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Sunday, September 13, 2015

## Download PDF Sex, Murder and a Double Latte, by Kyra Davis

Download PDF Sex, Murder and a Double Latte, by Kyra Davis

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Sex, Murder and a Double Latte, by Kyra Davis

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When a mystery writer cries bloody murder, everyone blames her overactive imagination . . .

Thriller scribe Sophie Katz is as hard-boiled as a woman who drinks Grande Caramel Brownie Frappuccinos can be. So Sophie knows it's not paranoia or post-divorce, living-alone-again jitters, when she becomes convinced that a crazed reader is sneaking into her apartment to reenact scenes from her books. The police, however, can't tell a good plot from an unmarked grave.

When a filmmaker friend is brutally murdered in the manner of a death scene in one of his movies, Sophie becomes convinced that a copycat killer is on the loose -- and that she's the next target. If she doesn't solve the mystery, her own bestseller will spell out her doom. Cursing her grisly imagination (why, oh, why did she have to pick the ax?), Sophie engages in some real-life gumshoe tactics. The man who swoops in to save her in dark alleys is mysterious new love interest Anatoly Darinsky. Of course, if this were fiction, Anatoly would be her prime suspect . . .

Sales Rank: #959729 in Books
Published on: 2006-04-01
Original language: English
Number of items: 1
Dimensions: 8.00" h x .90" w x 5.13" l, .60 pounds
Binding: Paperback
336 pages

From Publishers Weekly
Death imitates art in Davis's playful debut about crime novelist and wisecracking interracial Bay Area hipster Sophie Katz, who possesses either an overactive imagination or a keen awareness of criminal behavior patterns. When rapper JJ Money and the movie producer interested in optioning Sophie's novel both die in scenes lifted from their respective works, Sophie is the only one who sees the connection. Soon, it seems someone is reenacting the ominous details (vandalized car, crank calls, mysteriously broken wine glass) of her bestseller, and she fears that she's the next target. Sophie turns a suspicious eye on sexy bad-boy Russian-Israeli Anatoly Darinsky: he's either a homicidal stalker or prime boyfriend material. When the San Francisco police scoff at Sophie's suspicions, the plucky writer turned amateur sleuth enlists her less-than-intrepid circle of friends; drawn in broad strokes, they include gay hairstylist Marcus, clueless wallflower Mary Ann and savvy sex-toy aficionado Dena. Davis keeps the tone light throughout, as Sophie maintains her irreverent sense of humor even as the peril mounts. Though the story serves as a book-length ad for Starbucks, as the title unfortunately hints, and Sophie's over-the-top scheming can strain credibility more than it amuses, readers sympathetic to the relentlessly sassy heroine will find this a thoroughly readable romp.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
San Francisco settings enliven this high-spirited first mystery. Sophie Katz, a biracial, half-Jewish mystery writer, has just finished a book and is ready for some relaxation--until she discovers a few things amiss in her apartment, suggesting an intruder who is leaving signs that he or she was there. Then, when someone Sophie knows is murdered, she realizes that the violence is escalating, and the villain appears to be acting out scenes from one of her books. Davis' strength definitely lies in character development: were they 30 years older and living in Miami, sarcastic Sophie and her two best girlfriends, ditzy Mary Ann and nymphomaniac Dena, could be the Golden Girls. Sophie's gay friend Marcus adds some fun (and a lot of hairspray) to the mix, and her current flame, enigmatic Russian Anatoly Darinsky, is strong, sexy--and possibly the murderer. Sophie's next outing will be even more enjoyable if Davis doesn't try quite so hard to be clever. As with a good latte, a little froth is fine--but substance is what satisfies. Jenny McLarin
Copyright © American Library Association. All rights reserved

Review
". . . a thoroughly readable romp." -- Publishers Weekly on Sex, Murder and a Double Latte

". . . just about perfect!" -- Detroit Free Press on Sex, Murder and a Double Latte

"A laugh a page: This one's a winner!" -- Kayla Perrin, author of Gimme an O!

"A story as delicious as designer coffee -- and with twice the jolt . . ." -- Booklist on Sex, Murder and a Double Latte

"Spicy dialogue reads like Sex and the City while the mystery keeps you turning pages." -- Alina Adams, author of On Thin Ice: A Figure Skating Mystery

Most helpful customer reviews

0 of 0 people found the following review helpful.
Good book. Am going to buy the
By Debra A Trenta
Quick read that provides a mystery along with humor. Good book. Am going to buy the others

23 of 25 people found the following review helpful.
Very fun, engaging whodunit chick-lit...
By CoffeeGurl
Sex, Murder and a Double Latte was so fun to read that I stayed awake until the wee hours of the night to finish it. This book is suspenseful, chic, fun and very funny. The story is also quite engaging. Sophie Katz is a bestseller mystery writer going through the unthinkable -- someone is stalking her, playing out scenes from one of her books. The stalker is so sneaky and clever with his devices that Sophie comes across as paranoid to the police. What's worse is that she has picked up a strange pattern from the news -- two people from the art industry, a film producer and a famous rapper, have been killed in ways that are similar to one of the producer's movies and one of the rapper's music videos. It seems someone is killing artists by playing out scenes from their creative efforts. Who is doing this? Could it be the gorgeous Russian who is flirting with Sophie, or is it the weird guy her best friend is dating? All Sophie wants to do is sit back and enjoy free time after finishing her new book and quench her thirst for caffeine at Starbucks. With the help of her friends, she will do whatever is possible to put the creep behind bars so she could live a normal life again...

As said earlier, this is one entertaining novel! The storyline is clever and the characters are witty, quirky and fun to read. The whole life-imitates-art thing is quite well written. The novel is lighthearted despite some dark scenes in the book. It was fun to read Sophie playing the amateur sleuth not unlike the heroines in her novels. The outcome and identity of the killer are predictable though -- I was able to figure out who the killer was long before his identity was revealed, but the story was so engaging and fun that it did not matter to me that I figured out whodunit ahead of time. But there was something that bothered me about the book. The last scene centered on Sophie and Anatoly was not very believable. I won't go into details, but the scene was not realistic after everything they went through. Other than that, I enjoyed Sex, Murder and a Double Latte. The author's great voice made up for some of the shortcomings. I look forward to reading more of her stuff in the future. I highly recommend this novel.

14 of 15 people found the following review helpful.
an entertaining, light read
By tregatt
"Sex, Murder and a Double Latte" definitely was a very breezy, fast paced and amusing read, and actually was a rather entertaining debut mystery novel. That said, I'd have to add however, this book is really for mystery lovers who enjoy light mysteries, because most of the focus for "Sex, Murder and a Double Latte" was on the heroine's (Sophie Katz) sizzling and troubled attraction for Anatoly Darinsky, who just might turn out to be a deranged and merciless killer.

When filmmaker Michael Tolsky is found dead with his wrists slashed and a note of regret penned to his estranged wife, his death is quickly ruled as a suicide. For Sophie Katz, up and coming mystery writer, however, there is something about Tolsky's death that niggles. Especially when she realises that Tolsky's death is an exact replica of a murder from one of the films that Tolsky had directed. And when Sophie's life suddenly starts resembling the plot from her book that both she and Tolsky were developing for a movie project, Sophie knows that Tolsky was murdered and that she's next on this mad killer's list of victims. The police won't listen and think that her imagination is in overdrive, but Sophie is sure that she's right, and that it is up to her to put a stop to this madman's spree...

