Saturday, September 13, 2014

~ Download The World Is Flat [Further Updated and Expanded; Release 3.0]: A Brief History of the Twenty-first Century, by Thomas L. Friedman

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The World Is Flat [Further Updated and Expanded; Release 3.0]: A Brief History of the Twenty-first Century, by Thomas L. Friedman

The World Is Flat is Thomas L. Friedman's account of the great changes taking place in our time, as lightning-swift advances in technology and communications put people all over the globe in touch as never before--creating an explosion of wealth in India and China, and challenging the rest of us to run even faster just to stay in place. This updated and expanded edition features more than a hundred pages of fresh reporting and commentary, drawn from Friedman's travels around the world and across the American heartland--from anyplace where the flattening of the world is being felt.
In The World Is Flat, Friedman at once shows "how and why globalization has now shifted into warp drive" (Robert Wright, Slate) and brilliantly demystifies the new flat world for readers, allowing them to make sense of the often bewildering scene unfolding before their eyes. With his inimitable ability to translate complex foreign policy and economic issues, he explains how the flattening of the world happened at the dawn of the twenty-first century; what it means to countries, companies, communities, and individuals; how governments and societies can, and must, adapt; and why terrorists want to stand in the way. More than ever, The World Is Flat is an essential update on globalization, its successes and discontents, powerfully illuminated by one of our most respected journalists.

  • Sales Rank: #139398 in Books
  • Brand: Farrar, Straus & Giroux
  • Published on: 2007-08-07
  • Released on: 2007-08-07
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.46" h x 2.09" w x 6.23" l, 2.10 pounds
  • Binding: Hardcover
  • 672 pages

Review

“Excellent...[This book's] insight is true and deeply important... The metaphor of a flat world, used by Friedman to describe the next phase of globalization, is ingenious.” ―Fareed Zakaria, The New York Times Book Review (cover review)

“Captivating . . . an enthralling read. To his great credit, Friedman embraces much of his flat world's complexity, and his reporting brings to vibrant life some beguiling characters and trends. . . . [The World is Flat] is also more lively, provocative, and sophisticated than the overwhelming bulk of foreign policy commentary these days. We've no real idea how the twenty-first century's history will unfold, but this terrifically stimulating book will certainly inspire readers to start thinking it all through.” ―Warren Bass, The Washington Post

“No one today chronicles global shifts in simple and practical terms quite like Friedman. He plucks insights from his travels and the published press that can leave you spinning like a top. Or rather, a pancake.” ―Clayton Jones, The Christian Science Monitor

“Friedman . . . nicely sums up the explosion of digital-technology advances during the past fifteen years and places the phenomenon in its global context. . . . He never shrinks from the biggest problems and the thorniest issues.” ―Paul Magnusson, BusinessWeek

“[The World is Flat] is filled with the kind of close reporting and intimate yet accessible analysis that have been hard to come by. Add in Friedman's winning first-person interjections and masterful use of strategic wonksterisms, and this book should end up on the front seats of quite a few Lexuses and SUVs of all stripes.” ―Publishers Weekly (starred review)

From the Back Cover
"One mark of a great book is that it makes you see things in a new way, and Mr. Friedman certainly succeeds in that goal," the Nobel laureate Joseph E. Stiglitz wrote in The New York Times, reviewing The World Is Flat in 2005. For this updated and expanded edition, Friedman has seen his own book in a new way, bringing fresh stories and insights to help us understand the flattening of the world. New material includes:

• The reasons why the flattening of the world "will be seen in time as one of those fundamental shifts or inflection points, like Gutenberg's invention of the printing press, the rise of the nation-state, or the Industrial Revolution"

• An explanation of "uploading" as one of the ten forces that are flattening the world, as blogging, open-source software, pooled knowledge projects like Wikipedia, and podcasting enable individuals to bring their experiences and opinions to the whole world

• A mapping of the New Middle--the places and spaces in the flat world where
middle-class jobs will be found--and portraits of the character types who will find success as New Middlers

•An account of the qualities American parents and teachers need to cultivate in young people so that they will be able to thrive in the flat world

•A call for a government-led "geo-green" strategy to preserve the environment and natural resources

•An account of the "globalization of the local": how the flattening of the world is actually strengthening local and regional identities rather than homogenizing the world

About the Author
Thomas L. Friedman is an internationally renowned author, reporter, and columnist—the recipient of three Pulitzer Prizes and the author of five bestselling books, among them From Beirut to Jerusalem and The World Is Flat. He was born in Minneapolis in 1953, and grew up in the middle-class Minneapolis suburb of St. Louis Park. He graduated from Brandeis University in 1975 with a degree in Mediterranean studies, attended St. Antony's College, Oxford, on a Marshall Scholarship, and received an M.Phil. degree in modern Middle East studies from Oxford.  After three years with United Press International, he joined The New York Times, where he has worked ever since as a reporter, correspondent, bureau chief, and columnist. At the Times, he has won three Pulitzer Prizes: in 1983 for international reporting (from Lebanon), in 1988 for international reporting (from Israel), and in 2002 for his columns after the September 11th attacks.   Friedman’s first book, From Beirut to Jerusalem, won the National Book Award in 1989. His second book, The Lexus and the Olive Tree: Understanding Globalization (1999), won the Overseas Press Club Award for best book on foreign policy in 2000. In 2002 FSG published a collection of his Pulitzer Prize-winning columns, along with a diary he kept after 9/11, as Longitudes and Attitudes: Exploring the World After September 11. His fourth book, The World Is Flat: A Brief History of the Twenty-first Century (2005) became a #1 New York Times bestseller and received the inaugural Financial Times/Goldman Sachs Business Book of the Year Award in November 2005. A revised and expanded edition was published in hardcover in 2006 and in 2007. The World Is Flat has sold more than 4 million copies in thirty-seven languages.   In 2008 he brought out Hot, Flat, and Crowded, which was published in a revised edition a year later. His sixth book, That Used to Be Us: How American Fell Behind in the World We Invented and How We Can Come Back, co-written with Michael Mandelbaum, will be published in September 2011. Thomas L. Friedman lives in Bethesda, Maryland, with his family.

Most helpful customer reviews

102 of 113 people found the following review helpful.
This book will make you think about today's most important topic
By A Reader from Chicago
No doubt, Friedman will get you thinking.

You may end up thinking Friedman has really informed you on what this grand notion of "globalization" is all about. His book has reached millions, including leaders in business government and education, many who now feel fully informed on the subject.

