! Fee Download Selected Works of Djuna Barnes: Spillway, The Antiphon, Nightwood, by Djuna Barnes

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A selection of work by the American writer Djuna Barnes. It consists of her novel "Nightwood", a collection of short stories entitled "Spillway", and a verse play, "The Antiphon", which she completed shortly before her death in 1982.

• Sales Rank: #1402244 in Books
• Published on: 1980-06
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 366 pages

About the Author
Djuna Barnes was born in 1892 in Cornwall-on-Hudson in New York State. In 1912 she enrolled as a student at Pratt Institute and then at the Art Students' League, and while she was there she started to work as a reporter and illustrator for the Brooklyn Eagle. In 1921 she moved to Paris, where she lived for almost twenty years and wrote for such publications as Vanity Fair and the New Yorker. Nightwood, written in 1936, was her second novel. It is now considered a masterpiece, praised by T. S. Eliot for its 'great achievement of a style, the beauty of phrasing, the brilliance of wit and characterization, and a quality of horror and doom very nearly related to that of Elizabethan tragedy'. Her other works include A Book, a collection of short stories, poems and one-act plays; a satirical novel, Ladies Almanack; and a verse play, The Antiphon. She died in New York in 1982.

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^ Download Ebook Turning on the Girls, by Cheryl Benard

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Ten years ago women took over, and now they are busily changing everything, from schools and language to women's and men's thinking. Lisa, the twenty-two-year-old heroine of Turning on the Girls, works at one of the ministries dedicated to mental revolution. Her task: to update women's sexual fantasies. There will be no more masochistic or romantic daydreams! Lisa finds herself slogging through piles of highly unrevolutionary literature, from The Story of O to Harlequin romances. This is what used to turn people on?

Meanwhile, not all men are pleased with this kinder, gentler world. Harmony, an underground men's movement, is planning a violent uprising to put women back in their place. Lisa and her trusty assistant, Justin, are recruited by security forces to infiltrate Harmony. Before long they find themselves in Zone Six-where the unreformable men reside-on the run, trying to save the world as they know it.

Cheryl Benard's deftly comic novel gives us a chance to envision a world designed by women-and to reflect on how such a world would differ from our own.

• Sales Rank: #4320555 in Books
• Published on: 2001-02
• Original language: English
• Number of items: 1
• Dimensions: 1.09" h x 5.78" w x 8.56" l,
• Binding: Hardcover
• 256 pages

From Publishers Weekly
Women have taken over the world in this gender-centric, rollicking good novel. Called on the carpet for bad behavior and general ineptness, the worst specimens of the male sex are banished to Zone Six by an elite group of New Age Femi-Nazis; borderline males are "re-educated" with counseling and medication. But a creeping romantic urge survives in the triumphant female population. Women still long for male companionship, and black market sales of romantic novels are corroding the very foundations upon which the Revolution was fought. Enter Lisa, an operative of the lauded Ministry of Thought, who is charged with finding an acceptable sexual fantasy for women. Researching centuries of erotica, pornography and outright s&m, Lisa concludes that women have always dreamed and written about dominant, testosterone-laden men. Just as she's about to give up in despair, she is given a new assignment. With Justin, her administrative assistant and a current re-education subject, she is ordered to infiltrate Harmony, a counterrevolutionary underground men's movement. Despite discovering that Harmony meetings are rife with such archaic pursuits as makeovers for women and coed dancing, Lisa and Justin have little to report until they are invited to a special meeting and find themselves stranded in Zone Six with simpering women, redneck men and positive proof of an antirevolutionary coup attempt but no way to transmit their knowledge. Though hampered by a long-drawn-out beginning, the novel is saved by wry humor, backstabbing betrayals and fabulous secondary characters. Deeper than a mere "what-if" fantasy, this contra-Atwoodesque social fiction may satirize political correctness, but it also manages to salute present and future feminist triumphs, albeit in roundabout fashion. (Mar.)Forecast: The title is terrific; the cover that carries it is not: flowery, it gives little clue as to the nature of the novel. But this book will succeed primarily through word of mouth, of which there will be plenty.

Copyright 2001 Cahners Business Information, Inc.