If you enjoy humorous, light mysteries complete with a heroine that's full of spunk and snappy comebacks, and who possesses a group of loyal and courageous friends, you're bound to enjoy "Sex, Murder and a Double Latte." (This novel is especially bound to appeal to readers who enjoy a dollop of romance to their mysteries as well.) The mystery subplot premise was a very good one and was full of promise. Unfortunately, it also frequently took back-seat first to her preoccupation with her potential to romance, and then to her hyperventilations as to whether or not she was dating a serial killer. Understandable of course, after all who wants to admit that they might have cozied up to a murderer? But because I was more caught up in the mystery plot, I wanted more of how these murders connected, and a few more red herring suspects, complete with some interesting plot twists. Much of this was completely jammed into the last few chapters, which was a tad disappointing for me. Also, the red herring suspects never really materialised. On the whole though, this was an entertaining read. And I enjoyed it enough to hope that the author will be penning more Sophie Katz novels in the future.

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Friday, September 11, 2015

~ Download Ebook Letters of Ted Hughes, by Ted Hughes

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Letters of Ted Hughes, by Ted Hughes

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Ted Hughes described letter-writing as "excellent training for conversation with the world." These nearly 300 letters―selected from several thousand―show him in all his aspects: poet, husband and father, lover of the natural world, proud Englishman, and a man for whom literature was a way of being fully alive to experience.

There are letters dealing with Hughes's work on classic books, from the early breakthrough Lupercal to the late, revelatory Birthday Letters. There are letters discussing, with notable frankness, his marriages to Sylvia Plath and then to Assia Wevill. After marrying Carol Orchard, in 1970, Hughes ran a farm in Dorset for several years, and there are letters touching on his interest in
astrology, his strong and original views of Shakespeare, and his passion for farming, fishing, and the environment in general. Letters to Seamus Heaney and Philip Larkin situate Hughes among his peers as never before.

Letters of Ted Hughes reveals the author as a prose writer of great vigor and subtlety. It deepens our understanding of―and our admiration for―this great twentieth-century poet.

Sales Rank: #1162305 in Books
Published on: 2008-09-16
Released on: 2008-09-16
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.94" w x 6.00" l, 2.44 pounds
Binding: Hardcover
784 pages

Review
“No other English poet's letters, not even Keats's, unparalleled as they are, take us so intimately into the wellsprings of his own art.” ―JOHN CAREY, The Sunday Times

About the Author

TED HUGHES (1930–98) produced more than forty books of poetry, prose, drama, translation, and children's literature, including, in his last decade, Shakespeare and the Goddess of Complete Being, Tales from Ovid, and Birthday Letters.

Most helpful customer reviews

28 of 28 people found the following review helpful.
The rest is posthumous
By Amazon Customer
Just as Sylvia Plath's journals and letters home construct an autobiography of her, The Letters of Ted Hughes form a partial autobiography of him. The poems in Crow changed the way I viewed him as a poet; and Nick Gammage's The Epic Poise changed the way I viewed him as a man. These letters continue to evolve the image of Ted Hughes, which frankly had nowhere to go but up. Occasionally I asked myself, "Should I be reading these?", just as I ask myself that same question when I regularly read Plath's journals and letters. But the answer is always, "Yes."

This book, the first of its kind for a man who was known to be a very private person, further opens Ted Hughes. Similarly, in some way, to those "raw and unguarded" Birthday Letters. When Hughes sold his archive to Atlanta, he allowed for the demolition of that private wall he had built up around him. His archives are open in Atlanta, and another will be in the coming year in London, allowing further access into his life and his mind. Perhaps these letters, selected and edited by Christopher Reid, are not as candid as his private journals are, but over the many decades of Hugheses writing life, these letters show many phases of this controversial man. They make for fascinating reading and remind me of what a good writer he was. Throughout the book, Hughes constantly looks back and what had had done - creatively - and talks about what he should (or could) have done. I wonder if his late confession that writing and publishing Birthday Letters really did free him? Being on this end of the creative process allows for a unique perspective into Hugheses writing habits, publishing habits, etc. We're on the outside looking in; while at the same time on the inside looking out. Hughes was always amenable to collaboration, most successfully with Fay Goodwin in The Remains of Elmet and Seamus Heaney in The Rattle Bag and The School Bag. But, one wonders if the collaboration was done as a distraction, or a way to avoid certain things, or if he hoped it would spawn poems. But, from all this wonderful correspondence, the one major selling point - to peanut crunchers like you and like me, is the life, death, and afterlife of his first wife, Sylvia Plath.

The love letters to Sylvia Plath are beautiful. It makes one wish their courtship was longer. In a world of short & staccato emails and incomprehensible & abbreviated text messages, it is reassuring to read actual love letters. However, from the height of this courtship, the letters reach their nadir in the late summer 1962 letter to his sister, Olwyn Hughes, where the discussion focuses on his need for cash, to "swell a private account." This is a far, far cry from the letters addressed to his "kish and puss and ponk." And the letter from September 1962, also to Olwyn, is one of those curious ones sent maybe from London by Alvarez or someone else, when he may have been in Spain already with Assia Wevill. From 1963 until the end of his life, the letters to Plath's family or friends, those regarding Plath publications, and Hughes' attitudes about Plath the poet and Plath the person make revelatory reading. For those whose only knowledge of their relationship was through biographies or even through the poems in Birthday Letters, the gains in understanding may be incalculable. Any letter included in this volume regarding Sylvia Plath should help to understand certain decisions and attitudes held and made by the Estate. If there are more letters out there, we can hope they too will be published or come to view, as well.

The letters to Assia Wevill never quite match the passion of those to Sylvia Plath, but the nature of the relationship was so different that comparing them seems unfair. These letter say to me that she was just the other woman. Fortunately there is material about her (A Lover of Unreason) that does give her more presence. The letters from the 1970s, 1980s, and 1990s are fascinating, and there are spikes of interest that where the topic is Plath publications, biographies, and controversies.

A huge change occurs in letters of 1997 and 1998. Hughes really begins to open up autobiographically. And, in particular, the letters just before and after the publication of Birthday Letters leading up to the last one are extraordinary. I found his surprise at the response and reaction to publishing Birthday Letters to be genuine; but that being said, I cannot fathom what would have happened had he published them sooner. The 1970s were marred by the rise of feminism; the "letters" just would not have been accepted. This carried into the 1980s when her Collected Poems & Journals were published. The later 1980s and early 1990s saw the rise of the Plath biography machine; making his own story seem defensive in a way; they could have been read as a corrective and would not have helped much. So, the timing being what it was, was just about perfect; it is unfortunate that he was declining in health. By 1998, things had quieted down enough to make the reception optimal. And, it worked.

The best letters selected show Hughes supporting other poets & collaborating with a variety of artists and those to Frieda and Nicholas. His love for fishing is evident in the many letters on this topic and make - to my surprise - probably the most interesting reading. They show his most natural talent for detail, description, communicating, and living. The photographs portray those closest to Hughes, and of particular interest were photographs of Frieda and Nicholas. Seeing them with their mother as babies, it was astonishing to see them as toddlers, children, and young adults. Frieda has been more of a public figure than Nicholas, and while I respect both of their rights to privacy, I could not help being moved in the photograph of Nicholas and the Pike. Afterall, he was "the one solid the spaces lean on, envious."

Though many letters are already held in archives, seeing them in a single volume makes for enlightening reading. However autobiographical they are, Christopher Reid is in the role of storyteller through his selecting and editing of these letters. The notes indicate many instances where text is missing, and one wonders what letters were not selected and what they may - or may not - add to this one-way life of the poet. Reid's notes, which follow many letters and introduce many "chapters" are informative and occasionally witty (I believe in text messaging this would be LOL & a smiley face). A nice touch. As someone who knew Hughes and worked with him, I wonder how much influence his image of Ted Hughes played in the selection? Regardless of any possible bias that may have gone into the selection, The Letters of Ted Hughes appears to me to be well-balanced.

To those who contributed to the volume: a big thank you. Perhaps one day another collected edition of letters will be published, allowing for a deeper understanding of this man and opening up new layers and connections to 20th century poetry. Throughout the book, letters mentioning Sylvia Plath of course piqued my interest. It was challenging not to jump to the index and read these first. But, the whole story is worth waiting for, so I recommend reading the book from start to finish. It is a moving experience. And then go back as necessary to re-read letters by person or by year or whatever. That being said, there is so much in this 756 page book that reading the letters straight through almost cheats the reader of absorbing everything. This book will be a valuable resource for those interested in the Plath/Hughes story and I hope that upon re-reading certain letters, more can be discerned & known about his side of the story.

