Saturday, February 13, 2016

> Ebook Download Soul of the Age: Selected Letters of Hermann Hesse, 1891-1962, by Hermann Hesse

Ebook Download Soul of the Age: Selected Letters of Hermann Hesse, 1891-1962, by Hermann Hesse

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Soul of the Age: Selected Letters of Hermann Hesse, 1891-1962, by Hermann Hesse

Soul of the Age: Selected Letters of Hermann Hesse, 1891-1962, by Hermann Hesse



Soul of the Age: Selected Letters of Hermann Hesse, 1891-1962, by Hermann Hesse

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Soul of the Age: Selected Letters of Hermann Hesse, 1891-1962, by Hermann Hesse

Throughout his life, Herman Hesse was a devoted letter writer. He corresponded, not just with friends and family, but also with his readers. From his letters home from the seminary at age fourteen, to his last letters, written days before his death at eighty-five, this selection gives a sense of the author of some of the most widely read books of the century.

  • Sales Rank: #3525318 in Books
  • Published on: 1991-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.52" h x 1.29" w x 6.40" l,
  • Binding: Hardcover
  • 347 pages

From Library Journal
About half of the 30,000 letters written by German writer Hesse are extant. This book makes available a major selection of them for the first time in English (see also The Hesse-Mann Letters, 1910-1955 , LJ 5/15/75). Hesse, the 1946 Nobel Laureate in Literature and author of Steppenwolf , Siddhartha , and The Glass Bead Game , personally responded to all his correspondence until his mid-seventies. The letters take the place of an autobiography, as Hesse scholar Ziolkowski (Princeton) points out in the introduction, and cover his adolescence (boys' school, attempted suicide), his three marriages, and his relentlessly honest feelings about Germany's involvement in the world wars. A valuable picture of one of the greatest writers of the 20th century emerges. Highly recommended for German literature collections.
- Ingrid Schierling, Univ. of Colorado at Colorado Springs
Copyright 1991 Reed Business Information, Inc.

From Kirkus Reviews
The first English edition of Hesse's letters, edited and introduced by the Princeton scholar (Dean of the Graduate School) whose previous studies (The Novels of Herman Hesse, 1965; Herman Hesse, 1966--not reviewed) have established him as a preeminent authority on Hesse's life and work. Born in Germany in 1877, Hesse spent most of his childhood in Switzerland, where his father--a scholar and former missionary- -taught school in Basel. A bright student, he was sent to a German seminary at the age of 12; there, he underwent the first of a series of nervous breakdowns that drove him to the brink of suicide and wrecked his academic career. Abandoning his studies at 16, he found work as an apprentice bookseller and devoted himself to literature. His first novel, Beneath the Wheel, was based on his recollections of school and met with great critical success. His interest in Eastern mysticism, reflected in many of his works (notably Siddhartha), led him to travel extensively throughout the Orient and brought on his renunciation of the formal Christianity of his childhood. Shortly before WW I, Hesse returned to Switzerland, where he lived in self-imposed exile for the rest of his life. Despite the unpopularity he suffered as a result of his pacifism during both wars, he was awarded the Goethe Prize and the Nobel Prize for Literature in 1946. The nearly 300 letters collected here, spanning the years from Hesse's troubled adolescence until the very eve of his death, provide a remarkably vivid portrait of his development as an artist and public figure. Together with Ziolkowski's readable and informative introduction, they succeed in displaying the inner life of one of the greatest writers of our century. An admirable work of scholarship, well organized and intelligently annotated, and an indispensable guide to any future studies of Hesse. (Photographs--not seen.) -- Copyright ©1991, Kirkus Associates, LP. All rights reserved.

Language Notes
Text: English (translation)
Original Language: German

Most helpful customer reviews

0 of 0 people found the following review helpful.
Our Dear Herr Hesse
By James Thalman
A profound yet intimate portrait of a soul for all seasons and a mensch of all ages. Hermann Hesse was arguably the world's hardest-working man of letters, both as a poet and novelist. This collection also shows HH was and remains the Magistere Ludi of the lost art of personal letter writing, a duty he embraced as seriously and tenderly and tirelessly as any other writing project. Each letter in the collection, which includes more than 500 numbered index links to the book's context and background notes, is as beautifully rendered as a daily and solidly truthful as slab of marble.
Five stars also for the editor, the translator and the publishing houses that for nearly a century have kept Hesse''s fire stoked and his light shining in this dark, too often dreary world.

5 of 5 people found the following review helpful.
Better than a biography
By Christopher Nelson
This is an important book to have if you're a fan of Hesse. There are many personal letters collected here by a reknown Hesse scholar which shed light on Hermann Hesse the man, artist, and writer. These are also the sources for many biographers and it's good to have them available for those of us who like to form their own opinions and thoughts about Hesse's life and works from the man himself. Ziolkowski provides a nice, brief introduction, and reading these personal (often private) letters whether chronologically or at random, is like eavesdropping in on the life of a kindred soul and good friend. Together they create a well rounded, kaleidoscopic view of one of the Twentieth-Century's greatest and most respected writers.

6 of 7 people found the following review helpful.
A good book for understanding Hesse
By A Customer
Soul of Age contains a good selection of Hesse's letters that provide a very usefull introduction to Hesse. The translations are very good, and the introduction is informative and intresting. Some letters between Jung and Hesse are missing, but you can find them in Michael Serrano's book.

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Friday, February 12, 2016

? Ebook Download Pulse: The Coming Age of Systems and Machines Inspired by Living Things, by Robert Frenay

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Pulse: The Coming Age of Systems and Machines Inspired by Living Things, by Robert Frenay

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Pulse: The Coming Age of Systems and Machines Inspired by Living Things, by Robert Frenay

Pulse is not about dance music, not about heart rates—and not about electromagnetic fields. What it does describe is a sea change in human affairs, a vast and fundamental shift that is about to transform every aspect of our lives. Written in lively prose for lay readers, Pulse shows how ideas that have shaped Western science, industry, and culture for centuries are being displaced by the rapid and dramatic rise of a “new biology”—by human systems and machines that work like living things.

