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An definitive biography of the French writer draws on a new edition of Emile Zola's letters and examines the turmoil of a man caught between a mistress and wife, his literary relationships, and his novels in their cultural context.

• Sales Rank: #655582 in Books
• Published on: 1995-05
• Original language: English
• Number of items: 1
• Dimensions: 9.50" h x 6.75" w x 2.75" l,
• Binding: Hardcover
• 888 pages

Amazon.com Review
Frederick Brown, in his modest and superlative way, has written the great novelists' biography as Zola himself might have aspired to write one of his own finest novels. His book is a meticulous, expertly crafted entity that gathers strength from strength as it goes along toward its dramatic denouement, its length adding to the cumulative passion and moral importance of the whole work. This is a momentous achievement. Enthralling!

From Publishers Weekly
French novelist Emile Zola (1840-1902), who believed the fiction writer should observe reality dispassionately, like a scientist, led a messy emotional life. Obsessed with death ever since the death of his father when he was seven, the fanatically orderly novelist relied on superstitious rituals to avert danger. At 48, Zola, a married man, took as his mistress his 21-year-old ex-chambermaid, Jeanne Rozerot, setting her up in a flat near his own and secretly having two children with her. His clandestine double life, which his wife, Gabrielle Mely, discovered only through an anonymous letter, brought Zola ecstasy and torment. He saw every novel he wrote as a victory over impotence, over death and over guilt, according to Brown, professor of French and French literature at the State University of New York. This shrewd, arresting, monumental biography, with discussions of all the novels set against the seamy politics of the Second Empire, makes one appreciate Zola's greatness and originality anew. The Dreyfus Affair, Brown maintains, was a natural elixir for Zola, who had championed the victim and the outcast in many novels, and his heroic articles defending Alsatian Jewish army captain Alfred Dreyfus against false charges of espionage helped revive his waning creativity. Photos.
Copyright 1995 Reed Business Information, Inc.

From Booklist
Emile Zola (1840-1910) was the sort of writer who is difficult to imagine animating our own times: a novelist of achievement who also dedicated himself to social change. Brown, a professor of French language and literature, offers a detailed portrait of the artist as seen in a cultural and political context. In Zola's case, each one was tumultuous, leading to the controversial emergence of naturalism ("that circumstances and milieux work profound modifications upon an organism," as Zola once characterized his creed) and to the riots and death threats that attended the novelist's involvement with the nationally transfixing Dreyfus case. Brown steers an admirably balanced course through the writer's exceptionally prolific career in letters, journalism, and public life, drawing on previously unavailable sources. Especially noteworthy are the biography's extended and vivid asides on such friends and colleagues of Zola as Paul Cezanne and Gustave Flaubert. And though Brown does not seek to elevate his subject, presenting Zola as a man of various gifts and flaws, his version of the novelist will be instructive to those trying to envision a more useful public role for artists now. Molly McQuade

Most helpful customer reviews

33 of 34 people found the following review helpful.
Not an easy read, but worth the effort
By Karl Janssen
I came to this book after having read Zola's twenty Rougon-Macquart novels. I wanted to read the most comprehensive, authoritative biography of the great writer, and I think this book qualifies. The level of detail is tremendous. Brown not only provides us with the story of Zola's life, but also the lives of his many contemporaries (including Cezanne, Flaubert, Turgenev, Goncourt, Manet). In addition Brown puts these lives in valuable perspective by thoroughly examining the events of French history, which, during Zola's life consisted of a very complicated series of wars, revolutions, and political upheavals. (Before reading this biography, it helps the reader to have a basic preliminary knowledge of French history in order to navigate the serpentine rise and fall of governments.)

Brown also examines Zola's writings from a critical perspective, and draws a complex web of literary influence to and from the author. For every novel that Zola published, Brown provides a detailed synopsis of the story (spoilers included), a critical analysis of the work, and valuable information on the critical and public reception of the book. Brown seems to grow tired of this, however, as books described in the beginning of Zola's life are more thoroughly examined than his later works. I myself got a little tired of Brown's constant Freudian analysis. "Zola did this because of his father. He did this because of his mother." It's as if Brown lacks confidence in the intelligence of his readers, and feels the need to relentlessly push his thesis on us.

This book is not an easy read. It is a scholarly work, written for an audience of literature professors, not for the casual reader. The beginning of the book is particularly challenging. When discussing Zola's education and literary influences, brown rattles off references to a lot of titles that most readers outside academia probably have not read. In every other sentence he'll throw in metaphors pertaining to obscure classical literature. Once over this intial hump, the reading goes more smoothly and one becomes accustomed to Brown's particular wordcraft. (He uses the word "tergiversations" about once in every chapter.)

Another problem with the book is that there is a period of Zola's life that just isn't very interesting. Brown's depiction of Zola's early hardscrabble career as a journalist, critic, and part-time novelist is particularly fascinating, but once Zola strikes it rich the excitement dies down quite a bit. While seclusion in a country house made it possible for Zola to create some of his greatest masterpieces, it doesn't make for the most exciting narrative. This is rectified late in Zola's life, however, by the Dreyfus affair. Brown's relation of the events surrounding the scandal are rewardingly exhaustive, covering at least 150 pages.

Despite my complaints, I'd have to say that I'm glad I read this book. I wanted to read "Everything You Wanted to Know about Emile Zola", and that's what I got. Something else I got from this book is a long wish list of books for future reading, by Zola and other authors discussed in the book.

8 of 8 people found the following review helpful.
A biography worthy of its subject
By B. Boeke
This very full and long biography does an exemplary job of placing Zola's life, career and views within the context of his times. The reader comes to understand his life as he lived it, surrounded by friends, opponents, obstacles,
and challenges, both personal and societal. Reading this biography helps the reader to share a lived experience of one of France's most interesting periods of history. In addition, Brown gives a complete account of the historical
and biographical sources of Zola's fiction, though the literary traditions upon which he drew, and by which he was shaped, receive less notice. But this is a minor complaint. His discussions of Zola's friendships, especially with
Paul Cezanne, are very even-handed and persuasively argued. This is not a biography that lionizes its subject, freeing him of human faults and limitations; it does not patronize Zola either, but fully presents the significance of
his achievements. The discussions of Zola's upbringing in Provence, his struggles to make his way in Paris, his rise to success and fame, and Brown's analysis of the Dreyfus Affair, are highlights in a book that never disappoints.
Brown writes clearly, with energy and a keen eye for anecdotes and details that bring the story to life. Nonetheless, it takes energy to make one's way through a biography of this size, but the rewards are considerable, and the subject interestingly complex. Zola is one of the figures - both admired and scorned - who dominated his period in France, and this biography makes clear how and why.

2 of 2 people found the following review helpful.
Thoroughly Enjoyed
By Jerry B Schutz
This book is more than a biography, a history, and a eulogy to a great man; it is also a great piece of writing. Brown goes through all of Zola’s major writings, describing the research that went into it, the time it took to write it, Zola’s struggles with creating something that represented his vision, and his eventual acceptance of something that never quite met his hopes. But it isn’t just a work about Zola’s writing, it is very much about his life also. It is a large work at 803 pages, but it never lets up. I never felt like Brown was dragging it out, or had lost the will to finish the job and finish it to high standards. Before I was half way through, I had gone on-line and bought a copy of his book on revolution in French theater. If I have any criticism it is that I feel that the first job of any author of non-fiction is to communicate clearly, but Brown likes to show off his vocabulary. For the first time I was introduced to terms like; epiphenomenon, circumvallation, Pirandellian, obscurantism, lycopodium, primogenitive, tergiversation, and flibbertigibbet. While it did take time from my reading to look these words up, I must confess, I love words and loved every moment of it.