But, just stop to consider his "base assumptions," the 10 so-called flatteners. Most aren't new at all and some fundamental flatteners such as containerized shipping aren't mentioned at all (see The Box: How the Shipping Container Made the World Smaller and the World Economy Bigger). (nevermind the consequences when the end of cheap eneregy flattens the global logistics routes)

So, go ahead and read this book, but when you are finished, and especially if you are awed, I'd suggest you consider reading Aronica and Ramdoo's critical analysis of Friedman's book. It just could make you "think again," even about those so-called 10 flatteners.

The World Is Flat?: A Critical Analysis of New York Times Bestseller by Thomas Friedman

Aronica and Ramdoo will also point you to the true thought leaders on globalization, and summarize their take on Friedman's book: Stiglitz (Nobel Prize in economics), Baghwati(Columbia Professor), Prestowitz (Presidential Trade Advisor), Lemer (UCLA Professor), Ghemawat (Harvard Professor), Roach (Chief Economist at Morgan Stanley), Palast (Investigative Reporter, UK)and others.

So, thank Friedman for an entertaining read, and using his status as a celebrity pundit for making us all aware of the great reorganization the world is going through. But, please don't stop there, for there is far more to the unfolding story of globalization, and all of us are being affected.

37 of 39 people found the following review helpful.
Redundant much?
By KT
While Friedman offers an interesting timeline of technological history. He is beyond redundant in his writing. I wish I had kept count of how many times he wrote, "the world is flattening" or "the playing field is being leveled." Thank you I got the point the first 37 times. Essentially, if he had condensed the book and stopped repeating himself, it would have made for a much more interesting read. Also, I find that the book was written for those who did not grow up during the 90s, as most of what he writes about is common knowledge for those in their 20s and 30s.

1 of 1 people found the following review helpful.
Great for anyone interested in learning more about the world ...
By Monica Engel
Well written and very informative. Great for anyone interested in learning more about the world we're living in and how it came about.

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Thursday, September 11, 2014

* Fee Download A Fanatic Heart: Selected Stories of Edna O'brien, by Edna O'Brien

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A Fanatic Heart: Selected Stories of Edna O'brien, by Edna O'Brien

  • Sales Rank: #1755892 in Books
  • Published on: 1984-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.75" h x 6.25" w x 1.50" l,
  • Binding: Hardcover
  • 461 pages

About the Author

Philip Roth, acclaimed author of Portnoy's Complaint, The Human Stain and many other works of fiction, is the recipient of numerous awards, including the National Medal of Arts from the White House.

Most helpful customer reviews

19 of 19 people found the following review helpful.
a fanatic heart, a painful heart
By Mar
It is a collection of short stories already published under different titles; they are summoned now with a common objective: to show a deep and complete analysis of women's world. The presence almost overwhelming of feminine figures (rural and urban women, young or elder, married or single, raw and sophisticated...) is the leading thread of this collection. Their decisions, vital choices, their problems, the situations they have to face due to the fact that they belong to the so-called "weak sex" (the girl deserted by her boyfriend after the engagement, the doubts before birth, the anguish of the eldest girl, who has disappointed deeply her mother's expectations over her...etc) are portrayed in a sympathetic and honest way; you can't avoid feeling sorry for some of them: the heroine that has made the wrong choice, the mother submitted to an inebriate husband, the woman that can't escape from an adulterous love.... In this sense the last sentence of the first story, The Connor Girls, is revealing: "By such choices we (women) gradually become exiles, until at last we are quite alone", because it introduces what is going to be one of the main points of most of the stories: loneliness, women's loneliness in the face of men, in the face of other women integrated in the system, in short, in the face of this world of men. What is the result of all this? I think that the feeling that pervades the whole book is that of sadness, an acute pain with which the writer could be exorcising her own.

17 of 18 people found the following review helpful.
Timeless Collection of Short Stories
By Fairbanks Reader - Bonnie Brody
I am surprised that his book has not been reviewed yet. Edna O'brien is a gem of literature and her writing is timeless. This is a wonderful collection of her short stories. My favorites are the following.

1) The Love Object - "We had even searched in our dictionaries for words to convey the specialness of our regard for each other. He came up with 'cense', which meant to adore or cover with the perfume of love". (p.160)

2) Over - This is a haunting story about a relationship that is over, yet still exists in the woman's mind - what was, what could have been, why it was so, etc. It is shrouded in a mystic quality of pain and perseverance.

3) Ways

4) Mrs. Reinhardt - "She often thought that the real secret of their love was that she kept the inside of herself warm for him, like someone keeping an egg under a nest of straw." (p.144)

5) Chrismas Roses

This is a wonderful collection for anyone who loves short stories.

1 of 2 people found the following review helpful.
A most wonderful book.
By alice adams
Loved the book by my favorite author, I had read it years ago, I still loved it as of now!

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~~ Ebook Free Give Me Everything You Have: On Being Stalked, by James Lasdun

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Give Me Everything You Have: On Being Stalked, by James Lasdun

A true story of obsessive love turning to obsessive hate, Give Me Everything You Have chronicles the author's strange and harrowing ordeal at the hands of a former student, a self-styled "verbal terrorist," who began trying, in her words, to "ruin him." Hate mail, online postings, and public accusations of plagiarism and sexual misconduct were her weapons of choice and, as with more conventional terrorist weapons, proved remarkably difficult to combat. James Lasdun's account, while terrifying, is told with compassion and humor, and brilliantly succeeds in turning a highly personal story into a profound meditation on subjects as varied as madness, race, Middle East politics, and the meaning of honor and reputation in the Internet age.

