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Tuesday, December 1, 2015

> Free PDF Florence Nightingale: The Making of an Icon, by Mark Bostridge

Free PDF Florence Nightingale: The Making of an Icon, by Mark Bostridge

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Florence Nightingale: The Making of an Icon, by Mark Bostridge

Free PDF Florence Nightingale: The Making of an Icon, by Mark Bostridge

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The common soldier’s savior, the standard-bearer of modern nursing, a pioneering social reformer: Florence Nightingale belongs to that select band of historical characters who are instantly recognizable. Home-schooled, bound for the life of an educated Victorian lady, Nightingale scandalized her family when she found her calling as a nurse, a thoroughly unsuitable profession for a woman of her class. As the “Lady with the Lamp,” ministering to the wounded and dying of the Crimean War, she offers an enduring image of sentimental appeal. Few individuals in their own lifetime have reached the level of fame and adulation attained by Nightingale as a result of her efforts. Fewer still have the power of continuing to inspire controversy in the way she does almost a century after her death. In this remarkable book, the first major biography of Florence Nightingale in more than fifty years, Mark Bostridge draws on a wealth of unpublished material, including previously unseen family papers, to throw new light on this extraordinary woman’s life and character. Disentangling elements of myth from the reality, Bostridge has written a vivid and immensely readable account of one of the most iconic figures in modern history.

Sales Rank: #1038452 in Books
Brand: Farrar, Straus & Giroux
Published on: 2008-10-14
Released on: 2008-10-14
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 9.34" h x 2.15" w x 6.42" l, 2.25 pounds
Binding: Hardcover
672 pages

From Booklist
*Starred Review* Among the eminent Victorians, the figure of Florence Nightingale threatens to eclipse the celebrity of all the rest. Daughter of middling privilege and heiress to a tradition of freethinking in political, religious, and social matters, the sickly little girl had a will of steel and an unconventional view of her gender’s potential. Determined to offer humanity great service, the cultivated young woman fixated on nursing, which in the mid-nineteenth century was a function strictly for lower-class servant girls. Nightingale applied considerable organizational talent and persuasive rhetoric to conquer institutional inertia and care for the Crimean War’s wounded, becoming a heroine to those struggling against an entrenched and incompetent aristocracy. The British press’ wildly popular pictorial broadsheets romanticized her as an angel of mercy. Insisting she never sought fame, Nightingale nevertheless became the most recognized woman in the empire save the queen herself. Nightingale applied scientific, statistically based principles to health service in general, extending her impact far beyond her time and bettering all humanity. Bostridge strips through the myth of the Lady with the Lamp, and his detailed but always compelling prose shows a remarkable woman struggling to overcome prejudice and incompetence to bring health back to soldiers’ broken bodies. Without diminishing Nightingale’s singular achievements, Bostridge documents how much her success relied on others’ support. --Mark Knoblauch

Review
'It is hard to imagine how one might improve on Bostridge's masterly understanding' Sunday Times 'A masterly work, sympathetic but even-handed, and enormously enjoyable to read' New Statesman 'Perceptive and engrossing ... a fascinating portrait' History Today 'Compellingly authoritative' Evening Standard 'A biography that triumphs' Daily Mail 'Sympathetic and vivid ... Will not be superseded for generations to come' Telegraph 'A masterly achievement ... immensely readable' Financial Times

About the Author
Mark Bostridge was born in 1961 and was educated at Oxford University. His biography of Vera Brittain, co-authored with Paul Berry, was selected as a book of the year by The Independent. He lives in England.

Most helpful customer reviews

22 of 22 people found the following review helpful.
MUCH MORE THAN JUST A NURSE
By Richard Glenister
Not for the fainthearted, the 647 pages of Florence Nightengale by Mark Bostridge is a detailed account of the life and times of the heroine.
Florence herself can take the credit, or blame, for the size of the book because she left behind more than 200 volumes of her writings, including drafts, letters, reports and even scraps of papers. More is known about Florence than any other woman from the Victorian era.

Read this book and be inspired. Nurses are special people.

The era in the 1800's is landscaped by Bosteridge, drawing on the influences of religion, family life, culture and economic influences, many of which are mirrored in the financial meltdown of 2008. They had bank failures back in the 1800's; crop failures, and the poor struggling to exist. It is in this backdrop that Florence first moved to help those in need.

Florence is best known by the public for her Lady of the Lamp reputation earned in the Crimean War and while this defines her, that war experience was for a brief period of her 90 years life, 1854 to 1856. One third of the book deals with the Crimean action, the rest deals with an outstanding woman in troublemsome times. Florence was intelligent, well travelled, musically talented, forceful, determined and caring.

Bosteridge draws out her character and leaves us in no doubt we are dealing with an exceptional lady with the stamp of leadership.

On the subject of Florence's sexuality, the author is a little disappointing. Towards the end of his book he notes the several works about Florence, with the more modern views suggesting that she was lesbian. Her celibacy obviously drew attention and caused writers to wonder or assert.
While Bostridge mentions that these assertions are unfounded, we need to look to Gillian Gill's "Nightingales Florence and Her Family" for a more determined rejection of the lesbian suggestions.

Gill points out that the commencement of sexual innuendo commenced in 1940 when a prominent biographer insinuated that Florence had lesbian proclivities. Others, including American academics, and some film makers, marched to the sound of that drum. Gill maintains that there is just no evidence that Florence engaged in sexual activity with women (or men!) and the huge weight of documentation about her life defends that view.
Gill puts the record straight.

Florence lived to 90 years of age, a spinster. She was an attractive young lady and sought after, turning down offers of marriage. In her early days she wanted freedom. Her attitudes are recorded. Marriage interfered with her view of freedom so she avoided it. After Crimea she sought privacy and seclusion, beset by long standing ill health.

In 2010 there will be world wide acknowlegements of the centenary of her death. There will be some who will point out that nursing, and the views of Florence, have changed in 100 years but there will be no escaping that our world is a better place for her life. In any event there are signs that modern nursing preparation and training are unlikely to stand the 100 year test.
She struggled when women were powerless. Nursing was mostly an ugly profession outside the Religious Orders, and certainly in England nurses were primarily engaged in washing, cooking and bed making. Bosteridge shows nurses to have been drunks on duty, with night nurses prone to drinking and spending time in bed with their patients. No wonder the well-off Nightingale family tried to discourage Florence reaching out to those in need, even in the local community.

And the soldiers looked after by Florence and her 38 nurses in Crimea were low in the Army food chain. Their plight was revealed by newspaper correspondents and caring people, including Florence. The army left them to die of disease and was in denial until they were subjected to the wrath of the British public showing interest in the welfare of 30,000 of their men.

The Florence Nightingale book by Bosteridge belongs in your libary. You will wish to return to it to review the facts and engage again in the life of Florence for inspiration.