15 of 16 people found the following review helpful.
History is Not Done With Hughes
By Michael Salcman
The first draft of history (i.e. journalism) has not been kind to Ted Hughes, but he has little to worry about. When the Complete Poems came out, the review in Poetry magazine made the plausible argument that Hughes is the greatest poet in English since Shakespeare. In addition to a controversial book on the man he called Shakes, Hughes wrote more than 40 volumes of poetry, criticism, stage and radio plays, classical translations, children's books, and anthologies. In the years since his death, complete editions of his efforts in many of these disciplines have appeared, in England first and in the US subsequently. Now we are presented with a Selected Letters by his editor Christopher Reid; these have been chosen from more than 3000 written with great verve and intensity to a number of close friends, fans, students, and any number of the great and famous. It is an astonishing book.

For poets and writers not poisoned by the views of American feminists who have thoroughly martyrized his first wife, the letters provide an opportunity to truly hear the intimate voice of a special artist and eavesdrop on the British literary milieu in which he conducted himself with honor and trepidation. T.S. Eliot, Auden, Spender, Larkin, the Royals, and Heaney all make an appearance. His love of and advocacy for the work of his first wife and for the Israeli poet Yehuda Amichai are striking. Americans on the scene include Leonard Baskin, the distinguished printmaker who collaborated on many books with Hughes, W.S. Merwin, especially during his years in England, with references to Donald Hall and Galway Kinnell. The emphasis on the English scene is understandable given the treatment Hughes experienced at the hands of Americans; much of his life is insular and rural to a shocking degree. The happiest times of his life were spent on the farms and rivers of England; he loved fishing and most of his American adventures late in life were fishing trips in Alaska, safely away from the literary maelstrom. The degree to which he and his family fought against the notorious attacks that dogged him all his life casts a dark shadow throughout this book.

Some of the letters are quite lengthy and explain his influences and working procedures in great detail. The amount of time he wasted on radio plays and the theater is remarkable; he always seemed to yearn after success in a field not naturally his own, like Tchaikovsky wanting to write a great opera, and only late in life is Hughes explicit in his hatred of prose! Like Yeats, one of his heros, Hughes is inordinately fond of primitive myths and legends, whether Egyptian, Greek, Welsh, Celtic, Irish etc., from which he creates a confusing stew of mistaken identities. The figure of "Crow", certainly his greatest book and most important creation, is conflated with an entire series of mythical figures without mentioning his own self-identification. Hughes knows nothing of modern science or medicine. He believes in astrology and casts horoscopes for himself and other artists, asks that his books appear on particular days and recommends faith healers for serious conditions, including Larkin's bout with cancer. The supposed killer of two women, one of whom was a literary genius, comes off as a soft-headed acolyte of New Ageism. As a writer I revere Hughes, his "Crow" (1970) helped form me as a poet; as a scientist, I find his views appalling.

Still the reading of these Selected Letters is an absolutely compulsive experience. Acute observation of natural phenomena and human peculiarity are combined with off-hand use of metaphor and idiosyncratic spelling. There are great set-pieces on bull-fighting in Spain, fishing in Africa and cocktail chit-chat everywhere else. There are many wonderful things said about Shakespeare, how Hughes felt about his contemporaries and how he dealt with the Royals. Hughes was the only Poet Laureate of England who was not destroyed in his reputation by the work he did in his official capacity. That America has yet to come to grips with his greatness is no surprise but his revenge on the first draft of history is certain; these Letters are yet another blow from beyond the grave.

0 of 0 people found the following review helpful.
Each woman was like a leaf of tissue paper--discarded after she had served ...
By Cybergirl
I think one of the problems with Ted Hughes is that he identified with animals, and not with the women he 'loved'. As a result, he had no empathy for them. Each woman was like a leaf of tissue paper--discarded after she had served her purpose. I've read that in their last argument, Ted referred to Sylvia as a 'hag'--making it clear that since she was covered in baby drool, he no longer found her attractive. Or perhaps he rejected her efforts at reconciliation. Or, even worse, perhaps they were intimate and then he told her about Assia's pregnancy (which is similar to how he treated Brenda Hedden). (I also find it deeply troubling that, when they were together, Ted was hypnotizing Sylvia on a regular basis.) None of us will know. I'm sure Sylvia Plath's last journal revealed it all, but since Ted destroyed it we will never know the intimate details. I think Ted Hughes was a self-deluded narcissist, so that his letters--however interesting and well-written--are self-serving revisionist history. (For instance, after Assia's death, he wrote that Assia was his "true wife" and "the best friend I ever had." I find this statement to be absurd, given how he treated her during their last years together.)

I've read a few of his poems, and I admit that many are well-written/-crafted, but somehow, for me, his poems (however great) do not outweigh the lives of two women.

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Thursday, September 10, 2015

~~ PDF Download A Burglar's Guide to the City, by Geoff Manaugh

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Encompassing nearly 2,000 years of heists and tunnel jobs, break-ins and escapes, A Burglar's Guide to the City offers an unexpected blueprint to the criminal possibilities in the world all around us. You'll never see the city the same way again.

At the core of A Burglar's Guide to the City is an unexpected and thrilling insight: how any building transforms when seen through the eyes of someone hoping to break into it. Studying architecture the way a burglar would, Geoff Manaugh takes readers through walls, down elevator shafts, into panic rooms, up to the buried vaults of banks, and out across the rooftops of an unsuspecting city.

With the help of FBI Special Agents, reformed bank robbers, private security consultants, the L.A.P.D. Air Support Division, and architects past and present, the book dissects the built environment from both sides of the law. Whether picking padlocks or climbing the walls of high-rise apartments, finding gaps in a museum's surveillance routine or discussing home invasions in ancient Rome, A Burglar's Guide to the City has the tools, the tales, and the x-ray vision you need to see architecture as nothing more than an obstacle that can be outwitted and undercut.

Full of real-life heists-both spectacular and absurd-A Burglar's Guide to the City ensures readers will never enter a bank again without imagining how to loot the vault or walk down the street without planning the perfect getaway.

Sales Rank: #11538 in Books
Published on: 2016-04-05
Released on: 2016-04-05
Original language: English
Number of items: 1
Dimensions: 7.43" h x .83" w x 5.05" l, 1.00 pounds
Binding: Paperback
304 pages

Amazon.com Review
An Amazon Best Book of April 2016: Geoff Manaugh has written a caper of a book. On one hand, he presents a 2,000-year history of break-ins, heists, and break-outs--a litany of unlikely, bent geniuses and their extraordinary efforts in the service of subverting and outwitting security, their energy often exceeding the requirements of straight-world success. On another, Manaugh draws on the real-world experience and acumen of criminals and security experts alike--as well as his own esoteric architectural sensibility, as seen in his fantastic BLDGBLOG--analyzing structures from the perspectives of would-be breakers-and-enterers--those possessed of a sort of spatial disorder that prevents them from using architecture like the rest of us--and those who would keep them out. Unexpected and engrossing, A Burglar’s Guide to the City will change the way you look at buildings.--Jon Foro

Review

“This is a marvelous wonder-room of a thing, an intricate, deeply researched, and brilliantly written mad scientist’s tour of crime and how it’s bound to the world we’ve built. Revealing, spectacular, and riveting.” ―Warren Ellis, author of Gun Machine and The Planetary Omnibus

“This burglar’s guide isn’t for ordinary smash and grab burglars, it’s for the rest of us―who like to steal in, steal out, and get away with glorious dreams. A spectacularly fun read.” ―Robert Krulwich, co-host of Radiolab