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Unrequited love for a movie star named Diana Soren sends a forty-something novelist and self-proclaimed Don Juan into an identity crisis involving the hazy boundaries between art and life. National ad/promo. Tour.

• Sales Rank: #3231494 in Books
• Published on: 1995-10
• Original language: English
• Number of items: 1
• Dimensions: .86" h x 5.81" w x 8.55" l,
• Binding: Hardcover
• 217 pages

Features

• Carlos Fuentes
• romance
• Spanish fiction

From Publishers Weekly
Fuentes's latest novel (after The Orange Tree), which seems to be semi-autobiographical, grapples with a double nostalgia?for a love affair and for the bygone era of the 1960s. On New Year's Eve 1970, the narrator, an acclaimed Mexican novelist recently turned 40 (like Fuentes at the time), meets American actress Diana Soren, a character who draws from two mythic archetypes. One is the muse-like moon goddess alternately known as Cybele, Astarte or Diana; the second is the late Jean Seberg, whose stand-in here comes complete with a small-town Iowa upbringing, a burst into fame after being discovered by a dictatorial director to play Joan of Arc and a hounding by the American media for her radical affiliations, which ends in her suicide. Despite his passion for Diana, the narrator learns that she is a "goddess who hunts alone," as their difficult affair undermines his confidence in his abilities as a Don Juan, his standing as a Mexican leftist and his prowess as an imaginative author. Real-life figures such as William Styron and Luis Bu?uel make memorable appearances, and the author's ironic, kindly take on his younger alter ego is affecting. Diana, however, lacks real mystique and individualism, and, ultimately, sparks fly not between the author's lovers but only between the lines of his glittery prose.
Copyright 1995 Reed Business Information, Inc.

From Library Journal
Fuentes's latest novel, a meditation on the question "Can we love on earth and someday deserve heaven?" doubles as a tell-all about a love affair with actress Jean Seberg. Notables such as Eduardo Terrazas and William Styron appear as characters under their own names. Seberg is disguised as Diana Soren, and her husband, French author Romain Gary, is Ivan Gravet. The story begins at a 1970 New Year's party, and much is made of the political turmoil of the moment, both in the United States and in Mexico. Carlos, a prominent Mexican novelist, meets Diana Soren, and they begin an affair that will take them to dusty Santiago, the location of Diana's latest film, and end as it began?with betrayal. The narrative is marked by digressions into Sixties revolutionary politics, the meaning of literary creation, and the Puritan origins of the United States. But these never distract from the central themes of the novel?the hunger with which Diana and Carlos consume each other, the tragic link between the eternity of desire and the finitude of love; the wish to create and the inexorable will to destroy. Seberg was scandalized when the FBI alleged in 1970 that she had been impregnated by a member of the Black Panther Party. She committed suicide in 1979; her husband in 1980. In an interesting revisionist turn, the novel claims (as far as Diana Soren is concerned) that the father was a Mexican dissident she met while in Santiago and, in its closing passage, cites an FBI statement admitting the slander. A strange blend of fact and fiction that puts Joe McGuiness to shame; highly recommended for collections of serious fiction.
-?Adam Mazmanian, "Library Journal"
Copyright 1995 Reed Business Information, Inc.

From Booklist
Fuentes writes in homage to a femme fatale who is ultimately most fatal of all to herself: the 32-year-old Iowa-born, has-been actress Diana Soren, viewed by her married Mexican novelist lover as a huntress like her mythological namesake. The fictional novelist narrates the story of his two-month affair with Diana, which took place in 1970 while she was shooting a third-rate movie on location in Santiago. Within the compressed panorama of a relatively short book, Fuentes wants to take the measure of 1960s political radicalism in the U.S., Mexico, and Europe and to reflect on its human and societal costs--not just to chronicle a relationship with "an exceptional woman." Meanwhile, he also considers the moral and artistic struggles involved in his character's creative crisis. The problem, though, in this abundantly ambitious novel is mainly the woman herself: Diana is meant to represent a universal fantasy figure, but she can't maintain the rapture and the tragedy that Fuentes pins on her. Another obstacle: writing in an apparently autobiographical mode, Fuentes seemingly prefers passion to irony. Still, the author's reputation will ensure interest where serious fiction has an audience. Molly McQuade

Most helpful customer reviews

6 of 6 people found the following review helpful.
A gripping tale of obsession
By Michael J. Mazza
In "Diana, the Goddess Who Hunts Alone," the reader will discover a compelling tale by one of the masters of contemporary fiction. This novel by Carlos Fuentes has been translated into English by Alfred Mac Adam. Taking place primarily in 1970, the book tells the story of a tempestuous love affair between the narrator, who is a Mexican novelist, and American actress Diana Soren.
The novel captures the turbulence of the era being portrayed. Such phenomena as the Black Power movement and FBI surveillance of suspected "radicals" are woven into the narrative. Particularly interesting is the way that real people appear as characters in the book; the other characters have encounters, and sometimes conversations, with such figures as William Styron, James Baldwin, and Tina Turner. The novel is superbly written, and deals with such fascinating topics as national identity, racial identity, obsession, paranoia, creativity, political radicalism, fidelity, and Hollywood mythmaking.
One interesting note: The character of Diana Soren appears to be based on a real-life person, actress Jean Seberg. I recommend that those who are fascinated by Fuentes' novel do a little research on Seberg's life. Finally, I give "Diana" high praise as an outstanding example of the art of the novel.

3 of 4 people found the following review helpful.
Spite or Obscure Object of Desire?
By James Paris
Carlos Fuentes had a brief but tempestuous affair with actress Jean Seberg over thirty years ago. The encounter seems to have marked him, for this book is a barely disguised roman a clef (where Diana Soren = Jean Seberg) about his relationship. It is like one of those European stories where the man gives up everything to follow some vixen, including his money, family, and peace of mind. Luis Bunuel (who actually appears in this novel as a character) created the ultimate masterpiece of the genre with his film THAT OBSCURE OBJECT OF DESIRE.
Jean Seberg has come down to us today as a tortured sado-masochistic saint who still has the power to beguile men. Film posters and stills featuring her and her movies command a premium in today's cinememorabilia market; and I know several collectors who seek out anything they can find depicting her. Perhaps, what Marilyn Monroe was for the 1950s, Jean Seberg was for the 1960s.
Why Fuentes wrote this novel in the way he did puzzles me. If I were as obsessed as he was, I would still feel queasy about exposing the dirty bedsheets and underwear to the gaze of the public. To me, love -- however brief or unhappy -- is a gift of the gods; and by spiting it, one shows oneself to be somehow unworthy. Fuentes has flouted a gift whose memory I would have locked away in the deepest recesses of my being and thrown away the key.
If, however, Fuentes feels himself to have been traduced by his relationship, like Charles Swann at the end of Proust's SWANN'S WAY after his recognition of Odette's unfaithfulness, I could understand his need to exorcise this "expense of spirit in a waste of shame."
Instead, I see both the anger and the gratefulness simultaneously. As a result, DIANA THE GODDESS WHO HUNTS ALONE leaves me with a feeling of unease, as if the author did not know his own mind and went off in several emotional directions at once.
The result is a very well written book that in the end does not quite jell. One can't worship at the shrine and spit at it at the same time.