In Pulse, Robert Frenay details the coming world of
• emotional computers
• ships that swim like fish
• hard, soft, and wet artificial life
• money that mimics the energy flows in nature
• evolution at warp speed

And these are not blue-sky dreams. By using hundreds of vivid and concrete examples of cutting-edge work, Frenay showcases the brilliant innovations and often colorful personalities now giving birth to a radical new future. Along the way, he also offers thoughtful conclusions on the promises—and dangers—of our transformation to the next great phase of “human cultural evolution.”

  • Sales Rank: #3719635 in Books
  • Published on: 2006-04-04
  • Released on: 2006-04-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.64" h x 6.32" w x 9.26" l,
  • Binding: Hardcover
  • 576 pages

From Publishers Weekly
The computer HAL in the film 2001: A Space Odyssey is infamous for its dispassion, but former Audubon contributing editor Frenay tells readers that computers with emotions will arrive sooner than we may feel comfortable with. In this wide-ranging look at how biology and technology are being integrated in almost every area of human invention, Frenay writes of virtual communities and societies that are springing up online, some with economic systems that mimic those of the real world. Scientists have already created virtual life forms that have developed "sex" all by themselves and are exhibiting evolutionary traits. In the book's most original chapter, the author explains why some economists even advocate using biological metaphors to explain adaptive behaviors in our sophisticated interest rate–based economies. Occasionally the author throws his net rather wide, scooping up more topics than he can discuss adequately, and some of this material has been addressed better by other writers. Still, readers well versed in science who want to avoid future shock will encounter unusual matters on the frontiers of science that may be coming soon to a computer, merchant or medical facility near you. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In journalistic fashion, Frenay refracts what environmentally aware scientists, farmers, and economists are saying about technologies, markets, and the biosphere. Distilling their viewpoints, Frenay expounds on developments that take into account the environmental costs of industrialism and overpopulation. The array of material--artificial intelligence, organic farming, and more--tends to fragment the narrative. But the constant changes in topic will give readers interested in practical over ideological environmentalism a survey of what's happening greenwise across the board. Frenay sustains a metaphor that devices, companies, and economies will perform better if they behave like organisms and ecosystems in the biosphere, that is, as decentralized, open systems balancing flows of energy and matter. The "new biology" Frenay touts promises the technological mimicry of living things rather than machine-age mastery of them. His optimism, however, stands in contrast to his indignant pessimism about corporate business practices. A smorgasbord de luxe, Frenay's reportage is sustaining fare for environmentalists. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review
“Can genes trump machines? Frenay, a former contributing editor of Audubon magazine, sees a paradigm shift, with biology moving into the forefront of scientific progress. . . . The apparent conflict between environmentalism and the profit motive will disappear. In the long run, Frenay argues, that recognition will transform society. . . . This account suggests that the new biology may well have legs.”—Kirkus (starred review) (Kirkus)

“In this wide-ranging look at how biology and technology are being integrated in almost every area of human invention, Frenay writes of virtual communities and societies that are springing up online, some with economic systems that mimic those of the real world. . . . Readers well versed in science who want to avoid future shock will encounter unusual matters on the frontiers of science that may be coming soon to a computer, merchant or medical facility near you.”—Publishers Weekly (Publishers Weekly)

“A smorgasbord de luxe, Frenay’s reportage is sustaining fare for environmentalists.”—Booklist (Booklist)

“Throughout Pulse, Frenay uses clear empirical data and information from reputable scientists and organizations to substantiate his discourse.—San Francisco Chronicle (San Francisco Chronicle)

“Frenay’s real interest, and the point of the book, is not to enumerate advances in technology but to exhaustively build his case that the new biology will fundamentally change human culture. . . . It sounds the alarm that the way humans conduct their affairs is unsustainable—and that’s a message that bears repeating.”—Harvard Business Review (Harvard Business Review)

Most helpful customer reviews

12 of 13 people found the following review helpful.
a good tech reviewer with a zealot's politics
By Andrew Lyle Jones
Frenay is an excellent writer when it comes to his coverage of technology and his linking of the philosophy behind complexity to other fields, but he takes a polemic view of politics devoting nearly 300 pages to far leftist rhetoric that isn't popular even in Europe. This book would have been better marketed as a treatise on politics and also Frenay would have been better recommending the anti-wto, anti-corporate, media which he heavily qoutes from than trying to summarize and paraphrase it. The first 150 pages are nice and some of the better tech reporting I can think of, the rest is interspersed with good ideas, but depicted in skewed arguements with few accurate summaries of the opposition and often a looping repetitive prose that seems more like an attempt of the author to convince himself of the validity of his views than a proper arguement. Frenay quite rightly notes the WTO's rules are universal and including human and environmental rights would mean everyone would be on the same playing field and the world shouldering environmental and moral costs they'd probably be more than happy to pay also seems like a good idea along with many of Frenay's numerous political points, however he then goes on to espouse Europe as a norm to emulate and while Europe has high GDPs and Denmark is very environmental, it's important to remember many of the problems Frenay is rallying against affect European business and society too, while most American businesses obey UN human rights charters for instance, Ikea has refuysed all human rights inspections, etc. It's not a balanced arguement, but it catches many of the world's major problems quite easily.

4 of 4 people found the following review helpful.
Futurist speculation based on the metaphors of ecosystems and the human brain
By Rolf Dobelli
This sprawling and fascinating book explores biology, technology, agriculture, neurology and economics, among other disciplines. It contends that systems and ways of thinking based on the machine age must and will change in light of new discoveries in biology. Robert Frenay provides prodigious research and some impressive reporting. One caveat: His discussion of economics and the monetary system seems to be based on somewhat arguable information about the workings of the Federal Reserve and the Eurodollar market. The author's passion for the subject of biology is clear, and we find that much of what he says is interesting. The book is not so much a narrative as a catalogue of facts, experiments and initiatives in various fields, with an accompanying argument against today's corporations and monetary systems that will challenge executives and economists.