Richard Glenister B.A (hons)

9 of 9 people found the following review helpful.
Great biography of the most influential person in the history of healthcare
By Joe Tye
This biography is a great complement to those that have come before (among the best of which are those of Gil and Dossey) and highlights the many ways in which Florence Nightingale laid the foundations for the healthcare mission as we know it today. His book was instrumental in the research I did for my own book "The Florence Prescription: From Accountability to Ownership." Here are just a few highlights from the career of this extraordinary woman:

- With her classic book "Notes on Nursing," Nightingale presaged the home healthcare movement that must be an essential element of real healthcare reform in the years to come. It also influenced several generations of women to become nurses.

- She was the first and most influential advocate for the healthcare rights of soldiers and veterans - someone to whom a great debt is owed by every veteran on every continent.

- She was the first hospital epidemiologist, and for her work was the first woman ever made a Fellow of the Royal Statistical Society.

- She was the first to implement the principle - taken for granted today - that medical triage would be based on the clinical needs of the patient, and not his rank in the military, social standing, or religion.

- Her work at the Scutari Barrack Hospital presaged virtually every major support department of the modern hospital: the first hospital medical records function, the first hospital-based pharmacy service, the first hospital nutrition service, the first hospital linen and housekeeping services, and she was even the first to number the beds in a ward.

- Although at the time of her work at Scutari germ theory was still novel and not widely accepted, her insistence on absolute cleanliness was the first real hospital infection control program, and her subsequent work gave a major boost to the sanitation movement (she would be absolutely horrified at the resistance hospitals still face to get clinicians to wash their hands between patients).

- She was in a very real sense the first hospital architect. The Herbert Hospital and the St. Thomas Hospital in London were the first hospitals built specifically for that purpose, as opposed to converting another building, and both were built upon principles developed by Nightingale. The modular design she developed for sanitation and ventilation purposes would guide hospital construction for the next century.

- She was the first person ever to calculate, and then work to reduce, cost per patient day, setting a precedent that has been followed by every hospital CFO ever since.

- And, of course, more than any other person she defined what it means to be a nurse and established nursing as a legitimate profession, and was the guiding light to the first professional school of nursing, graduates of which became the next generation of leaders in the field.

- In her spare time, she wrote a multi-volume book on religion that was highly praised by no less than John Stuart Mill, though was never published, and her collection of letters is the largest in the British collection (Winston Churchill's collection holds second place).

- With all her accomplishments, Nightingale never sought the public spotlight and assertively avoided the adulation that the British public wanted to shower upon her in the aftermath of her accomplishments at Scutari. But she was always beloved by the men she considered "her children," the soldiers of the British army,

9 of 9 people found the following review helpful.
A vivid biography of her life and times
By Midwest Book Review
Florence Nightingale was homeschooled to be a Victorian lady but chose instead to become a nurse - then an unsuitable profession for her class. Despite her widespread actions it's surprising to note this is the first major biography of Florence Nightingale in more than fifty years - and it uses much previously unpublished material to explore her world, from family papers to journals. A vivid biography of her life and times makes for a top pick for any lending library strong in either health history or biography.

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! PDF Ebook Going Under, by Kathe Koja

PDF Ebook Going Under, by Kathe Koja

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Going Under, by Kathe Koja

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Because all my life had been a chrysalis, with you, Ada and Marshall and our house; even though we did other things and saw other people, the summers at the lake, and all those homeschoolers' parties, it was still always just – us.

Hilly and her brother, Ivan, have been homeschooled by their parents. All their lives it has been just the two of them – Ivan and Hilly, brother and sister, pilot and copilot. Until Hilly breaks out of their cozy cocoon to work on the local high school literary magazine as an extracurricular activity. Ivan feels betrayed: it's no longer just the two of them. And when Hilly goes into a depression after the suicide of a friend she has made at the magazine, she drifts even further away from Ivan. Hilly's parents insist that she see a psychotherapist. Ivan steps in to help manage Hilly's recovery by taking her to and from her appointments but compounds the betrayal by establishing his own relationship with the manipulative therapist.

Through the alternating voices of Hilly and Ivan, and drawing on the myths of Persephone and Narcissus, Kathe Koja explores the souls of two teenagers caught in a world where love takes you deeper than you ever dreamed you'd go.

Sales Rank: #4682497 in Books
Published on: 2006-09-05
Released on: 2006-09-05
Original language: English
Number of items: 1
Dimensions: 8.49" h x .68" w x 5.71" l, .60 pounds
Binding: Hardcover
120 pages

From School Library Journal
Grade 9 Up–This novel mixes themes of betrayal, independence, and psychological manipulation with recognizable ancient Greek myths in a modern-day setting. A conniving psychologist pits two gifted, home-schooled siblings against one another, the narcissist Ivan and younger, more vulnerable Hilly (likened to Persephone). In alternating chapters, carefully paced to escalate the tension, each one tells about the assaults on their formerly close relationship. Hilly grows and finds her inner strength while Ivan simply refuses to change until his self-image cracks. Well executed in its setup, in its foreboding aura, and in the feel of each person's voice, the end result is unfortunate; the underlying character motivations are unconvincing. With the exception of Ivan's urgently earnest psychobabble (sickness can…be utilized as a mode of defense, a deep moat of illness around the castle of personality), neither one of the siblings appears to be either extraordinary or worth the machinations of the villain, whose evil actions are themselves unbaked. Still, for some sophisticated readers, the sense of paranoia and mythological references will resonate with deeply felt significance.–Rhona Campbell, Chevy Chase Neighborhood Library, Washington, DC
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Told in alternating chapters in the voices of a brother and sister, this harrowing, intense tale has a vividly drawn cast. Hilly and her older brother, Ivan, have been homeschooled by loving parents. To Ivan's great scorn, Hilly chooses to be part of a local high school's literary magazine; then a friend she makes there commits suicide. Pushed into therapy, Hilly is manipulated both by her brother and by her controlling therapist. Her voice is sad and loving and smart; his is equally smart, but self-centered. Both are near terrifying in the precise ways she recognizes her emotions, and he uses them as weapons. The therapist himself is a professional leech who publishes the work of the adolescent girls he treats and uses all kinds of emotional blackmail to get what he wants. The myths of Persephone and of Narcissus figure powerfully in the matrix of the story, which doesn't so much end as stop in a particular, possibly healing, place. GraceAnne DeCandido
Copyright © American Library Association. All rights reserved

Review

“Intricate.” ―VOYA

“Koja has once again created a rich psychological drama whose characters will not be easily forgotten.” ―The Horn Book

“This harrowing, intense tale has a vividly drawn cast.” ―Booklist

“Well executed in its setup, in its foreboding aura, and in the feel of each person's voice.” ―School Library Journal

“Striking.” ―Publishers Weekly

Most helpful customer reviews

2 of 2 people found the following review helpful.
For any other author, it would be the best book of their career. For Koja, it's just another day.
By Robert Beveridge
Kathe Koja, Going Under (Frances Foster Books, 2006)

Kathe Koja excels at whatever she chooses to write. First it was horror (The Cipher, Skin), then human drama (Strange Angels, Kink). Then, a few years back, she turned her attention to the young adult novel, and immediately popped up with one of the best in the genre in a very long time, Straydog. She's stayed with the YA books since, and while they've all been very, very good, Going Under doesn't quite have the stay-up-all-night zing of Skin or Straydog. That doesn't make it any less good on a general level, it just means that when you compare it to other Kathe Koja novels, it's kind of midpack.