3 of 3 people found the following review helpful.
Hot lusty tale of a woman in control of her lust!
By A Customer
Carlos Fuentes, Diana, The Goddess Who Hunts Alone is a great book about lust. Lust of a man for a woman. A man who generally gets everything he wants, marriage and a multitude of affairs without consequence. This book details a passionate affair between two excentric people with the female in total control. I didn't put it down until it was read

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Should we pay children to read books or to get good grades? Should we allow corporations to pay for the right to pollute the atmosphere? Is it ethical to pay people to test risky new drugs or to donate their organs? What about hiring mercenaries to fight our wars? Auctioning admission to elite universities? Selling citizenship to immigrants willing to pay?
In What Money Can't Buy, Michael J. Sandel takes on one of the biggest ethical questions of our time: Is there something wrong with a world in which everything is for sale? If so, how can we prevent market values from reaching into spheres of life where they don't belong? What are the moral limits of markets?
In recent decades, market values have crowded out nonmarket norms in almost every aspect of life―medicine, education, government, law, art, sports, even family life and personal relations. Without quite realizing it, Sandel argues, we have drifted from having a market economy to being a market society. Is this where we want to be?
In his New York Times bestseller Justice, Sandel showed himself to be a master at illuminating, with clarity and verve, the hard moral questions we confront in our everyday lives. Now, in What Money Can't Buy, he provokes an essential discussion that we, in our market-driven age, need to have: What is the proper role of markets in a democratic society―and how can we protect the moral and civic goods that markets don't honor and that money can't buy?

• Sales Rank: #112943 in Books
• Published on: 2012-04-24
• Released on: 2012-04-24
• Original language: English
• Number of items: 1
• Dimensions: 9.36" h x 1.08" w x 6.28" l, 1.06 pounds
• Binding: Hardcover
• 256 pages

From Bookforum
Sandel's world seems to be firmly divided between God and Mammom; in return for evicting the marketeers from the areas he holds sacred, he is prepared to grant them ruling powers over all the others. — Andrew Ross

Review

“Michael Sandel's What Money Can't Buy is a great book and I recommend every economist to read it, even though we are not really his target audience. The book is pitched at a much wider audience of concerned citizens. But it taps into a rich seam of discontent about the discipline of economics.... The book is brimming with interesting examples which make you think.... I read this book cover-to-cover in less than 48 hours. And I have written more marginal notes than for any book I have read in a long time.” ―Timothy Besley, Journal of Economic Literature

“Provocative. . . What Money Can't Buy [is] an engaging, compelling read, consistently unsettling and occasionally unnerving. . . [It] deserves a wide readership.” ―David M. Kennedy, Democracy

“Brilliant, easily readable, beautifully delivered and often funny. . . an indispensable book on the relationship between morality and economics.” ―David Aaronovitch, The Times (London)

“Sandel is probably the world's most relevant living philosopher.” ―Michael Fitzgerald, Newsweek

“In a culture mesmerized by the market, Sandel's is the indispensable voice of reason…. What Money Can't Buy. . . must surely be one of the most important exercises in public philosophy in many years.” ―John Gray, New Statesman

“[An] important book. . . Michael Sandel is just the right person to get to the bottom of the tangle of moral damage that is being done by markets to our values.” ―Jeremy Waldron, The New York Review of Books

“The most famous teacher of philosophy in the world, [has] shown that it is possible to take philosophy into the public square without insulting the public's intelligence. . .[He] is trying to force open a space for a discourse on civic virtue that he believes has been abandoned by both left and right.” ―Michael Ignatieff, The New Republic

“[Sandel]is such a gentle critic that he merely asks us to open our eyes. . . Yet What Money Can't Buy makes it clear that market morality is an exceptionally thin wedge. . . Sandel is pointing out. . . [a] quite profound change in society.” ―Jonathan V. Last, The Wall Street Journal

“What Money Can't Buy is the work of a truly public philosopher. . . [It] recalls John Kenneth Galbraith's influential 1958 book, The Affluent Society. . .Galbraith lamented the impoverishment of the public square. Sandel worries about its abandonment--or, more precisely, its desertion by the more fortunate and capable among us. . .[A]n engaging, compelling read, consistently unsettling. . . it reminds us how easy it is to slip into a purely material calculus about the meaning of life and the means we adopt in pursuit of happiness.” ―David M. Kennedy, Democracy: A Journal of Ideas

“[Sandel] is currently the most effective communicator of ideas in English.” ―The Guardian

“Michael Sandel is probably the most popular political philosopher of his generation. . .The attention Sandel enjoys is more akin to a stadium-filling self-help guru than a philosopher. But rather than instructing his audiences to maximize earning power or balance their chakras, he challenges them to address fundamental questions about how society is organized. . . His new book [What Money Can't Buy] offers an eloquent argument for morality in public life.” ―Andrew Anthony, The Observer (London)

“What Money Can't Buy is replete with examples of what money can, in fact, buy. . . Sandel has a genius for showing why such changes are deeply important.” ―Martin Sandbu, Financial Times

“One of the leading political thinkers of our time…. Sandel's new book is What Money Can't Buy: The Moral Limits of Markets, and I recommend it highly. It's a powerful indictment of the market society we have become, where virtually everything has a price.” ―Michael Tomasky, The Daily Beast

“To understand the importance of [Sandel's] purpose, you first have to grasp the full extent of the triumph achieved by market thinking in economics, and the extent to which that thinking has spread to other domains. This school sees economics as a discipline that has nothing to do with morality, and is instead the study of incentives, considered in an ethical vacuum. Sandel's book is, in its calm way, an all-out assault on that idea…. Let's hope that What Money Can't Buy, by being so patient and so accumulative in its argument and its examples, marks a permanent shift in these debates.” ―John Lancaster, The Guardian

“Sandel is among the leading public intellectuals of the age. He writes clearly and concisely in prose that neither oversimplifies nor obfuscates…. Sandel asks the crucial question of our time: ‘Do we want a society where everything is up for sale? Or are there certain moral and civic goods that markets do not honor and money cannot buy?'” ―Douglas Bell, The Globe and Mail (Toronto)

“Deeply provocative and intellectually suggestive…. What Sandel does…is to prod us into asking whether we have any reason for drawing a line between what is and what isn't exchangeable, what can't be reduced to commodity terms…. [A] wake-up call to recognize our desperate need to rediscover some intelligible way of talking about humanity.” ―Rowan Williams, Prospect

“There is no more fundamental question we face than how to best preserve the common good and build strong communities that benefit everyone. Sandel's book is an excellent starting place for that dialogue.” ―Kevin J. Hamilton, The Seattle Times

“Poring through Harvard philosopher Michael Sandel's new book. . . I found myself over and over again turning pages and saying, 'I had no idea.' I had no idea that in the year 2000, 'a Russian rocket emblazoned with a giant Pizza Hut logo carried advertising into outer space.'. . . I knew that stadiums are now named for corporations, but had no idea that now 'even sliding into home is a corporate-sponsored event.'. . . I had no idea that in 2001 an elementary school in New Jersey became America's first public school 'to sell naming rights to a corporate sponsor.' Why worry about this trend? Because, Sandel argues, market values are crowding out civic practices.” ―Thomas Friedman, New York Times

“An exquisitely reasoned, skillfully written treatise on big issues of everyday life.” ―Kirkus Reviews (starred review)

“In his new book, Michael Sandel --the closest the world of political philosophy comes to a celebrity -- argues that we now live in a society where ‘almost everything can be bought and sold.' As markets have infiltrated more parts of life, Sandel believes we have shifted from a market economy to ‘a market society,' turning the world -- and most of us in it -- into commodities. And when Sandel proselytizes, the world listens…. Sandel's ideas could hardly be more timely.” ―Rosamund Urwin, Evening Standard (London)

About the Author

Michael J. Sandel is the Anne T. and Robert M. Bass Professor of Government at Harvard University. His work has been the subject of television series on PBS and the BBC. His most recent book is the international bestseller Justice: What's the Right Thing to Do?