From Booklist
If Dorothy Parker had written Brave New World it might have resembled Benard's satiric vision of a utopia designed and run by women. With the Revolution, the problems of hunger, disease, and poverty are overcome, and crime has become a thing of the past. Lisa, Benard's heroine, works at the Ministry of Thought helping create a body of sexual fantasies appropriate for the new post-Revolution woman. Her assistant, Justin, is in the final stages of his "re-education" and is hoping to be able to rejoin society as a full-fledged citizen. However, a counterrevolution is brewing: a group of disenfranchised men (and the women who love them) have formed an underground movement to restore the old order. Justin accidentally becomes involved, even though he appreciates what the Revolution has brought. Lisa is ordered to infiltrate the group, and as things heat up, Benard explores with wit and insight the war between the sexes and all the confusion that has resulted from the evolution of gender roles over the last few decades. Bonnie Johnston
Copyright © American Library Association. All rights reserved

Review
"A wickedly amusing novel encompassing most men's secret fantasies and every man's worst nightmare -- a female-run planet." -- Flaunt magazine, March 2001

"Futuristic satire. . . cerebral style with plenty of erotic snippets." -- Kirkus Reviews

"Most of the fun lies in watching how this . . . revolution in burlesque cheerfully plays itself out." -- Elle, April 2001

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0 of 0 people found the following review helpful.
Satire? Gimme more!!
By Simon Barrett 'Il Penseroso'
Combines a satirical pop at feminism (and conformity generally) with a fairly riveting quasi-romance and a engaging narratrice. My kind of escapism, the kind that tweaks the mind as you keep on turning those pages. Like this? Try War with the Newts. Try Love in Infant Monkeys. Try You're an Animal, Viskovitz

1 of 2 people found the following review helpful.
Is she being ironic or serious? The answer is "no".
By Lex Myers
"Turning On The Girls" reminds me of the old Saturday Night Live sketch where Chevy Chase resolves a commercial mock-debate by declaring, "Relax! New 'Shimmer' is BOTH a floor wax AND a dessert topping!" It's a novel that wants to be both a spoof of utopian feminism and a feminist utopia. It fails because those two goals are as basically incompatible as dessert topping and floor wax.
For example, one character here is a ten-year-old girl, and we're treated (in the sense of therapy, not dessert) to multiple scenes of her excitedly repeating the lessons she's learned in class today. This is, for the most part, generic Women's Studies 097 material, delivered without any notable wit or insight. (Does Ms. Benard really imagine that anyone who doesn't already agree that female genital mutilation is a Bad Thing will have read this far into the book?) It would be genuinely funny if, for instance, she included a sixteen-year-old girl who's in the habit of reading banned books, getting (or trying to get) tattoos and piercings, and telling her elders where to shove their "nurturing points". But because Benard wants this to be, to some degree, a feminist utopia, she's never able to get the degree of critical distance necessary to make scenes like that possible.
On the other hand, if Benard wants this to be credible as a utopia, it needs to be at least reasonably believable. We may not need an explanation as to how this revolution came about, but there really should be one for how it's sustained. When it comes to one of the tougher questions in that regard-How do they deal with dissent?-she evades the question by descending into lowbrow humor. The opposition, "Restore Harmony", are Baywatch-watching buffoons who pose no credible threat to the regime.
That question is certainly one that deserves more thought. A censorial feminist dictatorship isn't going to be opposed merely by anti-feminists; it's also going to be opposed by those who are anti-censorship and anti-authoritarian. Banning Anne Rice, Ayn Rand, and (apparently) the Bible will earn one enemies from all across the political spectrum, many of whom will not be averse to violence.
But of course, she has to make the new order a dictatorship: the basic premise of the novel is as a spoof on Rush Limbaugh's notion of "FemiNazis". However, Benard rather likes the idea of women being in charge of everything, so she makes them nice Nazis. And in order to prevent the result from resembling "Bambi Vs. Godzilla", she has to make the opposition nice, stupid Nazis. It just doesn't work. Nice Nazis are neither likable, believable, nor inspiring.
Least forgivably of all, they're not that funny. Yeah, I know there are some who disagree, but for me, a line like "Give them an inch, and they'll have things back the way they were before, faster than you can say 'clitoridectomy'" doesn't exactly leave me rolling on the floor with laughter.
Maybe Benard was aiming for balance, but the whole thing comes off more as muddled. "Turning On The Girls" is a novel that simultaneously manages to take itself too seriously to be really funny, and be too silly to take seriously.

