Thursday, August 27, 2015

# Free PDF The Cultivation of Christmas Trees, by T. S. Eliot

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The Cultivation of Christmas Trees, by T. S. Eliot

Cultivation of Christmas Trees by Eliot, T.S.

  • Sales Rank: #1783670 in Books
  • Brand: Brand: Farrar Straus Giroux
  • Published on: 1956-12
  • Number of items: 1
  • Binding: Hardcover
  • 9 pages
Features
  • Used Book in Good Condition

Most helpful customer reviews

2 of 3 people found the following review helpful.
Most touching and literate poem about Xmas and Family
By Anne Locascio
My daughter is a PhD Fellow in Creative Writing and difficult to please in a literary sense-
\she loves TS Elliott so this was a perfect gift!

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Monday, August 24, 2015

# Download Ebook Hallelujah Junction: Composing an American Life, by John Adams

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Hallelujah Junction: Composing an American Life, by John Adams

John Adams is one of the most respected and loved of contemporary composers, and "he has won his eminence fair and square: he has aimed high, he has addressed life as it is lived now, and he has found a language that makes sense to a wide audience" (Alex Ross, The New Yorker). Now, in Hallelujah Junction, he incisively relates his life story, from his childhood to his early studies in classical composition amid the musical and social ferment of the 1960s, from his landmark minimalist innovations to his controversial "docu-operas." Adams offers a no-holds-barred portrait of the rich musical scene of 1970s California, and of his contemporaries and colleagues, including John Cage, Steve Reich, and Philip Glass. He describes the process of writing, rehearsing, and performing his renowned works, as well as both the pleasures and the challenges of writing serious music in a country and a time largely preoccupied with pop culture.

Hallelujah Junction is a thoughtful and original memoir that will appeal to both longtime Adams fans and newcomers to contemporary music. Not since Leonard Bernstein's Findings has an eminent composer so candidly and accessibly explored his life and work. This searching self-portrait offers not only a glimpse into the work and world of one of our leading artists, but also an intimate look at one of the most exciting chapters in contemporary culture.

  • Sales Rank: #428915 in Books
  • Brand: Farrar, Straus and Giroux
  • Published on: 2008-09-30
  • Released on: 2008-09-30
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x .94" w x 6.00" l, 1.30 pounds
  • Binding: Hardcover
  • 352 pages
Features
  • Great product!

From Publishers Weekly
Starred Review. Best known for his groundbreaking musical works Nixon in China and The Death of Klinghoffer, Adams helped shape the landscape of contemporary classical music. Combining the narrative power of opera, the atonal themes of 20th-century classical music, the spooky modulations of jazz and the complex rhythms of the Beatles and the Band, Adams created a new music that could express the fractiousness of the political scene of the 1960s and 1970s. In this entertaining memoir, Adams deftly chronicles his life and times, providing along the way an incisive exploration of the creative process. A precocious musician, Adams began playing clarinet in the third grade, and, after hearing his teacher read Mozart's biography, tried his hand at composing music. During his undergraduate years at Harvard, he threw himself into performing and conducting when his own inadequacies as a composer began to dawn on him. By his final year at Harvard, however, the chaos of the late 1960s and the creative turbulence of the music scene drove him back to composing. After two years in graduate school, Adams set out for California, where he taught numerous composition classes and private clarinet lessons while working on his own music and with a who's who of the music world, from Cage and Leonard Bernstein to Philip Glass and Steve Reich. Adams's searingly introspective autobiography reveals the workings of a brilliant musical mind responsible for some of contemporary America's most inventive and original music. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Celebrated American composer and conductor Adams's memoir chronicles his life from his upbringing as a talented clarinetist in rural New England to his countercultural coming-of-age as a Harvard undergraduate in the 1960s to his embrace of the musical life and vibrant scene of the Bay Area. Adams writes candidly of his compositions and those of his contemporaries in language accessible to the lay reader. Adams—through his engaging orchestral works, such as the Pulitzer Prize-winning On the Transmigration of Souls and his several landmark "docu-operas" like Nixon in China and Doctor Atomic (opening at the New York Metropolitan Opera this October)—has emerged as one of the most admired of all living composers. His book proceeds chronologically, but Adams frequently pauses to reflect on the nature of composing and the state of contemporary music. As one of the most inclusive of contemporary composers—his palette covers pop, jazz, and myriad global idioms—he shares his unique perspective on the multiple traditions that inform his musical language. Adams writes articulately about his life and works and the larger social context from which they emerge. Highly recommended for all collections.—Larry Lipkis, Moravian Coll., Bethlehem, PA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In his New England childhood, Adams listened to records, learned clarinet, and even conducted small groups. At Dartmouth, he discovered such modernist composers as Carter, Nancarrow, Copland, Chávez, and Kodály, and substituted in the Boston Symphony in Schoenberg’s Moses and Aron. After six years at Harvard, honing his conducting skills and starting to compose, he moved to teach at the San Francisco Conservatory of Music, where his career blossomed. While John Cage influenced his instrumental music that includes synthesizers and taped passages, Adams is best known for the documentary operas Nixon in China, The Death of Klinghoffer, and Doctor Atomic. Not a memoir per se, this book is first and foremost about Adams’ major compositions and incidentally concerned with the culture in which they were produced and the people with whom they were developed, including theatrical director Peter Sellars and poet Alice Goodman. It provides enlightening insight into the fertile mind of one of the most important and popular contemporary composers and conductors. --Alan Hirsch

Most helpful customer reviews

22 of 23 people found the following review helpful.
Superb in Every Way
By gtra1n
So as not to diminish my thoughts on this book, I should first mention that I am a great lover of Adams' music, and as a composer always interested in what other composers have to write about themselves. That being said, this is a wonderful book in every way. Adams is a graceful and charming writer, and the book runs on several parallel and intertwined courses that are mutually supportive, like elegant counterpoint. He recounts his personal and professional life, and along the way examines himself, his art and the music of other colleagues. His critical evaluation of his own work and that of others is exceptionally clear, well-considered and wise, and his thoughts on what it takes to be a composer, what he feels is the right path, and his own experiences of the difficulties of living as a serious, creative artist in America are sober and courageous. I find myself constantly re-reading passages simply for the pleasure of the insight of his thoughts and his ability to express them.

This is a book for all readers, not just specialists or fans. It's an exceptional autobiography of any kind, of any figure in contemporary American life, and for anyone interested in classical music in general, and the current iterations, this book demands to be read. This will be as essential a part of the literature of music as Adams' own work is an essential part of the history of music itself.

