling them Reality-Based Economics. Drawing on both approaches, in part three he explains in detail his analysis of the financial crisis of 2007–2009, indicating that the subprime boom was a failure of capitalism and the financial crisis was the consequence on decisions made by private firms under deregulation. He concludes with suggestions including banks that create and distribute mortgage securities should be forced to keep approximately one-fifth on their books and federal regulators should have oversight responsibility for mortgage bankers and lenders. Everyone will not agree with the author’s theories, and although he denies this is a textbook, it will stir controversy within and outside the classroom. However, the challenging material in this book will limit its appeal to many library patrons. --Mary Whaley

Review

Praise for How Markets Fail

“Cassidy clearly knows a great deal of economics, and he tells his story extremely well . . . Many of his chapters—on the development of general equilibrium theory (how everything in the economy systematically depends on everything else), for example, or marginalism (why prices are determined by what we’re prepared to pay for the very last item of something we buy, rather than what the whole amount is worth to us)—would make useful supplementary reading in an undergraduate economics course.” —Benjamin M. Friedman, The New York Review of Books

“[A] wonderful book . . . The most concise and elegantly written account, among the many that have come out, of how we got into this mess.” —Liaquat Ahamed, The National Interest

“[How Markets Fail] brilliantly dissects much of what has passed for economic wisdom, and decries the lack of humility from those whose theories helped cause the disaster.” —Floyd Norris, The New York Times

“Highly readable . . . Cassidy offers a clear and occasionally colorful exposition of the evolution of relevant economic thought in a way that is accessible to non-economists.” —Richard N. Cooper, Foreign Affairs

“Fascinating and important.” —Eliot Spitzer, Slate

“An admirably lucid account of how ‘utopian economics’ drove us to disaster . . . This is a compelling synthesis that derives most of its narrative energy from the author’s clarity of thought and exposition.” —James Pressley, Bloomberg.com

“An essential, grittily intellectual, yet compelling guide to the financial debacle of 2009.” —Geordie Greig, London Evening Standard

“The last major attempt of 2009 to make sense of what has become of the discipline of economics.” —Stefan Stern, Financial Times (Best Books of the Year)

“A well constructed, thoughtful and cogent account of how capitalism evolved to its current form.” —Edmund Conway, The Daily Telegraph

“[How Markets Fail] is more than just an account of the failures of regulators and the self-deception of bankers and homebuyers, although these are well covered. For Mr. Cassidy, the deeper roots of the crisis lie in the enduring appeal of an idea: that society is always best served when individuals are left to pursue their self-interest in free markets . . . An ambitious book, and one that mostly succeeds.” —The Economist

“An ambitious, nuanced work that brings ideas alive . . . Cassidy makes a compelling case that a return to hands-off economics would be a disaster.”—Chris Farrell, BusinessWeek

“Brilliant.” —Paul M. Barrett, New York Times Book Review

“Both a narrative and a call to arms, [How Markets Fail] provides an intellectual and historical context for the string of denial and bad decisions that led to the disastrous ‘illusion of harmony,’ the lure of real estate and the Great Crunch of 2008. Using psychology and behavioral economics, Cassidy presents an excellent argument that the market is not in fact self-correcting, and that only a return to reality-based economics—and a reform-minded move to shove Wall Street in that direction—can pull us out of the mess in which we’ve found ourselves.” —Publishers Weekly

“An elegant, readable treatise on economics, swathed in current headlines . . . Cassidy delivers on the promise of his title, but he also offers a clear-eyed look at economic thinking over the last three centuries, from Adam Smith to Ben Bernanke, and shows how the major theories have played out in practice, often not well . . . Cassidy writes with terrific clarity and a finely tuned sense of moral outrage, yielding a superb book.” —Kirkus Reviews (starred review)

Most helpful customer reviews

50 of 55 people found the following review helpful.
Very insightful but with imperfect solutions to problems
By Rajesh Gajra
The 2007 and 2008 crisis in world economics and financial markets have spawned many books. This is one book that talks about the same crisis but perhaps in a much more insightful way than any other. Dwelling on the interplay between economic policies and financial markets this book is difficult to put down once you realise the enormous promise it holds when you read the 12 pages of the 'Introduction' chapter. That promise is not belied although John Cassidy, the author, could have been clearer and more elaborate in the solutions he offers.
Cassidy refers to the idea that a free market economy is sturdy and well grounded as an "illusion of stability". He calls this "Utopian economics". This forms the first of three parts of his book and includes eight fascinating chapters on the people and ideas that shaped it.
This section of the book first lays out in great detail how economic theories and economists came about to have a large sphere of influence in central banks' monetary policy matters and governments' economic policies. It describes how the "Chicago School" of economics, propagating free market economy with almost zero regulations, ended up enormously broadening their sphere of influence in the top echelons of the US Federal Reserve and the Treasury department of the US government. What follows is an excellent exposition of 10-12 most-influential economists including Adam Smith, John Keynes, Milton Friedman, Robert Lucas and Friedrich Von Hayek, as well as a couple of mathematicians such as Eugene Fama.
Taking the reader back and forth in time, Cassidy beautifully connects the conservative economists with the "neo" liberalists, mathematics with economics, and evangelist-led economic theories with existing practices in financial markets and governmental regulations.
The second part of Cassidy's book has him propagating "reality-based" economics. Cassidy believes that free market economists dangerously ignore the very possibility of speculative bubbles, leave alone the fact that market prices during a speculative bubble provide incentives for individuals and companies to "act in ways that are individually rational but immensely damaging to themselves and others". He even gives examples of market failures beyond financial markets, such as markets encouraging "power companies to despoil the environment and cause global warming", health insurers excluding "sick people from coverage and CEOs stuffing "their own pockets at the expense of their stockholders."
The second part is as elaborate, articulate and insightful as the first. Cassidy puts forth the economics-linked issues of "the prisoner's dilemma", "the market for lemons", "the beauty contest", "the rational herd" and "ponzi finance". Like in the first part Cassidy beautifully uses the works of important contributors to economics to illustrate their--and his own--arguments. For instance, on the subject of market externalities, Cassidy talks about a paper, presented at Harvard University in the mid-1980s by W. Brian Arthur, a applied mathematician from Northern Ireland, wherein Arthur argued that chance events and network effects can enable inferior technologies to beat out superior products and take over entire markets.
Cassidy, however, fails to convince, why monopolies should be forced to co-operate with budding competitors. He talks about Microsoft refusing to make its products compatible with those of its rivals but does not rationalise why that is such a good thing in a competitive scenario and how much of sustainable benefits it will provide to consumers.
In the third and last part of the book Cassidy turns to the real-life happenings in financial markets and economies in the last 20-30 years and how they led to the complete financial meltdown in 2007 and 2008. This is again a very exciting read as Cassidy elaborately criticises Alan Greenspan's blind eye to the speculative bubbles in the real estate market, fanatic reduction of interest rates to artificially pump up the economy after the 'dot com' bust in 1999-2000, and dangerously preventing regulators such as Commodity Futures Trading Commission from laying out capital adequacy and risk-containment measures for complex financial products like credit default swaps and other complex financial derivatives.
Cassidy lays out in good detail the history of mortgages, including the sub-prime chain, and the bubble in real estate prices. There are rare insights into how the securitisation of mortgages by banks and Wall Street firms grew in size and led to extreme risks that ultimately exploded in the face of every financial market participant. He also points to the failure of capitalism in that tax payers money had to be used to bail out the failures in the market.
While Cassidy is great in describing what happened he is very weak in pointing out appropriate solutions in much detail. He does, however, says that free markets should not be devoid of active government intervention when prices are going up and building into a bubble. But Cassidy should have been more sharp and pointed out that if firms get too big to fail then they should be too big to succeed in the first place. Or, if free markets are to be allowed without restrictions, then any failures should also be allowed to happen freely without government bailouts. If profits are made by everyone during a bubble then losses can also be borne by everyone when the bubble bursts.
He also fails to highlight enough the dangers of uncontrolled leverage in not just financial derivatives but also in complex financial structured products whether traded directly between counterparties or traded on a financial exchange.
But, on the whole, the book is a great read.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
Amazing book