“Murphy’s Law―anything that can go wrong will go wrong―is especially true for architecture. Geoff Manaugh’s liaisons with burglars and bank robbers reveal unexplored niches and loopholes in our cities, and through the eyes of urban hackers we find new possibilities for reinterpreting the built environment. A Burglar’s Guide to the City shows that architecture is too important to leave to just the architects.” ―Bjarke Ingels, BIG Architects

“Who knew urban studies could be so riveting? Geoff Manaugh excels at finding new, illicit, and fresh angles on a subject as loved as it is overexposed―the city. In his new book, elegant, perverse, sinuous supervillains maneuver and master the city like parkour champions. I see the TV series already.” ―Paola Antonelli, MoMA

“Reading Geoff Manaugh is like donning night-vision goggles at the edge of a dark forest―you are suddenly aware of, and alive to, a world that was always there but occluded. A Burglar’s Guide to the City is a crackerjack intellectual caper.” ―Tom Vanderbilt, New York Times bestselling author of You May Also Like and Traffic

“Despite its title, Geoff Manaugh's A Burglar's Guide to the City won't teach you how to break into houses. It won't help you outsmart wily cat burglars with ingenious home alarm systems, either. Instead, it explores something a lot weirder and more interesting: Manaugh argues that burglary is built into the fabric of cities and is an inevitable outgrowth of having architecture in the first place.” ―Annalee Newitz, Los Angeles Times

“An exhilarating, perspective-shifting read.” ―Patrick Lyons, VICE

“For years, Geoff Manaugh has entertained and fascinated us with his BLDGBLOG, and now he's even better at full-length, with A Burglar's Guide to the City, a multidisciplinary, eclectic, voraciously readable book that views architecture, built environments, and cities themselves through the lens of breaking-and-entering... Manaugh's work is characteristically far-ranging and eclectic, and always fascinating... Come for the true crime, stay for the education in architecture and urban planning.” ―Cory Doctorow, Boing Boing

“Intriguing... a surprising and fascinating true-crime epic.” ―BBC

“I cannot think of a more informed, enthusiastic, and knowledgeable tour guide through the historical and contemporary intersection of burglary and architecture than Geoff Manaugh. A Burglar’s Guide to the City makes disparate connections seem obvious in hindsight, and my worldview is altered a little bit more, and far for the better, as a result.” ―Sarah Weinman, Barnes & Noble Review

“Geoff Manaugh’s A Burglar’s Guide to the City gives the realm of architecture the kinetic thrills of a heist film.” ―Alex Bozikovic, The Globe and Mail

“Architecture blogger Geoff Manaugh’s fascinating book A Burglar’s Guide to The City posits that our living and working spaces, no matter how seemingly secure, are proving grounds for small-time crooks and sophisticated criminals alike; a smart thief will calibrate his routine based on the way a specific structure is designed. Manaugh’s book locates the spot where architecture and crime intersect.” ―Marc Weingarten, The Guardian

“A compelling review of the ingenious ways that burglars negotiate the built environment―and what we can learn from their infrastructural ingenuity.” ―Robbie Gonzalez, Wired

“Smart, original... delirious with ideas... it’s hard to argue with Manaugh’s contention that burglary is ‘a new science of the city, proceeding by way of shortcuts, splices, and wormholes.’” ―The Boston Globe

“A Burglar’s Guide to the City is a masterpiece of mad ideas, pouring out one after another. The book is one of the most enjoyable volumes of the year.” ―The Washington Free Beacon

“Manaugh turns the building world inside out in this fascinating view of the modern city as seen through the eyes of a potential burglar... Readers of this illuminating study will never look at the buildings and cities they live in the same way.” ―Publishers Weekly

About the Author

Geoff Manaugh is the founder of BLDGBLOG, one of the most popular architecture sites on the Web.

Most helpful customer reviews

1 of 1 people found the following review helpful.
ok
By Osiris
I dont know I guess I was looking for something else. Guess i miss took the title for A guide to Burglarizing the city. Its waaay to umm mystical with regard to architecture. I realize the author has a serious love for architecture but it goes pretty far over board for me. Meant for the heavy architecture buff with a mind to a building weakness than for a burglar buff with the city as a target. There are good items for further research though. Clear concise language and meticulously explored. Just not the direction I was hoping for.

4 of 4 people found the following review helpful.
Dull
By TimmyD
Clearly well researched, but repetitive and boring.

1 of 1 people found the following review helpful.
Interesting premise, but lacks cohesion.
By John M Cahill
I came into this book hopefully, expecting stories connected by the common thread of architecture and design. The book paid off slightly, delivering a few good anecdotes with lots of eloquent-but-fluffy language about space and architecture. I liked the beginning, but I didn't feel the central thread was strong enough to sustain my attention.

I made it about halfway through before I decided I wasn't enjoying it enough to justify finishing, and I put it down. Your mileage may vary.

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Sunday, September 6, 2015

## Fee Download Scot On The Rocks (Red Dress Ink Novels), by Brenda Janowitz

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When her ex-boyfriend, Trip, gets engaged to Hollywood's latest It Girl, Manhattan attorney Brooke Miller plans to attend the wedding. Who says a modern girl can't stay friends with her ex? Besides, Brooke's got her sexy Scottish fiancé, Douglas, to take as her date. Okay, so maybe he's not exactly her fiancé, but they're living together in his apartment, so she'll be getting the ring any minute, right? Wrong.

After a fight leaves her without a boyfriend (much less a fiancé) just days before the wedding, Brooke faces the ultimate humiliation of attending her ex-boyfriend's nuptials alone. Desperate to find a replacement to fill Douglas's kilt, Brooke concocts an outrageous plan to survive the wedding and win the man of her dreams, all with her dignity ever-so-slightly intact.

Sales Rank: #976849 in Books
Published on: 2007-04-01
Original language: English
Number of items: 1
Dimensions: .83" h x 5.20" w x 7.95" l, .54 pounds
Binding: Paperback
304 pages

From Booklist
This rollicking debut novel finds heroine Brooke Miller in the midst of a quandary. A successful Manhattan attorney dating Douglas, a handsome Scotsman, Brooke responds to the news that her ex-boyfriend Trip is engaged to a movie star by telling a small lie and claiming that she and Douglas are engaged as well. Brooke figures Douglas is about to pop the question any day now, so she has a nasty surprise when instead of proposing, he unceremoniously dumps her and reveals his infidelity. Distraught, Brooke tries to win him back, then concocts another plan: she persuades her handsome coworker Jack to put on a Scottish brogue and pretend to be Douglas at Trip's wedding. Brooke doesn't imagine just how complicated things can get. A breezy romantic comedy with plenty of laughs. Kristine Huntley
Copyright © American Library Association. All rights reserved

About the Author
Brenda is a graduate of Cornell University and Hofstra Law School. She lives in Manhattan, where she has bravely attended three of her ex-boyfriend’s weddings.

Excerpt. © Reprinted by permission. All rights reserved.
As I walked back to my apartment that day, on my way home from work, I had a feeling that nothing could go wrong. You know that feeling you get when everything seems to be right with the world? When the planets seem to be in alignment? One of those days when you're actually running on time, your apartment is (relatively) clean, and you haven't gotten into an argument with your mother/best friend/boss/therapist in at least a week? That was exactly how I felt as I strolled home from work down Mercer Street to my apartment on 301 Prince Street.

I had left my office that evening at 8:30 p.m., which—at Gilson, Hecht and Trattner, the large Manhattan law firm where I work— is actually considered early, so I was feeling as if I had the whole night ahead of me. And I was going home to pick up my gorgeous Scottish boyfriend so that we could go out and meet friends for supper at some fabulous little downtown brasserie where everyone is European and the waiters only speak French, so I could hardly wait. I had the perfect New York City evening planned out.