0 of 0 people found the following review helpful.
Positioning for the future
By RJB
I recommend this book to anyone who is wondering what guidance we can follow to position humanity for the future. Nanotechnology and Moore's law are accelerating development cycles and each successive decision we make as a species becomes more important. Synchronising teechnolgy with the tried and true systems of nature results in more efficient systems (ant food search algorithms for networks, fibonacci spirals for design)and results in better harmony for our planet.

The one big revelation I had while reading this book was the understanding that our econmic system, based on banks loaning money at compounding interest rates, volates the laws of nature. The Second law of thermodnnamics, as Frenay points out, dictates that energy dissipates when it is transferred from one physical system to another. Bank and credit loans defy this law, resulting in the boom and bust cycles we see in our economies today. His recommendation that we revert to barter systems was incredibly thought provoking.

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Wednesday, February 10, 2016

? Get Free Ebook Putin Country: A Journey into the Real Russia, by Anne Garrels

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Putin Country: A Journey into the Real Russia, by Anne Garrels

More than twenty years ago, the NPR correspondent Anne Garrels first visited Chelyabinsk, a gritty military-industrial center a thousand miles east of Moscow. The longtime home of the Soviet nuclear program, the Chelyabinsk region contained beautiful lakes, shuttered factories, mysterious closed cities, and some of the most polluted places on earth. Garrels’s goal was to chart the aftershocks of the U.S.S.R.’s collapse by traveling to Russia’s heartland.
Returning again and again, Garrels found that the area’s new freedoms and opportunities were exciting but also traumatic. As the economic collapse of the early 1990s abated, the city of Chelyabinsk became richer and more cosmopolitan, even as official corruption and intolerance for minorities grew more entrenched. Sushi restaurants proliferated; so did shakedowns. In the neighboring countryside, villages crumbled into the ground. Far from the glitz of Moscow, the people of Chelyabinsk were working out their country’s destiny, person by person.
In Putin Country, Garrels crafts an intimate portrait of Middle Russia. We meet upwardly mobile professionals, impassioned activists who champion the rights of orphans and disabled children, and ostentatious mafiosi. We discover surprising subcultures, such as a vibrant underground gay community and a circle of determined Protestant evangelicals. And we watch doctors and teachers trying to cope with inescapable payoffs and institutionalized negligence. As Vladimir Putin tightens his grip on power and war in Ukraine leads to Western sanctions and a lower standard of living, the local population mingles belligerent nationalism with a deep ambivalence about their country’s direction. Through it all, Garrels sympathetically charts an ongoing identity crisis. In the aftermath of the Soviet Union, what is Russia? What kind of pride and cohesion can it offer? Drawing on close friendships sustained over many years, Garrels explains why Putin commands the loyalty of so many Russians, even those who decry the abuses of power they regularly encounter.
Correcting the misconceptions of Putin’s supporters and critics alike, Garrels’s portrait of Russia’s silent majority is both essential and engaging reading at a time when cold war tensions are resurgent.

  • Sales Rank: #18009 in Books
  • Published on: 2016-03-15
  • Released on: 2016-03-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.64" h x .92" w x 5.76" l, .80 pounds
  • Binding: Hardcover
  • 240 pages

Review

"Quiet but excellent . . . [Garrels's] clear, patient, sympathetic portraits of teachers, children, prostitutes, doctors―the whole raft of Russian humanity―provide a pointillist landscape and an understanding of the country, and its mentalities, that eludes many more overtly political books." ―The New Yorker

"A quiet masterwork . . . [Garrels] seems to have talked to everyone . . . She marshals her reporting, character after character, to build the evidence." ―Andrew Meier, Bookforum

"Although the nominal subject of Putin Country is Chelyabinsk . . . the book’s deeper and more revelatory theme is that of the Russian wily man . . . There is little remarkable about the place, though that is also what makes the book worthwhile . . . The search for a post-Soviet ideology has, in Chelyabinsk and across Russia, led to a strange mishmash, at once faithful and mystical, distrustful and fatalistic." ―Joshua Yaffa, The Wall Street Journal

"Deeply informative . . . [Garrels] directs her considerable energy to people, not policy, and her readers are the better for it . . . With the clear eye of a good reporter, she could sometimes see dramatic improvements―and at other times, disappointing setbacks. She made many friends and, through her, so do we." ―Marvin Kalb, Democracy: A Journal of Ideas

"Fluent in Russian, Garrels has needed no translator and developed over the years many connections in the region. She tries to be hopeful, but for her fellow Russophiles (I count myself one), Putin Country is devastating . . . Garrels keeps her cool and listens quietly as she gathers locals’ narratives and opinions, no matter how disturbing . . . Two of the best chapters, “The Taxi Driver” and “The Forensic Expert,” are like nonfictional short stories, wherein we become familiar with the long arcs of the protagonists’ tumultuous lives." ―Bob Blaisdell, The Christian Science Monitor

"If you want to understand Putin’s Russia, read this book. Anne Garrels burrows deep into the heartland and enlists a diverse cast of authentic Russians to show why Putin happened, how he remains popular, and what might threaten his hold on power." ―Bill Keller, editor in chief of The Marshall Project

"More than twenty years ago, Anne Garrels began visiting the formerly ‘secret’ city of Chelyabinsk, closed to foreigners because of its military and industrial installations. Like the miners in that long-suffering city, she dug deep into the lives of the people and she kept going back to talk with them, charting their evolution from Soviet citizens to citizens of a new Russia. With great journalistic skill, Garrels helps us understand the complex emotions of people still in transition, trying to define what it means to be Russian." ―Jill Dougherty, former CNN foreign affairs correspondent