6 of 6 people found the following review helpful.
Composer as Storyteller
By Dr. Debra Jan Bibel
John Adams' background, rise, and development to perhaps the foremost American classical composer alive is well examined in this autobiography. A fan of his compositions from the outset and having seen many of their performances sometimes with Adams conducting, I find additional resonance with his rich and lively descriptions of nearby locales, characters, musics, and events, since I, just two years his senior, had lived under similar and often the same musical and socio-cultural influences in the Bay Area. Adams' takes on John Cage, early electronica, and Miminalism's Steve Reich and Philip Glass are keen, full of peer insights. Adams acknowledges that he discovered his voice, his own unique compositional style, at age 30 after a long series of avant-garde experimentation. His influences besides classical composers, including Wagner and Ives, were psychedelic rock (e.g., Jefferson Airplane, Jimi Hendrex, Janis Joplin, and the Grateful Dead) as well as jazz greats (e.g., Miles Davis, Dave Brubeck, Eric Dolphy, and John Coltrane). Adams is a Boomer composer who lived the alternative and experimental musical life. In 1981, his choral symphony "Harmonium" premiered at the inaugural of Davis Symphony Hall of the San Francisco Symphony. It launched him, providing an international reputation and a major record label, Nonesuch. (Later, his "Dharma at Big Sur" celebrated the opening of Disney Hall, home of the Los Angeles Philharmonic.) His second punch was "Grand Pianola Music", whose conceptual source was an LSD memory of his attending a Rudolf Serkin concert of Beethoven's Emperor Concerto; the keyboard of Serkin's Steinway seemed to be continually expanding.

The early years of Adams' upbringing, training, surviving with odd jobs, and becoming established were the most interesting for me, as it illustrates the social forces and dispositions that make the person. The later and current years are the increasing successes of an international musical leader, and the parade of orchestras, conducting, travels, and assorted musical stars are as we expect, although much of the details of creating a composition and performance are particularly worthy. I found his perspectives on music, musicians, and the actual work and struggle of composing always edifying. Reading the autobiographies and biographies of composers have a historical and analytical purpose, but this nontechnical book is contemporary in every way, making it attractive to the general reader, not just the musicologist or classical music fan. Adams is only in his early 60s and far from retirement. There will probably be a future updated account of life long after we revel in his forthcoming compositions.

2 of 2 people found the following review helpful.
A compelling panorama on the development of 20th century classical music, and more
By Philippe Vandenbroeck
John Adams, America’s best known living composer, is far from universally loved. His work is variedly labeled as dreary Minimalism, facile postmodernism, reactionary neoromanticism, politically correct eclecticism, and more. Personally I have been listening to his work for many years, with deepening admiration. For whatever it is worth I believe that compositions such as Harmonielehre, The Death of Klinghoffer, El Nino and The Dharma at Big Sur will eventually be accepted as a solid part of the canon of serious Western music.

In his autobiography Halleluja Junction the composer cogently and vivaciously retraces the path from his early musical experiences to creative maturity. The early chapters recount his New England youth and composition studies at Harvard University. In 1971 Adams moved to the West Coast and settled down in the Bay Area where he still lives. As a composer Adams started to find his own voice in the late 1970s. He considers his piano piece Phrygian Gates (1977) to be his first mature piece. Harmonium (1980), his first large scale work for large orchestra and chorus, was another important milestone.

I found the transitional part of his autobiography, roughly covering the two decades from 1965 to 1985, the most insightful. Here is an aspiring composer who has absorbed and tries to forge his own voice from a fantastically wide range of influences - the canon of 18th and 19th century European art music, the vernacular of jazz and American popular song, post-war serialism and Cagean aleatorics, minimalism, counterculture pop music, the emergence of electronically generated sounds. His early infatuation with the musical avant-garde, however, proves to be stillborn. In 1976 Adams had a revelation whilst driving his old Karmann Ghia convertible along a ridge in the Sierra foothills. His tape recorder was playing music from Act I of Götterdämmerung. Wagner’s chromatic but still tonal harmonies produced „an expressive world of constantly changing, forever ambiguous, disturbingly human yearning”. Adams realizes that he could not relinquish the power of tonal harmony if he wanted to build expressive, large scale musical structures. There and then he understood that a personal harmonic language would have to be the core of his compositional genome. All this went against the grain of the atonal avant-garde the budding composer initially felt attracted to.

Adams felt, however, he was entitled to embrace this legacy: „The harmonic language developed by Schumann and Wagner did not die out with the advent of Modernism. It simply moved across the Atlantic, where it was appropriated by composers, many of them African Americans and émigré Jews” who created the tradition that he grew up with. The harmonic essence of composers like Gershwin, Cole Porter, Rodgers and Ellington was not all that different from the chromaticism of the late Romantic composers. But in that process of migration the morbid self-awareness of turn-of-the-century European composers was transformed into a characteristically New World, jubilant lyricism. This „fresh optimism, busy and brash and thoroughly at ease with itself” is in my opinion still the tinta, the color or atmosphere that pervades John Adams’ mature oeuvre.

From 1985 onwards the flow of commissions provided Adams with a constant supply of artistic challenges. The storyline of Halleluja Junction then turns into a blow by blow account of how he tackled his major compositions. Here it is interesting to see how his fundamental optimism intersects with the grave conflicts and dilemmas of our time. Particularly in his stage works - Nixon in China, The Death of Klinghoffer, Doctor Atomic - Adams confronts the ambiguities surrounding his American identity. These are counterbalanced by a series of works - El Nino, A Flowering Tree, The Gospel According to the Other Mary - that confirm his belief in the generative and healing potential of particularly the female element in our society.

Adams is an exceptionally reflective and articulate artist. There is much more in this book to nurture the reader’s understanding of his artistic position and a richly layered compositional process matured over decades.

I found this book rewarding in many respects. It offers a compelling autobiographical narrative, a variegated and often jocular panorama on the development of 20th century ‚classical’ music, and a fascinating insight into the workings of a creative mind. However, a solid grasp of 19th and 20th classical music and at least some exposure to Adams’ own work is necessary to fully enjoy this book.

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Sunday, August 23, 2015

# Free PDF Repetition, by Peter Handke

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Repetition, by Peter Handke

Set in 1960, this novel tells of Filib Kobal's journey from his home in Carinthia to Slovenia on the trail of his missing brother, Gregor. He is armed only with two of Gregor's books: a copy book from agricultural school, and a Slovenian - German dictionary, in which Gregor has marked certain words. The resulting investigation of the laws of language and naming becomes a transformative investigation of himself and the world around him.