  • Sales Rank: #238354 in Books
  • Published on: 2013-02-12
  • Released on: 2013-02-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.53" h x .82" w x 6.36" l, .75 pounds
  • Binding: Hardcover
  • 224 pages

From Booklist
This memoir-as-cautionary-tale starts innocently enough in 2003 with established novelist and poet Lasdun (Seven Lies, 2005) teaching a fiction workshop at a New York City college. His students include an unassuming though strikingly talented Iranian woman in her thirties. Slowly, even as teacher and student warm to one another over a novel she has begun to write, their relationship begins to unspool, the student pressing ever harder for a romantic relationship, while the happily married professor, though flattered by the advances, demurs with equal force. If her e-mails tell the age-old story of unrequited love, devolving from early girlish innocence (“I’m sorry if I got screwy on you. Please laugh.”) to embitterment (“I also believe you are on medication instead of dealing with why you and most Jewish people are sadistic”), they’re married to a technology that can spread a lie worldwide in a nanosecond, while offering little cover for anyone so defamed. Lasdun delivers a thoughtful account of what went horribly wrong. --Alan Moores

From Bookforum
Rushdie had the Ayatollah, Job had God, and James Ladsun has Nasreen—at least that's what he calls her in Give Me Everything You Have—the former creative-writing student who harassed him for five years and is apparently still at it. As Ladsun remarks mordantly, she made stalking into something of an art form. Ladsun's misfortune was to encounter someone whose obsessions he ignited, and who refused to let him off the hook for it. Usually, we call such people crazy ("borderline personality" was one informal diagnosis here), but as much as Nasreen's projections derailed him, Ladsun is too attuned to the difficulties of libidinal self-management—his own and hers—to let himself entirely off the hook, either. Ladsun has written a perversely lovely account of what happens when one of them manages to burrow far too deeply into her teacher's imaginative life and make mayhem. —Laura Kipnis

Review
"What is...most riveting about this strange and unsettling book is not the grim fascination of Lasdun's situation; it's the moral intelligence and intensity with which he examines it." -- Mark O'Connell Observer "Give Me Everything You Have is a reminder, as if any were needed, of how easily, since the arrival of the Internet, our peace can be troubled and our good name besmirched." -- J. M. Coetzee "James Lasdun's extraordinary tale of erotic obsession is so gripping...there is no greater narcotic than insanity combined with lust" -- Camilla Long Sunday Times "A riveting memoir... This must be the most informative, the most insightful, and the most beautifully written of any account from the victim's perspective of what has come to be called "cyberbullying"." -- Joyce Carol Oates "An extraordinarily odd and disturbing story... The poet in him is skilled at following tiny snags of thought into marvellous, rich mini-essays." -- Jenny Turner Guardian

Most helpful customer reviews

66 of 73 people found the following review helpful.
a gripping, intimate memoir
By Veronica Sawyer
This is an honest and powerful story. In the face of such undeserved torment and hateful aggression, Mr. Lasdun turns introspective and generously shares with the reader the details of his mental undoing and also, in writing this book, the galvanizing steps he takes to right the wrong. I work in law enforcement and have encountered this type of stalker: the wayward, lonely, largely disregarded social misfit who has nothing to lose by attacking the successful and who believes, perversely, that in some way this endeavor entitles her to take credit for her victims' accomplishments. The only thing greater than her self-serving desire to harm her prey is the bottomless pit of nihilism and self-loathing that forms her personality. The closest she will ever come to having a life is stalking someone who has life, and she knows it.
It would be so easy for Mr. Lasdun to simply be angry. He did nothing to provoke this aggravatingly personal assault. He was kind to this pathetic woman, even after she became a monumental pain in the ass. He related to the part of he that was a writer and when presented with her work, provided insightful, helpful commentary.
It's profoundly satisfying to see a "victim" (in the law enforcement context) face their accuser, defend themselves, and transform the experience into something progressive and illuminating. The publication of this book is the author's day in court, probably the only one he will ever have. Mr. Lasdun learns about himself in this ordeal - how much he loves his wife and kids, how grateful he is for his trusted colleagues and peers. One can't help put ponder the arbitrariness of the whole thing...how vulnerable all of us are to random attack in a world where internet-facilitated identity fraud is so common. There are anti-stalking laws on the books in a majority of jurisdictions now - hopefully this fact will give the reader, and Mr. Lasdun, a measure of solace. In any case, do not miss this book.

38 of 41 people found the following review helpful.
Well-written, fascinating and yet troubling.
By Sarah Anne
This is an excellent book for anyone in academe interested in the subject of stalking. It is not, however a straightforward book about stalking. This is a complex literary meditation on the author's own experience through the lenses of various texts and various stages of the author's own awareness. It is all interwoven quite artfully, and yet there is a lingering sense of profound disorder.

At the outset, one expects the stalker to be profoundly disturbed. She is. By mid-book, however, one realizes that the author himself might well benefit from some therapy. The agonizing and obsessing brought on by the harassment seems to push Lasdun into a tangle of over-analysis. There is indeed a cautionary tale in here about lingering in friendships with flirtatious and possibly unstable others. Many readers will themselves recall unwise decisions of their own, or relationships that ended badly. Few, however, will have the story Lasdun has to tell. The abuse is constant and raw, truly nightmarish in its tone and intensity.

The book explores the idea of boundaries between people, boundaries of emotion, thought, and identity. The text itself has a wandering way, its own disregard for boundaries. The story is told once, then revisited, and then told with allegory. It is the perception of the persecuted, the one straining to understand the onslaught of abuse directed at him from seemingly demonic forces.

This is not a linear story told dispassionately. If you are looking for a clinical account of stalking, with tips and warning signs, keep looking. If you are willing to befriend Lasdun yourself and walk with him through this experience, then it is a compelling read.

33 of 38 people found the following review helpful.
Controversial, fascinating, terrifying...and possibly ill-advised?
By EJ
If you are thinking about buying this book, then you are surely aware of its foundation. The author, James Lasdun--a writer, a teacher--is being stalked by a former student whom he calls Nasreen. This is not a novel, it is a literary memoir. Thus, I feel compelled to state that this book is most definitely not a pulp thriller or a true-crime story of suspense, as some of the marketing material may imply. This is a deep introspective investigation of how one feels when a nefarious character burrows into the psyche and pops the protective sphere in which they live. Comparisons to literary figures, both fictional and real, abound in Lasdun's quest to understand what is happening to him, and why.

At the beginning of the book, it is clear that Lasdun mowed down some warning signs from Nasreen as if piloting an Abrams tank, but then again, it is easy to say this with the benefit of hindsight. It would be simple to say that he opened the windows of his fortress to allow access to the toxic cloud. But this is to misunderstand the insidious nature of the stalker. The ease with which Nasreen first portrayed herself as "friend" by morphing into exactly that which Lasdun wanted to see is merely the commencement of her shapeshifting manipulation. What happens from there on out is nothing short of chilling. Lasdun's comparison of Nasreen's effect on him to voodoo or a curse was, to me, brilliant. The horrifying alteration of his life can be felt with every word; the helplessness and frustration are manifest. Having been the subject of an internet stalker myself, I can understand his fear and second-guessing to at least a small degree. Hence, I can also understand the desire to fling this story out in the most public way in order to take back ownership of his life, particularly after he receives little or no help from law enforcement.