"Putin Country is brilliant storytelling. Save yourself a trip to Chelyabinsk―Anne Garrels gives you the grime and glitz, the hangovers and heartbreak, of today’s Russia, and all without a visa!" ―Stephen Sestanovich, author of Maximalist: America in the World from Truman to Obama and U.S. ambassador-at-large to the former Soviet Union, 1997–2001

"Anne Garrels’s gripping account of people in Russia’s heartland is a fascinating book. It shows us a different Russia from the one most observers see in Moscow and St. Petersburg. It is essential reading for those who wish to understand Putin’s Russia." ―Jack F. Matlock, Jr., author of Reagan and Gorbachev: How the Cold War Ended and U.S. ambassador to the Soviet Union, 1987–1991

"A critical and crucial study of a country with which America has always had a volatile connection, Garrels’s essays cover vital ground and are essential reading for anyone who wishes to understand the myriad issues that inform U.S.-Russian relations." ―Carol Haggas, Booklist (starred)

"Former NPR foreign correspondent Garrels offers finely delineated, meticulously researched dispatches from a region in Russia that seemed to her both typical of a certain Russian provincialism and arbitrarily chosen: Chelyabinsk, on the southern edge of the Ural Mountains . . . In essence, Garrels shows how the gloomy sense of ‘Russian fatalism’ poisons all aspects of society. A collection of scrupulous, timely journalistic portraits." ―Kirkus Reviews

"While Garrels takes pain to include voices willing to condemn Putin’s administration in her exposé, most of the interviewees are either unaware of, or willfully blind to, the worst of their government. This book persuasively asserts that too little has changed in Russia since the days of the Soviet Union." ―Publishers Weekly

About the Author
Anne Garrels is a former foreign correspondent for NPR and the author of Naked in Baghdad. She was awarded the Courage in Journalism Award by the International Women's Media Foundation in 2003 and the George Polk Award for Radio Reporting in 2004.

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9 of 9 people found the following review helpful.
Like Chelyabinsk, where this story takes place
By Foriegn Devil
This was especially interesting for me since I lived and worked in rural Russia from 1992 - 1995. Like Chelyabinsk, where this story takes place, I was in a "closed village" in the far north, inside the Arctic Circle. I could definitely identify with many of the characters in this book, and felt like I knew many of them personally. This book will hold many surprises for most American readers regarding the Russians' attitudes toward Putin and his brand of governing. I am a strong believer that democracy is not necessarily the right form of government for all countries, and Russia could not survive if they had an American style democracy. They need a "strong man" in charge or they are completely lost. This is an excellent read and gives some great insight into many aspects of daily life in rural Russia, and how the people there think.

1 of 1 people found the following review helpful.
Solves Much of the Riddle, a Brilliant Book
By Don R. Hamilton
This is a brilliant book. I have read hundreds of books, papers and articles that attempt to give the reader insight into on society or another. I recall no other account, that so gave me a feel for the heart of a country, the heart of a people.

Ms. Garrels shows us much of Russia, humanizing a distant, murky and menacing place. The drug addicts, scientists, mayors, social workers and all the rest mostly speak for themselves, but the author is not afraid to frame someone's statement with historical context or offer a tart or sympathetic personal observation. As an American Foreign Service Officer (career diplomat), I lived in eight countries. I wish I could have read a book like *Putin Country* about each of them before I got there.

1 of 1 people found the following review helpful.
Anne Garrels immersed herself into the culture and lives of ...
By tomthegardener
Anne Garrels immersed herself into the culture and lives of people who became her friends in Cheylabinsk. It is different than what I saw on my visits last month to Moscow and St. Petersburg. The lives of the average Russian citizen is difficult and grim. They are undergoing some positive changes and we can only hope and pray that a more positive direction can be found.

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Monday, February 8, 2016

^^ Ebook Elizabeth Bishop and The New Yorker: The Complete Correspondence, by Elizabeth Bishop

Ebook Elizabeth Bishop and The New Yorker: The Complete Correspondence, by Elizabeth Bishop

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Elizabeth Bishop and The New Yorker: The Complete Correspondence, by Elizabeth Bishop



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Elizabeth Bishop and The New Yorker: The Complete Correspondence, by Elizabeth Bishop

I sort of see you surrounded with fine-tooth combs, sandpaper, nail files, pots of varnish, etc.―with heaps of used commas and semicolons handy, and little useless phrases taken out of their contexts and dying all over the floor," Elizabeth Bishop said upon learning a friend landed a job at The New Yorker in the early 1950s. From 1933 until her death in 1979, Bishop published the vast majority of her poems in the magazine's pages. During those forty years, hundreds of letters passed between Bishop and her editors, Charles Pearce, Katharine White, and Howard Moss. In these letters Bishop discussed the ideas and inspiration for her poems and shared news about her travels, while her editors offered support, commentary, and friendship. Their correspondence provides an unparalleled look into Bishop's writing process, the relationship between a poet and her editors, the internal workings of The New Yorker, and the process of publishing a poem, giving us a rare glimpse into the artistic development of one of the twentieth century's greatest poets.

  • Sales Rank: #1708256 in Books
  • Published on: 2011-02-01
  • Released on: 2011-02-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.25" w x 6.00" l, 1.74 pounds
  • Binding: Hardcover
  • 496 pages

From Publishers Weekly
This superbly edited collection traces the correspondence between poet Bishop and her editors at the New Yorker--Katharine S. White (wife of E.B. White) and Howard Moss--from 1934 to 1979. Many of Bishop's finest poems were first published in the New Yorker. These were the days of manual typewriters, carbon copies, and Varitype working proofs. The letters often capture the back and forth from editor and publisher to writer concentrating on the nitty-gritty of punctuation and word choice. "Punctuation is my Waterloo," Bishop bemoans. The "real world" rarely intrudes, for example, a fleeting reference to the 1960 presidential campaign. When White departs as poetry-and-fiction editor in 1956, taking her warm and chatty approach with her, Bishop's initial disappointment is clear. Over time she warms up to Howard Moss and vice versa, even to the point of his eventual purchase of her cherished clavichord. He pleads: "Please send some poems!" This is a fascinating, placid, and inevitably repetitious correspondence that ought to be assigned to all aspiring editors of poetry. (Illus. not seen) (Feb.)
(c) Copyright PWxyz, LLC. All rights reserved.