3 of 3 people found the following review helpful.
NOT a "feminist" novel but a good light-hearted beach book
By Douglas Herbert
Jennifer Crusie meets Gloria Steinem and a good time is had by all.
The author makes no secret of her intentions here -- from the start she explicitly says that her sci-fi premise (the feminists have taken over and are trying to figure out what to do with all those incorrigible men) is not plausible. But who cares? As she says, if a man like Orwell can write a novel with talking animal characters, she's "entitled."
Although a light read, the author's detailed knowledge of the various genres of "erotica" and feminist writings about it (from de Sade to romance novels to Paglia to Ayn Rand) sustains the book intellectually.
The Orwell reference fits, but only if you think Animal Farm and not 1984. It definitely is not one of those angry, serious 1980s "feminist sci-fi" books like Margaret Atwood's "A Handmaid's Tale" or Suzy McKee Charnas'"Walk to the End of the Earth." If your expectations are more along the lines of Connie Willis' lighter works, the Bridget Jones series, or even ... romance queen Jennifer Crusie, you won't be disappointed.
One final warning -- despite the packaging, this book is not erotica.

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** Download PDF Mythic Giacometti, by James Lord

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The Swiss artist Alberto Giacometti (1901-66) was arguably the greatest sculptor of the twentieth century. He was also--as James Lord persuasively argued in Giacometti: A Biography--a heroic figure whose vocation sustained him through a life of crippling anxiety and erotic guilt.

Almost twenty years after it first appeared, Giacometti has attained the status of a classic, one of the most candid and complete biographies of an artist in our time. In Mythic Giacometti, Lord reveals the hidden "blueprint" of that work: a daringly literal, visionary interpretation of the myth of Oedipus as it affected the conduct and outcome of Giacometti's life. The result is a case study both in the development of an artist and in the writing of biography. Lord concentrates on the private totems of Giacometti's life-family legend, childhood memory,
illness and injury, crucial sexual encounters, intimations of mortality-that amounted, in Lord's view, to signs of a tragic destiny directly linked to the central tragedy of Western literature.

• Sales Rank: #3265215 in Books
• Published on: 2004-06-02
• Original language: English
• Number of items: 1
• Dimensions: 8.56" h x .69" w x 5.46" l, .60 pounds
• Binding: Hardcover
• 144 pages

From Publishers Weekly
Lord’s 1985 biography of the Italian artist Alberto Giacometti was, in his own words, "a monument dedicated to honor and perpetuate the memory, aspirations and achievements of a legendary hero." This little book, offered as a kind of coda, retells the story of the sculptor’s life as a sequence of critical moments that evoke the Oedipus story, and suggests that Giacometti had a mythic destiny, from his birth and baptism through to the demise of his father, whose funeral Giacometti was too ill to attend. Certainly his was a fraught life: the artist had an erotic obsession with feet and a ferocious attachment to his mother. On two occasions, he awoke to the unexpected company of a dead body. Lord’s exegetical treatment of these and other events, though by no means groundless, is often labored and oddly evasive, as when he advances the possibility that an early encounter with an older man was sexual. Lord presents his speculations with tortuous and unmistakably compassionate logic, yet he does not pursue the meaning or consequences of the episode. His writing has the strength of conviction, but the prose often becomes lumpy with qualification and abstraction. At 80, Lord belongs to a generation that arguably prefers to discuss art and life in terms of principle and paradigm rather than emotion or history. By pursuing his Freudian theme in isolation from the larger scope of biography, he reveals more about his own stake in the artist’s life than he does about his subject or his work. Which is perhaps as he meant it to be.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Lord came to Paris during World War II and soon became acquainted with the protean heroes of the avant-garde (adventures he has eloquently chronicled in a series of memoirs), including sculptor Alberto Giacometti. Lord became the enigmatic and self-destructive genius's biographer, and Giacometti (1985) remains a gold standard among artist's biographies. Now, at 80, Lord reprises his great work, finally sharing the "tragic revelation" that served as its blueprint to "elucidate the symbolic and mythological verities" of Giacometti's extraordinary experiences. What Lord reveals in a refined biographical essay as riveting and potent as Giacometti's rarefied totemic figures are the startling parallels between the sculptor's life and the myth of Oedipus. As Lord describes Giacometti's attachment to his mother, suppressed rivalry with his artist father, obsession with feet (Oedipus means "swollen foot"), self-punishing inclinations, complicated sexuality, and the mystical evolution of his radical art, he does, indeed, trace an archetypal paradigm. By placing Giacometti firmly within the mythic realm, Lord's provocative exegesis rekindles appreciation for the heroic artist's searing, otherworldly vision. Donna Seaman
Copyright © American Library Association. All rights reserved