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0 of 0 people found the following review helpful.
Good perspective on U.S. practice of monitizing everythig.
By Carolyn D. Andrews
Interesting and novel (to me) concepts. His philosophy on monetizing everything is well explained and exemplified in it's various aspects. He makes a very valid point. However, about half way through the book it got repetitive. I was waiting for the big bang at the end, The pay-off so to speak. But was disappointed. Just got boring and repetitive.

89 of 101 people found the following review helpful.
Thought-Provoking Fun
By Book Shark
What Money Can't Buy: The Moral Limits of Markets by Michael J. Sandel

" What Money Can't Buy" is the thought-provoking book that asks the ethical question, "Are there some things that money can buy but shouldn't?" With a plethora of fascinating examples, best-selling author and famed Harvard professor Michael J. Sandel once again dazzles the mind with philosophical mind teasers. In this enlightening edition, Sandel challenges the reader with economic ethics, are economic markets replacing our moral judgments? Sandel insists that these are questions that society needs to answer and decide what values should govern our social and civic life. What sets Sandel apart is precisely his ability to ask thought-provoking questions and provide lucid perspectives. This 245-page book is composed of the following five chapters: 1. Jumping the Queue, 2. Incentives, 3. How Markets Crowd Out Morals, 4. Markets in Life and Death, and 5. Naming Rights.

Positives:
1. Elegant, conversational tone that makes this book a treat to read.
2. As thought-provoking a book as you will find.
3. So many fascinating economic topics covered in a brief book.
4. Philosophy made fun. Sandel writes with panache.
5. So easy to understand yet so profound.
6. Very even-handed approach. Does a great job of addressing issues from different perspectives.
7. Sandel challenges you to think. His trademark engaging style draws you in and just when you thought you had it all figured out he forces you to rethink your position. Excellent!
8. A great job of defining the role of our markets.
9. A master at providing countless examples of modern moral dilemmas.
10. The creative minds of the free markets...interesting business models. Line standing business applied to several businesses as a curious example.
11. Some examples will test your moral fiber. I'm not going to spoil it.
12. Thought-provoking questions abound, "Under what conditions do market reflect freedom of choice, and under what conditions do they exert a kind of coercion?"
13. An interesting look at education and pay for grades programs.
14. Health bribes...do they work?
15. Perverse situations...what would you do?
16. The morality of environmental preservation, climate change, endangered species.
17. Great quotes, "Morality represents the way we would like to work, and economics represents how it actually does work."
18. What money can and cannot buy and why. Great stuff.
19. A fascinating look at the "value" of life. Enlightening.
20. The naming rights chapter goes over the business and ethics of paying for ads in practically every aspect of our lives.
21. Being the big baseball fan that I am I was happy to see a couple of sections on baseball.
22. The two running objections of laissez-faire argument: coercion and unfairness. Plenty of examples.
23. Insight into public marketing.
24. The positives and negatives of commercialism.
25. Comprehensive notes section.

Negatives:
1. So good it was too brief...I wanted more.
2. Perhaps not as great as Sandel's previous book: "Justice: What's the Right Thing to Do?" but it is still an excellent book.
3. Folks on opposite side of the political spectrum may have something to complain about and that may be a good thing.
4. Surprised there wasn't many shenanigans from Wall Street. That would have taken several books though.
5. Not a ground breaking book just better asked questions.

In summary, I enjoyed this book, it will give you topics to discuss for years to come. What sets Sandel apart is his innate ability to ask interesting questions and provide well thought out answers. Few authors have that innate ability to draw you in and make you ponder your arguments. The book has few shortcomings including the fact that is indeed a short book and a lot may in fact be logical to many. A 4.5 star book out of five. That being said, if you are looking for a philosophical book that is a treat to read, "What Money Can't Buy" is worth every penny. I highly recommend it!

Further suggestions: The excellent, "Justice: What's the Right Thing to Do?" by Michael J. Sandel, "Age of Greed: The Triumph of Finance and the Decline of America, 1970 to the Present" by Jeff Madrick, "Good Strategy Bad Strategy: The Difference and Why It Matters" by Richard Rumelt, and "The End of Growth: Adapting to Our New Economic Reality" by Richard Heinberg.

0 of 0 people found the following review helpful.
Four Stars
By Helvert Felipe Molina Leon
Interesting perspective about one of the biggest moral problems in US society. Highly recommended

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** Free Ebook Interesting Times: Writings from a Turbulent Decade, by George Packer

Free Ebook Interesting Times: Writings from a Turbulent Decade, by George Packer

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Throughout his career as a journalist, George Packer has always been attuned to the voices and stories of individuals caught up in the big ideas and events of contemporary history. Interesting Times unites brilliant investigative pieces such as "Betrayed," about Iraqi interpreters, with personal essays and detailed narratives of travels through war zones and failed states. Spanning a decade that includes the September 11 attacks and the election of Barack Obama, Packer brings insight and passion to his accounts of the war on terror,Iraq, political writers, and the 2008 election. Across these varied subjects a few keythemes recur: the temptations and dangers of idealism; the moral complexities of war and politics; the American capacity for self-blinding and self-renewal.

Whether exploring American policies in the wake of September 11, tracking a used T-shirt from New York to Uganda, or describing the ambivalent response in Appalachia to Obama, these essays hold a mirror up to our own troubled times and showcase Packer's unmistakable perspective, which is at once both wide-angled and humane.

• Sales Rank: #2155994 in Books
• Published on: 2009-11-10
• Released on: 2009-11-10
• Original language: English
• Number of items: 1
• Dimensions: 9.00" h x 1.13" w x 6.00" l, 1.43 pounds
• Binding: Hardcover
• 409 pages

From Publishers Weekly
Packer (The Assassins' Gate), staff writer for the New Yorker, creates an illuminating time capsule for a decade book-ended by the September 11 attacks and Barack Obama's rise to the presidency. Comprising previously published pieces, the book spotlights the biggest news—and blunders—in recent history as well as Packer's ability to ferret out important stories, perspectives and subjects elsewhere (e.g., a Sudanese intellectual and mystic hanged for sedition and apostasy who could have provided a nonviolent way forward for political Islam). Closer to home, a piece on stylistic differences between Obama and Hillary Clinton during the 2008 Democratic primaries is impressively timeless and could conceivably be consulted by historians in the next century. Packer's vivid scene setting and rich language are punctuated with flashes of mischief and humor, as when he ascribes Americans' political complacency to their seduction by iced latte, mutual fund, and The Sopranos. Despite the breadth of his topics, each essay is distinguished by its telling details and the depth of its insight. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“George Packer is a modern-day George Orwell. Like the author of Homage to Catalonia, the places he writes about are never stages for personal or ideological heroism. They are always real and full of frustrating facts that expose both liberal and conservative absolutism as reckless attempts to deny reality. Interesting Times should be read not just as an antidote to contemporary media poison, but as a testament to the values of moral seriousness in a troubled age.” ―Jed Lipinski, The Village Voice

“This volume coheres better than most in the genre. That's because Packer has a far more coherent worldview than most reporters . . . Interesting Times seems an inapt title, ironic and detached in ways that Packer is simply not. But his is the good kind of attachment, self-aware and self-reflective. He writes, 'One can only be honest about having a point of view while remaining open to aspects of reality--the human faces and voices--that might demolish it.' In his best work, reality is haunting, indeed.” ―Franklin Foer, The New York Times Book Review