Review

“[Elizabeth Bishop and The New Yorker] offers a glimpse into Bishop's life (she lived in Brazil for much of this period), writing process and relationship with her editors, as well as a look into the internal workings of that fabled publication in which so many of her poems were published … As with the best correspondence, it is like eavesdropping on a lively conversation already in progress.” ―The Globe and Mail

“Elizabeth Bishop and The New Yorker collects nearly forty years of letters between Bishop and the magazine, largely a correspondence with two of Bishop's formidable editors, Katherine White and Howard Moss. It was more than a partnership. In letters to Moss and White over the years, her valedictions warmed from ‘Sincerely' to ‘Affectionately' to ‘Love' … This collection is most interesting as a record of how Bishop and her editors mulled over questions of style, clarity, and accuracy--and as a keyhole through The New Yorker's legendary doors. Sometimes Bishop's submissions provoked charmingly cordial editorial notes. Her story ‘In the Village' mentions a child's fascination with ‘steaming cow flops'; as White put it, ‘the loving description of manure seems to go too far.'” ―Jeremy Axelrod, Columbia Journalism Review

“True, you're reading a lot of the nuts and bolts of Bishop's relationship with her New Yorker editors [Katherine] White and then Howard Moss--the work accepted and rejected, checks sent, detailed changes. You're also following a narrative line about Bishop the writer and the changing literary climate of the New Yorker. Fascinating.” ―Jeff Simon, Buffalo News

“Elizabeth Bishop and The New Yorker, ably introduced by the poet Joelle Biele, charts her relationship with the first publisher of most of her best poems … Although much of this correspondence is about punctuation … postal delays or illness … there is also regular disagreement about how "coarse she is allowed to be in [The New Yorker's] genteel pages. She broke off contact with the magazine in 1961, stung perhaps by its rejection of poems such as her discreetly lesbian love poem The Shampoo, a rejection that has come to seem more significant because Bishop subsequently avoided publishing poems that dealt explicitly with sexuality. [The collection] shed[s] light on the arc of Bishop's development as a poet, and implicitly grants us a sense of the limits that hemmed in gay writers in the middle of the last century.” ―John McAuliffe, The Irish Times

“Bishop's long and affectionate relationship with the magazine is thoroughly documented in Elizabeth Bishop and the New Yorker: The Complete Correspondence … Poets and NewYorker aficionados will find it irresistible … Reading this volume, noting the meticulous attention brought to each poem and story, one realizes how skillfully the editors helped focus and clarify every detail of the text … as these letters so copiously prove, the editors never tried to change the author's intentions, even in the smallest matters, only to realize them. For a woman without a fixed home or even country, The New Yorker provided a sense of stability and continuity. It adopted her early and gave the consistent support that allowed her to develop her idiosyncratic talents into genius.” ―Dana Gioia, The Wall Street Journal

“The letters of … Elizabeth Bishop, written to The New Yorker where she published a great deal of her work, offers an exhilarating glimpse into the poet's thinking about her own work … and the background for much its creation, which views she shared with her editors.” ―Michael Coffey, Publishers Weekly

About the Author

Elizabeth Bishop (1911–79) won the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award.

Most helpful customer reviews

4 of 4 people found the following review helpful.
Inspiring
By Deb Oestreicher
This beautiful book offers a rare peek at the give-and-take between a great poet and her (also great) editors. I really got a feeling for these lives (mainly Elizabeth Bishop, Katherine White, and Howard Moss) as if through a side window. The letters also drove me straight back to Elizabeth Bishop's poems--which not only stand up to the test of time, but which seem even better than when I first read them (WRITE IT!) more than 25 years ago. They may yet send me back to Howard Moss and EB White as well. Inspiring.

2 of 2 people found the following review helpful.
great record of warm relationship between EB and The New Yorker
By 50 years old
This is an excellent book. It shows the reader how The New Yorker edited the poetry that was being submitted by Elizabeth Bishop. It also shows the warm and caring relationship Elizabeth Bishop had with the editors of that magazine and the gradual intimacy that was being established between Katherine White, Howard Moss and Bishop in the warm letters being sent back and forth. The introduction is good too because it sets the context of what The New Yorker was like in the middle twentieth century.

0 of 0 people found the following review helpful.
EB and the New Yorker
By Amy Lowell
Love anything about Elizabeth Bishop. This deals with her correspondence and involment with magazine. Rather try stuff, but as usual EB, can come across even in her business dealings. I would not recommend this as a causal read on Bishop. However if you are writing on her, this would be a must to look at.

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Saturday, February 6, 2016

^ Fee Download A Stranger to Myself: The Inhumanity of War: Russia, 1941-1944, by Willy Peter Reese

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A Stranger to Myself: The Inhumanity of War: Russia, 1941-1944, by Willy Peter Reese

A Stranger to Myself: The Inhumanity of War, Russia 1941-44 is the haunting memoir of a young German soldier on the Russian front during World War II. Willy Peter Reese was only twenty years old when he found himself marching through Russia with orders to take no prisoners. Three years later he was dead. Bearing witness to--and participating in--the atrocities of war, Reese recorded his reflections in his diary, leaving behind an intelligent, touching, and illuminating perspective on life on the eastern front. He documented the carnage perpetrated by both sides, the destruction which was exacerbated by the young soldiers' hunger, frostbite, exhaustion, and their daily struggle to survive. And he wrestled with his own sins, with the realization that what he and his fellow soldiers had done to civilians and enemies alike was unforgivable, with his growing awareness of the Nazi policies toward Jews, and with his deep disillusionment with himself and his fellow men.

An international sensation, A Stranger to Myself is an unforgettable account of men at war.