But this is where I arrive at the question of whether this book is ill-advised (some may consider the paragraph below to contain spoilers, so please read with caution). First, there is the quite obvious issue that Nasreen accuses him of using her emails to produce a literary work, and that has actually come to fruition in this book, although most certainly not in the sense of "stealing" ideas. Next, there is the more prosaic issue: is it wise, or even ethical, to write a book about a stalker when that stalker is still quite actively pursuing the target? Lasdun discusses this possibility in the text, but dismisses it rather quickly, in contrast to the very detailed, intelligent probe of other aspects of this debacle. From this book, Lasdun appears to be unaware of the scientific literature on mental illness in general and the burgeoning research regarding the psychological phenomenon of internet stalking in particular. But perhaps he is not; perhaps that is not the point of this book at all. It does concern me that Nasreen has shown no sign of slowing down and that she is now targeting one of his children. As Lasdun argues, though it may indeed be an oversimplification to say that Nasreen is "just" mentally ill, it seems to me, at least, that she is. Whether Lasdun intended this book as a provocation or not, it appears that it may be taken that way by Nasreen; in turn, this book may contribute to a self-fulfilling prophecy of never-ending torture by a stalker.

To sum up, this is the most controversial and thought-provoking book I have read in years. I already know that it is going to reside in my thoughts, close to the surface, for a long time. While I reiterate that if you are looking for a paperback novel of suspense, this book will probably not meet your expectations, I also strongly recommend this book for its fascinating analysis of the anguish caused by the modern-day stalker.

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Wednesday, September 10, 2014

~ PDF Download Primitive People, by Francine Prose

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Primitive People, by Francine Prose

The au pair for the Porter family, Haitian-born Simone becomes witness to the family's casual cruelty, observing the activities of Rosemary, a sculptor; her philandering husband, Geoffrey; her mercurial friends, Kenny and Shelly; and others.

  • Sales Rank: #5331163 in Books
  • Published on: 1992-04
  • Original language: English
  • Dimensions: 8.75" h x 5.75" w x 1.00" l,
  • Binding: Hardcover
  • 227 pages

From Publishers Weekly
Having acquired an audience of discerning readers with such novels as Household Saints and Bigfoot Dreams , Prose comes into her own with this acerbic comedy of manners. Both deliciously wicked and poignant, it is a fable of our times. Through the eyes of her protagonist Simone, an illegal immigrant from Haiti who becomes a "caregiver" to the children of unforgivably self-absorbed parents, Prose illuminates some of the ludicrous aspects of our culture and of the perennial battle between the sexes. Morbidly depressed 10-year-old George and six-year-old sister Maisie are the casualties of their parents' failed marriage. Their brittle, bubblehead mother Rosemary, a sculptress of absolutely no talent, has been abandoned and left nearly penniless by their father, charismatic womanizer Geoffrey, and she is pathetically trying to cope with life in the derelict Porter family mansion in upstate New York. Although she is bewildered by American culture, Simone becomes the one stable element in the household, winning the children's trust and Rosemary's patronizing affection. As she meets Geoffrey, Rosemary's friends and other members of the community, Simone sees dark links between her violence-haunted homeland and the outwardly serene community of Hudson ' s Landing. Observing the complex betrayals of which the children are ultimate victims, Simone is herself betrayed by her need for emotional connection. Prose has a ventriloquist's skill in capturing contemporary jargon and a laser eye for describing the people who spout it. She offers hilarious sendups of mall culture and of pretentious, empty socialites, seen here in a stable at the wedding of a bovine WASP heiress and a Sufi homeopath veterinarian. But most potently, she ironically contrasts the "primitive" aspects of Haitian society, including voodoo sacrifice, with the unconscious cruelty of upper-class parents whose treatment of two innocent children verges on the barbarous. The beautifully sustained, satiric tone of the novel darkens as Prose fashions a credible, bleak ending for her cautionary tale.
Copyright 1992 Reed Business Information, Inc.

From Library Journal
Simone is an illegal immigrant from Haiti, working as an au pair for a family in upstate New York. There, she learns about American life from the shallow, self-centered "primitive people" around her: her employer Rosemary, who is camping out with her withdrawn children in the ancestral home of her estranged husband; Rosemary's brittle and caustic best friend Shelly, an interior decorator; and Shelly's narcissistic, sexually ambiguous boyfriend Kenny, who owns a children's hair salon. In Simone's adjustment to her new life, Prose's latest novel is reminiscent of Jamaica Kincaid's Lucy ( LJ 11/1/90), while its biting satire and anti-male attitude recall Fay Weldon. Although this book is entertaining to read, it doesn't have enough substance or sympathetic characters to be totally successful. Prose's talent for skewering the pretensions of contemporary life is shown to better advantage in her short story collection Women and Children First ( LJ 3/1/88).
- Patricia Ross, Westerville P.L., Ohio
Copyright 1992 Reed Business Information, Inc.

From Kirkus Reviews
Prose's seventh novel (Bigfoot Dreams, 1986, etc.) inspires many a giggle as it relates the odd and fascinating adventures of a Haitian au pair in an eccentric upper-class Hudson Valley household--social satire at its slyest and best. Shy, beautiful Simone of Port-au-Prince had no choice but to leave Haiti when she did--not only had the government fallen, but, more devastatingly, Simone's artist lover had dumped her for her best friend and Simone couldn't face the humiliation. Quitting her job as chief assistant to the US cultural attach‚, Simone buys a fake green card and an illegal US marriage certificate, flies to New York, and winds up a few days later in the very bohemian household of Rosemary Porter. Rosemary, a wiry-haired sculptor of fertility objects, self-obsessed mother of two morbid children, and estranged, middle-aged wife of wealthy Geoffrey Porter of an influential Hudson Valley family, takes to Simone instantly, no questions asked--giving her a tour of Geoffrey's crumbling, chaotic mansion (from which they might be evicted at any moment) and introducing her to young George and Maisie (``All you have to do is make sure the kids don't kill each other...and cheer them up! I don't care how. Lift their little spirits somehow!''). Not surprisingly, Simone soon finds herself identifying more with her shell-shocked charges than with their wildly irrational elders. She huddles with George and Maisie around the Porters' massive kitchen table, wolfing down red beans, rice, and fried plantains while fending off casual references to ``primitive'' Haiti and trying to make sense of a world in which philandering fathers, dithering mothers, double-crossing best friends, suburban witches, and the homicidal Count next door hold the fate of innocents in their unsteady hands. As always, Prose's wit sparkles. Another winner by a writer who has hit her stride. -- Copyright ©1992, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