  • Sales Rank: #2641184 in Books
  • Published on: 1988-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.78" h x .97" w x 5.68" l,
  • Binding: Hardcover
  • 256 pages

From Publishers Weekly
Handke's eminence, displayed in a substantial oeuvre of plays, novels and poems, is reaffirmed brilliantly by his latest work. In 1960, Filip Kobal, an alienated, 20-year-old, nascent Austrian writer of Slovenian descent, embarks on a quest to the land of his forebears. Ostensibly a retracing of his much older brother's last steps 20 years before (he was a Slovenian patriot, lover and revivifier of the language and tradition, and a doomed member of the Resistance), the journey is in fact an odyssey of self-discovery for Filip the man and the writer. Handke fashions an extraordinary retelling of the archetypal journey of initiation where the hero must travel beyond the frontiers of the known in order to transform himself into a higher state of being. Using his brother's agricultural student copybook and Slovenian-German dictionary as guides, Filip discovers language's magical ability to expand and transform reality. He attains a transcendent vision in which things and their names are all conjoined and enfolded upon themselves. And with undercurrents of memory of a bloody, oppressive past and consciousness of a sickly political present manifested in its debased, prosaic use of words, Handke reminds us, in crystalline prose, that our speech, our freedom and spiritual wholeness are one.
Copyright 1988 Reed Business Information, Inc.

From Library Journal
$18.95. f Growing through time and passing through space engross young Austrian Filip Kobal. Setting out from Austria in summer 1960, Filip crosses into Yugoslavia, following the path of his dead brother, Gregor. As companions he takes two books: his brother's old notebook and a Slovenian-German dictionary. Through the notebook he regains contact with Gregor by recapturing events from his truncated life. The dictionary explodes language into a palpable present and points Filip toward his true calling as a writer. This novel is not among Handke's best. Composed of "word sequences," it is intended "to be both consistent and imaginative," but while the latter is true, the former, woefully, is not. Amidst the swirling phrases one is apt to ask, "Just what is the point?" The answer, like this novel, is not satisfying. Paul E. Hutchison, Pennsylvania State Univ., University Park
Copyright 1988 Reed Business Information, Inc.

Language Notes
Text: English, German (translation)

Most helpful customer reviews

5 of 5 people found the following review helpful.
complex study of human journey
By Karl Ryan
A rich and dense book that examines the very core of what it means to be human. Handke's intricately constructed narrative works on several levels giving the reader much to digest. It's threefold structure is at first difficult to interpret, but on repeated readings one begins to understand the significance of smaller fragmented incidents scattered throughout the text. If possible one should read the original and use the dictionary as a companion, just as the protagonist Filip Kobal does. One of the best books by one of our best contemporary authors. Highly recommended.

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Friday, August 21, 2015

# Ebook Free People Who Eat Darkness: The True Story of a Young Woman Who Vanished from the Streets of Tokyo--and the Evil That Swallowed Her Up, by Ri

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People Who Eat Darkness: The True Story of a Young Woman Who Vanished from the Streets of Tokyo--and the Evil That Swallowed Her Up, by Ri

Lucie Blackman―tall, blond, twenty-one years old―stepped out into the vastness of Tokyo in the summer of 2000, and disappeared forever. The following winter, her dismembered remains were found buried in a seaside cave.

Richard Lloyd Parry, an award-winning foreign correspondent, covered Lucie's disappearance and followed the massive search for her, the long investigation, and the even longer trial. Over ten years, he earned the trust of her family and friends, won unique access to the Japanese detectives and Japan's convoluted legal system, and delved deep into the mind of the man accused of the crime, Joji Obara, described by the judge as "unprecedented and extremely evil."

The result is a book at once thrilling and revelatory, "In Cold Blood for our times" (Chris Cleave, author of Incendiary and Little Bee).

The People Who Eat Darkness is one of Publishers Weekly's Top 10 Best Books of 2012

  • Sales Rank: #18739 in Books
  • Published on: 2012
  • Released on: 2012-05-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 7.37" h x 1.32" w x 5.01" l, .74 pounds
  • Binding: Paperback
  • 454 pages

From Bookforum
Richard Lloyd Parry, a British journalist and an old Tokyo hand, at one point characterizes the trial as "lurid and tedious at the same time." The phrase might equally apply to the case as a whole, and indeed to the book itself.—Luc Sante

Review

“Richard Lloyd Parry's remarkable examination of [this] crime, what it revealed about Japanese society and how it unsettled conventional notions of bereavement, elevates his book above the genre. People Who Eat Darkness is a searing exploration of evil and trauma, and how both ultimately elude understanding or resolution . . . Just as the grief of Blackman's parents is unassaugeable, Obara and his motives are unknowable. That is the darkness at the heart of this book, one Lloyd Parry conveys with extraordinary effect and emotion . . . People Who Eat Darkness is a fascinating mediation that does not pretend to offer pat answers to obscene mysteries.” ―Susan Chira, The New York Times Book Review

“Americans have an advantage in reading People Who Eat Darkness?we are less likely to know about Lucie Blackman. The blond Brit was 21 when she disappeared in Japan in 2000; the months-long search for her made headlines in both Japan and England. Unlike readers there, we have an extra level of suspense?we don't know what happened to Lucie?although we will by the middle of this masterful literary true crime story, which earns its comparisons to Truman Capote's In Cold Blood and Norman Mailer's The Executioner's Song . . . Like the case of Etan Patz, the Lucie Blackman disappearance captured the public imagination. By writing about it in such culturally informed detail, Parry subtly encourages an understanding that goes past the headlines. It is a dark, unforgettable ride.” ―Carolyn Kellogg, Los Angeles Time

“[In People Who Eat Darkness], Mr. Parry finds his voice, and it's a sturdy one. His book becomes not merely an exemplary piece of reportage but a sustained and quietly profound work of moral inquiry as well. It becomes ominous in ways that go well beyond the calculated shock value of its cover . . . Mr. Parry writes exceedingly well . . . [and] People Who Eat Darkness is surprisingly soulful, especially in its portrait of Ms. Blackman . . . He's restored her to life in this vivid book.” ―Dwight Garner, The New York Times

“People Who Eat Darkness is a factual account, but it is as compelling as any thriller. The narrative gallops along, with dramatic twists, turns and half-resolutions. Joji Obara, Lucie's abductor and apparent murderer, is every bit as brilliant and terrifying as the fictional Hannibal Lecter . . . The author's discussion of the effects of Lucie's murder on Tim and the rest of the Blackman family is intimate, sensitive and chilling . . . intelligent, compassionate.” ―Melanie Kirkpatrick, The Wall Street Journal

“One of the best books of the Year” ―The Economist, The Guardian, and New Statesman

“Parry is a sensitive, knowledgeable guide through the murky world of Japanese hostess clubs . . . A thoughtful book about an inevitably sensational subject . . . Methodically present[s] a nightmare that engulfs an entire city: the police, the shady networks of semilegal businesses whose economic livelihood is threatened by the investigation, and a riveted public whose taste for true crime stories is questioned.” ―Gregory Leon Miller, San Francisco Chronicle

