Tuesday, July 21, 2015

>> Free PDF Playing With Fire, by Kathleen Karr

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Playing With Fire, by Kathleen Karr

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Playing With Fire, by Kathleen Karr

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Playing With Fire, by Kathleen Karr

A highly spirited mystery

Burdened by her uncanny ability to see people's auras, Greer is happy to leave overcrowded New York City, where her mother, Madame Camille, earns a meager living as a fortune-teller, to summer at a mansion on Long Island. There Madame Camille conducts séances with Greer's help -- under the watchful, unscrupulous eye of Drake Morley, her mother's latest male "friend." All along, Greer suspects that Drake wants to make a charlatan out of her fey mother. What's more, she senses something horrible about the man's past. And when she unwittingly starts conjuring up actual spirits, things quickly reveal themselves to be far more dangerous than she expected.

Inspired by the 1920s craze for spiritualism, Playing with Fire is the heartfelt story of a strong girl who refuses to sacrifice her future, and learns to accept herself and her family.

  • Sales Rank: #13009320 in Books
  • Published on: 2001-03-27
  • Original language: English
  • Number of items: 1
  • Dimensions: .73" h x 5.70" w x 8.49" l,
  • Binding: Hardcover
  • 185 pages

From Publishers Weekly
Set in the Roaring Twenties, when spiritualism was all the rage, this novel starring a fortune teller's daughter has some spine-tingling moments, but readers may be disappointed by the slow-moving plot and hazy explanations of unusual events. The story begins when Greer's mother, Madame Camille, is hired to perform a series of seances for a wealthy widower. Greer is excited at the prospect of spending the summer in Mr. Caldecott's stately mansion overlooking Long Island Sound; however, she does not look forward to sharing the house with her mother's conniving manager, Drake Morley, who wants Greer to help him spice up Madame Camille's act with some cheap gimmicks ("You're going to turn my mother into a fraud. A cheap charlatan!" the heroine says). While Morley clearly plays the role of the villain, other characters remain enigmatic, if not inconsistent. Madame Camille's relationships with her daughter and her implied string of suitors and/or managers remain sketchily drawn. Mr. Caldecott comes across as an unconvincing mix of wisdom and gullibility. Greer, herself, is also somewhat ambiguous; although gifted with the ability to "see" people's auras, she acts surprisingly down-to-earth, relying on logic rather than instinct to outwit the despicable Mr. Morley. Karr's fans may do better sticking with her earlier novels, such as The Great Turkey Walk and Man of the Family. Ages 10-up.

Copyright 2001 Cahners Business Information, Inc.

From School Library Journal

Gr 5-8-A fast-paced tale set in 1924. Madame Camille is clairvoyant, and her 14-year-old daughter, Greer, sees auras. Camille, mesmerized by the magician and charlatan Drake Morley, the latest in a series of "uncles," moves with her daughter to the Long Island estate of a wealthy and lonely widower, Amos Caldecott, who longs to make contact with his late wife. Greer makes friends with Leo and Peg Rafferty, the cook's teenaged children, and with them she learns to swim and sail. Unfortunately, her happiness in these typical adolescent pursuits is overshadowed by Drake's stagecraft manipulations of her mother's s‚ances and Greer's buried memories of carnival life. The teen's powers as a medium turn out to be far stronger than anyone anticipated, and in the midst of a hurricane, she summons evil powers that reveal terrible secrets about the carnival and Drake Morley. Greer, Leo, and Peg are appealing characters who, with humor and grace, confront adult situations and develop into independent young adults; the adult characters, however, are less multidimensional. The story is marred by contrived plotting that includes a failed murder attempt, a comic-opera rescue by Mr. Rafferty, and the nervous breakdown and subsequent madness of Drake Morley. The action is neatly wrapped up when the kindly "Uncle" Amos offers Camille and Greer a new home.-Patricia B. McGee, Tennessee Technological University, Cookeville

Copyright 2001 Cahners Business Information, Inc.