6 of 7 people found the following review helpful.
Well-written, but not satisfying
By A Customer
In the book, as in many of her other works, Francine Prose has a gift for evocative description. She nails the feel of a restaurant, or a room, a coat, a meal, etc. It is easy to picture the characters, and translate them to real life. They could easily exist, and are generally amalgams of people one already knows. The society and the culture she describes in this book, she knows, and faithfully depicts. There are universal feelings that the main characters have and describe that she conveys so eloquently that I found myself actively thinking "Wow, I'm impressed."
However, despite her great skill as a writer, I found the book only lukewarm on the enjoyability scale. She may write real and vivid characters, but I didn't really care too much about them. And sadly, I felt like she didn't either. It seemed to lack heart. Passion. This book doesn't quite go the distance, and although it is not a bad read it packs no real punch.

3 of 3 people found the following review helpful.
missing the boat?
By lisatheratgirl
I mean the other reviews. Wo wo wo wo---this isn't a novel with a "dark" plot or characters that are supposed to be realistic individuals. I admit this is the first book I've read by the author, but what this is is satire, these people are supposed to be caricatures. Even the title tells you that. Rich American WASPs are seen through the eyes of a newly arrived illegal immigrant from Haiti. It's the Americans (in Westchester County, I'm assuming) who are the "primitive" people, and not in the literal sense. It's good satire because the author's point is very true, and she has you laughing while shaking your head at the same time. Here is a divorced father who buys his kids their own life-size jukebox, and explains to the Haitian nanny he has a terrible dilemma, because he never knows what to get the kids for Christmas. The Haitian woman meanwhile thinks that kids from her country would prefer too many choices to no food at all. She's having a lot of trouble understanding the world she's been dropped into, and it is pretty crazy. You'll enjoy this book a lot if you see it for what it really is. In some ways it reminds me of Don DeLillo's White Noise, or William Boyd's books. Another story along these lines is that old movie, The Gods Must Be Crazy. We do live in a crazy environment, and sometimes all you can do is laugh.

3 of 3 people found the following review helpful.
The selfish shall inherit the earth
By algo41
The moral of this dark novel could be formulated as " the selfish shall inherit the earth". An illegal Haitian immigrant is hired by a divorced wife to be a governess - unlike the other characters, mother and governess are both very decent people, although the mother can be neglectful and not as strong a person as the children need. The strength of this novel is in its portrayal of the children, caught in a bad situation. The Haitian angle and the governess' back story add interest, the father is charming and chilling, and the children's barber is a well drawn, interesting secondary character. It took me quite a while to get fully caught up in this book, but it was never dull.

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>> Download Ebook We Killed: The Rise of Women in American Comedy, by Yael Kohen

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We Killed: The Rise of Women in American Comedy, by Yael Kohen

No matter how many times female comedians buck the conventional wisdom, people continue to ask: "Are women funny?" The question has been nagging at women off and on (mostly on) for the past sixty years. It's incendiary, much discussed, and, as proven in Yael Kohen's fascinating oral history, totally wrongheaded.

In We Killed, Kohen pieces together the revolution that happened to (and by) women in American comedy, gathering the country's most prominent comediennes and the writers, producers, nightclub owners, and colleagues who revolved around them. She starts in the 1950s, when comic success meant ridiculing and desexualizing yourself; when Joan Rivers and Phyllis Diller emerged as America's favorite frustrated ladies; when the joke was always on them. Kohen brings us into the sixties and seventies, when the appearance of smart, edgy comedians (Elaine May, Lily Tomlin) and the women's movement brought a new wave of radicals: the women of SNL, tough-ass stand-ups, and a more independent breed on TV (Mary Tyler Moore and her sisters). There were battles to fight and preconceptions to shake before we could arrive in a world in which women like Chelsea Handler, Sarah Silverman, and Tina Fey can be smart, attractive, sexually confident―and, most of all, flat-out funny.

As the more than 150 people interviewed for this riveting oral history make clear, women have always been funny. It's just that every success has been called an exception and every failure an example of the rule. And as each generation of women has developed its own style of comedy, the coups of the previous era are washed away and a new set of challenges arises. But the result is the same: They kill. A chorus of creative voices and hilarious storytelling, We Killed is essential cultural and social history, and―as it should be!―great entertainment.

  • Sales Rank: #887025 in Books
  • Published on: 2012-10-16
  • Released on: 2012-10-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.67" h x 1.19" w x 5.94" l, 1.27 pounds
  • Binding: Hardcover
  • 336 pages

From Booklist
Kohen’s lively oral history traces female comedians in America during the last six decades, showing how women doggedly fought their way into what was considered a male arena and thrived. The chronicle begins with the late, great Phyllis Diller, whom Kohen interviewed before her death, in August. Diller turned her own life into comedy, offering up joke after joke about being housewife to a loutish husband. While Diller mastered rapid-fire stand-up, Joan Rivers got her start lamenting her single status, and Lily Tomlin created eccentric characters. When Saturday Night Live came on the scene in 1975, Gilda Radner’s caricatures of public figures and original creations made an impression. Men largely dominated the show until the mid–1990s, when Molly Shannon’s hyperactive Catholic teen, Mary-Catherine Gallagher, became a sensation, paving the way for funny ladies Tina Fey, Amy Poehler, Maya Rudolph, and Kristen Wiig to make it big in the next decade. Filled with recollections from comedians, comedy-club owners, and writers, this remarkable oral history is a must-read for entertainment buffs. --Kristine Huntley

From Bookforum
Kohen winds up presenting a sort of Mr. Toad's Wild Ride of female comedy, one that inadvertently advances the notion that sorting comics based on a pair of chromosomes makes more sense than, say, tossing them into one of two groups: Funny and Not That Funny. From the hot-pink cover to the emotional high five of a title, Kohen's book has that whiff of feminist rallying that renders so much of the for-women, about-women universe faintly uncomfortable. —Heather Havrilesky

Review

“We Killed shines in its details and its anecdotes....Well crafted and entertaining.” ―The Boston Globe