150 of 175 people found the following review helpful.
A must read critique of economic theory
By Abacus
Cassidy analyzes how orthodox economic theory (he calls Utopian economics) went astray. While Adam Smith advanced the merits of market competition and free trade in "Wealth of Nations" in 1776; He warned against unregulated credit creation and ensuing speculative excesses. But, economists focused solely on Smith's benefit of free markets. The field of economics became increasingly quantitative based on flawed assumptions including Cassidy's four basic Utopian illusions:
1) the illusion of harmony (free markets always generate good outcomes);
2) the illusion of stability (free market economy is sturdy);
3) the illusion of predictability (distribution of returns can be foreseen); and
4) the illusion of Homo Economicus (individuals are rational and act on perfect information).

This idealized framework allowed economists to develop overreaching math models increasingly disconnected from reality. This trend started with Friedrich Hayek, leading Austrian economics, who stated in late 1930s that prices communicate near perfect information that determined underlying demand and supply. This was a brilliant insight if not taken too far. In the 1970s, Eugene Fama builds upon Hayek's insight with the Efficient Market Hypothesis (EMH) that stated stock prices captured all available information. Thus, stock prices move randomly and both technical and fundamental analysis do not add value. The theory was popularized by Burton Malkiel in A Random Walk Down Wall Street: Completely Revised and Updated Edition. The EMH was a brilliant insight backed by data (the majority of mutual fund managers do not beat the index to this day). But, it lead to Robert Lucas Rational Expectation Hypothesis (REH) in the 1980s. The REH stated that all markets (goods, labor, etc...) are efficient not just securities. It also stated that individuals act upon their anticipating of future events. This entailed that fiscal or monetary policies have no effect since the public counters them. Cassidy states REH was the most hubristic Utopian economics theory as it was completely disconnected from reality. The next Utopian manifestation was the General Equilibrium Theory (GBT). The latter represents more than century long effort (Leon Walras, French economist, first pronounced it in 1870s) to demonstrate that all markets affect each other and each has a single interdependent equilibrium price. The underlying math is forbidding; yet GBT utility and accuracy is null.

Cassidy discredits Milton Friedman and Alan Greenspan the most. Friedman is "The Evangelist" libertarian who broadcasted his anti-government views in two manifestos Free to Choose: A Personal Statement and Capitalism and Freedom: Fortieth Anniversary Edition. His anti-Keynesian theory of monetarism is completely obsolete. It was shortly tried in the early 1970s in the U.S. and the U.K. and was a dismal failure (source: Paul Krugman).

Cassidy states Greenspan was the main culprit of the housing bubble and ensuing financial crisis on two grounds. First, he kept interest rates too low for too long in the first half of this decade. This contributed to skyrocketing home prices. Second, his Utopian view that financial markets better self-regulate their risks than regulators promoted egregious mortgage underwriting (the Subprime mess). It also facilitated unregulated collateral debt obligations (CDOs) and credit default swaps (CDS) that spread the financial crisis worldwide.

Cassidy provides rebuttals to Utopian economics from many fields he lumps into "reality-based economics." The latter includes Game Theorists John von Neumann and John Nash. Game Theory contradicts economic theory as individuals respond strategically to each others' actions (Prisoner's Dilemma) instead of economic incentives. Reality-based economists also include Daniel Kahneman and Amos Tversky, psychologists, who demonstrated individuals are irrational as we are more sensitive to losses than gains. We overweight our firsthand experience and events that occurred recently. Richard Thaler, an economist, will apply their ideas thereby creating behavioral economics.

The most successful reality-based economist is Hyman Minsky. His theories pervade Cassidy section on the current financial crisis. Minsky is an American economist (1919-1996) ignored during his lifetime; but, is now experiencing a resurgent posterity. This is because the first decade of the 21st century with the dot.com and housing bubbles confirmed the relevance of his model. The later entails that free market economies are inherently unstable prone to booms and busts caused by asset bubbles. This is because the credit cycle exacerbates the business cycle. Bankers lend too much when collateral values go up (causing bubbles) and not enough when collateral values flatten (credit freeze). Minsky's model is scalable from homeowners defaulting on their mortgages to countries defaulting on sovereign debt. Charles Kindleberger leveraged Minsky's model to explain 400 years of financial crisis in his formidable Manias, Panics, and Crashes: A History of Financial Crises (Wiley Investment Classics).

Minsky success also reinforces the greatness of both Adam Smith and John Maynard Keynes. Smith fully anticipated the relevance of Minsky's model and the resulting need for tightly regulating credit. Keynes fully understood free market economies are inherently unstable and occasionally need a fiscal push (Keynesianism). Additionally, both Smith and Keynes were behavioral economists before it was cool as they fully grasped the irrationality of speculators.

Cassidy is by no means a socialist. He just thinks the dogmatic choice between free markets and socialism is wrong. He adheres to what Smith/Keynes/Minsky suggest. And, that is the credit market is a social utility that needs tight regulation to prevent the type of economic calamities we just experienced. And, his preventive recommendations are more stringent but in line with the proposals from the Obama Administration.

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Friday, November 6, 2015

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Too Soon to Tell, by Calvin Trillin

A collection of topical essays revealing the acclaimed writer at his wittiest deals with matters of the family, educational issues, world affairs, and language in short takes that offer a humorous look at the quirks of society. 25,000 first printing. Tour.

