Get Free Ebook The Animals: Love Letters Between Christopher Isherwood and Don Bachardy, by Christopher Isherwood, Don Bachardy
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The Animals: Love Letters Between Christopher Isherwood and Don Bachardy, by Christopher Isherwood, Don Bachardy
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The love story between Christopher Isherwood and Don Bachardy―in their own words
The English novelist and screenwriter Christopher Isherwood was already famous as the author of Goodbye to Berlin when he met Don Bachardy, a California teenager, on the beach in Santa Monica in 1952. Within a year, they began to live together as an openly gay couple, defying convention in the closeted world of Hollywood. Isherwood was forty-eight; Bachardy was eighteen. The Animals is the testimony in letters to their extraordinary partnership, which lasted until Isherwood's death in 1986―despite the thirty year age gap, affairs and jealousy (on both sides), the pressures of increasing celebrity, and the disdain of twentieth-century America for love between two men.
The letters reveal the private world of the Animals: Isherwood was "Dobbin," a stubborn old workhorse; Bachardy was the rash, playful "Kitty." Isherwood had a gift for creating a safe and separate domestic milieu, necessary for a gay man in midtwentieth-century America. He drew Bachardy into his semi-secret realm, nourished Bachardy's talent as a painter, and launched him into the artistic career that was first to threaten and eventually to secure their life together.
The letters also tell of public achievements―the critical acclaim for A Single Man, the commercial success of Cabaret―and the bohemian whirl of friendships in Los Angeles, London, and New York with such stars as Truman Capote, Julie Harris, David Hockney, Vanessa Redgrave, Gore Vidal, and Tennessee Williams. Bold, transgressive, and playful, The Animals articulates the devotion, in tenderness and in storms, between two uniquely original spirits.
- Sales Rank: #838276 in Books
- Published on: 2014-05-13
- Released on: 2014-05-13
- Original language: English
- Number of items: 1
- Dimensions: 9.27" h x 1.63" w x 6.34" l, 1.75 pounds
- Binding: Hardcover
- 528 pages
Review
“Theirs is an enormous love, but it also clearly came with an enormous amount of work and care . . . One of the best surprises of the collection is what an excellent writer Bachardy is--wry, sharp and funny . . . These are tender, sweet, campy love letters we are given the privilege of reading, if we so choose.” ―Annalisa Quinn, NPR Books
“It is a fascinating sociological document while, like most exchanges between two people wrapped up in the tantalizing subject of themselves and each other, lacking very much real interest in the wider world.” ―DJ Taylor, The Spectator (London)
“In her excellent introduction to The Animals, Bucknell does a skillful job of trying to interpret the lovers' talk for the reader. Apparently Bachardy reminded Isherwood of his younger self--and indeed there was a strong physical similarity. The letters end in 1970 and Isherwood died in 1986, survived by Bachardy. But thanks to The Animals Isherwood's devotion lives on. As a typical sign-off from Dobbin put it: ‘Love from a devoted old horse who is waiting day and night with his saddle on, ready for his Kitty's commands.'” ―Mark Simpson, The Independent (London)
About the Author
Christopher Isherwood (1902–1986) was born outside Manchester, England. He lived in Berlin from 1929 to 1933 and emigrated from Europe to the United States in 1939. A major figure in twentieth-century fiction and the gay rights movement, he wrote more than twenty books. Don Bachardy was born in Los Angeles in 1934. His artwork, which parallels David Hockney's and anticipates Elizabeth Peyton's, is in the collection of the Metropolitan Museum of Art, New York; the de Young Museum, San Francisco; the Fogg Art Museum of Harvard University; and the National Portrait Gallery, London, among others. He lives in Santa Monica, California.
Most helpful customer reviews
11 of 15 people found the following review helpful.
Letters That Should Have Remained Private
By Foster Corbin
I am a huge fan of Christopher Isherwood, having read all his novels and the last two of the four volumes of his diaries, no easy task as the diaries are humongous. A SINGLE MAN, that I have read many times, remains one of my favorite novels. Mr. Isherwood remains one of my few heroes for his stand for gay rights and for refusing to hide his relationship with Don Bachardy that stretched over many years when few gay artists were living so openly and honestly. I then excitedly looked forward to reading THE ANIMALS, the love letters between him and Bachardy that span the years 1956 to 1970. While I am not in the habit of reviewing books I do not finish, I make an exception here. I read the first 49 pages straight through and other letters here and there until the collection ended to see if they get better. They do not. Why Mr. Bachardy and the editor Katherine Bucknell, who also edited the diaries, thought that anyone on earth would be interested in reading these letters that can only be described as silly I do not know. This couple decided early on-- as I recall-- that they would not get any pets since animals would detract from their relationship. (They should have taken in a dog and/or cat.) Isherwood therefore became the old mare Dobbin and Bachardy his Kitty. They insist on using these names in their letters, something that they have a right to do; but I also have a right not to read them. I'm exercising that right.
Here are some of the kinds of quotations that permeate every letter.
In a letter dated February 6, 1961, Bachardy writes: "The horse Kitty loves has always been an old grey mare, so sweet and dear, and never one of those greedy and faithless white stallions. And besides, grey is more becoming to Kitty's white fur. Two white animals would never do."
Isherwood writes in a February 16, 1961 letter: Dobbin seems to catch hints in Kitty's letters of concern about possible riders Dobbin may be finding? Kitty is not to worry. If anyone tries to get a firm seat on the saddle, Dobbin rears and they go flying off again."
A letter dated May 29, 1967 from Bachardy to Isherwood begins "Dear Plumed Pleasure-Plug: A happy day for a lonely kitten with three letters from his Old Hoofer to give him courage. And poor Furred Thing was feeling very grey and bedraggled this morning as he dragged that listless little body from the basket. . . His fur hasn't been combed out in days, his claws need clipping and his pads are dry and rough for want of oiling. . . He has neither the heart nor energy to run after mice even, and now the cruel birds, seeing his reduced condition, have started swooping down on him and taking away bits of tangled fur."
A September 13, 1967 letter from Isherwood to Bachardy has this passage: "I feel a need to tell Kitty today how dearly Dobbin loves him and how faithfully he waits and guards the stable until Kitty's return. Dub has been quite off his feed since kitty hasn't been there to temp him with morsels held by those pure paws, but whether that great bulk has diminished so that Kitty would notice--there's the question.
Life is short. My list of books to read is long and grows daily. This book-- sadly-- is not one of them.
5 of 7 people found the following review helpful.
nasty star F***ers and worst of all Huge racists
By Fritz M Hasbrouck
Reading the correspondences of Barchardy and Isherwood will not endear you to them. They come off as hugely self involved, back biting, nasty star F***ers and worst of all Huge racists. They throw around the "N" word and see a dreaded Jew behind every tree. Worst of all is the sickening baby talk that they use with each other. I'm shocked that Bachardy, who is still alive and working surrendered these letters for publication. How does he really think he'll be viewed?
6 of 9 people found the following review helpful.
Two Interesting Gentlemen
By Richard Lottridge
Fascinating exchange of personal letters. You keep reading because you want to know what they are going to do next.
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