“An anecdotal history of the women who crack us up and push boundaries [told] by the trailblazers themselves....You'll learn as much as you laugh.” ―Cameron Diaz

“A comprehensive oral history...Part show business chronicle and part unabashed (read: drugs, digs, and dirt) confessional, We Killed [is] further proof that women, and the men who heed their talent, will have the last laugh.” ―Elle

“Comics of all levels of celebrity and vintage, as well as club owners, producers, writers, agents, and network executives, carry the story...[and] there's a bracing dose of shoptalk that puts you right inside their wheelhouse....Satisfying.” ―The New York Times Book Review

“A remarkable history of women in comedy.” ―The Observer (London)

Most helpful customer reviews

15 of 15 people found the following review helpful.
Do These Jokes Make Me Look Fat?
By takingadayoff
We Killed is like reading a good documentary film. It's organized roughly chronologically, from the 1960s to the present. The emphasis is on stand up comedy and TV. Author Yael Kohen introduces each chapter with a little background, then lets everyone speak for herself. Sometimes it seems as if there are several people in the same room, reminiscing and telling stories. Just as with the documentary film, the filmmaker, or in this case, the writer, is almost invisible to the viewer. Her questions aren't included and her remarks at the beginning of each chapter are brief.

At first, I thought the format was a awkward and I wanted a little more to connect the conversations, but then I forgot the format and was just enjoying reading about all these women (and a few men) talking about what it was like to write, perform, and get a foot in the door.

If you ever mistakenly thought that women aren't funny, you just have to read the lineup in this book to remind you of all the women who have made us laugh since the 1960s. Carol Burnett, Penny Marshall, Lily Tomlin, Mary Tyler Moore, and dozens more are all here. Even though Kohen includes a wide cross-section of women in comedy, you're bound to notice some of the women who aren't in the book, such as Julia Louis-Dreyfus, Tina Fey, Amy Poehler, and Betty White. The sheer number of notable women in comedy should prove the point that women are funny, and these are just the women on screen.

Reading about how some of my favorites got their starts was fun, but the real power of this book is in how the women dealt with the various degrees of sexism that existed in the 1960s and in many cases still exist today.

In addition to some surprising (and some not so surprising) stories about dealing with people who thought comedy was for boys only, I found myself thinking about some old favorites in a whole new way. For instance, The Dick Van Dyke Show included the first example of a career woman on TV, other than schoolteachers. And although much was made of her unsuccessful love life, the character Sally Rogers was an independent woman, dressed for success, had her own apartment in Manhattan, and was acknowledged as one of the best in her field as a TV comedy writer. There was no mention of her parents (as with That Girl, Ann Marie played by Marlo Thomas). Carl Reiner, the series creator, is to credit for the decision to include a credible career woman in the Dick Van Dyke Show. Since he had been a writer for Sid Caesar's Show of Shows back in the 1950s, which included the writer/comedian Imogene Coca, it seemed natural to him that a woman would be slinging jokes with the best of them. Now it seems funny that there was no talk about breaking barriers or being a token - Imogene Coca and Sally Rogers were just writers who were also women.

13 of 14 people found the following review helpful.
Missing some history
By cary o'dell
While I think this book is an important one, I wish the author had concentrated just on women in stand-up comedy, especially since her historical knowledge of other fields, like TV broadcasting history, is greatly lacking. She begins her look at women as a force in the sitcom genre with "Mary Tyler Moore" which didn't debut until 1970! ?She thereby erases many important women on the screen and behind the scenes who were on the air long before "MTM." After all what about Madelyn Pugh Davies, she wrote a little show called "I Love Lucy." Other early female comedy writers include Selma Diamond, Lucille Kallen (from "Your Show of Shows"), Gertrude Berg and Peg Lynch, just to name a few. Furthermore to state that sitcoms pre-"MTM" never featured any single working women beyond "school teachers" (like Eve Arden in "Our Miss Brooks") is inaccurate as well. What about Ann Sothern as a hotel manager on her second sitcom, "The Ann Sothern Show" or Gale Storm as a ship's cruise director on her sitcom? Such narrow historical recounting doesn't do any favors for the readers and certainly not for women.

1 of 1 people found the following review helpful.
Imagine You are Watching a Documentary
By Princess Periwinkle
Yael Kohen writes, We Killed: The Rise of Women in American Comedy at the time of and in response to Christopher Hitchens’ article in Vanity Fair proclaiming women aren’t funny.

“Comedy has always reflected society- its values, taboos, norms. Surely, then, it only makes sense that the rise of women in comedy has run parallel to the rise of women in out society” (5). This is one of several hooks in the introduction, however I lost interest hereafter.

Kohen’s introductions to chapters are concise, consisting mostly of history with a sprinkle of her own observation.
The format of the book is awkward. Each paragraph is an oral account of club proprietors, writers, performers, producers, etc.- the name and profession in bold type followed by their personal story. The problem with this is, the book gave little indication of its format, thus confusing me right out the gate. Another reason this is troublesome is because it doesn’t move the history along. There is an abundance of information embedded in the oral accounts and I learned a great deal, but I felt like I had to hunt for the information. Not everything accounted for needed to be recounted.

Kohen’s book is well researched and surely informative. I loved learning how women dealt with sexism in each of their generations, past to present. I learned Phyllis Diller preferred to work gay clubs because they were chic; the audience had higher brow expectations for jokes unlike the vaudeville clubs.
I appreciate Kohen creating an inclusive environment in her book- men and women participate in the discussion- this is how feminism is thrives and paradigms begin to shift.

Kohen does a wonderful job researching and including so many wonderful people, but I feel there might be a few missing pieces. Chapter Three: Prime Time introduction speaks of the 1970s as the “most prolific decade for women in television” (57). The introduction and statement discredits the early work of women such as Lucille Ball and Donna Reed (creator and producer, respectively). Without them, how could the “most prolific decade for women in television” exist?

Overall, Kohen pieced together a scrambled and misogynistic history into a densely rich, accessible perspective. For that, I thank her. This book should be the jumping off point for turning this into a documentary.

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Monday, September 8, 2014

!! Ebook Love Monster, by Rachel Bright

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Love Monster, by Rachel Bright

Love Monster is a slightly hairy monster trying to fit in with the cuddly residents of Cutesville. But as it turns out, it's hard to fit in with the cute and the fluffy when you're a googly-eyed monster. And so, Love Monster sets out to find someone who will love him just the way he is. His journey is not easy―he looks high, low, and even middle-ish. But as he soon finds out, in the blink of a googly eye, love can find you when you least expect it.