“Clear-eyed, thorough reporting on the Japanese underworld . . . Parry . . . mak[es] the reader feel not like a voyeur, but a witness to this deeply human tragedy that illustrates how a single murder creates many victims and proves that the seemingly distant political past can continue to influence individual lives into the present day.” ―Elyssa East, The Boston Globe

“People Who Eat Darkness is an exceptionally perceptive and nuanced look at a terrible crime, one that put nations, institutions and family members at odds, and often into bitter and toxic conflict . . . [L]ike Capote, [the author is] less interested in dishing the eerie or lurid details than he is in exploring the penumbra of the crime, the complex factors that fed into it and the unpredictable effects it had on an ever-spreading network of people.” ―Laura Miller, Salon.com

“A big, ambitious true crime book in the tradition of Norman Mailer's The Executioner's Song and Truman Capote's In Cold Blood.” ―Esquire

“A masterpiece of writing this surely is, but it is more than that--it is a committed, compassionate, courageous act of journalism that changes the way we think. Everyone who has ever loved someone and held that life dear should read this stunning book, and shiver.” ―Chris Cleave, author of Little Bee and Incendiary

“Extraordinary, compulsive and brilliant.” ―David Peace, author of the Red Riding quartet and the Tokyo trilogy

“An utterly compelling read.” ―Mo Hayder, autho r of Ritual and Tokyo

“Parry has a knack of tacitly cross-examining his readers . . . not implicating them exactly, but immersing them in a darkness that thickens as facts come to light . . . [He] skilfully manipulates the narrative to keep the reader in a state of awful uncertainty about what will happen next.” ―Geoff Dyer, The Observer (London)

“Compelling . . . Rich in intelligence and insight . . . This isn't just the tale of a murder case but a book that sheds light on Japan, on families, on the media, and . . . on the insidious effects of misogyny.” ―Blake Morrison, The Guardian

“A work not only of page-turning intensity but also of touching sensitivity and deep insight.” ―David Pilling, Financial Times

“A classic of the rather compromised true crime genre, a rigorous, meticulous and intelligent work of long form journalism . . . Lloyd Parry deals with the consequences for families, friends and lovers--unassuageable pain, guilt and recrimination--with most unusual thoroughness and scrupulous empathy.” ―Peter Alford, Weekend Australian

“Thoroughly researched [and] very well written, appalling and absolutely enthralling.” ―Patrick Skene Catling, The Irish Times

“The most compelling book I read this year . . . Written with a novelist's eye for insight and narrative, it's a cracking read that tracks the haphazard investigation, the eventual arrest of the truly bizarre killer and the heartbreaking plight of the Blackman family members left to cope with the dreadful consequences.” ―Sydney Morning Herald

About the Author

Richard Lloyd Parry is the Asia editor and Tokyo bureau chief of The Times (London) and the author of In the Time of Madness.

Most helpful customer reviews

132 of 137 people found the following review helpful.
Five Stars.
By Fiona Helmsley
This book is by far, the best book I've read this year. I can't stop talking about- it was so fascinating, so intriguing, I didn't want it to end, which seems like a somewhat unsavory statement to make about a book thats focus is a young woman's disappearance and death, but this book is so much more. It's a study of culture, Eastern vs. Western, it's a story about a family, about how people react to death, view sex, and the effects of unchecked mental illness and loneliness. I read it this weekend and felt like I was plugged into something-and now that I've finished it, I feel stripped and a bit depressed, knowing that books as good as this one only come around once and awhile.

122 of 128 people found the following review helpful.
Shocking true crime story set in Tokyo
By Joanna Daneman
How could it happen, in one of the "safest" cities in the world, Tokyo, that 21 year old former flight attendant could end up dismembered and disposed of in plastic bags? And this is not a tale of the early 1900's--it happened right after the turn of the new millenium.

The author takes us on a tour of the underbelly of Tokyo in the Roppongi district, where businessmen hook up with club "hostesses" for drinking and dates (not necessarily sex, says the author.) And this is an area where foreigners and Japanese mix, foreign girls as exotic hostesses to Japanese men, or foreign businessmen out on an adventure, off the leash in Asia. Lucie Blackman ends up in Roppongi, to work off large debts she incurred, probably having heard that pretty foreign women, especially blondes, can make big money in Tokyo from their exotic "Western" appeal.

However, the Japanese police seem to miss a lot of criminal activity that is happening here and in areas like Roppongi. So how can it happen for example, that an healthy, young Australian woman, Carita Ridgeway, dies of liver failure after being dropped off in a state of unconsciousness by some unknown guy at a hospital? She was drugged with chloroform, an easy way to adminster a "mickey" but one that can cause the liver to shut down. And how can it happen that Lucie Blackman also disappears?

The story follows each shocking trail including a foray into the Japanese justice system, which for a law-abiding land with severe penalties for criminal acts, seems astonishingly unable to deal with what is clearly a predator of women, if not a serial killer. If you like real crime stories, this one will really set your hair on edge.

110 of 117 people found the following review helpful.
Lucie Blackman RIP
By Jake Adelstein
The dark side of the land of the rising sun is pitch black. I differ slightly with the author on how well or how enthusiastically the police investigated the case, once they sensed that things had gone wrong. However, it is clear that Mr. Obara, the anti-hero of this moving and incredibly researched book, was allowed to harm many women for a very long time and that he exploited flaws in the Japanese justice system brilliantly. There is no happy ending to this story and no clear lesson to be learned. It is a haunting meditation on family ties, conflict, grief, regret, and the nature of evil that transcends cultural boundaries.
[...]

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Thursday, August 20, 2015

^^ PDF Ebook Berlin Now: The City After the Wall, by Peter Schneider

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Berlin Now: The City After the Wall, by Peter Schneider

A smartly guided romp, entertaining and enlightening, through Europe's most charismatic and enigmatic city

It isn't Europe's most beautiful city, or its oldest. Its architecture is not more impressive than that of Rome or Paris; its museums do not hold more treasures than those in Barcelona or London. And yet, when citizens of "New York, Tel Aviv, or Rome ask me where I'm from and I mention the name Berlin," writes Peter Schneider, "their eyes instantly light up."
Berlin Now is a longtime Berliner's bright, bold, and digressive exploration of the heterogeneous allure of this vibrant city. Delving beneath the obvious answers―Berlin's club scene, bolstered by the lack of a mandatory closing time; the artistic communities that thrive due to the relatively low (for now) cost of living―Schneider takes us on an insider's tour of this rapidly metamorphosing metropolis, where high-class soirees are held at construction sites and enterprising individuals often accomplish more without public funding―assembling a makeshift club on the banks of the Spree River―than Berlin's officials do.
Schneider's perceptive, witty investigations on everything from the insidious legacy of suspicion instilled by the East German secret police to the clashing attitudes toward work, food, and love held by former East and West Berliners have been sharply translated by Sophie Schlondorff. The result is a book so lively that readers will want to jump on a plane―just as soon as they've finished their adventures on the page.