  • Sales Rank: #484790 in Books
  • Brand: Farrar, Straus and Giroux
  • Published on: 2005-11-02
  • Released on: 2005-10-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .82" w x 5.76" l,
  • Binding: Hardcover
  • 208 pages
Features
  • Great product!

From Publishers Weekly
Sometimes lyrical, this memoir by a German youth who miraculously survived four tours of duty on the Russian front during WWII—he died on his fifth deployment—is a significant historical document. It is also a laborious and overwrought cacophony of Wagnerian proportions. Reese, who was a 20-year-old bank clerk in 1939 when he was first drafted, inhabits many different worlds, all of them conflicting. Despite Schmitz's assertion that Reese was "no Nazi," he was, like the vast majority of German youths of the time, deeply imbued with Nazi ideology and experienced the war as a sort of sacrament. Duty, abdication and heroism are just some of his motifs. Reese sees himself as a poet deciphering the human condition, but mostly he is just a soldier who plays his part in the atrocities—often exuberantly. He laughs with the other members of his platoon at the spectacle of Russian partisans hanging by the neck—"yellow-brown ichor dribbled out of their eyes and crusted on their cheeks"—and makes Russian women dance naked. Despite its long-winded homilies and repetitiveness, this stark testimony provides new insights into both the ravages of Nazi indoctrination and the bloodiest military campaign in history. (Nov.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
*Starred Review* The brutality of battle is vividly rendered in this harrowing memoir from Reese, a German soldier who served on the Russian front during World War II. Killed in combat at the age of 23, Reese left behind a diary documenting the atrocities of war and his growing disillusionment with the attitudes of his fellow countrymen. (Reese was no Nazi, writes editor Schmitz in the book's preface, in which he first recalls reading the blistering manuscript inherited by Reese's cousin.) The late soldier's meditations are by turns poetic and macabre; he reflects on the literature of Tolstoy and Baudelaire_and dramatic clashes drenched in blood. War both robs Reese of his soul and imbues his life with a sense of purpose, leaving him feeling like "a stranger to myself." His prose resonates with images of a bitter, corpse-strewn Russian landscape, where it's only a matter of time before a young man's heart turns to stone. One soldier, unable to find his felt boots, chops off the frozen legs of a dead Red Army soldier. "He bundled the two stumps under his arm and set them down in the oven, next to our lunch," writes Reese. "By the time the potatoes were done, the legs were thawed out, and he pulled on the bloody felt boots." Allison Block
Copyright © American Library Association. All rights reserved

Review
"This book [is] a revelation. And--where historical witness is threatened with disappearance, or has already disappeared--an enrichment."--Kölner Stadt-Anzeiger

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135 of 143 people found the following review helpful.
"We are war. Because we are soldiers
By Lonya
I have burned all the cities, strangled all the women, brained all the children, plundered all the land. I have shot a million enemies, laid waste the fields, destroyed the churches, ravaged the souls of the inhabitants, spilled the blood and tears of all the mothers. I did it, all me. I did nothing. But I was a soldier."

Thus begins Willy Peter Reese's "A Stranger to Myself: The Inhumanity of War: Russia, 1941-1944. Winston Churchill may have said that history is written by the victors, but the recent discovery and publication of these memoirs provides some evidence that history's `losers' sometimes also have a chance to contribute. A Stranger to Myself is a valuable addition to our collective memory.

Willy Peter Reese was a recent high school graduate and a trainee bank clerk when he was drafted into the German army in the spring of 1941. The German invasion of the USSR, Operation Barbarossa, began during Reese's basic training. Like many of his fellow soldiers, Reese thought he would be home by Christmas. Reese was quickly disabused of this notion once he found himself in the middle of what may be the most brutal fighting in the history of humanity (or inhumanity). Not only was the war on the eastern front fought between armies but it was a war in which brutality was inflicted on the civilian population on an unprecedented scale. In addition to the Holocaust inflicted on the Jews of Poland, the Ukraine, and Belarus, millions of other Poles, Ukrainians, and Russian civilians lost their lives through hunger or murder, along with millions of Red Army and German prisoners. As noted so aptly in the Preface, Reese found himself in the "greatest abattoir in human history".

This memoir emerged in 2002 and represents the reflection of Reese on life in the abattoir. Reese kept a diary during his time as a soldier. He'd set out his thoughts on every scrap of paper he could find. He would write during lulls in the horror or sitting in an army field hospital after being wounded. He wrote long letters home to his mother and father. Sent home in late 1943 after being wounded, Reese took his diary and those letters home and turned it into a manuscript. He left his manuscript with his mother and returned to the front. He was killed in 1944. His mother kept all his documents as a shrine to her dead son. A Stranger to Myself was published in Germany in 2002 and has now been translated (very capably by Michael Hoffman) into English.

Reese was well-read and considered himself a poet. As such these memoirs are unusual for its florid prose. The writing is not terse but extravagant in its description of Reese' desperate mood swings during his time on the front. However, the ornate prose, which would seem utterly pretentious in a piece of fiction, serves as a stark and compelling contradiction to the horrors that Reese writes about. Reese does not spare himself. He is brutally honest about the loss of his soul, his absorption with the efficiency of killing and his own mistreatment of the civilian population. It may be asserted that Reese did not mention the Holocaust or go into any great detail about the atrocities he saw committed and perhaps committed himself during his time on the front. That is a fair enough comment to be sure. However, after reading this book it is clear to me that Reese's focus was not war on the grand scale but on the war and its effect on him. These are internal, not external reflections. He, like virtually ever other soldier, was concerned first and foremost with his own or her own survival. The big picture is for other people to draw. Looking at it through that lens, Reese's memoirs are frank and brutally honest. He does not praise the war and in fact finds it irrational and unforgivable that his country waged it. Yet at the same time he has no aversion to participating in the fighting and the drinking and the looting that takes place. He displays a certain arrogance towards the people whose land he helps occupy. He wrestles with his demons and lays it out for the reader. Anyone who has seen this horror cannot believe in God he writes, yet he cannot help but think that the sins he and his comrades commit are unforgivable. We see him sink to a depth where it seems there is no turning back, where he stands up from his slit trench in order to be shot by Soviet snipers, only to see his spirits revive a bit when he gets a days rest or finds a bit of food to eat.