  • Sales Rank: #2265747 in Books
  • Published on: 1995-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.07" h x 5.83" w x 8.82" l,
  • Binding: Hardcover
  • 292 pages

Amazon.com Review
Another collection of Trillin's short pieces has hit the streets, and he just gets better and better. A Midwesterner in his soul but a New Yorker in fact, Trillin's comic take on '90s life demonstrates his perfect pitch for the absurd again and again in these short and intelligent essays.

From Publishers Weekly
In this collection of some 90 syndicated columns written in the past four years, the reliably amusing Trillin mixes whimsical fluff with sly stilettos. In the whimsy department are essays on monkfish and high tides, courtesy of his Nova Scotia summers, as well as the "grandchildren gap" faced by parents of professionals and the prospect of the Queen being audited. Most of those essays go down easy enough, but Trillin also takes on bigger targets. The lip-synch shame of the Milli Vanilli duo, who were exposed as not having done the singing on their albums, prompts him to muse on the lack of scandal accorded celebrity authors whose books are ghostwritten. News that an East German spy waited tables at the West German Senate suggests spymasters confounded by Ronald Reagan's airy anecdotes, which they'd taped expecting to learn secret information. And, noting that some companies give campaign contributions to both political parties, he proposes a new question for a national high school civics exam: "Explain this practice without using the word 'bribery.'" This collection shows Trillin's ephemera to be delightfully durable.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
Every few years, Trillin gathers a bunch of his syndicated columns on anything and everything and converts them into a book. This is his fifth such collection. It is difficult to find anything new or particularly illuminating to say about Trillin. In this book, readers will discover precisely what they would expect from past acquaintance: wit, spiced with a tang of tolerant cynicism; a chuckly sort of humor rather than a guffawing one; a purged prose in which the inessential is resolutely excluded; and little in the way of subject matter to which he will not give at least a flying salute. A sturdy package job that makes for good reading. Recommended.
--A.J. Anderson, GSLIS, Simmons Coll., Boston
Copyright 1995 Reed Business Information, Inc.

Most helpful customer reviews

8 of 9 people found the following review helpful.
Witty but never mean
By Lynn Harnett
Humorist Trillin's 1995 collection of the best of his "New Yorker" columns, maintains a consistent deadpan humor and amiable cynicism, whether the subject is bestselling writers who don't write their own books, teenagers' comprehension of rock lyrics, or the rehabilitation of Nixon.
Trillin is at his most caustic with politicians and icons of corporate culture. His wife and two daughters feature prominently, as always, allowing him to play the hapless, push-over curmudgeon. Wry and economical with words, Trillin takes on any aspect of American culture that strikes his fancy and gets to the nub of absurdity without ever resorting to sneers or viciousness. A delight, as Trillin's collections always are.

12 of 15 people found the following review helpful.
Flashes of brilliance
By Michael J. Edelman
Calvin Trillin has two qualities that distinguish him as a writer. One is a great talent for deadpan wit, and the other is a true amateur's enthusiasm for everything he tries.
The latter serves him best when he's writing about food, or about travel, or about everyday life in New York, but less so when he writes about politics and world events. His perspective on his own countrymen is often narrow, provincial, and downright condescending. He can't bring himself to admit that someone could hold different views from his and still be a moral person.
But no matter. There's still a nice variety of wit and droll observation contained in this volume to make up for the pieces that fall flat.

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Monday, November 2, 2015

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Fieldwork: A Novel, by Mischa Berlinski

A daring, spellbinding tale of anthropologists, missionaries, demon possession, sexual taboos, murder, and an obsessed young reporter named Mischa Berlinski

When his girlfriend takes a job as a schoolteacher in northern Thailand, Mischa Berlinski goes along for the ride, working as little as possible for one of Thailand’s English-language newspapers. One evening a fellow expatriate tips him off to a story. A charismatic American anthropologist, Martiya van der Leun, has been found dead—a suicide—in the Thai prison where she was serving a fifty-year sentence for murder.

Motivated first by simple curiosity, then by deeper and more mysterious feelings, Mischa searches relentlessly to discover the details of Martiya’s crime. His search leads him to the origins of modern anthropology—and into the family history of Martiya’s victim, a brilliant young missionary whose grandparents left Oklahoma to preach the Word in the 1920s and never went back. Finally, Mischa’s obssession takes him into the world of the Thai hill tribes, whose way of life becomes a battleground for two competing, and utterly American, ways of looking at the world.

Vivid, passionate, funny, deeply researched, and page-turningly plotted, Fieldwork is a novel about fascination and taboo—scientific, religious, and sexual. It announces an assured and captivating new voice in American fiction. Mischa Berlinski was born in New York in 1973. He studied classics at the University of California at Berkeley and at Columbia University. He has worked as a journalist in Thailand. He lives in Rome. A National Book Award FinalistThe New York Magazine Best Debut of the YearA Los Angeles Times Favorite Book of the YearA San Francisco Chronicle Notable Book of the YearA Chicago Tribune Favorite Book of the YearA Seattle Times Favorite Book of the YearA Christian Science Monitor Best Book of the YearA Library Journal  Best Book of the YearA Kirkus Review Top 10 Book of the Year When his girlfriend takes a job as a schoolteacher in northern Thailand, Mischa Berlinski goes along for the ride, working as little as possible for one of Thailand’s English-language newspapers. One evening a fellow expatriate tips him off to a story. A charismatic American anthropologist, Martiya van der Leun, has been found dead—a suicide—in the Thai prison where she was serving a fifty-year sentence for murder.

Motivated first by simple curiosity, then by deeper and more mysterious feelings, Mischa searches relentlessly to discover the details of Martiya’s crime. His search leads him to the origins of modern anthropology—and into the family history of Martiya’s victim, a brilliant young missionary whose grandparents left Oklahoma to preach the Word in the 1920s and never went back. Finally, Mischa’s obssession takes him into the world of the Thai hill tribes, whose way of life becomes a battleground for two competing, and utterly American, ways of looking at the world.