  • Sales Rank: #694494 in Books
  • Published on: 2014-08-05
  • Released on: 2014-08-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.48" h x 1.09" w x 5.70" l, 1.00 pounds
  • Binding: Hardcover
  • 336 pages

From Booklist
*Starred Review* The author of The Wall Jumper (1984) presents his collected musings about the city that has inspired and perplexed him since he was first seduced by West Berlin as a young man in the early 1960s. Berlin is not traditionally beautiful, he notes; it is a hodgepodge of architectural fits and starts, like the aging Fernsehturm and the ubiquitous concrete Plattenbau apartments of the old East Berlin but also the contested and commercialized new Potsdamer Platz. It is a city scarred by its history but also proud of its weirdness, its resilience, and its condition of constant change; a city in which a bitter debate over what to do with an asbestos-filled East German government building culminates in a massive piece of performance art. Berlin today struggles with racial politics and the same gentrification challenges that confront many major cities, as Schneider explores in insightful essays on the Turkish district of Neukölln and the increasingly South German streets of Prenzlauer Berg. But it is also a city that, for now at least, continues to be a magnet for the young, creative, and poor, to whom it offers cavernous apartments and an unparalleled club scene (which the author dutifully explores, having gotten from his grown children a few tips on where to go and how best to enjoy himself). In the end, Schneider seems to suggest, liveliness is far more important than beauty. --Brendan Driscoll

Review

“Wonderful.” ―Simon Kuper, Financial Times

“[Schneider] is right in saying that in recent decades no other city ‘has changed as much--and for the better--as Berlin,' lauding the sense of openness that has drawn immigrants, revived the shattered Jewish population and made the city a magnet for a creative class that is also luring cutting-edge businesses.” ―Ian Johnson, The New York Times

“Illuminating . . . Berlin Now is at its best when Schneider illustrates his findings or perspectives with secondary points of view . . . Often though, Schneider's impressions are so strong they don't need any added color. His recollection of arriving in West Berlin for the first time in 1962 stands out due to its fusion of topographical detail . . . and personal opinion, especially regarding the city's bad food and the natives' brusque manner. Just as good is his fish-out-of-water account of his visit to Berghain, a nightclub decreed the best in the world by The New York Times. Schneider, in his seventies, is no techno-loving hipster, but in order to cover all bases of contemporary Berlin he ventures out to sample its legendary nightlife, albeit with earplugs. Schneider is thus an authority on Berlin, not simply by virtue of his being a resident but because he fully immerses himself in the place . . . Page after page yields surprising nuggets of wisdom . . . Thanks to Sophie Schlondorff's expert translation, Schneider's wry descriptions and private reflections ring true, and he emerges as both an informative and personable guide, and, most crucially, one brimming with enthusiasm for his subject . . . his final picture is a detailed and absorbing portrait of an unfinished city that has all the dynamism of a complete one.” ―Malcolm Forbes, The New Criterion

“Berlin Now is stuffed with glorious anecdotes about the rows over architecture, infrastructure, sexuality and morality in a city forced to weld itself together since 1989.” ―Peter Millar, The New Statesman

“Schneider deserves plaudits for this engrossing book, which attempts what's practically impossible--describing the essence of what makes Berlin so Berlin. Applause also is abundantly deserved by translator Sophie Schlondorff, whose masterful skills enable Schneider's writing to transition seamlessly, and vibrantly, into English.” ―David Hugh Smith, The Christian Science Monitor

“Berlin Now is a gathering of illuminations, a button box of participant observations, each chapter like a new day, sometimes picking up again on a theme but often shifting gears and taking a turn to go examine something new. Schneider is an old-school flâneur, a psychogeographer who can screw down very close upon a subject--an old Jewish cemetery, a door in the Wall through which East German border police would snatch graffiti artists on the other side, the bust of Nefertiti--then he will step back to take in the genius loci, gestalts both during Wall time and after Wall time, an integration with properties not derivable from the summation of its parts, as Nathaniel Webster might say. Now in his seventies, Schneider seems never to have missed a day under the spell of Berlin . . . Schneider is just this side of a provocateur. He is an investigative journalist/geographer, probing to the point of sticking his finger in the wound, with the best intentions. He is a dark joker and a sensualist; he likes a good jape . . . as much as he appreciates a perfect tomato, a sly appreciation of life's little pleasures.” ―Peter Lewis, Barnes & Noble Review

“In 30-odd short pieces on the city's architecture, its immigrant communities, its famous night life and its sexual mores, Mr. Schneider tries to answer this question: If Berlin is not beautiful, why is it so beloved? To his credit, he avoids the easy answers . . . Mr. Schneider is at his best when explaining the debates about Berlin's public architecture and how they inevitably become debates about Germany's history.” ―Nicholas Stang, The Wall Street Journal

“In this enlightening collection of essays, Berlin resident Schneider unearths the city's charms and hazards. Journalist Schneider (Eduard's Homecoming; The Wall Jumper) first came to Berlin from Freiburg as a student in 1962 and has since seen enormous changes, the most shattering of which was the tearing down of the Berlin Wall after the earthshaking events of November 1989. Apart from the subsequent building projects that have transformed the city, such as the development of Potsdamer Platz and the shifting of the historic Mitte (middle) toward what was once East Berlin, Schneider is intensely focused on the East-versus-West dynamic. He describes East Berliners as dragging their Communist ideals and Stasi legacy, and resenting Western democratic standards, and he says that East Berlin women are ‘self-confident and divorce-happy,' as more of them have been forced to work than their Western counterparts. Moreover, the once-ostracized Turkish ‘guest workers' now make up a largely assimilated minority, with Vietnamese, Russians, and Jews nestled in far-flung neighborhoods, despite lingering episodes of racist violence. Covering the city's grim history as well as its current night clubbing, these essays reveal an authentic city that does not bother being more lively than beautiful.” ―Publishers Weekly