From Booklist
Gr. 5-7. Karr, who has written several historical novels, picks as her topic the spiritualist movement in New York, during the 1920s. Greer's mother, Madame Camille, can see the future, at least some of the time. Actually, it is Greer who sees auras, and she knows that the aura of Drake Morely, the latest in a long string of "uncles," looks dangerous for both her and her mother. Morely takes them to a mansion on Long Island, where the owner, Mr. Caldecott, is interested in holding seances. For Greer, the place turns out to be a refuge: she meets new friends and Mr. Caldecott becomes a benefactor. There is also trouble as Greer finds herself calling up unwanted spirits and in mortal danger from Morely. The narrative seems forced in places, and the plot elements sometimes don't fit properly (this is particularly true of Morely's disintegration). The characters are more engaging, but what will attract readers most are the story's occult underpinnings. For larger collections. Ilene Cooper
Copyright © American Library Association. All rights reserved

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Sunday, July 19, 2015

>> Get Free Ebook Thoreau in the mountains, by Henry David Thoreau, William Howarth

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Thoreau in the mountains, by Henry David Thoreau, William Howarth

  • Sales Rank: #3902142 in Books
  • Published on: 1982
  • Number of items: 1
  • Binding: Hardcover
  • 394 pages

Most helpful customer reviews

6 of 6 people found the following review helpful.
A great book for those who love the beauty of the hills!!
By Dan Weemhoff (dwHike@webtv.net)
This book gives you a spectacular, vivid, and unique look at the mountains of New England as only Thoreau could provide. This book is a compilation of peak-by-peak short stories which include Thoreaus' own journal writings along with commentary by the author. You join Thoreau as he explores many of New England's more famous mountains. Originally published in the 19th Century, Thoreau gives a glimpse of the mountains before roads, well-graded paths, or even maps gave the average tourist easy access to their beautiful heights. Thoreau explores such peaks as Katahdin in Maine, Lafayette, Monadnock, and Washington in New Hampshire, as well as Greylock and Wachusett in his home state of Massachusetts. The author gives modern day reference points as you follow Thoreau on his adventures across New England. Thoreau even teaches, unintentionaly, some important do's and don'ts for the modern day explorer. As you will discover Thoreau even learned a few lessons that can still be seen to this day! Overall, a very interesting read, especially for anyone at home in the mountains of New England. A book sure to bring out the adventurer in you.

1 of 1 people found the following review helpful.
Climb every (major New England) mountain
By Corinne H. Smith
In this book, editor William Howarth compiled Henry David Thoreau's journal accounts of his lifetime excursions to the major mountains of New England. Through these extensive descriptions, we can accompany Thoreau to Wachusett and Greylock in Massachusetts; to Katahdin and Kineo in Maine; and to the Vermont and New Hampshire peaks of Wantastiquet, the Fall Mountains, the White Mountains (Washington, Tuckerman Ravine, Lafayette), and Monadnock. Howarth periodically added sidebars of contemporary geography to the naturalist's words and experiences so that the devoted reader could have directions to attempt to retrace the 19th-century naturalist's steps. Obviously Howarth did the hikes himself. But we discover through Howarth's notes that sometimes Thoreau wasn't even sure of his location. Sometimes he flat out misidentified landmarks or tree species. Therein lies part of the fun, of course: correcting historical documentation. We can also see how the New England landscape has changed over the past century and a half. We know that we have more woodland than Thoreau saw or encountered, and that our current views from mountain summits aren't the same as his were. Still, it's interesting to read about the way it was and to share in Thoreau's continual wonder at the natural world.

This volume has been updated by a newer edition called "Walking with Thoreau: A Literary Guide to the New England Mountains." Either book is especially recommended for hikers.

1 of 2 people found the following review helpful.
THOREAU IN THE MOUNTAINS.
By William J., Bly
ANY BOOK WRITTEN BY SCHOLAR wILLIAM HOWARTH, OR WALTER HARDING, IS WORTH READING AND OWNING,AND THUS I HAVE BUILT A NICE THOREAU COLLECTION OVER THE SUMMER BY WAY OF AMAZON BOOKS.