Vivid, passionate, funny, deeply researched, and page-turningly plotted, Fieldwork is a novel about fascination and taboo—scientific, religious, and sexual. It announces an assured and captivating new voice in American fiction. "Mischa Berlinski brings a wealth of vivid detail to his narrative, and writes with real authority. Fieldwork is as fascinating as an ethnographer's private journal, as entertaining as a finely plotted thriller."—John Wray, author of Canaan's Tongue "The West has long equated exotic peoples with the dark and the wild. It is the strength of Mischa Berlinski's novel to chart those elements in the heart of the anthropology that seeks to explore them. He turns received ideas on their heads, for he makes us unsure about the things we thought we knew while showing us truths that we like to hide from ourselves."—Nigel Barley, author of The Innocent Anthropologist "A journalist investigates the suicide of an American anthropologist serving time for murder in a Thai jail. Mischa and Rachel are a young, bored, American couple who decide, upon college graduation, to move to northern Thailand, where Rachel accepts a job teaching first grade in Chiang Mai and Mischa pieces together enough freelance journalism gigs to make a living. But Mischa's focus changes when another wanderlust American tips him off to the riveting story of Martiya van der Leun, a middle-aged anthropologist who overdosed on opium while serving a murder sentence in Chiang Mai's women's prison. Mischa has almost no information about the crime, and leads on Martiya's life seem scarce, but he pursues the story with an anthropological fervor—one that he soon learns would have made Martiya proud. He follows Martiya's life from her childhood in an Indonesian village to her teenage years in California to her career in Thailand, where she began as a field researcher studying the Dyalo people. Slowly he uncovers important puzzle pieces, learning most notably that Martiya's murder victim was David Walker, a fourth-generation American missionary from a family of Dyalo experts, and that what had began for Martiya as an academic project with the Dyalo eventually became for her an obsessive way of life. As Mischa integrates himself into the facets of Martiya's story, he becomes as consumed with it as she had become with the Dyalo, and when Rachel returns to America at the end of the year, Mischa finds that he cannot leave. Berlinski's methodical account of the factors that led a rational intellectual to commit such a heinous crime is air-tight and intensely gripping. But equally notable is his ability to conjure such an elaborate portrait of the fictional Dyalo, and his treatment of both religious missionary and anthropological fieldwork is subtle and insightful. Impeccable research and a juicy, intricate plot pay off in this perfectly executed debut."—Kirkus Reviews "A fictional version of the author serves as the narrator of Berlinski's . . . thriller set in Thailand. Mischa Berlinski, a reporter who's moved to northern Thailand to be with his schoolteacher girlfriend, Rachel, hears from his friend Josh about the suicide of Martiya van der Leun, an American anthropologist, in a Thai jail, where she was serving 50 years for murder. As Mischa begins to investigate Martiya's life and supposed crimes, he becomes increasingly obsessed with the woman . . . Berlinski, who has been a journalist in Thailand, vividly portrays the exotic setting and brings depth and nuance to his depictions of the Thais . . . a lean, interesting tale about, among many other things, the differences between modern and tribal cultures."—Publishers Weekly

  • Sales Rank: #267317 in Books
  • Brand: Farrar, Straus and Giroux
  • Published on: 2007-02-06
  • Released on: 2007-02-06
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.15" w x 6.00" l,
  • Binding: Hardcover
  • 336 pages
Features
  • Great product!

From Publishers Weekly
A fictional version of the author serves as the narrator of Berlinski's uneven first novel, a thriller set in Thailand. Mischa Berlinski, a reporter who's moved to northern Thailand to be with his schoolteacher girlfriend, Rachel, hears from his friend Josh about the suicide of Martiya van der Leun, an American anthropologist, in a Thai jail, where she was serving 50 years for murder. As Mischa begins to investigate Martiya's life and supposed crimes, he becomes increasingly obsessed with the woman. The complications that arise have the potential to be riveting, but the chatty narrative voice takes too many irrelevant detours to build much suspense. Still, Berlinski, who has been a journalist in Thailand, vividly portrays the exotic setting and brings depth and nuance to his depictions of the Thais. Buried within the excess verbiage is a lean, interesting tale about, among many other things, the differences between modern and tribal cultures. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
Mischa Berlinski originally intended to write an account of the real-life Lisu tribe of Thailand, but held scant interest in the project until he decided to fictionalize the natives and turned his research into a novel. In this readable and clever debut, told almost entirely in backstory, Berlinski explores the problems inherent in trying to assume the perspective of another person or culture and the enduring conflict between faith and science. While he treats each perspective with genuine empathy, he refuses to take sides. Critics had a couple of complaints—a lagging secondary plot and a few descriptions with a textbook feel—but dismissed them as minor. They unanimously praised Berlinski’s wit, style, and intelligence in this atmospheric "novel that never fails to fascinate" (Minneapolis Star Tribune).
Copyright © 2004 Phillips & Nelson Media, Inc.

From Booklist
This novel is an amalgam of murder mystery, historical novel, psychological thriller, and even travelogue, but its multiple dimensions are not a drawback. The premise is solid and creative: a young American freelance writer accompanies his girlfriend to Thailand, where, from a person he'd known before, he is offered a tantalizing story to pursue, "as a gift." It seems a woman anthropologist had been imprisoned in Thailand for murder and subsequently killed herself during her incarceration. The narrator takes up the story, assumes the challenge, and goes in search of the answers to two overriding questions: Whom did the woman murder and why? Berlinski is obviously fascinated by the history of twentieth-century anthropology and equally eager to share his knowledge of tribal customs in rural Thailand. The reader learns a great deal about fieldwork but significantly less about the effortless integration of fact into fiction. In this, Berlinski is somewhat clumsy. Brad Hooper
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

70 of 78 people found the following review helpful.
Excellent Book
By Amazon Customer
Well-researched and excellently paced novel. I was fascinated by the level of detail and found the non-judgmental tone of the author refreshing. The novel ended up being an anthropological study of 3 separate tribes--the fictional Dyalo (who appear to be based on the Lisu tribe the novelist studied extensively--look on [...]), American Protestant missionaries, and the curious tribe that lives in figurative ivory towers who spend their lives studying other tribes. The author seems to suggest that the universal tragedy that serves as the basis for the murder mystery aspect of the novel is the result not merely a simplistic clash between East and West, but one that can happen to any peoples who do not share the same world view or to anyone in any culture subject to common human emotions.

Terrific read, and highly recommended. I look forward to Mr. Berlinksi's future literary output--maybe something set in Italy, or perhaps involving Haitian voodoo cults?

0 of 0 people found the following review helpful.
The story tends to meander a bit too much for ...
By Harry Kousourou
The story tends to meander a bit too much for my taste. A bit of editing would make the story flow more smoothly.

0 of 0 people found the following review helpful.
A terrific and fascinating novel
By Jolivore
A terrific and fascinating novel, inventive and witty and intriguing.

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Sunday, November 1, 2015

>> Ebook Free Carsick: John Waters Hitchhikes Across America, by John Waters

Ebook Free Carsick: John Waters Hitchhikes Across America, by John Waters

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Carsick: John Waters Hitchhikes Across America, by John Waters

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Carsick: John Waters Hitchhikes Across America, by John Waters

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Carsick: John Waters Hitchhikes Across America, by John Waters

A cross-country hitchhiking journey with America's most beloved weirdo

John Waters is putting his life on the line. Armed with wit, a pencil-thin mustache, and a cardboard sign that reads "I'm Not Psycho," he hitchhikes across America from Baltimore to San Francisco, braving lonely roads and treacherous drivers. But who should we be more worried about, the delicate film director with genteel manners or the unsuspecting travelers transporting the Pope of Trash?
Before he leaves for this bizarre adventure, Waters fantasizes about the best and worst possible scenarios: a friendly drug dealer hands over piles of cash to finance films with no questions asked, a demolition-derby driver makes a filthy sexual request in the middle of a race, a gun-toting drunk terrorizes and holds him hostage, and a Kansas vice squad entraps and throws him in jail. So what really happens when this cult legend sticks out his thumb and faces the open road? His real-life rides include a gentle eighty-one-year-old farmer who is convinced Waters is a hobo, an indie band on tour, and the perverse filmmaker's unexpected hero: a young, sandy-haired Republican in a Corvette.
Laced with subversive humor and warm intelligence, Carsick is an unforgettable vacation with a wickedly funny companion―and a celebration of America's weird, astonishing, and generous citizenry.