The story is told from two different perspectives, that of Hillary, who is dealing with the suicide of a friend, and her brother Ivan, who's watching his sister implode. Hillary is not a fan of therapy. When she refuses to go back to her first therapist, Ivan finds another thanks to a chance encounter, and both Ivan and Hillary are drawn into the new therapist's world-- but is he who he claims to be?

Koja flirts now and again with the existential horror of her first few novels in the YA world she's come to inhabit, most effectively in The Blue Mirror, and she does it here again. I'm not talking about "horror" in the monsters-and-supernatural-stuff sense here, but in the depravity inherent in the human soul. It's something she does very well, but she usually has a more compelling story in which to do it. It's still a fine novel, but it's not really up to the standard Koja has been setting for herself for the past decade and a half. *** ½

0 of 0 people found the following review helpful.
Courtesy of Teens Read Too
By TeensReadToo
GOING UNDER by Kathe Koja explores the psychological angles of a faltering brother/sister relationship. Hilly and Ivan have always been close. Raised by what Hilly calls "semi-useless" parents, both brother and sister would probably argue they raised themselves.

Hilly is sent to a therapist to help her work her way through the emotional aftermath of a friend's suicide. The first therapist is unsuccessful in reaching Hilly, so her older brother helps to find a new doctor. But does the new doctor have Hilly's best interests in mind--or his own?

Kathe Koja uses the myths of Peresephone and Narcissus to illustrate the siblings relationship. Hilly's brother Ivan tells his parents and his sister he is attempting to save Hilly from being dragged into the darkness. At the same time Ivan's own warped self-image causes him to become entangled with the therapist's scheme to use Hilly's journal writings as material for his own book.

Readers with a knowledge of the ancient myths will be treated to an interesting twist on the meanings of the old tales. Koja's book would work well and provide fuel for discussion in a high school lit class focusing on different interpretations of these classical stories.

Reviewed by: Sally Kruger, aka "Readingjunky"

0 of 0 people found the following review helpful.
Highly recommend.
By Alouette
Going Under is narrated interchangeably by both our main characters, Hilly and Ivan. Hillys point of review is written as it would be in a journal- while Ivans is in present tense. Both narrators have interesting portions of the book and fill in each others blanks as well as offering their own perspectives on the same event/situation; neither one makes you want to skip ahead.

The book itself is based of the Greek myths of Persephone (Hilly) and Narcissus (Ivan). Both of the characters are aware of their 'alter' identities and learn from them in the story.

Kathe Koja creates a wonderful story full of realism and an overall mystifying feeling.

The book itself is wonderful and a very inspiring coming of age story.

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Monday, November 30, 2015

~ Download The Owl Who Liked Sitting on Caesar: Living with a Tawny Owl, by Martin Windrow

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The story of an odd couple-a British military historian and the Tawny Owl with whom he lived for fifteen years

Martin Windrow was a war historian with little experience with pets when he adopted an owl the size of a corncob. Adorable but with knife-sharp talons, Mumble became Windrow's closest, if at times unpredictable, companion, first in a South London flat and later in the more owl-friendly Sussex countryside. In The Owl Who Liked Sitting on Caesar, Windrow recalls with wry humor their finer moments as well as the reactions of incredulous neighbors, the awkwardness of buying Mumble unskinned rabbit at Harrods Food Hall, and the grievous sense of loss when Mumble nearly escapes.
As Windrow writes: "Mumble was so much a part of my life in those days that the oddity of our relationship seldom occurred to me, and I only thought about it when faced with other people's astonishment. When new acquaintances learned that they were talking to a book editor who shared a seventh-floor flat in a South London tower block with a Tawny Owl, some tended to edge away, rather thoughtfully . . . I tried to answer patiently, but I found it hard to come up with a short reply to the direct question 'Yes, but . . . why?'; my best answer was simply 'Why not?'"
Windrow offers a poignant and unforgettable reminiscence of his charmed years with his improbable pet, as well as an unexpected education in the paleontology, zoology, and sociology of owls.

Sales Rank: #80285 in Books
Published on: 2014-06-10
Released on: 2014-06-10
Original language: English
Number of items: 1
Dimensions: 7.82" h x 1.14" w x 5.23" l, .81 pounds
Binding: Hardcover
320 pages

From Booklist
The sweetly smiling older gent on this book’s jacket is seen inside in photos, too, but they depict a much-younger man, often with a little, stern owl perched on his shoulder. The tawny owl, Mumble, met her end too soon, and thus it took Windrow (The Last Valley, 2005) many years to put aside his sadness and pull together his notebooks and photos depicting their 15-year owl-man relationship, living together in England. Windrow has an endearing, entertaining voice, not without a sense of humor. He not only describes his relationship with the little owl (“love at first sight”) but also gives owl history, the species’ contemporary existence, precautions, and more. Windrow’s journal entries from the time are scattered throughout, and they reveal his careful attention to Mumble’s learning to “speak” and fly and adapt to her unusual life. Containing many photos as well as Christa Cook’s beautifully detailed sketches, this is a gentle, touching love story that will appeal to all pet owners, not just those fond of tawny owls, which Windrow describes as “something like cats that can fly.” --Eloise Kinney

Review

“Anyone who thinks the bond between man and dog or cat is the supreme human-house pet attachment will have to reconsider after reading Martin Windrow's touching account of the bird who changed his life, a possessive and characterful tawny owl named Mumble who was his domestic companion for 15 action-packed years . . . [The Owl Who Liked Sitting on Caesar is] a memoir of his friendship with this singular creature, interwoven with a natural history of her species and a close, not to say obsessive, description of her traits . . . [It] is all the more affecting because of its gruff understatement.” ―Liesl Schillinger, The New York Times Book Review

“Charming . . . an eloquent yet unsentimental testimonial about a man devoted to his "one true owl", and the profound impact that relationship with this bird had on his life.” ―The Guardian

“Unlikely books are often very endearing--this is one such book. An utterly charming work, perhaps best read at night when there are owls about.” ―Alexander McCall Smith, author of the No. 1 Ladies' Detective Agency series