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@ PDF Ebook Labor Day: True Birth Stories by Today's Best Women WritersFrom Farrar, Straus and Giroux

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Labor Day: True Birth Stories by Today's Best Women WritersFrom Farrar, Straus and Giroux

Thirty acclaimed writers share their personal birth stories―the extraordinary, the ordinary, the terrifying, the sublime, the profane

It's an elemental, almost animalistic urge―the expectant mother's hunger for birth narratives. Bookstores are filled with month-by-month pregnancy manuals, but the shelves are virtually empty of artful, entertaining, unvarnished accounts of labor and delivery―the stories that new mothers need most.
Here is a book that transcends the limits of how-to guides and honors the act of childbirth in the twenty-first century. Eleanor Henderson and Anna Solomon have gathered true birth stories by women who have made self-expression their business, including Cheryl Strayed, Julia Glass, Lauren Groff, Dani Shapiro, and many other luminaries.
In Labor Day, you'll read about women determined to give birth naturally and others begging for epidurals; women who pushed for hours and women whose labors were over practically before they'd started; women giving birth to twins and to ten-pound babies. These women give birth in the hospital, at home, in bathtubs, and, yes, even in the car. Some revel in labor, some fear labor, some feel defeated by labor, some are fulfilled by it―and all are amazed by it. You will laugh, weep, squirm, perhaps groan in recognition, and undoubtedly gasp with surprise. And then you'll call every mother or mother-to-be that you know and say "You MUST read Labor Day."

Contributors:

Nuar Alsadir

Amy Brill

Susan Burton

Sarah Shun-lien Bynum

Lan Samantha Chang

Phoebe Damrosch

Claire Dederer

Jennifer Gilmore

Julia Glass

Arielle Greenberg

Lauren Groff

Eleanor Henderson

Cristina Henriquez

Amy Herzog

Ann Hood

Sarah Jefferis

Heidi Julavits

Mary Beth Keane

Marie Myung-Ok Lee

Edan Lepucki

Heidi Pitlor

Joanna Rakoff

Jane Roper

Danzy Senna

Dani Shapiro

Anna Solomon

Cheryl Strayed

Sarah A. Strickley

Rachel Jamison Webster

Gina Zucker

  • Sales Rank: #887924 in Books
  • Published on: 2014-04-15
  • Released on: 2014-04-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.46" h x 1.06" w x 5.51" l, .92 pounds
  • Binding: Hardcover
  • 320 pages

From Booklist
Novelists Henderson (Ten Thousand Saints, 2011) and Solomon (The Little Bride, 2011) invited writers and mothers to share their birth stories, and the resulting book includes more than two dozen essays by such accomplished authors as Julia Glass, Dani Shapiro, Cheryl Strayed, and Joanna Smith Rakoff. Their true tales encapsulate a wide array of births, among them home births, unmedicated deliveries, cesarean sections, twin births, precipitous labors, preterm deliveries, and the experience of an adoptive mother present for a birth mother’s delivery. The authors capture the heightened emotions and physical demands of labor in beautiful, heart-wrenching, and sometimes graphic language. This isn’t a how-to book, nor does it present a case for the “perfect birth,” which sets it apart from the plethora of childbirth manuals and lends it broader appeal and a very different type of resonance. --Aleksandra Walker

Review

“This isn't a how-to book, nor does it present a case for the ‘perfect birth,' which sets it apart from the plethora of childbirth manuals and lends it broader appeal and a very different type of resonance.” ―Aleksandra Walker, Booklist

“Labor Day belongs on the nightstand next to What to Expect When You're Expecting. It's a must-have book for mothers, mothers-to-be, and anyone who cares about what birth looks like today.” ―Molly Ringwald, Actress, Singer, and author of When It Happens to You

“One of the most important preparations for labor is reading actual stories from actual women in labor. Labor Day provides a tremendously varied, honest, and beautiful set of stories to learn from and grow with, no matter where you are in your parenting journey.” ―Mayim Bialik, Ph.D., Actress, Neuroscientist

“Pregnancy made my body ravenous for food and my brain ravenous for stories like this, stories of how other women had crossed the great divide. In delivery rooms, in the backseats of cars, and at home, these women tell their birth stories so clearly that they must have had stenographers present on the scene. I loved reading this book with my baby asleep in the next room, and will give it to every pregnant woman I know from here on out, forever.” ―Emma Straub, author of Laura Lamont's Life in Pictures