Review
Praise for Giacometti: A Biography:

"Giacometti owes his life in words to the most conscientious kind of American seeker a European visionary could hope to stumble on." --Seymour Krim, The Washington Post Book World

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2 of 3 people found the following review helpful.
Biographical Poetry
By M. Sutton
Mythic Giacometti is not a straight forward biography, but it's more telling as to the subject's character than almost any true "biography" I've read. Lord's raison d'être here is casting Giacometti in the light of a mythological hero--hence, we may suppose, the title.

The conceit feels a bit hokey at first, and even at the end I must say I'm not entirely convinced that Giacometti is descendent from Oedipus, but the conceit allows Lord to explore Giacometti as more than an amalgamation of facts but as a whole rounded artistic entity. And that point of view is surely more enlightening for fans of Giacometti's remarkable artistic career.

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¿ Cazafortunas o inocente secretaria?

Cuando el jefe de Gemma Cardone es hospitalizado y Stefano Marinetti, el hijo con el que Cesare se peleó cinco años atrás, se hace cargo de la empresa naviera, Gemma se siente atrapada entre el deber y el deseo.

Su deber: la relación de Gemma con el padre de Stefano es totalmente inocente pero llena de secretos, razón por la que Stefano sospecha que es la amante de su padre. Y ella no puede contarle la verdad porque eso destrozaría a la familia Marinetti.

Su deseo: Gemma nunca ha conocido a un hombre tan decidido, tan guapo o tan intenso como Stefano y se derrite cuando está con él. Aunque sabe que Stefano la desprecia, entre las sábanas las cosas cambian…

• Sales Rank: #8424952 in Books
• Published on: 2011-07-05
• Original language: Spanish
• Number of items: 1
• Dimensions: 6.62" h x .42" w x 4.21" l, .20 pounds
• Binding: Mass Market Paperback
• 160 pages

About the Author
For as long as Janette Kenny can remember, stories have taken up residence in her head. Her mother read her the classics when she was a child which gave birth to a deep love of literature and allowed her to travel to exotic locales – those found between the covers of books. Her first real writing began with fan fiction, but it was several more years before her first historical romance was published. Janette loves to hear from readers – e-mail her at: janette@jankenny.com

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! Fee Download The Deltoid Pumpkin Seed, by John McPhee

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This is the fascinating story of the dream of a completely new aircraft, a hybrid of the plane and the rigid airship - huge, wingless, moving slowly through the lower sky. John McPhee chronicles the perhaps unfathomable perseverance of the aircraft's sucessive progenitors

• Sales Rank: #337399 in Books
• Published on: 1973
• Released on: 1963-07-09
• Original language: English
• Number of items: 1
• Dimensions: 8.48" h x .77" w x 5.68" l,
• Binding: Hardcover
• 192 pages

Amazon.com Review
Since the explosion of the Hindenburg in Lakehurst, New Jersey, energy-efficient, lighter-than-air ships have given way to gas-guzzling jet aircraft. But in the 1960s, an unusual band of inventors, engineers and investors, again in New Jersey, created the Aereon, a strange, wingless hybrid airplane/dirigible. The Aereon--the Deltoid Pumpkin Seed-- promised to be a safe workhorse of the skies, capable of carrying the payload of entire freight trains with minimal cost.

In this exquisitely crafted tale of back-to-the-drawing-board perseverance, McPhee tells the story not only of the Aereon, but of any product development team. He astutely delineates the team members' personalities and interactions, delves back in time to the origins of lighter-than-air craft and the history of propellers, and in the end, makes us wonder why this promising technology hasn't been perfected. Like Aramis: Or the Love of Technology, this is a splendid book about a potentially superior aircraft which has yet to be adopted.