“The Owl Who Liked Sitting on Caesar is pure joy. Martin Windrow shows us the essence of a wild animal in a story as informative as a scientific paper on the species Strix aluco, but much more fun to read. Owls are among the world's most interesting creatures, and to see one up close and in detail as we do here is a valuable experience that will appeal to readers of every kind.” ―Elizabeth Marshall Thomas, author of A Million Years with You: A Memoir of Life Observed

“With a keen eye for the telling detail, Windrow has written an informative, tender and, yes, wise memoir on the blessed ties that bind people and their pets--one that should find a permanent perch on your shelf.” ―Jay Strafford, Richmond Times-Dispatch

“Funny, touching and divertingly novel . . . [Windrow] has produced an homage to both a creature and its species that is almost Leonardo-like in its precision and spirit of curiosity. The result is nothing less than a small masterpiece of animal literature . . . [A] perfect book.” ―Ben Downing, The Wall Street Journal

“Charming . . . Mr. Windrow's owl fascination knows no bounds. ” ―Carmela Ciuraru, The New York Times

About the Author

Martin Windrow is an English military historian and a long-time commissioning and art editor for Osprey Publishing. He is the author of numerous books of military history, including The Last Valley, a distinguished history of the French defeat in Vietnam. He lives in the Sussex Downs country of southern England.

Most helpful customer reviews

34 of 34 people found the following review helpful.
A tender, touching, and often witty memoir of a man and his unusual pet
By Neal Reynolds
Martin Windrow shares his 15 years with Mumble, his pet tawny owl, with us. This memoir is loving and often witty, but it is tinged with an anger the author has carried for twenty years after Mumble's death.

I suspect that there will be controversy about this book on these pages. The idea of raising a wild creature as a pet stirs different emotions in different people. Regardless of a person's opinion, the author here does portray a long pet/owner relationship as a happy one for both concerned.

Actually, a larger part of the book gives details on owls, especially the tawny owl, so there is an academic tone here. It's the latter chapters that tell us more specifically about the life shared by Windrow and Mumble. All in all, this is a memorable book which animal lovers especially will enjoy. The author is given credit for his admonitions at the book's start against "rescuing" an abandoned owlet you might think "lost". On the other hand, he shares the joy one can have in properly raising a creature such as a tawny owl and establishing a pet relationship.

The book is nicely enhanced with a number of drawings and photographs. Some of the photoghs were a bit indistinct in the reviewer's copy, but may be much clearer in the published version.

I enthusiastically endorse this book for all readers who love animals.

27 of 27 people found the following review helpful.
Amusing and boring by turns
By Lynnda Ell
Martin Windrow held my interest in the fascinating account of his life with a tawny owl. He writes well; his dry and witty voice suits his subject perfectly. Many times, I laughed aloud at his lively descriptions of the extra effort he used to provide a meaningful life to Mumbles. Nearly as often, I laughed at Mumbles's attempts to encourage Mr. Windrow into more owl-like behavior. Boredom kicked in - and my eyes began glazing over - when he began giving general information about owls. I'm glad I didn't skip those sections, however, because just about the time I lost interest, Mr. Windrow would tie the section into an amusing anecdote from his life with Mumbles. The book was, entertaining, informative, and meaningful. I especially recommend it to anyone who thinks they want to keep a wild bird or animal as a pet. As The Owl Who Liked Sitting on Caesar, clearly describes, it is not a choice to be made lightly.

19 of 20 people found the following review helpful.
Wonderful story of the bond between man and owl
By Akcloudwoman
I am a bird lover, and have owned and rehabbed birds so I had to read this story. It didn't disappoint and was thoroughly enjoyable! I loved the story and the way that the author interspersed educational tidbits and information about owls in the story. Having owned birds, it was fun to read about how the relationship and how routines developed between Martin (the author) and the owl. An out is not the type of pet you would expect to find in a downtown flat, and that made their adventures even more intriguing! This is a must read for anyone who has had a special relationship with a bird or other pet.

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Saturday, November 28, 2015

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Former "Village Voice" columnist Edward Ball takes readers on an unprecedented journey into his family's slave-owning past, telling the story of black and white families who lived side by side for five generations--and a tale of everyday Americans confronting their vexed inheritance together. Photos 7-city author tour. National publicity.

Sales Rank: #448486 in Books
Published on: 1998-02
Original language: English
Number of items: 1
Dimensions: 9.75" h x 6.50" w x 2.00" l,
Binding: Hardcover
504 pages

Features

White and black hardcover with gilt design, jacket with picture of slave owners and slave.
6x12 inches, 504 pages

Amazon.com Review
Writer Edward Ball opens Slaves in the Family with an anecdote: "My father had a little joke that made light of our legacy as a family that had once owned slaves. 'There are five things we don't talk about in the Ball family,' he would say. 'Religion, sex, death, money and the Negroes.'" Ball himself seemed happy enough to avoid these touchy issues until an invitation to a family reunion in South Carolina piqued his interest in his family's extensive plantation and slave-holding past. He realized that he had a very clear idea of who his white ancestors were--their names, who their children and children's children were, even portraits and photographs--but he had only a murky vision of the black people who supported their livelihood and were such an intimate part of their daily lives; he knew neither their names nor what happened to them and their descendents after they were freed following the Civil War. So he embarked on a journey to uncover the history of the Balls and the black families with whom their lives were inextricably intertwined, as well as the less tangible resonance of slavery in both sets of families. From plantation records, interviews with descendents of both the Balls and their slaves, and travels to Africa and the American South, Ball has constructed a story of the riches and squalor, violence and insurrection--the pride and shame--that make up the history and legacy of slavery in America.

From School Library Journal
YA-A compelling saga, Ball's biographical history of his family stands as a microcosm of the evolution of American racial relations. Meticulously researched, and aided by the fact that the South Carolina Ball families were compulsive record keepers, the story begins with the first Ball to arrive in Charleston in 1698. The family eventually owned more than 20 rice plantations along the Cooper River, businesses made profitable by the work of slaves. In the course of his research, the author learned that his ancestors were not only slave owners, but also that there was a highly successful slave trader company in his background. He was able to trace the offspring of slave women and Ball men (between 75,000 and 100,000 currently living) and locate a number of his own African-American distant cousins. Although records indicate that the author's forebearers were not by any means cruel or vicious owners, his remorse for these facets of his family history is clear. In the course of his research, he visited Bunce Island, off the coast of Sierra Leone, to see the fortress from which his ancestors loaded terrorized men, women, and children onto slave ships. Their story represents that of many African Americans. This book helps readers to visualize, if not understand, the slave legacy still enmeshed in this country today. Despite its length, this is an important, well-written slice of history that will be of interest to young adults.
Carol DeAngelo, Garcia Consulting Inc., EPA Headquarters, Washington, DC
Copyright 1998 Reed Business Information, Inc.