“In reading [Packer] we see the staggering gap between abstract ideas and concrete reality.” ―Fareed Zakaria on THE ASSASSINS' GATE, The New York Times Book Review

“Masterful . . . Packer's sketch of the prewar debates is subtle, sharp and poignant . . . His reporting from Iraq was always good, but the book is even better, putting the reader at the side of Walter Benjamin's angel of history, watching helplessly as the wreckage unfolds at his feet.” ―Gideon Rose on THE ASSASSINS' GATE, The Washington Post Book World

“The most complete, sweeping, and powerful account of the Iraq War . . . [Packer] has depicted in stark colors the disillusionment of an entire nation.” ―Keith Gessen on THE ASSASSINS' GATE, New York

“A deftly constructed and eloquently told account of the war's origins and aftermath . . . Packer makes it deeply human and maddeningly vivid.” ―Daniel Kurtz-Phelan on THE ASSASSINS' GATE, Los Angeles Times Book Review

“Authoritative and tough-minded.” ―Michiko Kakutani on THE ASSASSINS' GATE, The New York Times

“A book that is not only relevant but discerning and provocative . . . [Packer] offers the vivid detail and balanced analysis that have made him one of the leading chroniclers of the Iraq war.” ―Yonatan Lupu on THE ASSASSINS' GATE, San Francisco Chronicle

About the Author

George Packer is a staff writer for The New Yorker and the author of several books, most recently The Assassins' Gate (FSG, 2005). His reporting has won four Overseas Press Club awards.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Journalism as a "first draft of history"
By Amazon Customer
Packer is an excellent writer that places current events in a deeper intellectual context than most of his peers. He doesn't just seek to report - he seeks to understand. In doing so, he produces a series of nonfiction pieces that hit at the heart of America's last decade.

There is a tragic coherence to Packer's worldview. He wants to see the world in clear moral terms like justice and democracy and equality; as a journalist, however, he encounters a complicated and unjust world. (In this regard - liberalism tempered by reality -- Packer is a bit like his literary hero, Orwell.) "Interesting Times" examines the friction between good intentions (the liberation of Iraq, philanthropy in Africa, Iraqis bravely helping Americans) and messy realities (American failures in Iraq, the limitations of philanthropic projects on African lives, Iraqi translators abandoned by the Western media despite their courageous work).

The writing is beautiful. The concepts are refreshing. A great read.

0 of 0 people found the following review helpful.
Five Stars
By OT
I'll keep it brief:

Great collection of articles that span a number of subjects. I found it to be informative and in many places very well written.

In some ways it is provides these cross sections of some of our culture in that time period.

It was one of these books I couldn't put down until I was finished.

0 of 0 people found the following review helpful.
Outstanding journalism
By LaurentE
In retrospect, Packer appears very claivoyant about Iraq, although somewhat optimistic about Obama. IA good reason to keep reading his current pieces in The New Yorker.

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@ Free Ebook Lamentations of the Father: Essays, by Ian Frazier

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When The Atlantic Monthly celebrated its 150th anniversary by publishing excerpts from the best writing ever to appear in the magazine, in the category of the humorous essay it chose only four pieces—one by Mark Twain, one by James Thurber, one by Kurt Vonnegut, and Ian Frazier’s 1997 essay “Lamentations of the Father.” The title piece of this new collection has had an ongoing life in anthologies, in radio performances, in audio recordings, on the Internet, and in photocopies held by hamburger magnets on the doors of people’s refrigerators. The august company in which The Atlantic put Frazier gives an idea of where on the literary spectrum his humorous pieces lie. Frazier’s work is funny and elegant and poetic and of the highest literary aspiration, all at the same time. More serious than a “gag” writer, funnier than most essayists of equal accomplishment, Frazier is of a classical originality. This collection, a companion to his previous humor collections Dating Your Mom (1985) and Coyote v. Acme (1996), contains thirty-three pieces gathered from the last thirteen years. Past winner of the Thurber Prize for American Humor; author of the nonfiction bestsellers Great Plains, Family, and On the Rez; contributor to The New Yorker, Outside, and other magazines, Frazier is the greatest writer of our (or indeed of any) age.

• Sales Rank: #2026681 in Books
• Published on: 2008-04-29
• Released on: 2008-04-29
• Original language: English
• Number of items: 1
• Dimensions: 8.10" h x .82" w x 6.10" l, .72 pounds
• Binding: Hardcover
• 208 pages

From Publishers Weekly
Accomplished social satirist Frazier's latest collection reminds us why the novelist and essayist is one of America's funniest living writers. The much-quoted title piece, originally published in the Atlantic Monthly, gives voice to every parent's battle with table manners, bath time and various laws, statutes and ordinances concerning biting (don't), sand (not edible) and pets (not to be taped). Equally entertaining are Frazier's self-declared role as spokesman for crows, complete with slogan (Crows: We Want to Be Your Only Birdâ„¢) and his mock exposé on the truth behind history's most famous phrases. Caesar's I came, I saw, I conquered is, according to Frazier, simply an early example of mankind's obsession with the sound bite, a snappier version of: I came, I saw, I conquered, I had a snack, I took a bath, and I went to bed, because I was exhausted. A treat for Frazier fanatics and new readers alike, this compilation from the past 13 years has nary a misstep and begs to be read in one sitting. Researchers, Frazier says, have determined that life is too hard. But it's easier with Frazier at the helm. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Ian Frazier is an antidote for the blues.” ―The Boston Globe

“Being a funny guy doesn't always mesh with being a smart guy. In Frazier's case, however, the two seem one and the same.” ―The Christian Science Monitor

“Warning . . . reading [Frazier's essays] in the bathroom, on the subway, or in other heavy-traffic areas may force you to have to explain to others what's making you guffaw so loudly.” ―Entertainment Weekly

“America's greatest essayist.” ―The Los Angeles Times

“Frazier is a master of the trade and for those cursed with literacy, an absolute howl.” ―The Buffalo News

“Hilarious . . . [Frazier's] sense of humor is so uncanny and surprising it's nearly impossible not to be charmed. Highly entertaining.” ―Kirkus Reviews

About the Author
Ian Frazier is the author of seven works of nonfiction and two collections of humor. A frequent contributor to The New Yorker, he lives in Montclair, New Jersey.

Most helpful customer reviews

17 of 17 people found the following review helpful.
A very funny riff on reality
By Lynn Harnett
As serious as he is funny, Frazier can deconstruct the historical accuracy of Daffy Duck with the same straight-faced relish he uses to savage corporate crooks and the "innovative thinking" of the Bush administration.

While his politics are definitely left leaning, he skewers pomposity, dogmatism and the babble of popular culture wherever it strikes his fancy - which is just about anywhere, from techno-thriller movies to the mythic figures of our time (like Russell Crowe), from the sound bite to guide book drivel, from the latest in scientific research to the ordinary family.

Especially the family. The book's funniest piece - in the sense of laugh-out-loud humor rather than fiendishly clever satire - is the title piece, "Lamentations of the Father." Published in 1997 when his children were small, it begins:

"Of the beasts of the field, and of the fishes of the sea and of all foods that are acceptable in my sight you may eat, but not in the living room."

And, from "What I Am," inspired by an accident of dishwasher loading in which his wife calls him an "idiot" and he objects, not to the characterization so much as the terminology: "Quite simply, `idiot' is not a nice word to call somebody, and I find myself asking, as Mr. Welch did of Senator Joseph McCarthy, `Have you no sense of decency, sir?' "

"The Cursing Mommy Cookbook" and "The Cursing Mommy Christmas" start out with Martha Stewart decorum and quickly, hysterically, devolve into familiar domestic chaos.