“An intriguing journey through Berlin by a longtime interested observer. Ungainly, amorphous, overrun by armies, clotted by construction, inhabited by uneasy neighborhoods of ethnic niches (including Turks, Russians, Vietnamese and Israelis), and still affordable to starving artists and all-night partiers, Berlin is a wildly attractive tourist spot, not least due to its dark history. In these amusing, knowledgeable essays and dispatches, German novelist and journalist Schneider (Eduard's Homecoming, 2000, etc.), who first came to the city as a student in the early 1960s to claim exemption from serving in the Bundeswehr (German defense forces), unearths much that is fascinating and even beautiful about Berlin. He examines the conversion of various sections of the city and warehouses, industrial ruins and other structures in what was formerly East Berlin--e.g., Potsdamer Platz, the new Berlin Brandenburg Airport and newly gentrified Prenzlauer Berg. Deeply engaged with friends and colleagues both East and West, Schneider has written extensively on the ramifications of the removal of the Berlin Wall, not only in the physical revelation that Berlin's great historic center and grand buildings were all located in the East, but also in the souls of ‘Ossi' and ‘Wessi' remnants, now cohabitating a little like oil and water. In his autobiographical essay ‘West Berlin' (‘the name . . . refers to a city that no longer exists'), the author reaches back into the student movement of the late 1960s and the building of the ‘wall of the mind' mentality he wrote about in his novel The Wall Jumper (1984). In ‘The Stasi Legacy,' he writes poignantly of the poisonous effect the secret police had on even married couples informing on each other. Berlin's ‘culture of remembrance,' he writes, has also been transformed--e.g., the multitude of Holocaust commemoration exhibits and memorials paying quiet tribute to a vanished community. A seasoned journalist conveys the charms and perils of this ‘Cinderella of European capitals.'” ―Kirkus

About the Author

Peter Schneider was born in Lübeck, Germany, and has lived in Berlin on and off since the 1960s. He has taught at many American universities―including Stanford, Princeton, and Harvard―and is the author of more than twenty books, including The Wall Jumper and Eduard's Homecoming (FSG, 2001). He has also written for newspapers, including Der Spiegel, The New York Times, Le Monde, and La Repubblica. Sophie Schlondorff is a translator, editor, and writer. Originally from New York, she grew up bilingual in English and German, and is fluent in French and Italian. She is a graduate of Yale University and has been living abroad for more than a decade in Paris, Rome, and Berlin.

Most helpful customer reviews

7 of 8 people found the following review helpful.
Berlin After the Wall Came Down
By Brian Lewis
This is one of several recent books marking the 25th anniversary of the collapse of the Berlin Wall in 1989. Peter Schneider is a long time Berlin resident who has done a nice job here of sharing his personal feelings and observations about the vital city in the center of Europe.

Much of his reporting on Berlin feels second hand, and seems to be rehased newspaper and magazine accounts. I would have expected several compelling characters to emerge from a scene as dynamic as Berlin, but that does not happen. We learn much about partying in Berlin and more about Mr. Schneider himself, as the book details the city's current vibrant nightlife. Unfortunately he is a bit out of place with that culture, as his fellow party goers are often 20-30 years younger than he is, so he is more of an observer than an advocate.

While I enjoyed the book, I feel it could have been much better and more detailed. We get a sense of what it might be like to live in Berlin, not much on its importance to the rest of the world. Certainly street maps would have helped, and photographs as well, particularly as the book often comments on buildings and construction projects.

1 of 1 people found the following review helpful.
A good guide to a vibrant city
By Edwin H. Marston
A book is a partnership between reader and writer. I read Peter Schneider’s Berlin Now: The City After the Wall, as a potential six-week visitor to the city, as a Jewish-American, and as a person with a vivid memory of walking through a bombed-out Berlin neighborhood in 1960, just before the wall went up. This was to be my first trip back – a 74-year-old returning 54 years later.
Midway through this second visit, Berlin Now is serving me much better than my Lonely Planet-type guides. I immediately understood the three brass memorial plates – the Stolpersteine – embedded in the sidewalk in front of our apartment house; I knew how the SONY center (a Berlin entertainment mall) came to be and how its Daimler Group (aka Mercedes Benz) CEO creator was trashed by his successor; I knew the story of the well-assimilated Vietnamese-German community in Berlin; and I saw Nefertiti not just as a maturely, spectacularly (What a dish!) beautiful woman, but also as a product of Germany’s long involvement in Middle East archaeology.
I was initially attracted to a Berlin visit by the film White Ribbon. It said that at least some in Germany had come to understand their nation’s history. Schneider’s book says that White Ribbon was not a fluke. Germany is working at becoming a very civilized nation. Its politics are not highly adversarial. Its ban on nuclear power and embrace of wind and solar make economic and ecological sense. And it seems less divided by wealth and privilege than my fiercely, self-destructively partisan nation.
Berlin Now offers a path to understanding Berlin, and perhaps Germany.

Ed Marston
Former Publisher, High Country News
Paonia, Colorado

1 of 1 people found the following review helpful.
Berlin Jetzt!
By Greg Polansky
Unlike other more established European cities, Berlin is a city in flux due to its 20th century history. In that respect it has more in common with American and Asian cities than other European cities. Buildings rise. Cranes dot the sky. Neighborhoods recombine. And everywhere are the marks of the past. In this portrait of the city after the Wall came down, the author looks at Berlin from political, economic, cultural, and social perspectives. There are chapters on all sorts of facets of the city- from famous clubs to a resurgent Jewish life in the city. From the status of an airport that is permanent delay mode to the resurrection of a Hohenzollern palace. From pieces on the architecture of the city to a social analysis of who East German women end up marrying.

This is a fascinating and insightful book on Berlin. If you're going to Berlin or have just come from Berlin, then this is a book you will enjoy.

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Friday, August 14, 2015

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White House Diary, by Jimmy Carter



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White House Diary, by Jimmy Carter

The edited, annotated diary of President Jimmy Carter--filled with insights into his presidency, his relationships with friends and foes, and his lasting impact on issues that still preoccupy America and the world

Each day during his presidency, Jimmy Carter made several entries in a private diary, recording his thoughts, impressions, delights, and frustrations. He offered unvarnished assessments of cabinet members, congressmen, and foreign leaders; he narrated the progress of secret negotiations such as those that led to the Camp David Accords. When his four-year term came to an end in early 1981, the diary amounted to more than five thousand pages. But this extraordinary document has never been made public--until now.

By carefully selecting the most illuminating and relevant entries, Carter has provided us with an astonishingly intimate view of his presidency. Day by day, we see his forceful advocacy for nuclear containment, sustainable energy, human rights, and peace in the Middle East. We witness his interactions with such complex personalities as Ted Kennedy, Henry Kissinger, Joe Biden, Anwar Sadat, and Menachem Begin. We get the inside story of his so-called "malaise speech," his bruising battle for the 1980 Democratic nomination, and the Iranian hostage crisis. Remarkably, we also get Carter's retrospective comments on these topics and more: thirty years after the fact, he has annotated the diary with his candid reflections on the people and events that shaped his presidency, and on the many lessons learned.

Carter is now widely seen as one of the truly wise men of our time. Offering an unprecedented look at both the man and his tenure, this fascinating book will stand as a unique contribution to the history of the American presidency.