Reese's story is an important one for many reasons. It makes for compelling reading and it will have an impact on the reader that will linger after the book is read and put back on the shelf.

L. Fleisig

38 of 39 people found the following review helpful.
Terror, boredom, revulsion, obedience...life as cannon fodder.
By S. Potter
A remarkable book which left a deep impression on me. At once literary in style and harrowing in its descriptions of life as cannon fodder, albeit thinking, passionate, feeling cannon fodder.

Willy Peter Reese was no hero. I am not even sure he was brave. However, as a good German boy he did his duty to the fatherland. First he trained to put on the "mask" of the soldier. Then he went of to war in Russia, mask in place.

He passed through a land where atrocities were the reality. He pillaged food from the starving. During the German Army's massive, fighting retreat Reese's unit was always among the last to get the order to fall back. His young eyes took in the full terror of the Nazi's scorched earth terror tactics. And he was part of it.

Along with his comrades, he routinely drank himself into some other world. When there was no other way to move it, he and his fellow soldiers relentlessly dragged the unit's artillery piece. Day after day. Month after month. Year after year.

All the while, his young mind processed what he witnessed. Temperatures so cold he could only cry. A body infested with parasites. Legs and feet with open oozing wounds. Taking shelter in hand dug hovels. Corpses hanging from trees, lying in ditches, everywhere. In between the bouts of horror and killing, however, were sights of beauty and moments of mental and spiritual clarity. His writing only stopped when his life ended.

Yes, Reese was trying to write like a writer. His loves were Rilke and others of that ilk. His book though, must be taken as a whole. To dissect it, to say this part is too wordy or that part is too introspective, is to miss the point. No, Willy Peter Reese was not a hero. He did his duty as he saw it. He tried to stay alive. He was not brave. Surely, then, he was the typical German male of the day who was thrust into a situation over which he had no control. He did not rage against his lot nor did he relish it. He simply existed through it as best he could.

36 of 37 people found the following review helpful.
A fascinating read
By Mathew A. Shember
I stumbled on this book why visiting some sites about Stalingrad. It was mentioned by a couple posters so I decided to give it a read. I was not disappointed.

This is not a book looking for hard facts about places and people. It's the writings of a man coming to terms with war and how it changed him.

There is a great deal where the author goes into vivid descriptions about feelings, memories, and impressions of his surroundings. This could annoy some people.

Do not look for detailed descriptions of tactics and strategy.

What makes this book interesting is the contrast of hope and despair. The prose that starts a chapter changes to despair over time. There are ample descriptions of soldiers abusing people, looting, and drinking. Reese tells of his own actions and in the end drinks heavily. He even decided to get himself killed or wounded by standing up from a trench.

There is no propaganda in the book. He does not preach the glory of Hitler. Yet, he also doesn't mention other things such as the holocaust. There is even a reference to a friend in Auschwitz.

Towards the end of the book I got the impression he decided to die in Russia. There isn't anything obvious to state this idea. It's just how it read to me.

There are photos in the book ranging from his early days, joining the army and even a Red Cross report telling where it is thought that Reese died.

It is a good thing this book was published. The mother held his writings till she died. One aspect that is useful is that it goes contrary to a belief that the German army was clean in it's actions in Russia. I have read more then a few comments from people that argue the Germans were noble while the Russians were savage.

Probably the most prophetic comment was the end of the book:

"The war went on. Once more I went out there. I loved life."

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> Free Ebook Natural, by Bernard Malamud

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Natural, by Bernard Malamud

Natural, by Bernard Malamud



Natural, by Bernard Malamud

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Natural, by Bernard Malamud

THE NATURAL by Bernard Malamud, Farrar, Straus & Giroux, 1952, First Edition, BOOK CLUB Edition, NEAR FINE/ VERY GOOD. This is a Collectible, Hardcover Book and Dust Jacket. The book is tight with clean, crisp pages. The book has a very slight slant. It is black cloth over boards with gold lettering on the spine. The dust jacket has a tiny tear at the top of the rear cover and shows light shelf wear.

  • Sales Rank: #2145340 in Books
  • Published on: 1961
  • Ingredients: Example Ingredients
  • Number of items: 1
  • Binding: Hardcover

Most helpful customer reviews

0 of 0 people found the following review helpful.
This book might have been regarded well mid century, ...
By Julia C. Jennings
This book might have been regarded well mid century, when it was written, but the writing form does not translate well to today. If this book was written today, I doubt if anyone would publish it.

7 of 11 people found the following review helpful.
The SUPER-Natural
By A reader
This book ought to be titled "The Super-Natural," rather than "The Natural," since there are so many mythic and magical elements to it, in both style and content. Forget about any comparisons to the feel-good/and-they-lived-happily-ever-after movie starring Robert Redford. Don't get me wrong--I loved the movie, but still, Malamud must have been tearing his hair over what Hollywood did to his dark, tragic fable of thwarted human ambition, greed and lust.
Even the main character's name, Hobbs, seems symbolic, or at least allusive: Hobbes (slightly different spelling) was a pessimistic philosopher who saw human life as a pitiless struggle for survival. Some reviewers have seen parallels with the King Arthur legend, but the novel isn't a contemporary retelling of that story. Malamud employs elements of the legend to give his own story a deeper, mythic resonance.
What this book ISN'T is a simplistic baseball novel, with a clean-cut hero overcoming adversities and becoming a winner in the end. As a reader you want to like Roy Hobbs, want to see him succeed, but Malamud keeps shoving a stick into his spokes. (Or maybe into his spikes.) His character is a man of unhealthy appetites. Roy's ambition to be "the best that ever was" in baseball is utterly self-centered and he's unable to see beyond it to any higher goal in life. His relationships with women are clumsy and coarse, and his fleeting visions of domestic happiness dimmed by lust and a tendency to want the wrong women for all the wrong reasons. Even his relationship with food is problematic. Toward the end of the novel he becomes the personification of the vice of Gluttony, stuffing himself to the point where he nearly causes his stomach to explode and he winds up in the hospital.
Without giving anything away, I think it's fair to say the book has a dark finale. This grim novel ends with an allusion to the Black Sox scandal--a newsboy begging Roy to "say it ain't true"--and Malamud offers a final line that sounds less like the King Arthur legend than like something from ancient Greek drama in its image of ruined hopes and tragic futility: "he lifted his hands to his face and wept many bitter tears."
Beats me how anyone can describe this brilliant, unforgetable but relentlessly bleak book as inspirational or uplifting. They must be confusing the novel with the movie.