Review

“It's a book Leonardo da Vinci would have warmed to, a set of experiments he's have changed.” ―Paul West, The Washington Post

“What gives [McPhee's] writing its powerful fascination is the strange, raw quality of fact: it all really happened, just the way . . . McPhee watches so intently that the Aereon and its people become real and important to the reader.” ―Skow, Los Angeles Times

“McPhee has a genius for writing about unusual people whose activities border on the eccentric, and the Aereon project abounded with them. His engrossing account can be read at a sitting.” ―Donald R. Morris, The Houston Post

About the Author

John McPhee was born in Princeton, New Jersey, and was educated at Princeton University and Cambridge University. His writing career began at Time magazine and led to his long association with The New Yorker, where he has been a staff writer since 1965. Also in 1965, he published his first book, A Sense of Where You Are, with Farrar, Straus and Giroux, and in the years since, he has written nearly 30 books, including Oranges (1967), Coming into the Country (1977), The Control of Nature (1989), The Founding Fish (2002), Uncommon Carriers (2007), and Silk Parachute (2011). Encounters with the Archdruid (1972) and The Curve of Binding Energy (1974) were nominated for National Book Awards in the category of science. McPhee received the Award in Literature from the Academy of Arts and Letters in 1977. In 1999, he was awarded the Pulitzer Prize for Annals of the Former World. He lives in Princeton, New Jersey.

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31 of 33 people found the following review helpful.
For a sense of wonder and anticipation that stays with you
By hharper@valdosta.edu
This is the first McPhee book I ever read-- way back when it first came out. How well I remember it! How many years I have continued to look for news of the needed technology for large scale commercial use of lighter than air craft finally being mastered (and we still seem on the brink of making it work). A bookstore clerk had told me as I picked up the book, "That is one strange book. We do not know where to put it. Should it be in history, science, biography, reference, the technology section on air craft, business? No place seems quite right." I knew I would read more books by McPhee after this exquisite find, but I did not expect the next one to be on-- oranges! What a book The Deltoid Pumpkin Seed is; what a writer McPhee is. His books always leave you with the feeling that you now have a special insight into something out of the ordinary. And indeed you do.

12 of 12 people found the following review helpful.
Another great McPhee work
By hassnick
I am an unabashed fan of John McPhee, and believe him to be one of the todays's best non-fiction writers. _The Deltoid Pumpkin Seed_ does nothing but reinforce my impression.
I knew very little about 'lighter-than-air' history or technology before reading _Pumpkin Seed_, but McPhee assumes no prior knowledge. Indeed, one of the things I like best about McPhee is his ability to explain topics of a complex nature to a lay audience.
The story's 'characters' are exquisitely developed, and their interactions with each other are sometimes tragic, often hillarious. A number of them would make fascinating subjects for biographies in their own right.
If you have any interest in avaiation history, or just enjoy reading a well-crafted non-fiction work, I highly recommend this book.

2 of 2 people found the following review helpful.
Another fascinating McPhee
By Eric C. Welch
I remember when, years ago, long before I retired, a guy came into the library and wanted some really obscure information on Ferris Wheels. I got to talking with him and over the years we became friends. He had some kind of menial job, working at KFC or something, but he was absolutely obsessed with Ferris Wheels and knew just about everything you can imagine about their history and how they work. He was thrilled when we managed to dig up the arcane material he sought.

I’ve always secretly admired people like that. They have a singular, driven purpose and interest that I lack. I’m interested in many, many things, but rarely obsessed with one item alone at that depth, so I’ve had a bazillion hobbies.

I like John McPhee who so engagingly writes about these personalities. We have William Miller, a theology maven, who has sunk all his money and time into the development of a bizarre little craft, neither airship nor airplane; John Kukon, model builder extraodinaire who had won a ridiculous number of model plane speed records, one using a fuel of his own design that was so powerful it broke the world speed record and couldn’t be shut off, the plane flew for six miles; and how Aereon, the company they built, fell apart.

For whatever reason, the obsession with airships resurfaces every few years. Just read Popular Mechanics for a periodic revival of interest as a way to haul huge loads cheaply over undeveloped wilderness. For Drew and Miller, the interest was tinged with religious fervor, but they sacrificed a great deal for their dream.