Look out for Love Monster and the Perfect Present, coming in Fall 2014.

  • Sales Rank: #19702 in Books
  • Published on: 2014-12-23
  • Released on: 2014-12-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 6.52" h x .66" w x 6.26" l, .0 pounds
  • Binding: Board book
  • 32 pages

From Booklist
’Tis the season for all things monstrous—but not in Cutesville, “Home of the Fluffy.” Bright’s hairy, snaggle-toothed monster feels out of place amid the town’s cutesy critters, so he packs his binoculars and guidebooks (The Rough Guide to the Big Wide World and Making Friends for Dummies, among others) and hits the road. Like the main characters in Mo Willems’ Leonardo, the Terrible Monster (2005) and Tammi Sauer’s Mostly Monsterly (2010), Monster’s appearance doesn’t match his sensitive disposition, and he yearns for someone to love him “just the way he is.” Bright’s rough-textured print technique—think degraded photocopy—suits our scruffy little hero to a T, while the bright, saturated color palette of reds and purples against pale and pretty backgrounds reflects his optimistic nature. The ending is disappointingly run-of-the-mill—after searching high and low, Monster’s soul mate turns out to be a bus-driving girl monster who looks exactly like him—but the friendly, clever text and winsome illustrations make this book a decent seasonal addition to the bedtime stack. Preschool-Kindergarten. --Paula Willey

Review

“You might have noticed that everyone loves kittens, and puppies and bunnies. You know, cute, fluffy things," remarks the chatty narrator of Love Monster, a winning picture book by Rachel Bright. The world's affection for cuteness makes it tough for the funny-looking, 'slightly hairy' title character who yearns for love and acceptance. Ms. Bright uses a style of printmaking that yields coarse black lines, which she has filled in with color to evoke the Love Monster's feelings of both despondency and hope as he searches the (frustratingly cute) world for a kindred spirit. With the Monster, as with many a lonely soul, love arrives when he least expects it in this ultimately happy excursion for 2- to 5-year-olds.” ―The Wall Street Journal

“...Bright has a brisk but sympathetic voice that's appealingly British, and her visual pacing is impeccable. Like the monster itself, this story wears its heart very visibly.” ―Publishers Weekly

“Scarily good!” ―Kirkus Reviews

“Like the main characters in Mo Willems' Leonardo, the Terrible Monster (2005) and Tammi Sauer's Mostly Monsterly (2010), Monster's appearance doesn't match his sensitive disposition, and he yearns for someone to love him "just the way he is." Bright's rough-textured print technique--think degraded photocopy suits our scruffy little hero to a T, while the bright, saturated color palette of reds and purples against pale and pretty backgrounds reflects his optimistic nature.” ―Booklist

“Sweet.” ―School Library Journal

About the Author

Rachel Bright is a wordsmith, printmaker, and thinker of happy thoughts. The author-illustrator of several acclaimed picture books, she is passionate about time-honored printmaking techniques. She works from her converted caravan studio, on a farm near the sea in the south of England, where she lives with her partner, a dog called Elvis, and a cat called Superman.

Most helpful customer reviews

18 of 19 people found the following review helpful.
I love Monster :)
By carly
Love Monster is such a lovely little book, we really loved reading it.

Monster is a little bit different, he's not cute and fluffy, and living in Cutesville that can be pretty tough. He is unloved, so he goes in search of someone to love him, for just being himself. He searches high and low, with no luck. I just wanted to pick this lonely little fellow up an give him a big hug. But in the end love finds him, when he least expects it.

The illustrations in this book are wonderful, they are bold, bright, different and just really stand out of the page. Between the story and the illustrations, this book held my little one's (3) attention throughout, I kept hearing AWWW and poor Monster.

The lesson in this book is brilliant, it teaches you not to judge on looks, it's OK to be different and everybody deserves to be loved.

We received Love Monster in the post this morning and we have already read it four times together, so this book is definitely a winner.

Thank-you Rachel Bright for putting together this lovely little book and thank-you to Harper Collins for sending it for review! We will be looking out for more works form Rachel Bright.

7 of 8 people found the following review helpful.
I love this book!!
By Amazon Customer
My daughter read it in school. I recommend this book to every friend I know.
Very cool book for kids!!

5 of 6 people found the following review helpful.
Seriously love love love this book!
By Adi
The pictures are so cute and the story flows really well. My almost 2 year old brings it to me every day since we got it and has me read it to her. she stares and stares at the pictures too. Get it! you'll love it!

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!! PDF Download Open House: Of Family, Friends, Food, Piano Lessons, and the Search for a Room of My Own, by Patricia J. Williams

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Open House: Of Family, Friends, Food, Piano Lessons, and the Search for a Room of My Own, by Patricia J. Williams

Open House strings together a delightful array of observations, reminiscences, anecdotes and commentaries by renowned columnist Patricia Williams. Written with her trademark wit and insight, she relates stories about the many facets of her life - as a lawyer, scholar, writer, African-American, descendant of slaves, mother, and single, fifty-something woman - always aware of the ironies inherent in situations when her many identities don't conform to societal expectations. She tells us of her Great Aunt Mary, who crossed the color line one day, while boarding a train; about her Best White Friend, who believes that the only thing standing between the author and an eligible husband is a make-over; about the day she and her family learned how to eat watermelon without fear of racial judgment; and about why she worships Oprah. She also tackles serious subjects, such as cloning and the legacy of slavery and privacy issues in the cyberage, all with her characteristic sparkling humor and originality. Always provocative, never didactic, Open House is an entertaining journey through the rooms of Pat Williams' imagination.