  • Sales Rank: #141370 in Books
  • Brand: Waters, John
  • Published on: 2014-06-03
  • Released on: 2014-06-03
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.45" h x 1.10" w x 5.75" l, 1.02 pounds
  • Binding: Hardcover
  • 336 pages

From Booklist
*Starred Review* There’s nothing cheap—er, ungenerous—about Waters, the Pope of Trash (or Filth, or both). His new book is actually three (clap!), three (clap!), three books in one! All are based on the pitch he sold his publisher about hitchhiking from his home in Baltimore to his home in San Francisco. Oh, he knew it was insane—“I’m sixty-six years old, for chrissake”—and so wrote it up in advance, just in case, once imagining “The Best That Could Happen,” then again envisioning “The Worst That Could Happen.” Because he is, after all, John “Pink Flamingos” Waters, both fictional trips are rather similar in terms of weirdness and even scabrousness, at least in the eyes of those who aren’t J “PF” W. Fortunately, except for a handful of incidents (well, maybe more) that body-slam the boundaries of scatological toleration, both are pretty constantly hilarious and, when he somehow encounters such figures from his past as Edith Massey (the Egg Lady in PF) and 1980s gay porn star Johnny Davenport (whom Waters never knew, casually or biblically—alas!), sentimental. The real trip, hardly as ludicrous as the preceding fictions, takes longer, involves more drivers, and has Waters growing in admiration for the regular—but far from colorless!—people who pick him up, especially the married guys who praise their wives to the skies. Travel—uh, hitchhiking—book of the year? --Ray Olson

Review

“Fantastical and plush . . . Carsick becomes a portrait not just of America's desolate freeway nodes--though they are brilliantly evoked--but of American fame itself.” ―Lawrence Osborne, The New York Times Book Review

“In this, the seventh of his books, John Waters--the evil genius of Baltimore, the living, breathing embodiment of camp, the man with the bristling pencil-thin mustache and vocabulary that would make a drill sergeant blush--betrays his deepest and darkest secret. In these pages the apostle of outrage--the actor, writer and director whose contributions to cinematic glory include 'Pink Flamingos,' 'Mondo Trasho,' and 'Hairspray'--reveals himself to be a . . . sentimentalist . . . underlying it all is a highly developed sense of fun, a desire to amuse more than to shock . . . Waters has made a funny engaging and--of course--occasionally outrageous book . . . All in all a cool trip and a delightful book.” ―Jonathan Yardley, The Washington Post

“Mr. Waters has long been that relative rarity among American film directors. He can write. His memoirish volume Role Models is observant and light on its feet, and his essays and journalism, sure to be collected in their entirety someday, are fond, exotic well groomed, debonair--'natty,' to borrow one of my father's favorite words . . . This writer has proved himself to be good company.” ―Dwight Garner, The New York Times

“This is all good, dirty subversive fun . . . a good helping of unbridled lewdness is surely to be expected, and no doubt cherished, from the man known as the king of filth and the pope of trash. However, once [Waters] gets on the road and begins his 'real life' adventure, he comes across as a very different, and much more benign and vulnerable, figure. In many ways, he's an innocent . . . He also has to rely on the kindness of strangers, and he finds it everywhere. Quite a few people mistake him for a homeless man and try to give him a handout. Some of this is deeply moving . . . As he says in the book's acknowledgments, 'If I ever hear another elitist jerk use the term flyover people, I'll punch him in the mouth.' I do believe he will.” ―Geoff Nicholson, San Francisco Chronicle

“*Starred Review* Waters idiosyncratically cuts to the core of American diversity, finding the good (and bad) in any situation with biting wit. The unlikely friendship Waters forms with a young Republican politician is an unexpected twist, and a timely tale of bromance in the midst of hardship. If a dyed-in-the-wool conservative and the pope of Trash can have an adventure in Reno together, aren't all things still possible in this world? But for Waters aficionadoes, the best parts of this enchanting narrative aren't the ones that actually happened. Fans will delight in the two novellas, with Waters at his campiest and most ludicrous, that precede the nonfiction third act . . . Waters devotees take note: this is required reading.” ―Publishers Weekly

“It's rare to find a book that resembles no other book you've ever read. It's rare to find a book that's both funny and profound. John Waters' Carsick is a doubly rare book.” ―Michael Cunningham, author of The Snow Queen

“Face it: Wouldn't you rather strike out on the road with John Waters than Jack Kerouac?” ―Kirkus Reviews

“*Starred Review* There's nothing cheap--er, ungenerous--about Waters, the Pope of Trash (or Filth, or both). His new book is actually three (clap!), three (clap!), three books in one! All are based on the pitch he sold his publisher about hitchhiking from his home in Baltimore to his home in San Francisco. Oh, he knew it was insane--"I'm sixty-six years old, for chrissake"--and so wrote it up in advance, just in case, once imagining "The Best That Could Happen," then again envisioning "The Worst That Could Happen." Because he is, after all, John "Pink Flamingos" Waters, both fictional trips are rather similar in terms of weirdness and even scabrousness, at least in the eyes of those who aren't J "PF" W . . . Travel--uh, hitchhiking--book of the year?” ―Ray Olson, Booklist

“A flavorful book, with the same cheeky sentimentality we experienced in Water's memoir Role Models plus a Divine-sized dose of kitsch. John Waters fans like me will be ecstatic.” ―Annie Coreno, Publishers Weekly

“John Waters is something of a living stunt, in the best possible way. A hero of both American and Americana, Waters has changed the culture of the country as much as any other living filmmaker--Errol Morris, Wes Anderson, or Paul Verhoeven.” ―Choire Sicha, Bookforum

About the Author

John Waters is an American filmmaker, actor, writer, and visual artist best known for his cult films, including Hairspray, Pink Flamingos, and Cecil B. DeMented. He is also the author of a memoir, Role Models. He lives in Baltimore, Maryland.

Most helpful customer reviews

52 of 56 people found the following review helpful.
A Wacky, Wild Ride
By Amazon Customer
This is the first time I've listened to an audio book that was read by the author himself. That made Carsick: John Waters Hitchhikes Across America even more relatable and personal to me knowing it was was the voice behind the words actually reading them. It kind of elevates the experience to a whole new level. Especially when the voice is as recognizable as John Waters.