Since I usually got out of work closer to 9:00 p.m. than 5:00 p.m., I considered myself lucky to have a boyfriend who liked to eat dinner late. I once dated a math teacher who left work at 4:00 p.m. and was in bed by ten. That relationship was destined to fail. Ditto for the guy who traded foreign something or others who started his day at 3:00 a.m. and ate his dinner before I even thought about getting lunch. My boyfriend, Douglas, on the other hand, thought that people who ate dinner before 8:00 p.m. were uncivilized.

I walked into the lobby of my apartment building—the poshest building in all of Soho—with a skip in my step. The Soho Triumphe, a building so fancy that, in addition to its staff of eight doormen, it boasts a twenty-four-hour concierge who can get you into any restaurant in Manhattan (not like Douglas ever needed any such help). It even has in-house dry cleaning, like at a hotel. I said hello to the evening doorman who, despite the fact that I had moved into Douglas's apartment a full two years ago, still couldn't quite remember my name.

"Um, 32G?, he asked with a pained expression that indicated to me that he was thinking, at least, very very hard about who I was. I nodded my head yes and pulled my hair out of the bun I usually wore at work while he checked his book for deliveries. Douglas loved my hair—dark brown with natural auburn highlights that was so long it fell down my back to just below my bra strap— so I always took it down right before I got up to our apartment.

The doorman handed me a mountain of dry cleaning—five custom-made Italian suits (Douglas's), five monogrammed shirts (Douglas's) and one skirt (mine). I checked the mail and took out four bills (Douglas's) and the Barneys New York Spring Look Book (mine)—or maybe it was Douglas's. You never could tell with European men.

Balancing it all in the crook of my arm, with my oversize work bag forcing my body to lean perilously to the right, I made it to the elevator just as the door was about to close. I kicked my foot out and stopped the door with my leg. Inside, I could see a tiny little man furiously pressing the "door close" button.

"You could lose a limb trying to get to your apartment," I said to the man with a laugh. Rather than being embarrassed for not holding the elevator for me, he looked annoyed that I had made it in.

"Or you could just wait for the next elevator," he replied under his breath. And they say that chivalry is dead.

With my free arm, I pressed the button for thirty-two. My work bag slid down my shoulder, catching my long hair underneath the strap. I tried to jump up to release my hair, turning my head quickly to the left as I did so. The dry cleaning began to slip from my grip and I begged it not to fall, whispering "We're almost there," to it as if talking to a small child. The man looked at me, his expression saying, " The economy must really be bad if our co-op board let this woman into the building."

But I didn't care. The night would still be perfect. No doubt I would get back to my apartment, and Douglas would be waiting for me with open arms. Seeing me with all of my packages, he would grab them from me, throw them on the couch and kiss me passionately. In his charming Scottish accent, he would say, "Darling, I missed you so much today I could barely stand it," or something as equally romantic and heartfelt and we would go meet our fabulous friends for a fabulous evening out. On our way to the restaurant, he would turn to me and say, " How is it that you look even more beautiful after working a full ten-hour day?"

I bet that that tiny little man in the elevator didn't have a gorgeous Scottish boyfriend to go home to. Or, actually, maybe he did. He was wearing really, really nice shoes.

But I did. I walked in the door to my apartment, starving to death (because, let's face it, I'm totally uncivilized), and before I even had a second to put down our dry cleaning, my gorgeous Scottish boyfriend broke up with me.

Normally, my life isn't this complicated. You see, I'm a simple girl with simple hopes. Up until two weeks ago, all I really wanted in life was for my boyfriend Douglas to buy an engagement ring. And he did! He just didn't give it to me. But I was fine. Even though the breakup was difficult, I remained very dignified.

Well, not so much dignified as a screaming crying mess. But it's not as if I embarrassed myself or anything. Unless you'd call throwing yourself at the tails of someone's suit jacket embarrassing. Which, luckily for me, I do not. We had a very mature conversation, really, if you think about it. I sweetly said, " Please don't go! Please don't leave me!" Okay, so maybe I was screaming it at the time, but you get where I was going with that one.

"I'm sorry, Brooke," Douglas said. "It's not you. It's me. You are an amazing girl. You have so much to offer. It's just that this doesn't feel right. It's just not the time for us."

Now isn't that mature? So, I answered him in kind. "And it is the time for you and that—that—bimbo? What the hell is her name?"

"Beryl."

"That's not even a naaaame!" I bellowed.

"Brooke, let's not get hysterical," Douglas said. Hysterical? I was, like, so not hysterical. "Can't we make this friendly? Can't we try to still be friends?, "Okay. you're right. Friends." See how mature I was being?

"Right then," he said, sounding very Scottish. How I loved that accent. "I'll be going."

This may have been the part where I lunged for the tails of his suit jacket and he then dragged me about twenty feet to the door.

"No!" I was screaming. "No, please, no!" Okay, yes, now that I'm telling you about this, I distinctly recall being dragged across the f loor screaming, " Don't go!"

Oh, please. As if you never did that, too.

As a last ditch effort, I cried, " You can't do this! Please don't go! It isn't right!" In an instant, his expression changed. I'm getting through to him, I thought. I lightened my viselike grip on the tails of his suit jacket.

"you're right. I shouldn't go. It isn't right."

I shook my head in agreement and breathed a sigh of relief. As visions of wild, passionate makeup sex f loated through my mind, he said, " After all, I own the apartment." And with that, he opened the door.

I should never have let go of the tails of his jacket.

Really, I blame the breakup on Trip's wedding. That's when everything started to go downhill between Douglas and me. And what's worse, everyone I know thought that I shouldn't have gone to the wedding in the first place. Somehow, everyone who knew me just knew that Trip's wedding would be the end of Douglas and me. (Except little old me, of course.) I really hate being a foregone conclusion.

When I told my mother that I was going to Trip's wedding, she said, " Trip's wedding? Trip who?, (As if Jewish girls from Long Island know that many men named Trip.) "Trip from law school Trip? What woman, in her right mind, would want to go to that?"

Vanessa, my best friend from law school, initially RSVP'd no to the wedding, since she assumed that I wouldn't want to attend. When she found out that I wanted to go, she later called Trip to tell him that her "big case" had settled and that she and her husband, Marcus, would be there—but not before asking me approximately 472 times if I "wanted to talk about it?"

And when I told the partner I worked for at my firm that I would be out of town for a four-day weekend to take my boyfriend to L.A. to go to Trip's wedding, even he asked me, " Why the hell would you want to do that?"

I could have sworn that I even saw my therapist look at me sideways when I told her that I was going to my ex-boyfriend's wedding.

Okay, so I understand that this isn't exactly your typical "girl goes to wedding" kind of situation. But, just because Trip is my ex-boyfriend from law school doesn't mean that I care more about this wedding or am more nervous about this wedding, or that this wedding is any different from any other wedding in any way at all! Because it's not. Trip's wedding is just another wedding. And Trip is just another friend of mine. Even if he is my ex-boyfriend.

What's an ex-boyfriend anyway? Everyone has an ex-boyfriend. Everyone. I mean, even some lesbians I know have them. Nothing special about them, right? I don't care any more or less about him just because he's my ex-boyfriend. He's just a person. And staying friends with your ex is a piece of cake. I barely ever think about him and how he may or may not have been my last chance at happiness in this cruel and unforgiving world.

Really. I have the satisfaction of having a great career and a great independent life filled with fabulous friends and, of course, even more fabulous shoes. I am such a woman of the new millennium that I can go work a full ten-hour day, keep in touch ...

Most helpful customer reviews

21 of 22 people found the following review helpful.
A Quirky, Sweet, Funny Journey to Love - 4.5 Stars
By ChickLitGurrl
I'm a lover of titles, and when I heard of SCOT ON THE ROCKS, the debut novel by Brenda Janowitz, I immediately thought, "Witty, cool title - maybe the book's as witty and cool as it." It was.