0 of 0 people found the following review helpful.
Four Stars
By Chris
Good book!

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Friday, February 5, 2016

! Ebook Incarnations: A History of India in Fifty Lives, by Sunil Khilnani

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Incarnations: A History of India in Fifty Lives, by Sunil Khilnani

An entertaining and provocative account of India’s past, written by one of the country’s leading thinkers

For all of India's myths, its sea of stories and moral epics, Indian history remains a curiously unpeopled place. In Incarnations, Sunil Khilnani fills that space, recapturing the human dimension of how the world's largest democracy came to be. His trenchant portraits of emperors, warriors, philosophers, film stars, and corporate titans--some famous, some unjustly forgotten--bring feeling, wry humor, and uncommon insight to dilemmas that extend from ancient times to our own. As he journeys across the country and through its past, Khilnani uncovers more than just history. In rocket launches and ayurvedic call centers, in slum temples and Bollywood studios, in California communes and grimy ports, he examines the continued, and often surprising, relevance of the men and women who have made India--and the world--what it is. We encounter the Buddha, “the first human personality”; the ancient Sanskrit linguist who inspires computer programmers today; the wit and guile of India’s Machiavelli; and the medieval poets who mocked rituals and caste. In the twentieth century, Khilnani sets Gandhi and other political icons of the independence era next to actresses, photographers, and entrepreneurs. Incarnations is an ideal introduction to India--and a provocative and sophisticated reinterpretation of its history.

  • Sales Rank: #19493 in Books
  • Published on: 2016-09-20
  • Released on: 2016-09-20
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.34" h x 1.50" w x 6.40" l, .0 pounds
  • Binding: Hardcover
  • 464 pages

Review

"Beautifully written with both scholarship and an enviably light touch, thoughtfully constructed and enviably erudite in its wide-ranging references, and as much at ease discussing higher mathematics and philosophy as politics and art, Incarnations is a major work by one of India’s most impressive minds, and the best possible introduction to both the complexities and the charms of Indian history." ―William Dalrymple, The Guardian

"Incisive and elegantly written . . . A work of distinction." ―John Keay, The Times Literary Supplement

"Revelatory, bold and contemplative . . . Scholarly and accessible, lively and deeply serious . . . Is this simply cashing in on the idea behind the blockbuster A History of the World in 100 Objects by Neil MacGregor? Can anyone ever match the erudition and verve of the erstwhile director of the British Museum? Yes and yes. And though this may be heretical, at times Khilnani may even have surpassed him." ―The Independent

"A tour de force of intellectual history, engagingly written." ―Financial Times

"Khilnani is a rare blend of scholar and cracking travel writer . . . This exceptional book serves as a further reminder of India's great strengths." ―Sunday Times (UK)

"It is hard to think of this mammoth task being executed any better. Even those who know Indian history well will be introduced to figures they did not know―and discover new things about familiar figures." ―The Telegraph

"Fuelled by a quiet, relentless curiosity and an extraordinary ability to capture the sweep of history. Incarnations is an essential, and timely, read . . . It is also an exceptionally liberating intellectual journey to take. Mr. Khilnani's prose is light and fast-paced . . . the solid labour of travel, research and meetings with other scholars as well as interviewees builds a stronger foundation for Incarnations than most non-fiction books about India can claim. And a more entertaining one than most, too." ―Business Standard

"This is a terrific book. Each biography runs into 10-13 pages, and though the prose is deceptively easy, you probably want to take your time as you savour the book, perhaps reading a piece daily. Or even reading and rereading it in this fashion for a long time to come. I know I will be placing a copy with each of my children so that they may know, in these anxiety-inducing times, what it truly means to be Indian." ―Mint (India)


"Khilnani’s choices are spirited, relevant, and aimed to provoke 'pressing contemporary questions' . . . immensely readable." ―Kirkus Reviews

"An idiosyncratic and lively journey across 2,500 years of Indian history, offering bite-size essays on the lives of 50 exemplary figures whose achievements and afterlives have influenced contemporary Indian identity . . . Khilnani’s essays are provocative and serious, a worthy rebuttal to the image of Indian history as 'curiously unpeopled.'" ―Publishers Weekly

"How does one capture the multifaceted complexities of a country like India? Historian Khilnani presents a novel approach: weave a tapestry of 50 figures from the country’s rich and ancient history that serves not only as an innovative introduction to the world’s largest democracy but also a gauge to evaluate how that past informs the present . . . The well-researched yet short chapters cover a lot of ground with ease, and Khilnani succeeds in achieving his goal of emphasizing the continued relevance of history." ―Poornima Apte, Booklist

About the Author
Sunil Khilnani is the author of the acclaimed and influential The Idea of India (FSG, 1998). He is currently the Avantha Professor and Director of the India Institute at King's College London.

Most helpful customer reviews

3 of 3 people found the following review helpful.
Nice read to know our history..
By Agni
A thoughtful compilation of personalities who made an impact on India and outside over 2,500 years. It is a nice way to present the impact they made rather than their life stories which are well known. The author has also chosen a few lesser known persons, who nevertheless left a big impact on the nation.

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