What's kind of funny is the whole time I was listening to this, I didn't realize that the beginning stories of those giving him rides were him fantasizing about what might happen. Those stories lasted so far into the story that I didn't even realize they were fantasy. Now when I was listening to them, I kept thinning "yea, right, like THAT really happened." Well, it didn't. But those certainly were some imaginative stories and are a token of the author's over active imagination!

Once he got through the Best Case Scenarios he moved on to the Worst Case and then the real stories of his journey hitchhiking from Baltimore to San Francisco. While the Best Case were definitely the most entertaining to me, all are witty, imaginative and wacky.

As a Christian blogger I would feel it remiss not to mention that there is quite a bit of swearing , sexual situations and innuendos, drugs and most things that some would find offensive. If you know John Waters than that is to be expected. But if you're listening to the audio version, don't put it on with kids in the car and if you are easily offended, don't listen at all.

John Waters is certainly one of a kind and his story telling abilities are amazing both in the writing itself and in his reading of it. Carsick: John Waters Hitchhikes Across America is certainly entertaining, wildly amusing and there is never a dull moment whether it be real or imagined.

45 of 49 people found the following review helpful.
Another insightful precis of the cultural zeitgeist by John Waters
By Charles W Smith
FROM PAGE 224 of "CARSICK"

"I see one of the cute gearheads from yesterday in his pickup pull into the gas station. He's still racing around, hopping in his truck, peeling out to drive the short distance to the other gas station. What on earth is he doing? He must have seen me by now, too! I've been hitching out in front of where he works for two days, but he still resists any greeting. I'm so bored and frustrated I pretend I have a crush on him in an inappropriate Jane Bowles kind of way."

I was already in love with John Waters' latest literary precis of modern culture, Carsick, but the above quoted paragraph on page 224 was the clincher. It speaks to a particular reality of un-reality; being of a particular age of a particular experience of a particular proclivity, standing in full view yet relegated to the sidelines, watching the world race inanely to and fro, feeling dichotomously envious and dismissive, inventing a fantasy context in which one could possibly -- somehow -- become again engaged in life, and yet, knowing that context created from one's own rarefied, recondite frame of reference, a reality of such obscurity -- constructed of a combination of little known nearly lost literary and cultural personal icons, D-list and down on their luck faded entertainers, and porn star legends and tropes thereof long disappeared -- is a context unlikely to be shared, understood, or, even, accepted by anyone else on this earth.

This is a book about being alone. Best case. Worst case. Real case. A clever construct of good fantasy, bad fantasy, and real - un-real life. And all of the versions of all of the stories are lessons in learning to love the encounters that, however briefly, relieve that solitary journey across and through time. Mr. Waters and I share many inclinations -- or, ought I say, bents? A passion for books and B(C,D)movies and music, gay porn icons John Davenport and Bobby Garcia, the "straight" Marine seducer, kitsch, Patty Hearst, trashy-trade-y-semi-redneck-not-too-bright-far-too-young-tattooed and pierced men, and, according to page 224, Jane Bowles.

But more essential to who we are and have become, we share an acceptance. Having lived many decades as outliers, decades during which we often fought loud and long against the ins, intent on carving out a place for ourselves by purposely -- and purposefully -- meaning to shock and appall, determined to stand firm in standing out, we now have mellowed into people who can listen to almost anything without reacting.

The world has changed a great deal, and, I think, despite the horrors of the news and the massive inequities still at work in the world, despite the haters and the baiters and the proliferation of those who would limit and label and libel, the world has become a far more accepting and enlightened place. With that realization, those of us who fought so hard to make it so, fought so hard to make it a place where labels would NOT define us (or anyone else) -- now, having had that particular experience and reached that particular age and acted upon our particular proclivities, have reached the logical conclusion that EVERYONE is an outlier, and even the crazies and psychos and "not our kind" we meet along the way have a place and a right to their own particular hitchhike across life ... and there is something to be gained from everyone along the way.

Thank you, Mr. Waters for helping to make that the case, and sharing your stories and journey and evolution as reflection with all of us.

51 of 57 people found the following review helpful.
If You Love John Waters, It's Probably Better to Skip This Book
By Bonacker
I love John Waters. I LUV John Waters. I think he's written some amazing and hilarious essays, and I agree with the jacket copy: He's a national treasure. But this book? Oh, man. Really, I'd give it one star, but I just can't do that to John Waters. What did I learn from this book? That John Waters has been rich and famous for so long that's he's shocked by what Americans eat and where they shop; that he's so picky about what he eats that he refuses to eat anything at any hotel breakfast buffets as he crosses the continent (white bread and sugary cereal shock the auteur of "Pink Flamingos"); also, that he is a bit of a jerk to his assistants (plural); also, that he never puts his T-shirts in the dryer, and he loves Commes des Garcons. I found the fiction stuff boring, because, really, who cares about made-up fantasy car rides? I flipped forward to get to the nonfiction bit, but the fiction just went on and on and on, filling up two-thirds of the book. And guess what? The nonfiction bit was not interesting, either. I'm sure when the book was pitched to publishing houses, they imaged he'd get up to zany, madcap adventures as he hitch-hiked across the country --- visiting oddballs' homes, seeing strange sights, spinning off insights into the American soul (or American heart of darkness), or anyway making us laugh a lot his typically unusual observations. Instead, in his dry telling, he doesn't stop to look around even for a second, but hotfoots it across the continent as quickly as he can. He stands in the rain a lot, and panics, and feels sorry for himself. That might have been humorous, except there are no stories being told, really, no insights being offered. He declines invitations to socialize with the people he meets. He makes a giant fuss over how freaked out (thrilled and stunned) people are to be in his presence. Drivers who pick him up are really nice to him, mostly when they recognize that's he's a celebrity. I'm not going to love John Waters less because of this book, but that's only because I am going to pretend I never read it.

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Friday, October 30, 2015

* PDF Ebook The Subtle Body: The Story of Yoga in America, by Stefanie Syman

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The Subtle Body: The Story of Yoga in America, by Stefanie Syman

The Subtle Body: The Story of Yoga in America, by Stefanie Syman



The Subtle Body: The Story of Yoga in America, by Stefanie Syman

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The Subtle Body: The Story of Yoga in America, by Stefanie Syman

In The Subtle Body, Stefanie Syman tells the surprising story of yoga’s transformation from a centuries-old spiritual discipline to a multibillion-dollar American industry.      Yoga’s history in America is longer and richer than even its most devoted practitioners realize. It was present in Emerson’s New England, and by the turn of the twentieth century it was fashionable among the leisure class. And yet when Americans first learned about yoga, what they learned was that it was a dangerous, alien practice that would corrupt body and soul.