The novel follows Manhattan attorney Brooke Miller, a woman who finds her great life gone to pot when her ex-boyfriend announces his engagement to the latest Hollywood IT girl. That in and of itself wouldn't bother her...well, too much, considering she has a hunky, sexy Scottish boyfriend she plans to take to the wedding. But wouldn't you know it, the Scottish hunk breaks up with her, leaving her dateless for her ex's wedding. Unwilling to forgo attending the wedding, zany Brooke concocts a plan to find a replacement date for the wedding and to get the love of her life. With a woman willing to a) attend her ex's wedding and b) instead of telling the truth, find a fake Scottish boyfriend, you know that craziness will ensue in Brooke's journey to happiness.

SCOT ON THE ROCKS was a breezy, funny romp of a story. Our storyteller, Brooke, has a very distinct voice, which I really liked. She had shortcomings - lots of them, but she acknowledged them, made fun of them, encouraged others to do so, too. As I listened to her tale of woe and of triumphant, I felt I was right alongside her. Author Brenda Janowitz does a great job with infusing nice characters, minor and major, and scenes that made me smile and say, I can totally see that, such as when Brooke and Jack are playing with the Magic 8-Ball (you'll have to get the book yourself to know what I mean!). Overall, SCOT ON THE ROCKS is a book that I would definitely recommend; it's a book that fits really well in today's contemporary women's fiction climate. I'm impressed with Janowitz's skills as a writer, especially with this being her first book. I look forward to what she serves us next.

10 of 10 people found the following review helpful.
Fun but predictable chick-lit...
By CoffeeGurl
Big-time lawyer and Manhattan chick Brooke Miller has been invited to her ex-boyfriend's wedding. The good: she has a gorgeous Scottish boyfriend, who will no doubt soon propose marriage. The bad: Trip, her ex, is marrying a Hollywood starlet. The ugly: Douglas, Brooke's boyfriend, dumps her just days before the wedding. Now Brooke is in a panic. What should she do? She'd like to attend her ex's fabulous wedding with her dignity ever-so-slightly intact, after all. She does whatever is possible to get her ex-boyfriend back. When that doesn't work, she makes her work colleague Jack, former actor, one who could do a perfect Scottish accent, pose as Douglas at the wedding. He reluctantly agrees to do it. He'll even wear a kilt. What a guy!

The plot isn't what you would call original and there are your fair share of cliché scenes and predictable "twists," but Scot on the Rocks is a great light read. It's reminiscent to one of those romantic comedies starring Jennifer Lopez or Jennifer Gardiner or Jennifer Aniston or some other famous Jennifer. In fact, I won't be surprised if film rights get sold soon. Brenda Janowitz is a talented author and I'm sure I'll stumble upon another book of hers in the future. I just have one note: I enjoy a sassy, cute, chick-litty voice in these sorts of books, but there is such a thing as too cute. It was hard to take Brooke seriously as a "big-time lawyer" when she sounded like a sixteen-year-old cheerleader with a low IQ. (No offense to sixteen-year-old cheerleaders out there!) The last several chapters of this novel are definitely the best. Anyway, if you're in the bargain for a light read, you will enjoy this.

8 of 9 people found the following review helpful.
Awesome hysterical debut
By Tracy Vest
Self-involved Manhattan attorney Brooke Miller has always had a competitive relationship with her ex-boyfriend Trip. When he calls to tell her that he is getting married, she can't fathom him beating her to the aisle (with THE Hollywood It Girl no less), so she blurts out that she and her sexy Scottish lover Douglas are also engaged. The only problem is that Douglas has decided to propose to someone else. And the Magic 8-Ball confirms that the parting is for good. Over cocktails and scheming with her best buds and fellow attorneys Vanessa and Jack, she hatches a plan to have Jack pose as Douglas at the LA wedding so she can attend with her dignity "ever-so-slightly intact", forcing him to don a kilt and a Scottish accent that often travels down under at the most inopportune times. There's nothing Jack won't do for her; he just has to convince her that Douglas was all wrong for her.

Janowitz has penned a hysterical debut novel. Told in first person, we see Brooke in all her scatter-brained glory and even start to believe that there's a method to her one-track minded madness. Vanessa and Jack are both well drawn articulate yet sarcastic characters, and the camaraderie among the trio is believable, while other secondary characters - particularly Douglas - are a bit under-developed. I laughed aloud on this one, often disrupting my carpool riders to read excerpts of Brooke's clever observations and pop culture references ("Way to go Paula!"). I am looking forward to more offerings from this gifted and witty author.

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Saturday, September 5, 2015

## Ebook The Game Theorist's Guide to Parenting: How the Science of Strategic Thinking Can Help You Deal with the Toughest Negotiators You Know--You

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“I absolutely loved this book, both as a parent and as a nerd.” ―Jessica Lahey, author of The Gift of Failure

As every parent knows, kids are surprisingly clever negotiators. But how can we avoid those all-too-familiar wails of “That’s not fair!” and “You can’t make me!”? In The Game Theorist’s Guide to Parenting, the award-winning journalist and father of five Paul Raeburn and the game theorist Kevin Zollman pair up to highlight tactics from the worlds of economics and business that can help parents break the endless cycle of quarrels and ineffective solutions. Raeburn and Zollman show that some of the same strategies successfully applied to big business deals and politics―such as the Prisoner’s Dilemma and the Ultimatum Game―can be used to solve such titanic, age-old parenting problems as dividing up toys, keeping the peace on long car rides, and sticking to homework routines.

Raeburn and Zollman open each chapter with a common parenting dilemma. Then they show how carefully concocted schemes involving bargains and fair incentives can save the day. Through smart case studies of game theory in action, Raeburn and Zollman reveal how parents and children devise strategies, where those strategies go wrong, and what we can do to help raise happy and savvy kids while keeping the rest of the family happy too.

Delightfully witty, refreshingly irreverent, and just a bit Machiavellian, The Game Theorist’s Guide to Parenting looks past the fads to offer advice you can put into action today.

Sales Rank: #76234 in Books
Published on: 2016-04-05
Released on: 2016-04-05
Original language: English
Number of items: 1
Dimensions: 8.61" h x .90" w x 5.78" l, .0 pounds
Binding: Hardcover
240 pages

Review

"Unlike most parenting books . . . this one is based on actual research into how humans behave . . . in the home it should increase the odds that there will be less whining for all involved." ―Laura Vanderkam, The Wall Street Journal

"[Raeburn and Zollman] join a welcome trend of academics pairing up with writers (or comedians!) to create a true crossover offering, one that marries rigorous research and real scholarship with a compelling style and narrative arc that human beings actually want to read on purpose." ―Rebecca Schuman, Slate

"Kids are master manipulators. They play up their charms, pit adults against one another, and engage in loud, public wailing. So it’s your job to keep up with them . . . The Game Theorist’s Guide to Parenting . . . explains how." ―Chelsea Leu, Wired

"[Notes] all the ways dealing with kids might go more smoothly if only parents knew a little bit about game theory." ―Leanne Italie, Associated Press

"Raeburn and Zollman’s book is a bible for every parent―and every adult who must make decisions with his or her peers." ―Courtney Linder, Pittsburgh City Paper

"Suggests that tactics commonly used in business and economics transactions―a framework of strategies known as game theory―could help parents engage with their children with more confidence and success . . . [Raeburn and Zollman] offer parents a unique set of guidelines for defusing disagreements by using strategies that encourage the entire family to work together toward a common goal." ―Mindy Weisberger, Live Science

"Carefully created economic approaches are given, along with incentives and bargaining to help parents successfully raise children." ―Julia Harris-Parker, Atlanta Journal-Constitution

"Raeburn and Zollman put the math on the back burner and bring the commonsensicality of the theory to the fore . . . There is a fluid, natural feel to the authors' examples . . . Tantalizing perspectives on cultivating sharing, honesty, and cooperation via game theory." ―Kirkus Reviews (starred review)