Others take a more quirky view - the tribulations of the absent expectant (maybe) father; the earnest murderer's family aspirations; coming of age among the right-wing militia.

Frazier started out as a staff writer for "The New Yorker" in the 70s and it shows. All his work has a strong voice and an eye for detail. From books like 1989's "Great Plains," and 2000's "On the Rez," personal, in-depth explorations of the past and present West and its people, to his collections of humor, like this one and the earlier "Dating Your Mom" and "Coyote V. Acme," Frazier brings a thoughtful reflection to the world around him. His wordsmithing engages the reader's imagination.

In humor, this often means sinking his imaginary teeth into a cultural tidbit and running with it:

"According to a study just released by scientists at Duke University, life is too hard. Although their findings mainly concern life as experienced by human beings, the study also applies to other animate forms, the scientists claim. Years of tests, experiments and complex computer simulations now provide solid statistical evidence in support of old folk sayings that described life as `a vale of sorrows,' `a woeful trial,' `a kick in the teeth,' `not worth living,' and so on."

Or taking an ideological stance to its furthest conclusion; the doctrine of pre-emption, for instance, as applied to Iceland and Scandinavia.

Then there's the Bin Laden piece, which appeared a month before September 11, in which Frazier notices Bin Laden's face on Wanted posters in New Jersey post offices, posters that begin to disappear in the interests of retail efficiency.

Except for the Bin Laden piece, no date or origin is given with any of these short essays, which cover a span of 13 years and were printed in a variety of magazines (many from "The New Yorker"). There is a general listing acknowledgement on the title page but I would have liked more specific information.

A tiny quibble with a book that tickles the imagination almost as much as the funny bone.

10 of 12 people found the following review helpful.
Page for page, the funniest writer in decades
By Jesse Kornbluth
How does a man become a murderer?

Not the kind of question you and I ask ourselves, but Ian Frazier has thought deeply. Done the homework. And, in "He, The Murderer", he reports back:

On an aptitude test, "Murderer" was the category he scored highest in. By then, he'd already murdered a couple of guys, just fooling around. He kind of liked it. One thing led to another.

It's not all roses, this business of killing people. For one thing:

Now he wishes he'd murdered more people when he was younger. You reach the age of forty, forty-five, and you can't react like you used to when you were twenty.

For another:

Everybody's got his hand out these days, wanting a favor. "Hey, Ronnie, can you murder my nephew?" "Ronnie, my man, if you got a second, could you murder the head of the Plumbers and Contractors Union?" "Yo, Uncle Ronnie, how about doing a little murdering for us, pro bono?" Like always, friends and family take advantage.

To no one's surprise, he wants better for the next generation:

He is determined that his son will not have to murder people when he gets big, and will be able to make a good living simply by injuring them.

And then....but you see what happens. You start reading an Ian Frazier piece, and the next thing you know you're quoting him to anyone in your zip code, and pretty soon you're reading the whole piece aloud. And this happens time after time, because on a good day there is no one better at smart-funny than Ian Frazier.

"Kisses All Around", for example, is letters of premature acknowledgment. The Pope's representative thanks Martin Luther for the 95 theses: "It's on the table next to his bed, and he will certainly get to it soon." Khomeini tells Salman Rushdie how much he's looking forward to reading "The Satanic Verses" --- "Death to Bush or whoever, and kisses all around."

"Laws Concerning Food and Drink; Household Principles; Lamentations of the Father" starts with important rules for the consumption of refreshment outside the kitchen. ("If you are sick, and are lying down and watching something, then may you eat in the living room.") Of course the Father moves on to complaints: "Hear me, O my children, for the bills they kill me. I pay and pay again, even to the twelfth time in a year, and yet again they mount higher than before..."

"The Cursing Mommy Cookbook" is everything that went on in your head when you went to make chili and someone had used the last of the chili powder. Later, there's "A Cursing Mommy Christmas." Because, you know, it's always at her house....

"Researchers Say"parodies academic writing by exploring the emerging proof that life is too hard. Thus: "Nine out of ten of the respondents, identified by just their first initials for the purpose of the survey, stated that they would give up completely if they knew how."

"Warmer, Warmer" is a meditation on George Bush's call for a decade of additional research on global warming. But which one? "'We don't want to pick just any old decade,' the source continued, perspiration beading on his forehead. 'Finding the right decade for this type of in-depth climate research might take as long as ten years.'"

There are more. And they are, almost without exception, so very funny that if you have not been reading Ian Frazier for decades, you may feel a sudden hole in your life of which you were heretofore unaware. Fret not. It is easy to catch up. Start with the new book. Then work back.

You're welcome.

5 of 5 people found the following review helpful.
Hysterical
By bronx book nerd
Lamentations of the Father is a hysterical collection of humor pieces. Frazier takes common experiences and deftly turns them into laugh riots. More literary in many ways than someone like Dave Barry, Frazier applies his smarts to subjects that you wouldn't think could be turned into humor, like how to operate a shower curtain. His parody of rap verses by substituting rappers with classic poets is incredibly funny, as are virtually all the pieces. My only criticisms: one piece on cursing mommy was sufficient; the murderer piece I actually fouind a bit disturbing. Nevertheless, if you want to laugh a lot, if you are married and have children, if you want to see a clever mind at play, read this book.

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^ Ebook Free No Man's Land: Preparing for War and Peace in Post-9/11 America, by Elizabeth D. Samet

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As the post-9/11 wars wind down, a literature professor at West Point explores what it means for soldiers, and our country, to be caught between war and peace

Elizabeth D. Samet, a professor of English at West Point and the author of the critically acclaimed Soldier's Heart, came to question her settled understanding of post-9/11 America as a clear arc from peace to war. Over time, as she reckoned with her experiences-from a visit to a ward of wounded combat veterans to her correspondence with former cadets-Samet was led to profoundly rethink the last decade, an ambiguous passage that has left deep but difficult-to-read traces on our national psyche, our culture, our politics, and, most especially, an entire generation of military professionals. How will a nation that has refused to grapple honestly with these wars imagine its postwar responsibilities?
Samet calls the moment in which we live, lying as it does somewhere between war and peace, a "no man's land." She takes the reader on a vivid tour of that landscape, populated as much by the scars of war as by the everyday realities of life on the home front. Grounded in Samet's experience as a teacher of future army officers, No Man's Land is a moving, urgent examination of what it means to negotiate the tensions between soldier and civilian, between "over here" and "over there."

The views expressed in this book are the author's and do not necessarily reflect those of the United States Military Academy, the Department of the Army, or the Department of Defense.

• Sales Rank: #1058462 in Books
• Published on: 2014-11-04
• Released on: 2014-11-04
• Original language: English
• Number of items: 1
• Dimensions: 8.44" h x .85" w x 5.69" l, 1.00 pounds
• Binding: Hardcover
• 240 pages

Review

“As a civilian professor at West Point--a state of not quite military, not quite civilian--Samet is uniquely positioned to ponder and probe the intellectual and emotional challenges confronting the modern officer corps. Her smooth flowing essay delivers penetrating observations and criticisms... of what it means for the United States and its soldiery to be "adrift between war and peace.” ―Gregory Crouch, Washington Post

“[Samet] writes evocatively and eloquently.” ―J. Ford Huffman, Military Times

“Part literary criticism, part intellectual memoir, and part reportage of the struggles, successes, and in two cases the deaths of her former students, No Man's Land is a moving, insightful, and refreshingly iconoclastic guide toward a more nuanced understanding of America and the military that fights for it.” ―Phil Klay, Redeployment

“Splendidly written and intensely provocative... [No Man's Land] is an appropriate memorial...” ―Philip Seib, Dallas Morning News

About the Author
Elizabeth D. Samet is the author of Soldier's Heart: Reading Literature Through Peace and War at West Point, which won the Los Angeles Times Book Prize for Current Interest and was named one of the 100 Notable Books of 2007 by The New York Times; and Willing Obedience: Citizens, Soldiers, and the Progress of Consent in America, 1776–1898. Her essays and reviews have been published in The New York Times Book Review, The New Republic, and Bloomberg View. Samet won the 2012 Hiett Prize in the Humanities and was also awarded a Guggenheim Fellowship to support the research and writing of a book about mythologies of the war veteran in Hollywood cinema. She is a professor of English at West Point.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Broadens your Mind
By Thomas M. Magee
A very unique book. The author is a literature professor at West Point. Elizabeth Samet offers some very insightful gems of knowledge. She tells her story in a fascinating way through a mix of stories from her students, stories from movies and tales in books. This blend tells a story that both entertain and open up your eyes.