     A century later, you can find yoga in gyms, malls, and even hospitals, and the arrival of a yoga studio in a neighborhood is a signal of cosmopolitanism. How did it happen? It did so, Stefanie Syman explains, through a succession of charismatic yoga teachers, who risked charges of charlatanism as they promoted yoga in America, and through generations of yoga students, who were deemed unbalanced or even insane for their efforts. The Subtle Body tells the stories of these people, including Henry David Thoreau, Pierre A. Bernard, Margaret Woodrow Wilson, Christopher Isherwood, Sally Kempton, and Indra Devi.

     From New England, the book moves to New York City and its new suburbs between the wars, to colonial India, to postwar Los Angeles, to Haight-Ashbury in its heyday, and back to New York City post-9/11. In vivid chapters, it takes in celebrities from Gloria Swanson and George Harrison to Christy Turlington and Madonna. And it offers a fresh view of American society, showing how a seemingly arcane and foreign practice is as deeply rooted here as baseball or ballet.

     This epic account of yoga’s rise is absorbing and often inspiring—a major contribution to our understanding of our society.

  • Sales Rank: #1346648 in Books
  • Published on: 2010-06-22
  • Released on: 2010-06-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x 1.35" w x 6.30" l, .88 pounds
  • Binding: Hardcover
  • 400 pages

From Publishers Weekly
Yoga conquers America—and is conquered in its turn—in this labyrinthine cultural history. Journalist Syman traces American enthusiasm for yoga back to Thoreau and follows it through cycles of waxing and waning popularity: it was decried by Victorians for its association with madness and tantric sex rituals, celebrated in the 1960s for its association with altered states of consciousness (and tantric sex rituals), and ubiquitously embraced in the 21st century as a wholesome, anodyne exercise program. The author argues that, even as the om-chanting adept became the embodiment of spirituality, yoga's mainstreaming risked the discipline losing its rich spiritual content, along with the more extreme contortions, regular enemas, and whatever else Americans considered off-putting. Unfortunately, the author's attempts to clarify yoga's spiritual content, which is multifarious and intractably murky, don't always succeed, and sometimes the narrative bogs down amid barnstorming swamis and their squabbling sects. When she pulls back to view the culture mashup yoga has become—a cure for back pain, a beauty regime, and a route to God—she gives a cogent, engrossing analysis of this Asian-born spiritual practice turned all-American panacea. 8 pages of b&w illus. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Syman begins her embracive and illuminating history of yoga in America by discussing how polymorphous a practice yoga has become. From an age-old spiritual tradition in India designed to enable disciples to gain mastery over their bodies to attain the divine, yoga has morphed over the last century and a half into a form of exercise so mainstream, people performed yoga poses on the White House lawn during Easter celebrations—a sight no one would have imagined when yoga first scandalized Americans with its frank approach to every aspect of physical life, from breathing to sex. From Thoreau, the first American yogi, to the earliest yogis from India in America, including the influential Swami Vivekananda who arrived in 1893, Syman profiles a great array of colorful yogis and yoga teachers while chronicling with remarkable knowledge and wit all the permutations yoga has undergone. Of particular pleasure and discovery are Syman's coverage of yoga in Hollywood, the profound social changes propelling the union of yoga and psychedelics in the hippie era, and the yoga for success of more recent vintage. --Donna Seaman

Review

“Many of us have been waiting for decades to read a comprehensive history of yoga in the United States.  Stefanie Syman has written that history and she has written it very well.  I recommend this book to the 16 million people who practice yoga in this country, as well as to anyone who simply wonders what the fuss is all about.” —David Gordon White, author of Sinister Yogis

“The Subtle Body is an enthralling book, and an enlightening one.” —Robert Thurman

“Stefanie Syman’s superb book fills a major gap in our understanding of religion in America. This fascinating account, full of colorful characters, demonstrates the importance of yoga in transforming Americans’ understanding of the body. Any survey of American religious history must take this narrative into account.” —Randall Balmer, Professor of American Religious History, Barnard College, Columbia University

“As this intriguing narrative chronicles, few points of dynamic transfer in the encounter between East and West have proven more useful to creative Americans than the ancient philosophy and exercise regime of yoga.  For its many practitioners, yoga fuses body, mind, spirit, energy, and attitude into an alembic of well-being harmonizing self and non-self, struggle and peace.” —Kevin Starr, University of Southern California

Most helpful customer reviews

34 of 39 people found the following review helpful.
A beautiful fascinating book that unfortunately disappoints
By A. Jones
A fascinating, exceptionally well written book about the history of yoga in America. Well researched and referenced (reads almost like a doctoral dissertation). It's major weakness is the complete lack of proportion between the historic importance of various characters and the amount of text devoted to them. Obscure and relatively irrelevant characters (e.g., Margaret Woodrow Wilson) get far more page time than T.Krishnamacharya and BKS Iyengar. How is this possible? Many of the interesting and influential teachers of the past 30 years are not even mentioned. Many of the distinct styles of Hatha Yoga are not even mentioned. It's almost as though the author ran out of time or steam when she reached 1980. Also, having referenced so many interesting but obscure old documents, the author would have been wise to provide more pictures.

25 of 30 people found the following review helpful.
enjoyable but flawed
By J. owen
This is a book I've wanted to see for a long time. The subject of yoga culture and teachers was central to my own life from the 60's through the 90's. I think many of you old yogis and ashramites will enjoy this book. Despite many flaws, it is entertaining.

As a book of history, this has much interesting research into the early days of American yoga thinkers and teachers. I thought the focus on Pierre Bernard was excessive compared to other teachers and Gurus (Yogananda seemed marginalized by comparison). The focus also seems very heavy on tantra and sexual scandal, which to me seemed to be there to sell more books.

The later years of yoga fly by very quickly and Ms Syman seems to prefer the media shock value and scandal of the Gurus of the 60's through 80's and miss less dramatic but important developments of the various yoga/meditation movements. I'm tired of the Beatles/Maharishi connection seeming to be the center of Mahesh's career. There Was life after the Beatles for the TM movement

This book is strong on history and source referencing but weak on cultural analysis and makes many bizarre connections. I'm sorry, but I think this person should stick to being a reporter, not an analyst.

I guarantee its worth going over to U-tube to see Elvis sing "Yoga is as yoga does', a gem of a very bad song that Stefanie mentions when citing the media dumbing down and whitewashing of yoga.

So, enjoy it. Take with a grain of NaCl.

42 of 54 people found the following review helpful.
The Less than Subtle Body
By Rickter
Having been a student, practitioner, and teacher of yoga for the past 35 years, it was with some positive anticipation that I began reading The Subtle Body. Unfortunately, when I completed the book my first thought was that if I knew nothing about yoga, this book would make sure that I never pursued any form of yoga in the future. Yogis were a pretty weird and suspicious group as described in the book.

The author should be praised for amassing a substantial number of references. However, the errors and omissions in the book would keep me from recommending it to others. For some reason, the author chose to develop individual chapters of the book to the Bernards while only mentioning Paramahansa Yogananda in passing. My view of Swami Prahbavananda, based on reading his books and discussing him with a Nun who knew him was that he was of the highest intellect and morality. In this book he comes off as a chain smoking guy who had some conversations with Isherwood and Huxley.