Wonderful story, laced with history, (the story of Andrew Solomons parallels that in John Toland’s The Great Dirigibles.) McPhee always manages to take something apparently mundane and turn it into a fascinating essay about people and their relationship to the world around them.

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## Free Ebook Soul of a Whore and Purvis: Two Plays in Verse, by Denis Johnson

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Two plays―hilarious and searing in equal measure―by one of our most essential and original authors

In his poetry, short stories, novels, and plays, the National Book Award-winning author Denis Johnson has explored the story of America―especially of the West, land of self-made men and self-perpetuating myths―with searing honesty and genuine sympathy. These two plays, written in verse at once hypnotic and clear, confirm his position as one of our great verbal stylists and a literary conscience for our times.

In Soul of a Whore, a lively cast of characters―faith healers, pimps, strippers, actual demons―converge, with unexpected hilarity, as Bess Cassandra awaits execution for the murder of her infant daughter. Purvis's seven reverse-chronological scenes catalog the fall and rise of Melvin Purvis, the G-man who brought down John Dillinger and Charles Arthur "Pretty Boy" Floyd. Johnson takes us from Washington's back rooms to a Midwestern cornfield, dramatizing the seductive allure of power and our own human capacity for both pettiness and grace.

In these furiously entertaining, occasionally terrifying works, Johnson chronicles and questions America's myths, heroes, and everyday realities with verve and elegance, revealing himself once again to be at the height of his linguistic and insightful powers.

• Sales Rank: #1025785 in Books
• Published on: 2012-06-05
• Released on: 2012-06-05
• Original language: English
• Number of items: 1
• Dimensions: 8.02" h x .65" w x 5.34" l, .46 pounds
• Binding: Paperback
• 240 pages

Review

“The raw power of poetically concentrated passion . . . [Soul of a Whore] is a resonant fulfillment of the promise in [Johnson's] earlier work . . . [This is] Johnson's best constructed and most evocatively passionate outing yet.” ―Robert Hurwitt, San Francisco Chronicle

“Johnson has found a new speed, or a new style, for his age-old theme of hell, and it's a good, rare thing to watch a modern poet write so well for the stage.” ―Michael Scott Moore, SF Weekly

“Soul of a Whore and Purvis: Two Plays in Verse comprises Johnson's third- and fifth-ever attempts at playwriting, but his enthusiasm for experimentation is present and overriding, and it reads vividly.” ―Jillian Goodman, Slate

“These plays are everything you'd expect and want from a dramatic creation written by Denis Johnson--grit, poetry, passionate prose, a host of devilishly dirty characters steeped in backbreaking honesty, and a whirlwind ride that takes us to the polar reaches of the human experience.” ―Emily Temple, Flavorwire

“‘Soul' inhabits a world of hookers and hoodlums and murderers and executioners. The tale is both hallucinatory and immediate, hilarious and horrifying. It moves from the god-forsaken way station to a hospital ward to an execution chamber, where one Bess Cassandra is awaiting her death for ‘vehicular infanticide.' Along the way, it asks questions about the death penalty, the justice system, Christianity, and morality . . . These drifters and derelicts are the sort of folks who pop out of the pages of Johnson's fiction, and in writing for the stage, Johnson creates down-and-out characters with an uncommon attention to language.” ―Patti Hartigan, The Boston Globe

About the Author
Denis Johnson is the author of eight novels, one novella, one book of short stories, three collections of poetry, two collections of plays, and one book of reportage. His novel Tree of Smoke won the 2007 National Book Award.

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1 of 2 people found the following review helpful.
Coming from a rabid D. Johnson fan, plays are not his forte.
By Nuri K
So if you're into plays, there are many contemporary playwrights out there that deserve to be given precedence over Johnson.

That being said, the plays are still Denis-Johnson witty and reward the reader with intelligent pages, but fall short of making an overall impression.

The plays in this book feature a couple introduced in Shoppers: Two Plays, a family ,and a talking-TV, among others.

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• Sales Rank: #9579968 in Books
• Published on: 1962-01-30
• Original language: English
• Number of items: 1
• Binding: Hardcover
• 232 pages

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0 of 0 people found the following review helpful.
Flannery But NOT 3!
By Carol Atmar
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