  • Sales Rank: #2899884 in Books
  • Published on: 2004-11-08
  • Released on: 2004-10-14
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.00" w x 5.50" l,
  • Binding: Hardcover
  • 272 pages

From Publishers Weekly
With a résumé that includes degrees from Wellesley and Harvard Law School, a law professorship at Columbia, a column in the Nation and a trio of books, Williams would seem to have enough material to fill several volumes of memoirs. In this thought-provoking, unconventional one, she combines family history with discourses on everything from race, class and slavery's legacy to why she likes O magazine. One chapter, "The Kitchen," begins with an account of buying herself a cappuccino maker, moves to a consideration of homelessness in New York City, continues on to detail her father's heritage, segues to thoughts on why African-Americans give their children unusual names, returns to cappuccino and her sophisticated godmother, makes its way around to trying to cook a turkey and on from there to other food anecdotes and a description of sharing cinnamon toast and steamed milk with her young son. Williams skillfully integrates her probing analyses of social and political issues with riffs on such topics as turning 50 and Michael Jackson's "carving up his face like a paper doily" to form a fluid whole. The book's most affecting parts are the rich, loving stories about Williams's family, from those born into slavery to a grandfather who graduated from Meharry Medical College in 1907.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Williams, a law professor, offers her sharp legal and personal perspectives in this collection of essays on a variety of topics from race, politics, and family to personal identity. She recalls a vivacious great-aunt who was indentured as a young girl, later passed for white and married a wealthy white man, and eventually reclaimed her racial identity and settled into a life as the family's grand dame. Williams' participation in Anna Deveare Smith's Institute for Arts and Civic Dialogue provokes her to recognize her hidden talents and longings. The trend toward minorities, most notably Michael Jackson, using plastic surgery prompts observations about standards of beauty. She reveals more of her personal perspective as the mother of an adolescent adopted son, coping with middle age. Williams notes her admiration for Oprah Winfrey for having accomplished with her magazine and her television show the integration of black folks into regular status. Williams has done something similar with her book, which examines race and sex within the context of mundane life and its simple struggles and observations. Vanessa Bush
Copyright © American Library Association. All rights reserved

Review
"Patricia Williams writes about timely subjects in a timeless way, in a voice that is both personal and objective. She is the rare writer who can be trusted with both our minds and our hearts." --Gloria Steinem

"From one of our great theorists of race and the law comes this lovely and personal book. But this is no sweet little romp through Patricia Williams’s family photos. Rather, she manages to write about Oprah, a manicure, and her Aunt Mary who passed as white (among countless other topics) with both warmth and incisiveness. No one does this kind of essay-writing—melding private and public, personal and political—with the grace or critical acuity of Patricia Williams." --Henry Louis Gates, Jr., W.E.B. Du Bois Professor of the Humanities and Chair of Afro-American Studies, Harvard University

"Open House is an astonishingly wise and important book. Whether meditating on Oprah Winfrey's photograph on the cover of Vogue or reflecting on the difficulty of explaining the arbitrariness of race to her young son, Williams possesses a rare gift: the ability to see the big picture in the details of everyday life. Her graceful and hopeful observations, tempered by irony and wit, tell us much about our nation in this troubled time." --Maurice Berger, author of White Lies: Race And The Myths Of Whiteness, Senior Fellow, the Vera List Center for Art & Politics, New School University

"From the intellectual powerhouse who brought us The Alchemy of Race and Rights comes a delightful book that could well be called 'The Alchemy of Passion and Purpose.' This book is a treat. A real bon bon for the brain." --Veronica Chambers, author When Did You Stop Loving Me

"In Open House, Patricia Williams again exhibits her singular skill in transforming life’s problems, perils, and possibilities into an incandescence of understanding." --Derrick Bell, law teacher and author of
cf0Silent Covenants: Brown v. Board of Education and the Unfulfilled Hopes for Racial Reform

"Open House is an open sesame to a storehouse of rich riffs on subjects as varied as eccentric aunts, genetic engineering, lobster, the hazards of conformity, computer profiling, cappucino machines, the social significance of Oprah, the politics of watermelon, (and passing as white--or Indian), and the challenge of raising a black child in a still-racist society. Spending time with Patricia Williams in this provocative, gorgeously-written collection of essays, is like sitting on the porch with a tall iced tea and the smartest person you know." --Letty Cottin Pogrebin, author of Three Daughters

Praise for Seeing a Color-Blind Future:

"Seeing a Color-Blind Future is a slender book that challenges us to dream the biggest dream--a deep democracy in which we see ourselves in each other. Patricia Williams instills it with her gifts of intelligent rage, compassion, and hope." --Gloria Steinem

"This powerful text examines the everyday realities of race in such a powerful and poignant way that we can never fall back on the myth of color blindness even as we transcend race in our quest for humane ends and aims." --Cornel West

Praise for The Alchemy of Race and Rights:

"One of the most invitingly personal, even vulnerable, books I've read...Williams has a knack for keeping you just a bit off balance...Her readings invigorate familiar controversies: If you thought there was nothing new to be said about Howard Beach or Eleanor Bumpurs, Tawana Brawley or Baby M., read Williams on them. But some of the most magical turns of argument flow from far less public events...The law needs a brain...and, even more, a heart and some courage. Certificates won't help. This book just might." --Henry Louis Gates, Jr., The Nation

"Williams' candor about the law and her life is refreshing...The Alchemy of Race and Rights brings jurisprudence to the people while leaving no doubt that the author is among the finest legal talents among us." --Evelyn C. White, San Francisco Chronicle

Praise for The Rooster's Egg:

"[Williams's] overall contribution to contemporary political debate is invaluable. Her insights are complex and compelling. Few today see so clearly, and write so engagingly, about the prejudice that has settled so insidiously into our lives." --Jane Goldman and Miranda Joseph, In These Times

Most helpful customer reviews

4 of 4 people found the following review helpful.
Only Book in the Wellesley Bookstore in the 1st week of August 2005!
By Charles Morgan
Patricia Williams has a column in the Nation, Diary of a Mad Law Professor, which I found out about

through reading this great book. I was at a music conference at Wellesley last summer and happened

upon this in the bookstore. There were not many other books, but thank God they decided at least

to have something there by an alumna, because the three books I had brought were not wearing well:

1) a cynical though I suppose funny report on Howard Dean's presidential campaign, 2) a book about how

to survive in a nasty office environment and 3) I forget the third. Not great energy! But Williams' book was

very warm and funny. I was particularly admiring of how much she knew of her own family background.

A lot of family background sections in the beginnings of autobiographies can be ho-hum. This one was

a wild ride! It reads as though she knew her ancestors personally. The book is a very important discussion

of race relations and you just want everything to go her way. The college bookstore had a much bigger selection THIS year.

4 of 4 people found the following review helpful.
We need more writers like Patricia Williams
By Harriet Washington
A warm, poignant, beautiful book that reveals Patricia Williams as more than one of the nation's most original and accomplished intellectuals: Reading this you come to know her as an equally brilliant mother, friend and human being.Would that we had more like her.

0 of 0 people found the following review helpful.
Five Stars
By Mauricio E Reyes
Excellent book!

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