"Of the many parenting books on the market, it's fair to say only one invokes vampire bats and the Doomsday Machine. Not that The Game Theorist's Guide to Parenting is all bloodsucking and mutually assured destruction: It uses strategic thinking and science to help parents navigate such dreaded children's chestnuts as 'He started it!' and 'Are you saying you don't believe me?' . . . The advice they offer is grounded in reality―if derived from unexpected sources." ―Mike Doherty, Maclean's

"Practical win-win parenting methods that teach kids about human nature, negotiation, and cooperation." ―Modern Dads Podcast

"With a light touch and sure-footed mastery of both child-rearing and economics, Raeburn and Zollman bring humor and verve to a serious subject: How to negotiate with your kids in a way that will leave everyone . . . well, not happy, exactly, but with a sense of being treated fairly and with mutual respect. Read it and count on fewer fights at the dinner table, the TV room, and the back seat of the car!" ―Robin Marantz Henig, Contributing Writer, The New York Times Magazine; coauthor, with Samantha Henig, of Twentysomething

"The small transactions of parenting―sharing, dividing, collaborating and compromising―are fraught with peril. Solutions that feel fair are not always just, particularly in the eyes of our children. Paul Raeburn and Kevin Zollman achieve two incredible feats in The Game Theorist's Guide to Parenting: they helped me find a way to be fair and just in my parenting while teaching me the basics of game theory. I absolutely loved this book, both as a parent, and as a nerd." ―Jessica Lahey, author of the New York Times bestseller The Gift of Failure: How the Best Parents Learn to Let Go So Their Children Can Succeed

"The Game Theorist's Guide to Parenting will teach you useful strategies from the world of game theory to add to your parenting repertoire. Even game theorists will marvel at Raeburn and Zollman's ability to elucidate deep ideas and turn them into practical rules of thumb for raising children. Humorous, informative, and practical―you should even let your kids read it!" ―Scott E. Page, Leonid Hurwicz Collegiate Professor of Complex Systems, Political Science, and Economics at the University of Michigan

About the Author

Paul Raeburn is the award-winning author of four books, including Do Fathers Matter?, a National Parenting Publications Gold Medal winner and a Mom’s Choice Award winner, and Acquainted with the Night, a memoir of raising children with mental illness. His articles have appeared in Discover, The Huffington Post, The New York Times Magazine, Scientific American, and Psychology Today, among many others. He lives in New York City. Follow him on Twitter at @praeburn and visit his website at www.paulraeburn.com.

Kevin Zollman is a game theorist and an associate professor of philosophy at Carnegie Mellon University. His work has been covered in The Wall Street Journal, The New Yorker, Scientific American, and elsewhere. Follow him on Twitter at @KevinZollman and visit his website at www.kevinzollman.com.

Most helpful customer reviews

16 of 16 people found the following review helpful.
The best gift for a game theorist; Kids not needed!
By Aydin Mohseni
This was so much fun, and I don’t even have kids! The book beautifully explains and considers applications (to [co-]parenting) of:
1. Fair division algorithms ("I cut, you choose", adjusted winner, balanced alternation).
2. Auctions (1st & 2nd price, Dutch, and English clock).
3. Of course, canonical games (ultimatum, dictator, iterated prisoner’s dilemma, and so on).
4. A potpourri of game theoretic concepts ([in]credible threats, punishment, reputation, pre-commitment, moral hazard, cheap talk, costly signaling, Zahavi’s handicap principle, the tit-for-tat strategy).
5. Nash equilibria (nicely, in terms of social conventions à la David Lewis).
6. And voting theory (voting rules like plurality and Borda count, and no-go results like Arrow’s theorem and the Gibbard-Satterthwaite theorem).

The explanations also touch lightly, but thoughtfully, on topics ranging from behavioral economics to the evolution of morality. This is a gem, and it gets my vote for the most enjoyable gift for a game theorist that I’ve run into yet. ^_^

A caveat: I am indeed a game theorist, and while I do think non-game theorists may thoroughly enjoy this book (especially if they're parents) as it's certainly written in a very accessible way, I'm well aware that a good part of my enjoyment in it stems from seeing thoughtful and playful applications of concepts that I happen to be familiar with.

13 of 15 people found the following review helpful.
Short and worth a read
By Piaw Na
Parenting books are a dime a dozen, most of them written badly and verbosely. Compared to the usual dreck, The Game Theorist's Guide To Parenting is a breath of fresh air. It's short, to the point, and of course, uses math. The math seems all correct as far as I can tell.

The disappointing thing for me is that I already knew most of what this book covered, including the various auction systems. While they're interesting, the use cases for the various auction technologies available for parenting are really limited, and the examples they provide are really contrived.

Where the book pays for itself are the chapters on strategic voting and how voting systems can be gamed. My own kids aren't old enough to play those games yet, but I'm sure that'll happen sooner or later.

The book's big problem is that most of the examples are either contrived or would yield to simpler solutions. There's an example of two kids fighting over who gets to play a new video game system first. The answer seems pretty obvious: make them bid with time (i.e., whoever plays first would play for less time), but the book ignores that and uses this example to go into Solomon's adjudication of the two mothers claiming the same baby.

Similarly, later on there's an example about a boy who persuades his parents to get a cat, but of course ends up leaving the cat care and training to his parents within a short period of time. The solution should be obvious: getting a cat is an ongoing contract, so extracting a promise up front is useless. You have to design systems where by cat care is incentivized through ongoing penalties. The authors ignore that and get into the Nash equilibrium without ever coming up with a good solution.

Having said that, the book is so short that it's still worth a read and who knows, maybe the ideas presented will eventually be useful. Mildly recommended.

5 of 5 people found the following review helpful.
Entertaining and informative, if you usually find game theory equally entertaining and informative
By Daniel Estes
Anyone not familiar with game theory but who normally enjoys a good parenting book might still be a little bored by this one. However, if you're like me in that you prefer your non-fiction mixed with a smattering of math and dry economic principles whenever appropriate AND you happen to be a parent of small children, then the Game Theorist's Guide to Parenting could be the book for you. You'll likely discover you employ some of these tactics already, but didn't realize there was a name for it.

The authors make an original case for their methods—a modern twist based on centuries-old ideas—and then provide demonstrations using the paradoxical rules of parental negotiation. Even a term like "parental negotiation," for example, usually means the parents' word is the law (Authoritarian), but the authors argue that this approach still has the side effect of child resentment which in turn causes a slew of other unintended consequences. The goal, after all, is to arrive at an elegant and fair solution even though children possess little more than a nonsensical sense of logic and argument. Then again, you might lack the patience for game theory if you're on a road with a car full of hungry kids trying to find a friggin' place to eat.

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## Ebook The Game Theorist's Guide to Parenting: How the Science of Strategic Thinking Can Help You Deal with the Toughest Negotiators You Know--You Doc

? Get Free Ebook Wonder Tales: Six French Stories of EnchantmentFrom Farrar Straus & Giroux (T)

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Designed for gift giving, an illustrated collection of classic fairy tales, rendered in modern prose by such celebrated authors as A. S. Byatt and John Ashbery, explores the battle of good and evil and the endless quest for love.