From Library Journal
In this National Book Award-winning saga, Ball traces his family back to their first arrival on American shores and also traces the lineage of the slaves his ancestors once owned. He follows their stories through the decades as the families branched out. The Balls grew to be among the most prominent of South Carolina plantation owners; the black people suffered both slavery and the wrenching disruption of emancipation. In between his genealogical and historical explorations, the author interviews living descendants from both groups. Somehow he avoids a liberal angst in favor of a directly honest, matter-of-fact approach to both the subject and the people. The living Ball descendants are generally cautious as they approach the subject; the black families show almost no bitterness, and their stories are varied and intense. As a reader, Ball is subdued and rarely shows emotion; the narrative itself is what gives this presentation its punch. A mandatory acquisition for all audiobook collections.ADon Wismer, Cary Memorial Lib., Wayne, ME
Copyright 1999 Reed Business Information, Inc.

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6 of 8 people found the following review helpful.
Fascinating detective story
By Dave Schwinghammer
Edward Ball is a descendant of rice plantation owners. Ball, son of a minister and former Village Voice columnist, set out to discover his connections to a slave-owning past. What he found was six generations of Balls who owned twenty plantations along the Cooper River near Charleston, South Carolina, masters over more than 4,000 African-Americans.
He finds Elias "Red Cap" Ball who inherited half of a 740-acre Comingtee Plantation and twenty black and Indian slaves in 1698. Elias had five white children and possibly two by his black housekeeper, Dolly. One of his children tells his heirs in his will to lend money at interest or buy young slaves. Henry Laurens, married to Red Cap's daughter Eleanor, owned the largest slave-trading firm in the colonies. They brought 7,800 Africans to America between 1751 and 1761, earning a hundred and fifty-six thousand pounds in commissions, making him and his wife one of the richest families in America. John Ball, Red Cap's grandson, leaves $227,191 to his heirs as a result of selling his belongings at auction, which included 367 people.
James Poyas, great-grandson of Red Cap, never married but seems to have had a relationship with a field hand named Diana, with whom he had a son, Frederick. Edward Ball finds Frederick's descendants, living in Ohio, Pennsylvania, and South Carolina. Ball also tracks a young slave girl from Sierra Leone to Charleston, where Second Elias Ball bought her, and traces her lineage to Thomas P. Martin, retired assistant school principal and a seventh-generation descendant of Priscilla.
Edward Ball visits Sierra Leone, looking for descendants of slave traders there. Peter Karefa-Smart, a descendant of Gumbo Smart, a middleman for the British, doesn't seem to bothered by what his ancestor did. He says, "If there were no buyers, there would be no sellers, but you could turn it around and say, if there were no sellers, there would have been no buyers."
There are a couple of incidents that caught my interest. One was the story of Boston King, who escaped from Tranquil Hill, one of the Ball plantations. In 1792, Boston King and Twelve hundred other escaped slaves boarded ships bound for Sierra Leone, thus coming full circle. Another is the amazing resemblance between the author, Edmund Ball and his William James Ball, the patriarch of the Ball family during the Civil War. Give William James a haircut and a shave and they could be twins.

2 of 2 people found the following review helpful.
a courageous and engaging book. highly recommended
By English teacher
I found this book fascinating and admirable. Mr. Ball's research is impressive in its thoroughness and breadth. For example, how did he discover that many "loyalist slaves" who fought with the British in the Revolution and ended up in England had written memoirs of their lives? Ball gives the full sweep of his own white family history, but can only give partial histories of black families. When he only knows a fragment of someone's life, he gives that fragment, without apology, as testimony to the large, tragic gaps in Black History. This book is courageous, honest and moving. Highly recommended.

55 of 58 people found the following review helpful.
Coming to grips with the past...
By Cynthia K. Robertson
National Book Award-winner, Slaves in the Family, is one of the best nonfiction books I have read in the past ten years. Edward Ball comes from a very prominent family of plantation owners in the Charleston Low Country. The patriarch, Elias Ball, immigrates to the colonies in the late 1600's. Being very prolific when it came to progeny, he soon had children and grandchildren owning over two dozen plantations along the Ashley and Cooper Rivers. After the Civil War, the Ball plantations were sold or lost, one by one. Yet today, the Balls are still very prominent in Charleston Society. Their family tree is well documented, and instead of being plantation owners, they now count lawyers, judges, doctors and priests among their ranks.
In Edward Ball's first effort, he sets out to find the descendants of the thousands of Ball family slaves. This was no easy task. Many slaves had no last names. Others moved to distant states. Some descendants had no wish to speak with him. Ball also encountered reticence from his own family. The extended family did not like to talk about slavery. On the few occasions when the subject was raised, they all espoused the party line: 1. Balls never mistreated their slaves 2. Balls never separated slave families and 3. Ball masters never slept with female slaves.
Using surviving Ball journals, diaries, ledgers and inventories, Edward was able to contact a good many slave descendants. I found the most moving parts of the book are when Edward's research validates the oral history of many slave ancestors, and in some cases, helped them to fill in the missing pieces of their genealogical puzzle. Edward's research also helps him to discover more about his own ancestors. Contrary to Ball oral history, not all Ball plantation owners treated their slaves admirably. Also, slave families were sometimes separated-although mostly due to economic necessity (i.e. when slaves were sold to settle an estate). But what really shocked the author was when he discovered that he had ancestors of color! But save that topic for another book.
The only part of Slaves in the Family that bothered me was Edward Ball's insistence on being an apologist for slavery. Although slavery was a horrible institution, Ball was in no way responsible for what his ancestors did hundreds of years ago. Still, this is just a minor distraction in an otherwise fabulous book. In addition to reading Slaves in the Family, I also listened to it on tape and enjoyed it just as much the second time around. Edward Ball truly gives us a remarkable effort in his first at bat.

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Friday, November 27, 2015

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Sales Rank: #3186390 in Books
Published on: 1956-01
Number of items: 1
Binding: Hardcover
52 pages

Most helpful customer reviews

1 of 9 people found the following review helpful.
His best,
By A Customer
probably, because he was sober; an aria rather than a jazz riff.

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A surprising, gripping narrative depicting the thinkers whose ideas shaped contemporary China, India, and the Muslim world

A little more than a century ago, as the Japanese navy annihilated the giant Russian one at the Battle of Tsushima, original thinkers across Asia, working independently, sought to frame a distinctly Asian intellectual tradition that would inform and inspire the continent's anticipated rise to dominance.