The book has two basic parts. Initially she does an excellent way of describing Veteran's readjustment to civilian life. Her way of describing what it feels like to come back from war really hits home. She does this through tales of about veterans joining motorcycle clubs and doing other extreme things. This gives civilians a good way to understand what it is like.

The second part is how she uses literature to prepare leaders for conflict. This is a real insightful way. It is a point I have never heard before. Stories from literature, and I would add history broaden our perspective. It gives us context about what is bad and what is good. We all in stress will reach a point where things don't make sense. Our old stories stop working. Our perspective hits a brick wall. Things don't make sense. The stories of Henry the V, Oliver Cromwell, George Washington, US Grant, and many others broadens our perspective. Our world we have grows, We now have the advantage of their world and understanding too. That in turn helps us better understand our self and help us gain a new vision of where we might go.

1 of 1 people found the following review helpful.
After All, a Lament
By fcb
To many familiar with her work, Elizabeth Samet, a civilian, is arguably the most familiar (and articulate) 21st century voice of West Point. Her previous books, articles, and published interviews about her experience with military colleagues and graduates at the Perpendicular Gothic institution on the banks of the Hudson have been widely read. Her work, capturing distinctive views of the military establishment and those in it, has met with well-deserved critical acclaim.

Rapidly approaching her twentieth year as a member of the English Department faculty at West Point, the United States Military Academy, Professor Samet has written another book derived from her vast knowledge of Literature, her enduring affection for the thousands of cadets whom she has guided on voyages of intellectual discovery, and her increasing familiarity with the ways of the Army.

In her latest book she continues to write joyfully about her experiences, in and out of the classroom, and her long-lasting friendships and correspondence with former students and faculty colleagues – and real-life adventures with young West Pointers, both cadets and graduates, from the baseball field to the Alaskan wilderness.

But in the overall form of a meditation on a theme – or more accurately, many meditations on many themes, her most recent book, “No Man’s Land: Preparing for War and Peace in Post-9/11 America,” is ultimately a lament, if not a cri de coeur – a lament that mourns the loss, in battle, of former students – and an outcry protesting characteristics of the Army that she has finally come to understand after prolonged exposure, and find troublesome, if not disheartening: the institutional belief in “fool-proof” sets of instructions rather than creative problem-solving, garrison life “chicken-shit” that can demoralize the most dedicated warfighter, and the emergence of a vast cultural divide between senior officers and their juniors, whom they regard as undisciplined “cowboys,” ignorant of established standards and procedures, typically leading to an accelerating profusion of the aforementioned poultry scat and the loss of some of the best and brightest young officers within ten years of graduation.

Although the book covers a great deal of ground and cites hundreds of reference texts, from Homer to Moltke via Shakespeare, Arthur Conan Doyle, and Herman Melville, the dominant, underlying themes of the book are rather well defined by two works: “Duty,” a memoir by former Defense Secretary Robert Gates, and “Catch-22,” a dark, absurdist, work by Joseph Heller, based on his fictionalized vision of death in a B-25 bomber over Italy during WWII.

Samet, like Gates, believes that military officers at all levels need the ability to creatively cope with the analysis and resolution of complex problems in uncertain circumstances – and that time spent in specialized training and assignments outside of a “typical” career path should be recognized, valued, and rewarded. Samet sincerely believes that the study of literature is one way to accomplish such ability to confront ambiguity, and that opinion is supported by numerous letters from graduates who credit her classes with giving them the ability to overcome the uncertainties of life and the fog of war.

Like Gates, Samet sadly opines that the Army is reluctant to change, and cites “an increasing dissatisfaction with old blueprints” in attempting to understand the changing nature of armed conflict, the profession of arms and the role of the military in furthering national objectives.

The book is dedicated In Memoriam to two of Professor Samet’s former students, both killed in action in Afghanistan in 2010. It ends with a Coda, in which she uses a rather extensive discussion of “Catch-22” to trace her growing understanding of Heller’s book over time, and how it reflects her reaction to the death in combat of two former students who had become close friends.

In the last 20 pages of the book Samet recounts how, reading the book after only one semester at West Point, essentially during peacetime, she saw it as a comic novel, “the funniest, most outrageous thing I’ve ever read.” The cumulative effect of the ensuing and ongoing war years has made her more conscious of the underlying tragedy of the novel: the death, in the frigid air over Italy, of an eviscerated crewman. She writes, “Snowden dies, and there’s nothing Yossarian can do about it. That is the source of the outrage, the extremity, the thing against which the spectator is powerless—against which I’m powerless.”

This admission of powerlessness—not yet exhaustion—is the most significant self-revelation in the book. Professor Samet is deeply saddened by the death in war of her young friends. But the sadness is painfully exacerbated by her inability, as a teacher, to help her students, past, present, or to come, to avoid that perhaps inevitable fate.

0 of 0 people found the following review helpful.
Read Soldier's Heart First
By Owen F. Long
This essay, while beautiful in conception, suffers from some pretty unoriginal thinking regarding education and military training in general. There is a ten to fifteen page stretch where Dr. Samet uses historical examples to criticize preparedness, and then goes on to disparage the notion of relevance in education and training. To claim that the military is too focused on preparedness and relevance, and suggest that teachers and trainers should not have to address those issues, serves to mischaracterize some of the more urgent challenges facing young leaders (and senior leaders) in the armed forces today (and always). This passage and others decrying the lack of "strategic thinking and ability" are just too misconceived for such a thoughtful author.
That being said, this book like Soldier's Heart, is full of interesting and sometimes beautiful anecdotes of Dr. Samet's interactions with cadets and officers over the years, and the author remains a great guide to very good books. Make sure you read Soldier's Heart first.

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^^ Ebook A Gambling Man: Charles II's Restoration Game, by Jenny Uglow

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The Restoration was a decade of experimentation: from the founding of the Royal Society for investigating the sciences to the startling role of credit and risk; from the shocking licentiousness of the court to failed attempts at religious tolerance. Negotiating all these, Charles II, the “slippery sovereign,” laid odds and took chances, dissembling and manipulating his followers. The theaters may have been restored, but the king himself was the supreme actor. Yet while his grandeur, his court, and his colorful sex life were on display, his true intentions lay hidden.

Charles II was thirty when he crossed the English Channel in fine May weather in 1660. His Restoration was greeted with maypoles and bonfires, as spring after the long years of Cromwell’s rule. But there was no way to turn back, no way he could “restore” the old dispensation. Certainty had vanished. The divinity of kingship had ended with his father’s beheading. “Honor” was now a word tossed around in duels. “Providence” could no longer be trusted. As the country was rocked by plague, fire, and war, people searched for new ideas by which to live. And exactly ten years after he arrived, Charles would again stand on the shore at Dover, this time placing the greatest bet of his life in a secret deal with his cousin, Louis XIV of France.