  • Sales Rank: #110986 in Books
  • Brand: Farrar, Straus & Giroux
  • Published on: 2010-09-20
  • Released on: 2010-09-20
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.34" h x 1.84" w x 6.28" l, 2.00 pounds
  • Binding: Hardcover
  • 592 pages
Features
  • white
  • house
  • diary
  • Jimmy Carter

From Publishers Weekly
The snarl behind the toothy grin emerges in these acerbic entries culled from the 39th president's personal diary. Carter vents against everyone, from Congress ("disorganized juvenile delinquents"), to the press ("completely irresponsible and unnecessarily abusive") and the incoming Reaganauts ("group of jerks"). By contrast, he comes off as the principled, rational, speed-reading master of policy detail, with a cogent-to him-agenda of human rights, internationalism, and disarmament in foreign policy, and fiscal restraint, deregulation, and energy conservation at home. His account of the "national malaise" episode reveals a technocrat groping awkwardly toward a political vision. But the hectic, sketchy entries, annotated with after-the-fact elucidations, mainly show President Carter breasting the maelstrom of over-scheduling, mundane politics, and brother-Billy issues, while eruptions like the Iranian hostage crisis sneak up; the Sadat-Begin Camp David negotiations and other summits, where his leadership could be proactive and untrammeled, provoke his most involved and insightful passages. Carter's judgments will stir controversy: he tars Ted Kennedy with torpedoing his healthcare reforms and abetting Reagan's 1980 victory, and paints Israel ("obstinate") and its Prime Minister at the time, Menachem Begin, as the main obstacles to peace in the Middle East. His tart wit and cutting candor add flavor to a revealing portrait of presidential achievement and, especially, frustration. Illustrations.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Fascinating...The pace gives a sense of what it is like to be president, and the entries contain blunt appraisals of the people with whom he dealt. (The New York Times)

Outstanding…Anyone seeking insight into the thirty-ninth president of the United States would do well to pick up [this] book. (The Christian Science Monitor)

A substantial contribution to [history]… a uniquely unfiltered look at what occupying the Oval Office day to day means. (Los Angeles Times)

[Carter's] tart wit and cutting candor add flavor to a revealing portrait of presidential achievement. (Publishers Weekly)

About the Author

Jimmy Carter, our thirty-ninth president, received the Nobel Peace Prize in 2002. He is the author of numerous bestsellers, including White House Diary, An Hour Before Daylight and Palestine: Peace Not Apartheid. Carter grew up on a peanut farm in Plains, Georgia. He graduated from the Naval Academy in 1946, and after seven years of service in the Navy, he returned to Georgia and entered state politics, becoming governor in 1971. In 1976, he was elected President of the United States.

Carter aspired to make government "competent and compassionate," and fought for human rights around the world. His successes include the Israel-Egypt peace treaty, the Panama Canal treaties, and establishing full diplomatic relations with China.

After leaving office, he and his wife Rosalynn created the Carter Center, a nonpartisan organization working to advance human rights and democracy, resolve conflicts, and relieve suffering from disease and hunger around the world. The Carters live in Plains, Georgia, but continue to travel around the world in support of numerous philanthropic efforts.

Most helpful customer reviews

174 of 197 people found the following review helpful.
A Unique Insight into a President's Life
By Cory Geurts
I was expecting this book to closely mirror President Carter's well-written and introspective presidential memoir, "Keeping Faith: Memoirs of a President." While the underlying presidential timeline is obviously the same, the content in White House Dairy is entirely different.

In "Keeping Faith," President Carter explains that in writing his memoir, he frequently referenced his diary, and he often includes diary entries directly in the text. These selections compliment the narrative very well, and illustrate the thought process behind some of his decisions. However, the diary selections in "Keeping Faith" consist of just a sentence or two here or there. Also, "Keeping Faith" was written in 1982, so while still relevant, many of its discussions have become dated.

While "White House Diary" is not an unabridged copy of every single diary entry, it does provide thorough, comprehensive coverage of Carter's presidency. I don't know of any other modern US president who has given us this level of access to their private thoughts and feelings. The writing style is classic Jimmy Carter: intelligent yet easy to read, slightly stiff yet completely honest. This hardcover book's layout and quality are top-notch, including dozens of black & white photos; some familiar, some that I don't recall ever having seen.

The text is organized in an intuitive manner. Diary entries comprise the majority of the text, which is printed in standard font. Notes about the diary passages are indicated by italics, and are very helpful. This is where Carter ties in relevant personal thoughts, past and present leaders and political players, and current events. Rather than being a distraction, these italicized notes are quite helpful and serve as a kind of a guide throughout the book. A good example of this mentioned by Carter is the 1978 FISA (Foreign Intelligence Surveillance Act), which Congress passed and which Carter supported, but which was circumvented by President Bush in the aftermath of the September 11th attacks.

Carter has been a prolific writer; many of his books have been topical, and a handful of them are quite forgettable. For those who want to understand Jimmy Carter and his presidency, I recommend four of his books: "Keeping Faith: Memoirs of a President," his presidential memoir; "An Hour Before Daylight : Memoirs of a Rural Boyhood," which focuses on his family and upbringing; "Beyond the White House: Waging Peace, Fighting Disease, Building Hope," which covers his post-presidential activities and the Carter Center's work; and this book, "White House Dairy," not only for it's intimate look at the life of a president, but also because of the correlations made in this book between the events of Carter's presidency and those of today.

5 of 5 stars: Entirely new material, unique perspective, well written and edited, appropriate length, and good presentation.

88 of 98 people found the following review helpful.
A Terrific Read (And Some Thoughts On Negative "Reviews")
By J. Coleman
If you're considering buying this book, you're likely beguiled by some of the suspicious, one star reviews here on Amazon. I'd like to address this before I continue with my own review.

The latest tactic from conservative extremists is to criticize and demean anyone who has a differing political bent. It's a sad and distasteful way to represent the proud party of Lincoln; himself a gentleman and free thinker. In the spirit of free speech and intelligent discourse, there is certainly a place to argue the merits and deficiencies of our leaders. But a book review of any merit will focus on matters of writing style, content, and narrative; that's why it's called a "book review" and not a "cable news debate". Further, it lacks a fair and balanced sense of integrity if one criticizes a book they have never read. The lack of genuine content in these reviews makes this fact embarrassingly obvious. And, really, intelligent people of any political stripe deserve more than a bizarre rant.

My advice as a fellow reader and consumer is to ignore BOTH five-star reviews as well as those with a negative agenda and pay special attention to those in between. I often find excellent feedback there; the result of fair and vigorous assessment. Kudos are given where due and appropriately backed. Similarly, weaknesses are addressed without sentimentality or reservation.

Here's what I like about Carter's writing:

1) It's simple, concise, and nicely crafted. Only meaningful details and descriptions make their way into the author's prose. He's not flowery. He's not sparse. It's the right balance which makes for an accessible and engaging read.