Asian dominance did not come to pass, and those thinkers―Tagore, Gandhi, and later Nehru in India; Liang Qichao and Sun Yatsen in China; Jamal al-Din al-Afghani and Abdurreshi al Ibrahim in the ruins of the Ottoman Empire―are seen as outriders from the main anticolonial tradition. But Pankaj Mishra shows that it was otherwise in this stereotype-shattering book. His enthralling group portrait of like minds scattered across a vast continent makes clear that modern Asia's revolt against the West is not the one led by faith-fired terrorists and thwarted peasants but one with deep roots in the work of thinkers who devised a view of life that was neither modern nor antimodern, neither colonialist nor anticolonialist. In broad, deep, dramatic chapters, Mishra tells the stories of these figures, unpacks their philosophies, and reveals their shared goal of a greater Asia.

Right now, when the emergence of a greater Asia seems possible as at no previous time in history, From the Ruins of Empire is as necessary as it is timely―a book essential to our understanding of the world and our place in it.

Sales Rank: #700399 in Books
Published on: 2012-09-04
Released on: 2012-09-04
Original language: English
Number of items: 1
Dimensions: 9.37" h x 1.22" w x 6.44" l, 1.29 pounds
Binding: Hardcover
368 pages

Review

“History is sometimes a contest of narratives. Here Pankaj Mishra looks back on the 19th and 20th centuries through the work of three Asian thinkers: Jamal al-Din Afghani, Liang Qichao and Rabindranath Tagore. The story that emerges is quite different from that which most Western readers have come to accept. Enormously ambitious but thoroughly readable, this book is essential reading for everyone who is interested in the processes of change that have led to the emergence of today's Asia.” ―Amitav Ghosh, author of Sea of Poppies and River of Smoke

“With uncommon empathy, Mishra has excavated a range of ideas, existential debates, and spiritual struggles set in motion by Asia's rude collision with the West, leading to outcomes no one could have predicted but which, after his account, seem more comprehensible--and that is no mean achievement. Above all, Mishra sheds new light on an important part of our collective journey, the inner and outer turmoil we inhabited, the price we paid, and what we did to each other along the way. We might yet learn from it and redeem ourselves in some measure.” ―Namit Arora, 3 Quarks Daily

“After Edward Said's masterpiece Orientalism, From the Ruins of Empire offers another bracing view of the history of the modern world. Pankaj Mishra, a brilliant author of wide learning, takes us through, with his skillful and captivating narration, interlinked historical events across Japan, China, Turkey, Iran, India, Egypt, and Vietnam, opening up a fresh dialogue with and between such major Asian reformers, intellectuals, and revolutionaries as Liang Qichao, Tagore, Jamal al-din al-Afghani, and Sun Yatsen.” ―Wang Hui, author of China's New Order and The Rise of Modern Chinese Thought and Professor of Chinese Intellectual History at Tsinghua University, Beijing

“Pankaj Mishra has produced a riveting account that makes new and illuminating connections. He follows the intellectual trail of this contested history with both intelligence and moral clarity. In the end we realise that what we are holding in our hands is not only a deeply entertaining and deeply humane book, but a balance sheet of the nature and mentality of colonisation.” ―Hisham Matar

“Mishra's survey knowledgeably presents an intellectual history of anti-imperialism.” ―Booklist

“Subtle, erudite and entertaining.” ―The Economist

“Meticulous scholarship…..History, as Mishra insists, has been glossed and distorted by the conqueror….[This] passionate account of the relentless subjugation of Asian empires by European, especially British, imperialism, is provocative, shaming and convincing.” ―Michael Binyon, Times (London)

“Fascinating…a rich and genuinely thought-provoking book.” ―Noel Malcolm, Telegraph

“One can only be thankful for writers like Mishra. From The Ruins Of Empire is erudite, provocative, inspiring and unremittingly complex; a model kind of non-fiction for our disordered days….May well be seen in years to come as a defining volume of its kind.” ―Stuart Kelly, Scotsman

“Deeply researched and arrestingly original…this penetrating and disquieting book should be on the reading list of anybody who wants to understand where we are today.” ―John Gray, Independent

“Lively…Engaging…From the Ruins of Empire retains the power to instruct and even to shock. It provides us with an exciting glimpse of the vast and still largely unexplored terrain of anti-colonial thought that shaped so much of the post-western world in which we now live.” ―Mark Mazower, Financial Times

“Superb and ground-breaking. Not just a brilliant history of Asia, but a vital history for Asians.” ―Mohsin Hamid

“Mishra has no time at all for big, broad-brush accounts of western success contrasted with eastern hopelessness. Instead, he is preoccupied by the tragic moral ambivalence of his tale. . . From the Ruins of Empire gives eloquent voice to their curious, complex intellectual odysseys as they struggled to respond to the western challenge . . . Luminous details glimmer through these swaths of political and military history.” ―Julia Lovell, The Guardian

“[An] ambitious survey of the decline and fall of Western colonial empires and the rise of their successors. . . A highly readable and illuminating exploration of the way in which Asian, and Muslim countries in particular, have resented Western dominance and reacted against it with varying degrees of success.” ―The Tablet (UK)

“From the Ruins of Empire jolts our historical imagination and suddenly places it on the right, though deeply repressed, axis. It is a book of vast and wondrous learning and delightful and surprising associations that will give a new meaning to a liberation geography. From close and careful readings of some mighty Asian intellectuals of the last two centuries who have rarely been placed in this creative and daring conversation with each other, Pankaj Mishra has discovered and revealed, against the grain of conventional and cliched bifurcations of 'The West and the Rest,' a continental shift in our historical consciousness that will define a whole new spectrum of critical thinking.” ―Hamid Dabashi, Columbia University

“In his brilliant new book Pankaj Mishra reverses the long gaze of the West upon the East, showing modern history as it has been felt by the majority of the world's population from Turkey to China. These are the amazing stories of the grandfathers of today's angry Asians. Excellent!” ―Orhan Pamuk

About the Author

Pankaj Mishra was born in India in 1969 and lives in London and Mashobra, India. The author of An End to Suffering (FSG, 2004) and Temptations of the West (FSG, 2006), as well as a novel, The Romantics, he writes for The New Yorker, The New York Review of Books, The New York Times Book Review, and The Guardian.

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28 of 31 people found the following review helpful.
Three Asian Intellectuals Present Their Side of the Story
By China Author Forum
"The West is becoming demoralized through being the exploiter, through tasting the fruits of exploitation. We must fight with our faith in the moral and spiritual power of men. We of the East have never reverenced death-dealing generals, nor lie-dealing diplomats, but spiritual leaders. Through them we shall be saved, or not at all. Physical power is not the strongest in the end... you are the most long lived race, because you have had centuries of wisdom nourished by your faith in goodness, not in mere strength." - Rabindranath Tagore, lecturing in Beijing in 1923

One of the ever-present scourges of expat life is arrogance. For many Westerners in Asian countries, even half a century after the collapse of colonialism, we retain a certain sense of moral superiority towards our hosts. We often feel their manners to be backwards; their habits of thought and social patterns keep them locked in a cycle of poverty; and that their own arrogance is holding them back from "truly" joining the modern (and by that we mean Western) world. Having lived nearly five years in Asia, I've often struggled to balance my own contrarian impulses, sympathy for Chinese (and other Asian) culture, and frustration with the less pleasant aspects of life here (as well as the ever-present temptation to make comparisons to my own place of origin) in the face of locals, both proud and self-hating, and other expatriates, both derisive and sympathetic. But until I read Pankaj Mishra's From the Ruins of Empire, I didn't realize just how deeply I'd failed to understand the Asian perspective on Western modernity, and just how that has skewed my entire outlook on the world.