Certainly, the numerous controversies in which some yogis were involved deserved mentioning. However, the positive aspects of many of the yoga masters described were downplayed or left out. For instance, Muktananda's Siddha Yoga is discussed in terms of Durgananda who left Siddha Yoga on good terms. No mention was made of the several other substantial SY swamis who have maintained their work within the organization.

Of considerable concern is the failure to discuss yoga philosophy and psychology which some feel trump that found in the west. Their is little discussion, if any, of the title of the book. The subtle body needs much more clarification or it seems like some silly fantasy. The trumping of spiritual yoga by the various hatha yoga "studios" has been deplored by such yoga scholars as Dr. Georg Feurstein. This issue is missed by the author.

Of greatest concern, was the oblique conclusion that yoga and western religion are antithetical to one another. Yogis have gone out of their way to show the parallels in the western and eastern paradigms. Certainly, there are differences, but many practitioners of western religion have found ways to assimilate a yoga practice into their lives.

Anyone wishing to understand yoga would do better to read Prabhavananda and Huston Smith's Spiritual Heritage of India. Then go to various centers offering meditation as a main form of yoga and find one with which you are comfortable.
The Subtle Body: The Story of Yoga in America

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Thursday, October 29, 2015

# PDF Download Betjeman: A Life, by A. N. Wilson

PDF Download Betjeman: A Life, by A. N. Wilson

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Betjeman: A Life, by A. N. Wilson

Betjeman: A Life, by A. N. Wilson



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Betjeman: A Life, by A. N. Wilson

John Betjeman was by far the most popular poet of the twentieth century; his collected poems sold more than two million copies. As poet laureate of England, he became a national icon, but behind the public man were doubts and demons. The poet best known for writing hymns of praise to athletic middle-class girls on the tennis courts led a tempestuous emotional life. For much of his fifty-year marriage to Penelope Chetwode, the daughter of a field marshal, Betjeman had a relationship with Elizabeth Cavendish, the daughter of the Duke of Devonshire and lady-in-waiting to Princess Margaret. Betjeman, a devout Anglican, was tormented by guilt about the storms this emotional triangle caused. Betjeman, published to coincide with the hundredth anniversary of the poet's birth, is the first to use fully the vast archive of personal material relating to his private life, including literally hundreds of letters written by his wife about their life together and apart. Here too are chronicled his many friendships, ranging from "Bosie" Douglas to the young satirists of Private Eye, from the Mitford sisters to the Crazy Gang. This is a celebration of a much-loved poet, a brave campaigner for architecture at risk, and a highly popular public performer. Betjeman was the classic example of the melancholy clown, whose sadness found its perfect mood music in the hymns of a poignant Anglicanism.

  • Sales Rank: #1827039 in Books
  • Published on: 2006-11-28
  • Released on: 2006-11-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 1.25" w x 6.20" l,
  • Binding: Hardcover
  • 368 pages

From Publishers Weekly
Certainly Britain's most popular poet since Kipling, John Betjeman (1906–1984) began as the shy son of a London manufacturer, got kicked out of Oxford for not taking his studies seriously and ended up as poet laureate (1972–1984). He also became a celebrity, known across the U.K. for hosting TV programs about travel and architecture, for his campaigns to preserve Victorian buildings and for Summoned by Bells (1960), his bestselling verse account of his childhood and youth. The English admired his unassuming comic persona, his devotion to the Anglican Church, his loyalty (somehow simultaneous, and real) to both aristocrats and Middle England, and his stand on behalf of Victorian values, which modern life seemed to have eroded. This enthusiastic, always readable biography from the prolific English critic Wilson (After the Victorians) follows Betjeman's rise to public acclaim, his sometimes surprising friends and acquaintances (Lord Alfred Douglas, Evelyn Waugh), and his frequently frustrating private affairs: unwilling to either divorce or live with his wife, Betjeman spent decades with a devoted younger mistress. With his sources in hymns and English music-hall comedy, his great causes (Anglican services and Victorian churches) quintessentially, parochially English, Betjeman seems as unlikely an export as Marmite. Whatever American fans he has, however, will be well served by this compact life. 74 b&w illus. (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Though two and a half million copies of his Collected Poemshave been sold (a new U.S. paperback of it, including the autobiographical Summoned by Bells,1962, emerges in tandem with this book), John Betjeman (1906-84) is virtually unknown in America. But BBC programs on English architecture aren't big here, and Betjeman owed his enormous home fame to making so many of those so well. Perhaps his TV-fostered popularity fueled his poetry sales; Wilson discloses nothing to warrant thinking so. He says Betjeman's mastery of formal verse, evocation of particular places in Britain, and use of common, though personal, experiences as the matter of his poetry account for its popularity. But Wilson spends relatively little time arguing the poetry's merits. Instead he traces the man's many intense relationships--not often enough sexual, he said late in life--with women and men of remarkable energy, talent, and station (his mistress was lady-in-waiting to Princess Margaret, who herself became a friend). A splendid, poignant biography, despite being peppered with references and assumptions many Americans won't get. Ray Olson
Copyright © American Library Association. All rights reserved

Review
Praise for The Victorians: "The ideal conductor of a guided tour through British politics, society and culture as it displayed itself during the reign of Queen Victoria...Incapable of writing a dull sentence, and appearing to have read everything of pertinence to his vast subject, Wilson never shrinks from fully engaging his materials." --William H. Pritchard, Chicago Tribune "A vivid portrait of Victorian Britain and Britons...the kind of book that turns people on to history." --The Economist

Most helpful customer reviews

6 of 8 people found the following review helpful.
So well-written and engaging, you won't want it to end!
By D. Kovacs
You know that you've read a great biography when you start "missing" it once you turn over the last page!
Betjeman, England's fascinating and popular poet laureate, has met his match in author A. N. Wilson.
Wilson has never done a better job of drawing us into a particular time and place. His ability to
plumb the complexities of this man, the poetry, and the many and varied relationships sustained throughout
Betjeman's life shines through on every page. Highest recommend!

1 of 6 people found the following review helpful.
Still A Mystery
By reading man
Why John Betjeman is considered a good poet is a mystery to me. To my mind, this biography by A.N. Wilson doesn't offer anything other than his many connections with other British literati as an explanation.

Larkin claims that Betjeman is a "British phenomenon" and like certain kinds of wine doesn't travel well. But this isn't true of Larkin himself, nor of Auden, T.S. Eliot, Dylan Thomas, etc.

I conclude Betjeman is a cult figure, much like John Cowper Powys (though, thank goodness, not as pretentious), the British equivalent of Charles Bukowski, but with the popular appeal Bukowski has in America. He's more for the aristos than the proles.

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