Jenny Uglow’s previous biographies have won the James Tait Black Memorial Prize and International PEN’s Hessell-Tiltman Prize for History. A Gambling Man is Uglow at her best: both a vivid portrait of Charles II that explores his elusive nature and a spirited evocation of a vibrant, violent, pulsing world on the brink of modernity.

• Sales Rank: #1033998 in Books
• Published on: 2009-11-24
• Released on: 2009-11-24
• Original language: English
• Number of items: 1
• Dimensions: 9.32" h x 1.43" w x 6.35" l, 1.88 pounds
• Binding: Hardcover
• 592 pages

From Booklist
The first 10 years of the Restoration unfold in this galloping narrative by Uglow, a skillful author of many British histories. Revolving around the figure of Charles II, it plays up why the Restoration was regarded as a time of risk and glamour, as manifested in the courtesans Charles kept, the courtiers he favored, and the theaters he loved to attend. The resulting gossip permeates Uglow’s lively prose, but she is no writer drawn to the merely meretricious. Uglow perceptively connects the show to the underlying political tensions of the era. The extravagant expenses of his court and a war with the Dutch accentuated the power struggle between crown and Parliament, which, when not rumbling over money, kept battling over issues left over from the interregnum dealing with religion and withproperty confiscated from royalists. To top things off, the 1660s were the decade plague and fire devastated London. In Uglow’s estimation, Charles was a risk-taking but shrewd navigator of roisterous times and well worth reading about; her audience will enthusiastically agree. --Gilbert Taylor

Review

Praise for The Lunar Men

“The warmth of friendship and the intoxicating fizz of discovery make [The Lunar Men] irresistible reading.” —Lev Grossman, Time

“The Lunar Men is a grand story . . . Jenny Uglow’s magnificent group history chronicles a last great upsurge of the all-embracing Renaissance spirit . . . Start reading some evening when the moon is full.” —Michael Dirda, The Washington Post Book World

“A playful, exuberant book.” —Richard Eder, The New York Times

“An absolute wonder of a book, huge in its span and close in its detail, nothing less than a snapshot of what and who was best about Britain and its intellectual life in the middle of the eighteenth century.” —The Economist

“An absorbing and rich account of the dreams and determination of the engineers of the first Industrial Revolution.” —Brian Dolan, The Times Literary Supplement

“Excellent and fascinating . . . [Uglow is] a serious and enthralling writer.” —P. N. Furbank, The New York Review of Books

“[A] majestic study in camaraderie and intellectual kinship in eighteenth century Britain . . . Uglow excels with the charming detail and the telling fact.” —Matthew Price, The Boston Globe

“[Uglow] evokes vividly the state of science and technology on the eve of the industrial revolution.” —Scientific American

“Jenny Uglow [is a] learned biographer and an effervescent historian, a discoverer of extraordinary facts.” —Gaby Wood, The Observer (London)

About the Author

Jenny Uglow is an editor at Chatto & Windus and lives in Canterbury, England. Her previous books include Nature’s Engraver, A Little History of British Gardening, The Lunar Men, and Hogarth, all published by Farrar, Straus and Giroux.

Most helpful customer reviews

48 of 50 people found the following review helpful.
Plague, fire, epic poetry, rise of science, debauchery: Age of Charles II
By Glenn E. Stambaugh
Arguably the most eventful decade in English history, the first years of the Restoration witnessed the Great Fire of London, the last major outbreak of plague, the birth of science and the Royal Society, the greatest flowering of English theater between the Elizabethans and modern times, the last age of epic poetry (Paradise Lost) and the first simple English prose (Pilgrim's Progess), and the foundation of a stable constitutional monarchy after a century of absolutism followed by two decades of civil war, dictatorship and near-anarchy. At the center of it all stood Charles II: "loved by his parents, brought up as the adored eldest son in a luxurious court until jolt after jolt shattered the idyll. At twelve he stood by his father [at] the unthinkable turning of subjects against their king. At [the battle of] Edgehill a cannonball narrowly missed him. At fifteen he was sent west as general of the Western Army; at sixteen he fled to France. He was nineteen when his father was executed. In the years that followed he scoured foreign courts for aid, broke and hopeless." Yet at 30, he returned triumphantly and peacefully to England, and reigned until his death in bed twenty five years later. His brother and successor James ruled less than three years before losing the throne to revolution.

How did Charles succeed where his father and brother failed miserably, and more than succeed as a ruler, savor life to the fullest? "In exile, he devised a strategy based on charm, outward compliance and private evasion," writes author Jenny Uglow. "It is a challenge for someone like me, whose sympathy lies with the radicals and artisans protesting against abuse of power, to venture into the center, the heart of that power. Yet it is alluring."

Skillfully mixing the best-known contemporary sources (diarists like Pepys and Evelyn, biographers like Aubrey) with the obscure, Uglow relies on a crystal-clear prose style and an eye for the amusing anecdote, the telling detail, to bring the age alive. This is the best general introduction to a fascinating time, whether your interests lie with Charles himself--his court intrigue, his women, his wit--or in the science, art, diplomacy, great public events and private debauchery that marked his Age.

0 of 0 people found the following review helpful.
Well written.... would read more by ...
By Linda Ward
Well written ....would read more by this author.

12 of 13 people found the following review helpful.
A Gambling Man is the story of the Cavalier King Charles II of England
By C. M Mills
Charles II (reigned from 1660-1685) was the son of Charles I who had been executed by the Cromwellians on January 30, 1649. After the regicide of his father
the young Charles fled to the Continent after many exciting escapes from Roundhead forces. After the death of Oliver Cromwell his son Richard proved to be an incompetent ruler. The Parliament and people clamoured for Charles to return from exile. He became the King and the Restoration era was begun.
There were many momentous events during the reign of the merry monarch including:
1. The Plague which devastated London in 1665.
2. The Great Fire of London which in 1666 destroyed five/sixth of the city.
3. Three naval wars against the Dutch. The issue was trade and control of the seas.
4. Higher taxation of the populace needed to fight Charles' wars.
5. Continued religious controversy and persecution. Dissenters and Quakers were imprisoned. The Church of England was the official religion. Charles converted to Roman Catholicism on his deathbed following the faith of his brother James II (who short inglorious reign was from 1685-1688).
6. The founding of the Royal Society and the growing interest in science. Men like Sir Isaac Newton and Christopher Wren the architect of St. Paul's flourished during this reign.
7. Charles became unpopular when it was learned he had received a hefty bribe from Louis XIV of France. Despite being a member of the Triple Alliance of Holland, Sweden and England which was Protestant, Charles was a crypto-Roman Catholic.
The personality of Charles II? He was a rake. Charles sired countless illegitimate children and had a whole cadre of willing mistresses. Among the most famous were the actress Nell Gwynn and the notorious Barbara Villiers Lady Castlemaine. Charles was wed to the plain Catherine of Braganza from Portugal.
Charles loved sex, racing at Newmarket Track, gambling, hunting and playing tennis.
He was a non-intellectual whose reign never fulfilled its promise for the British people of greater religious stability and peace. Charles was a charming cavalier who was personally kind and endearing to his family and friends.
Jenny Uglow is a veteran British biographer. This long book covers the first ten years of Charles II reign taking the story from its beginning in 1660 to 1670. The book is lavishly illustrated with colored plates and period drawings making it an attractive volume. Along with the much earlier book on Charles II by Lady Antonia Fraser this is the one to read on the cavalier king and his exciting times.,

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