Mishra's book isn't a piece of postcolonial critique, or an exploration of contemporary Asian thought on the role of Asia in the world today, but a gripping narrative of the life and thought of several prominent "Asian modernists" who foresaw a different path for their cultures than Westernization or traditionalism. The three characters that the book centers around- Jamal al-Din al-Afghani, Liang Qichao, and Rabindranath Tagore- are held up as representatives of the possibility for the development of "parallel modernities" in the Islamic, Confucian/Sinic, and Hindu civilizations, respectively. Around these three characters, many other figures emerge, some famous- Mohandas Gandhi, Sun Yatsen, Mao Zedong- some less well-known outside of their nations, and some who are understood quite differently in their home nations than they are outside (such as Aurobindo Ghose, better known as a spiritual guru and inspiration to new-age writers than an Indian nationalist, and Sayyed Qutb, a man unfairly - in Mishra's eyes - labeled as the intellectual godfather of global jihad.

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17 of 18 people found the following review helpful.
Asian history and political philosophy
By Gderf
This is an excellent introduction to Asian history and political philosophy. It traces the decline of Muslim and Chinese political influence in the late 19th and early 20th centuries. Mishra explains the background for the intellectual and political awakening of Asia after the declines of the nineteenth century. It features the careers and political philosophy of the Persian Muslim, Jamal al-Din al-Afghani and the Chinese writer Liang Quichao. Also featured prominently is Indian poet and political philosopher, Rabindraneth Tagore. Mishra well describes how these protagonists influenced philosophical development of later principles Sun yat-sen, Gandhi, Nehru, Lenin, Mao, Ho Chi-min, Atatürk and others. A major theme is antipathy to the encroachments of Europeans in Asia, particularly the British. The book also depicts rising militant influence of Japan, starting with the Chino-Japanese and Russo-Japanese wars.

The book starts with a somewhat puzzling reference to battle of Tsushima Bay as inciting Western awareness of Asiatic power. W.E.B. Dubois announced a world wide eruption of colored pride. That idea is not adequately explained, but doesn't detract from the book's interest. We see the Muslim viewpoint in politics of Egypt, Persia, India and Turkey through the career and philosophy of Jamal al-Din al-Afghani. Missing is the 19th century Muslim view of modern trouble spots Bosnia and Palestine. Although al-Afghani is not classified as a terrorist his influence on Bin Laden and others is evidenced and it would have been interesting to see his views on early Arab reactions in what later became Palestine.
At the end of his career, al-Afghani expressed regret that he had appealed largely to royalty, like Abdulhamid II, for support of his ideas, rather than to the common people.

Liang Qichao was, arguably, the most interesting political philosopher in the book. Liang moved away from revising Confucianism. His took influence from the West in the form of Social Darwinism. Liang and his mentor Kang Yowei were instrumental in the formulation Chinese political discourse leading to the overthrow of the Qing dynasty, to replaced by the republic under Sun Yat-sen and later, the PRC. Empress Cixi exiled Kang and Liang then instituted reforms, too late to save her dynasty. Along with exile in Japan, politically and militarily emerging after the Meiji reformation, Liang visited America, making prescient observations like a later day Tocqueville. Liang influenced both communist Mao and his rival Chiang Kai-shek, who espoused a revised Confucianism.
Al-Afghani's legacy was carried on in Egypt by Saad Zaghoul, PM who initiated the Wafd Party and Sayyeed Qutb and by Muhammad Iqbal and others in India. In Egypt the Muslim Brotherhood is seen as a reaction to Zionism a modern symbol of Western dominance of Asians. We see the futility of Wilson's Fourteen Points along with snubbing of he Asian nations at the Paris Peace Conference. Later leaders Gandhi, Nehru, Sukarno, Lee Kwan Yew and others, as well as terrorists Osama Bin Laden, were greatly influenced by the Asiatic philosophers of the previous century. Kim Il Jong is not mentioned. Among modern intellectuals, it seems that philosophers Edward Said or Noam Chomsky should be included.

Mishra shows impressive knowledge of a wide variety of Eastern philosophy. Although the extent of influence of Mishra's candidates is not made entirely clear, there is much of interest in his book. The book concludes with the rise of many Asian nations, predicting that Western dominance is a short lived historical phenomenon. Mishra states his modern interpretations in an epilogue. He says that the war on terrorism is misguided, as it should be related to the condition of the world's poor. The idea that globalization will enable the billions in China and India to enjoy an American life style is an absurd and dangerous fantasy. It's a realistic deviation from populists like Jeffry Sachs who think that a few billion dollars can eliminate world poverty.

This book is all the better because it depicts a history relatively unknown in the West, featuring protagonists that I was not familiar with. For myself, Pan Islamic and Pan Asiatic philosophy is a bit much to assimilate from a single book.

4 of 4 people found the following review helpful.
The Story of Power Told as Subaltern History
By Trey Menefee
Let me caveat the rest of what I write by saying that I've only gotten about a third through the book. Much of my critique might be found in the final chapters.

My priamry critique is that Mishra is in awe of centers and rather neglectful of peripheries. He's making a valid argument that a response to colonialism was the construction for the homogeneous, centralized, nation-states that could hold their own ground. I'm not yet finished with the book, but I'm hoping that he'll come back to a defense of an intellectual tradition of pre-modern Asian statecraft that had far less interest in direct-rule and interference in peripheries (Ottoman millet system; China's tributary system; 'padi states'). So far, there are no Uighurs, Tibetans, Visayans, Tanka, Hmong/Miao or anyone else that didn't lay the intellectual foundations for the modern Asian nation state power that eventually arose. It's a history of rising power told, I believe incorrectly, as a history of the subaltern. We are supposed to watch with awe as Chinese emperor's capture the steppes people and Japan beats Russia in colonizing Korea.

Mishra is right that the West-centric story of Asian modernity is insufficient. But Mishra is writing the intellectual history of the Ayatollah's, Mao's, Xi Jinping's, Aquino's, and Modi's. If we look a little harder, we'd also find a neglected local body of intellectual development that prizes diversity, autonomy, and political-cultural pluralism that could serve as an intellectual foundation for the politically frustrated youth and scholars in Hong Kong. Without this history, they're largely turning to 'Western' ideas, history, and scholarship to express their desires. So far, an American Yale professor who tends sheep between writing books and teaching classes in is one of the only scholars giving voice to this tradition.