2) The subject matter itself, with its broad scope of well-known figures and behind-the-scenes details, makes this the kind of insightful "tell all" that an adult won't be ashamed to read. :) Indeed, there is much to be culled about human nature, leadership, and negotiating from Carter's experiences.

3) The author is bold and frank enough to highlight his mistakes, shortcomings, and painful lessons. In this way, there is no pretense or vanity which might isolate the reader from the protagonist's journey. In fact, one feels like they are "in the thick of it" with the president; sharing the same experience and learning the same lessons.

4) This is a book that could have been dry and self-important. Instead, it reads like an elegant adventure through the halls of Washington power and over the world stage of public opinion. Engrossing.

No book is perfect but I'm giving "White House Diary" a solid four stars. It's worth your money and a terrific read.

J. Coleman
Actor/Writer
[...]

20 of 22 people found the following review helpful.
Carter: Maybe not as we remember him
By David A. Chase
President Carter's latest book, White House Diary, is an rare look into the daily operations of the White House and Presidential Management Style. Any student of the Presidency should read this book with an open mind, as rare as that may be today. Carter simply presents his daily diary entries, no edits, no deletions. For many entries he includes updates and historic perspective. Should give everyone a better understanding of the unique challenges a President faces each day he/she's in office.

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Wednesday, August 12, 2015

? Ebook Download The Collected Stories, by Grace Paley

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The Collected Stories, by Grace Paley

Grace Paley’s classic collection—a finalist for the National Book Award—demonstrates her rich use of language as well as her extraordinary insight into and compassion for her characters, moving from the hilarious to the tragic and back again. Whether writing about the love (and conflict) between parents and children or between husband and wife, or about the struggles of aging single mothers or disheartened political organizers to make sense of the world, she brings the same unerring ear for the rhythm of life as it is actually lived.  The Collected Stories is a 1994 National Book Award Finalist for Fiction.

  • Sales Rank: #92874 in Books
  • Brand: Farrar, Straus & Giroux
  • Published on: 1994-04-01
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x 1.21" w x 6.42" l,
  • Binding: Hardcover
  • 386 pages

From Library Journal
This collection brings together Paley's three previous volumes of stories: The Little Disturbances of Man (1959; Penguin, 1985. reprint), Enormous Changes at the Last Minute (Farrar, 1974), and Later the Same Day ( LJ 1/86). Paley's inventive style and her funny, feisty, irreverent characters create vivid slices of life. Her stories often concern women coping with children alone, as in "An Interest in Life," where a woman has an affair after her husband deserts her. A continuing character, Faith, is a divorced woman with children who gets her emotional support from her women friends. In "Faith in a Tree," Faith's interests expand to include politics after she witnesses an antiwar demonstration in the park. In "A Conversation with My Father," a writer explains that even a story's terrible ending is not final--the characters could still change. This possibility of hope permeates all Paley's stories, creating a rich treasury of unexpected pleasures and revealing truths. Essential.
- Patricia Ross, Westerville P.L., Ohio
Copyright 1994 Reed Business Information, Inc.

From Booklist
Paley is a member of that select breed of writers who become masters of the short story and resist the pressure to produce a novel. This volume gathers together more than 30 years' worth of stellar stories from Paley's best-known collections, The Little Disturbances of Man (1959), Enormous Changes at the Last Minute (1974), and Later the Same Day (1985). This rich compilation presents us with the full spectrum of Paley's voices as well as her observations and interpretations of urban family life and a society that thrives on oppression. An outspoken pacifist, feminist, and self-described "cooperative anarchist," Paley can no more keep her political beliefs out of her fiction than a plant can keep from releasing oxygen into the atmosphere, but the story always comes first. Her cast of stubborn, opinionated, earthy, smart, sassy, and robust characters demand it. Paley writes just as effectively from a man's point of view as a woman's, discerning the ironies of everyone's predicaments, but she writes most poignantly about the frustrations of women stuck in the rigidity of gender roles. Paley's people either have moxie, or tremendous endurance. They're frank about lust, angry about money, and always ready for a good argument. These staccato tales of the city capture of the essence of the changes each decade has brought, while also dramatizing the continuity of human emotions. And Paley can just knock us flat with the force of her spirited language. Donna Seaman

From Kirkus Reviews
Grace Paley hasn't written much, but the stories she has written are gems, and all of them (from The Little Disturbances of Man; Enormous Changes at the Last Minute; and Later the Same Day) are collected here. The narrator speaking at the end of one story, ``Wants,'' demonstrates the virtues of Paley's prose: ``I wanted to have been married forever to one person, my ex-husband or my present one. Either has enough character for a whole life, which as it turns out is really not such a long time. You couldn't exhaust either man's qualities or get under the rock of his reasons in one short life.'' Paley writes with a declarative elegance all her own, and her best characters display a dogged courage to be confused and curious about their lives. -- Copyright ©1994, Kirkus Associates, LP. All rights reserved.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Four Stars
By Amazon Customer
a wonderful writer, very witty, pleasure to read.

23 of 23 people found the following review helpful.
Ooh, what delicious writing this is
By A Customer
Grace Paley has that rarest of gifts: a voice all her own. Funny, tough, and compassionate, this voice mirrors her characters, some of whom (especially the eponymous Faith) are people you wish you knew, or already do. At every turn, her characters avoid stereotype, something most self-professed "political" and "feminist" writers fail to do. Three volumes of stories are collected here; the first volume, I think, is the richest. Here Paley is content to represent the hilarious, yet tragic, travails of her characters. In the later volumes, aside from being more experimental in form, she tackles overtly political themes. But the voice never fails her, and even the most dogmatic, contrived story is lifted above the ordinary. Paley never loses her compassion for mankind. At the end of her career, this was her abiding them: when faced with cynicism or compassion, she always extended the latter to her fellow human beings. These are great, tough stories, worthy of reading several times over. Please buy this collection and spread the word. Paley is that dying breed -- an American original.

38 of 38 people found the following review helpful.
clearly female, uniquely brilliant
By A Customer
Nearly every book I've read on aging women has included a reference to Grace Paley's "The Long Distance Runner." Here it is, along with 43 other stories Paley has written since the beginning of her writing career. Anticipating an anthology of _stories_, the Paley-ignorant reader is bewildered, awed, and delighted in turns as Paley's darkly metaphorical tales reveal her clever humor and, ultimately, her unflagging hope for humanity. Using common language with an uncommon twist, Paley's descriptions cause the reader to laugh with familiarity: "The table was the enameled table common to our class, easy to clean, with wooden undercorners for indigent and old cockroaches that couldn't make it to the kitchen sink." "The Long Distance Runner" is a powerful allegory about menopause, that mystical time in a woman's life when so much more is happening than the simple cessation of menstrual flow. Paley attributes her success as a writer to the wonderful luck of the birth of the women's movement, which coincided with the publication of her first stories.

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