Sales Rank: #1865780 in Books
Published on: 1996-10
Original language: English
Number of items: 1
Dimensions: 7.00" h x 5.50" w x 1.25" l,
Binding: Hardcover
243 pages

From Publishers Weekly
Originally published centuries ago, the six French fairy tales collected in this charmingly refined little volume appear here, some for the first time in English, in graceful contemporary translations by five internationally recognized writers, including Gilbert Adair, John Ashbery and A.S. Byatt. In her erudite 15-page introduction, novelist and critic Warner (From the Beast to the Blonde: On Fairy Tales and Their Tellers) details how the literary form was invented by French aristocrats during the reign of Louis XIV. Fairy tales were written mostly by women, who gave them universal significance with a feminist subtext, emphasizing, writes Warner, "trueness of heart and toughness of mind." Magic and metamorphosis are distinguishing characteristics of the genre. Centaurs, fairies and talking cats populate the six romantic yet moral tales. In "The White Cat," a prince stumbles upon a fabulous bejeweled palace owned by a beautiful white feline, with whom he falls in love?just as Prince Zelindor, in "Bearskin," falls in love with a beautiful bear. In "The Counterfeit Marquise," an aristocratic boy raised as a girl suffers great frustrations when a beautiful, feminine young man awakens his passion. Though honor and true love are tested, prudence, faithfulness and devotion always triumph. The translations are elaborate but elegant, offering pleasurable diversions and tales within tales. Amusingly illustrated by Sophie Herxheimer, this stylish little book offers fanciful delights granted depth by background and context.
Copyright 1996 Reed Business Information, Inc.

From Library Journal
These six 17th-century French wonder or fairy tales, as editor Warner (From the Beast to the Blonde, LJ 10/1/95) explains in her introduction, fulfilled a need for relief from the social constraints and religious revivalism that prevailed during the reign of Louis XIV, the Sun King. The 17th-century salon?regularly held social gatherings presided over by prominent Frenchwomen?perfected the art of public conversation and storytelling. Marie-Jeanne L'Heritier, whose tale "The Subtle Princess" is included here, inherited the salon begun by Madeleine de Scudery. Charles Perrault, who travestied himself as ma mere l'oye (Mother Goose), frequented these salons, while the Abbey of Choisy, a well-known transvestite, collaborated on "The Counterfeit Marquise." These tales are enjoyable because of the adroit skills of translators such as novelists A.S. Byatt and Gilbert Adair and poet John Ashbery. Highly entertaining reading for everyone and especially useful to scholars of French literature and French civilization.?Robert T. Ivey, Univ. of Memphis
Copyright 1996 Reed Business Information, Inc.

Language Notes
Text: English (translation)
Original Language: French

Most helpful customer reviews

19 of 19 people found the following review helpful.
Pricey but aesthetically pleasing fairy tale collection
By Barbara Miller
As one of the editorial reviewers comments, this book is intended for gift-giving. It is a charming, diminutive hardcover containing six French fairy tales from the late seventeenth and early eighteenth centuries, translated by some prestigious modern writers and translators, with an introduction, biographical notes, and bibliography by Marina Warner. These tales (and those in future volumes which Warner says she hopes to bring out) are especially interesting to read after Warner's From the Beast to the Blonde, which examines the French salon society and its members (mostly women) who used the writing of these tales as a form of social protest as well as entertainment and even escape. But three of these six tales, as well as a number of others from the same milieu, appear in translations by Jack Zipes in his inexpensive paperback "Beauty and the Beast and Other Classic French Fairy Tales." If you are interested in a broad selection of these tales, including some famous ones like "Little Red Riding Hood" and "The Sleeping Beauty" (complete with Perrault's violent episodes that are often left out in children's versions), Zipes is a good choice. The texts are there, along with some scholarly introductions and biographies of the authors of the tales in a mass-market format.
Warner's book is more aesthetically pleasing. Its elegant, whimsical design and first-class literary translations invite the reader to escape into stories that are part magical fantasy and part social commentary. These tales are longer than the usual children's fairy stories, and they tend to have more elaborate adventures and quite worldly descriptions of clothing, decoration, and other amenities of aristocratic life. Most of the plots resolve themselves through the intervention of fairies, whose actions may seem unmotivated (deciding not to help a heroine on one page and then suddenly turning up to save her from being eaten by an ogre a couple pages later). I personally find this easier to take in this charming little hardcover than in the no-nonsense mass-market format of the Zipes collection.
Warner's book is also significant in that, in addition to the three tales that overlap with Zipes, it contains some genuine rarities in the genre. According to Warner's introduction, two of the six Wonder Tales, "Bearskin" and "Starlite", have never been translated into English before, and Charles Perrault's tale, "The Counterfeit Marquise," has never been included in previous Perrault collections (perhaps because, having no supernatural characters, and taking cross-dressing as its theme, it would not be considered appropriate for the juvenile audience that these collections have historically targeted).
Regarding the translations themselves, I compared at random some paragraphs in the stories that appear in both books. The quality of the prose is not miles apart, since both books strive for accuracy in translation. Nevertheless, if you admire the writing of John Ashbery, Gilbert Adair, Terence Cave, Ranjit Bolt, and/or A. S. Byatt, that could be another reason to choose this book.

4 of 4 people found the following review helpful.
Very Enchanting Little Book
By Anne-Marie G
I had to buy this book just because of how lovely it is, only slightly larger than palm sized with an eye catching cover, besides fairy tales that I hadn't read...definatly worth my curiousity.

Inside of the book are six Wonder Tales, from the salons of France, these are very similiar in style and even in story to many of the more well known fairy tales. Each is romantic in nature and has the presence of a fairy (Good or bad). Often with the moral of outward apperances being deceptive.

The Six Stories are:

The White Cat-- Marie Catherine D'Aulnoy--translated by--John Ashbery

This one I had read before in a much abbreviated, more heavily illustrated kid friendly fairy tale book. Its still a very charming story, sort of a Rapunzel set up but from a different point of view. Very enjoyable.

The Subtle Princess-- Marie-Jeanne l'Heritier de Villadon--translated by Gilbert Adair

I loved this story, it had one of the best princesses in it, Finessa. She was one tough cookie, and showed it with her ability to use the axe that was `accidentally' forgotten in her bedroom. By far the best scene of all the stories.

Bearskin-- Henriette Julie De Murat-- translated by Terence Cave

There are alot of stories of princes and princesses being stuck in the fur of another animal. This one covers the before and after of our princess getting into her bear guise. Plus it has some very fun supporting characters.

The Counterfit Marquise --Charles Perrault and Francois Timoleon de Choisy--Translated by Ranjit Bolt

No fairies in this one. This is so oddly modern in its themes. A woman is determined to have a daughter--even if it means telling her son that he is one as he grows up. What are the odds that she falls for a man who really isn't one? Still the love between the two characters is touchingly sweet.

Starlight--Henriette Julie De Murat-- Translanted by Terence Cave

Has some racial themes in it towards the end, which could have been better used to tell a differently moral, but probably wasn't what the author had in mind. A prince is determined to marry a slavegirl named Starlight. His father and mother, even though at one point they promise him he can, won't let him.

The Great Green Worm--Marie Catherine D'Aulnoy-- Translated by A.S. Byatt

Cupid and Psyche with a little bit of an old Arthurian story twist. Story also refers to Cupid and Psyche (I love that the heroine is aware of that tale) has very cool little creatures in it, the pagods.

I loved this little book and hope they will put out more (a footnote mentioned future plans). The tales were very well told and had moments of humour and human insight in them. The first book of fairy tales I have enjoyed in a while.

3 of 4 people found the following review helpful.
Lovely roses, with thorns of discontent
By Kelly (Fantasy Literature)
_Wonder Tales_ is a small and expensive collection of French courtly fairy tales, most written by upper-class women. Their themes seem frivolous now, but the stories were actually quite subversive for their time; in them, the authors promoted female autonomy, true love, and marriage by choice rather than by arrangement. (The authors themselves often were the victims of terrible arranged marriages. In these stories they dream of a better world.)
The stories are not the succinct tales we are used to; they can be byzantine and winding. Just when you think it's time for "happily ever after", in comes another twist. But the tales are for the most part both funny and romantic, and I enjoyed them.
This might even be considered essential reading, if you're reading _From the Beast to the Blonde_. As I read Warner's scholarly study, I kept wishing I had access to the obscure stories she was constantly quoting. When I found this, it helped a great deal; I only wish _Wonder Tales_was sold in paperback as a companion volume to Beast/Blonde.

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Sunday, September 6, 2015

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Saturday, September 5, 2015

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