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Thursday, November 12, 2015

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The novel is alive and well, thank you very much

For the last fifteen years, whenever a novel was published, John Freeman was there to greet it. As a critic for more than two hundred newspapers worldwide, the onetime president of the National Book Critics Circle, and the former editor of Granta, he has reviewed thousands of books and interviewed scores of writers. In How to Read a Novelist, which pulls together his very best profiles (many of them new or completely rewritten for this volume) of the very best novelists of our time, he shares with us what he's learned.
From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie, and Mo Yan, to established American lions such as Don DeLillo, Norman Mailer, Toni Morrison, Marilynne Robinson, Philip Roth, John Updike, and David Foster Wallace, to the new guard of Edwidge Danticat, Dave Eggers, Jonathan Franzen, and more, Freeman has talked to everyone.
What emerges is an instructive and illuminating, definitive yet still idiosyncratic guide to a diverse and lively literary culture: a vision of the novel as a varied yet vital contemporary form, a portrait of the novelist as a unique and profound figure in our fragmenting global culture, and a book that will be essential reading for every aspiring writer and engaged reader―a perfect companion (or gift!) for anyone who's ever curled up with a novel and wanted to know a bit more about the person who made it possible.

Sales Rank: #771012 in Books
Brand: Brand: FSG Originals
Published on: 2013-10-08
Released on: 2013-10-08
Original language: English
Number of items: 1
Dimensions: 7.46" h x 1.01" w x 5.26" l, .61 pounds
Binding: Paperback
384 pages

Features

Used Book in Good Condition

From Booklist
Critic and former Granta editor Freeman (The Tyranny of E-Mail, 2009) presents a collection of 55 deeply informed and closely observed encounters with exceptional novelists. After stumbling through his first interview with John Updike, Freeman learned that “an interview is a form of conversation that has the same relationship to talking as fiction does to life.” Over the subsequent 13 years, Freeman spoke confidently with novelists who have something “to say about the world that can only be said in a story”in conversations he deftly wove into compact yet defining literary newspaper profiles. And what a spectrum he covers, from such towering figures as Toni Morrison, Nadine Gordimer, Joyce Carol Oates, and Günter Grass to Aleksandar Hemon, Kiran Desai, crime writer Donna Leon, and Jonathan Franzen. Haruki Murakami explains why a “repetitious life” is good for the imagination. E. L. Doctorow talks about the balance between the imagined and the historic, and Kazuo Ishiguro comments on the mess Freeman makes while eating scones. Ranging from the profound to the amusing,Freeman eloquently appreciates novelists and the “consolations of narrative.” --Donna Seaman

Review

"Ranging from the profound to the amusing,Freeman eloquently appreciates novelists and the “consolations of narrative.”―Booklist

"To read about the personal, emotional, mental, political, and artistic struggles and triumphs of great writers is to see them as flesh and blood human beings...intimate and thoughtful sketches."―Publishers Weekly

About the Author
John Freeman is an award-winning writer and book critic. The former editor of Granta and onetime president of the National Book Critics Circle, he has written about books for more than two hundred publications worldwide, including The New York Times Book Review, the Los Angeles Times, the San Francisco Chronicle, The Wall Street Journal, The Guardian, La Repubblica, and La Vanguardia. His first book, The Tyranny of E-mail, was published in 2009. His poetry has been published in The New Yorker, ZYZZYVA, and The Paris Review. He lives in New York City.

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10 of 13 people found the following review helpful.
Unmet expectations
By Nikolay Nikolov
Although this book received a big praise by the brainpickings.org website as 'THE handbook' to any aspiring novelist, I found very few takes of the literally giants interviewed useful. What I found strange is that this book is a collection of interviews between 204-2008, yet it is being advertised as something very contemporary. While containing invaluable communications with individuals who have unfortunately passed away, I can find no logic as to why it is published so many years after the interviews conducted in relation to selected books by the given authors.

2 of 2 people found the following review helpful.
Not what I expected, not very enlightening.
By Ralph Glebe
In his forward John Freeman states that he started out with an outline of what he wanted to ask during his interviews and he soon discarded that in favor of a more freewheeling interview. Maybe he should have held on to the outlines. Perhaps it's my expectations that are at fault. "How to Read a Novelist," I suppose suggested to me that I might see some samples of a writers work and some commentary on it by the author or, failing that, at least by John Freeman. OK, I hadn't done my homework. What I got was a series of short, very short, blurbs about an author. The author, when we get a few words from the author, doesn't even really cover the body of his work, just the novel or collections he's pushing at the time of the interview. (Which may be many years out of date.) I can't really call them interviews, because there may have been a few sentences that could be directly attributed to the author, surrounded by Freeman's off the cuff impressions:
"Author X entered the room with a slight limp. Once handsome he'd lately begun balding. Once forceful on the literary scene, he hadn't released anything in the last five years and his physical stature was diminished as well. Yet as we talked about his latest release, he seemed grow as we spoke. The gleam in his eye reminded me of the lion he'd been and might become again. 'Yes," he said. 'A novel should encompass the world, and that's what this does.'"
I guess the bottom line for me is, if you want to learn about reading or writing a novel, or you want to read some kind of insightful interview, this is not the book to get it. If you want to read a short blurb that doesn't require too much effort to read or thought to digest, such as you might see in the Sunday supplement or even on the jacket cover, then this is your book.

1 of 1 people found the following review helpful.
Short, warmly written essays about the literati of today
By Abeer Y. Hoque
Full disclosure: John Freeman is a friend.

"How To Read A Novelist" by John Freeman is a warmly written review of modern literature. In the last 15 years, John has interviewed the literati and rising lit stars of our generation, a contemporary canon, from Salman Rushdie to David Mitchell to Margaret Atwood to Doris Lessing to Haruki Murakami to Mohsin Hamid and so on. If someone has published something marvelous in the last decade and half, chances are John has met its author on intimate and literary terms.

HtRaN is a collection of his interviews/essays, and not only do they give cultural, historical, political, feminist, and literary context, they are beautifully written, giving a sense of not just the author, but what their books might mean to us, and this more mysterious thing, what their work means to themselves. What it means to be a writer, and in turn, a reader.

I love John's language and his articulate and encompassing perspective. Take for example his description of Edmund White as having "a gentle colossal intelligence," his writing with "rivetless construction, as if it were built in a wind tunnel." How inventive, and how clear, all at once.

I would have liked the essays to be longer and more in depth. I know there's much more that John could have written, but perhaps some of that depth was sacrificed for the incredible range of writers reviewed. The good thing about that is if you have a short attention span like I do, then you will be able to rip through the essays right quick.

That all said, the essays in HtRaN will give you a window into the work and world of your favourite contemporary author, and perhaps inspiration to pick up something new.

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