“I read Labor Day the way I ate my first meal after giving birth: I knew I loved labor stories, but I didn't know I was absolutely starving for them. Ravenous. And they satisfied me; they filled me with wonder and tears and quite a few laugh-out-loud guffaws. And mostly with gratitude that real women shared their real experiences so that all of us can re-experience the wild joy and terror and beauty of giving birth.” ―Elizabeth Lesser, co-founder of Omega Institute and author of Broken Open: How Difficult Times Can Help Us Grow and The Seeker's Guide: Making Your Life a Spiritual Adventure

“Labor Day is such a gift. I've probably read or heard hundreds of birth stories, but once I picked up Labor Day, I could not put it down. Birth stories, especially those told by mothers who are also writers, are riveting. From Heidi Julavits reflecting on the value of a doula by reminding us that ‘Pain, when explained, can be much less painful' to Eleanor Henderson's depiction of being ‘dazzled by happiness,' this collection beautifully covers a huge range of birth experiences. Each fascinating detail, from the banal to the exalted, gives a glimpse of just what can happen when a baby is born.” ―Catherine Taylor, author of Giving Birth: A Journey into the World of Mothers and Midwives

About the Author

Eleanor Henderson's novel Ten Thousand Saints was named one of the Top 10 Books of the Year by The New York Times and was a finalist for a Los Angeles Times Book Prize. An assistant professor of fiction writing at Ithaca College, she lives in Ithaca, New York, with her husband and two sons. Anna Solomon's debut novel, The Little Bride, was a Boston Globe bestseller. Her stories and essays have appeared in The New York Times Magazine, More, One Story, Ploughshares, and elsewhere, and have twice been awarded the Pushcart Prize. She teaches at Brown University in Providence, Rhode Island, where she lives with her husband, daughter, and son.

Most helpful customer reviews

6 of 6 people found the following review helpful.
a beautifully-written, often sad, but ultimately redeeming collection of essays
By Kindle Customer
The basics: Labor Day: True Birth Stories by Today's Best Women Writers, edited by Eleanor Henderson and Anna Solomon, brings together an impressive group of contemporary female writers from a variety of genres to share their experiences giving birth. The essays are as varied as the women who write them.

My thoughts: Admittedly, before I got pregnant (and even early on in my pregnancy), I shied away from birth stories. Rarely do I favor ignorance, but in this case, I was scared of labor and childbirth, yet I knew I would be going through it, and I wasn't ready to deal with it. At some point in my pregnancy, I became eager for birth stories. I'm still frightened, of course, but I find comfort in imagining myself in a variety of different scenarios, both the positive and negative.

I'll be honest: this collection of essays often veers to the negative and sad. There are some heart-breaking stories told in these pages. I shed many, many tears as I read, yet even the most heart-breaking essays, I found a sense of comfort and kinship with the writers. These strong, beautiful voices moved me with their tales of the times before, during and after birth. To combine such intimate details about life, birth, and new motherhood with beautiful language is a true gift.

Favorite passage: "I suppose we are always alone in our pain, but we are rarely positioned appropriately to view the isolation accurately. Most of the choices with which we are presented in childbirth are secondary to the one most important in practice we must be prepared to labor alone, even in the company of others, even with the brilliantly blinding help of loved ones. Perhaps the debates regarding child birth are so he did because in the end it’s one woman’s experience, not a shared cultural phenomenon. It’s you and your pain; it’s you and it’s your baby.” --Sarah A. Strickley

The verdict: This collection is superb. While some essays are objectively better than others, only one rang hollow for me. While I connected more deeply with some than others, I appreciated and gained something from each one. I'll be giving this book to many, many pregnant friends in the years to come.

Rating: 4.5 out of 5

3 of 3 people found the following review helpful.
Please Don't Read This if You are Pregnant
By Dianna Vagianos Armentrout
This book is disappointing and dark. The writers are not the "best" women writers, and by two thirds through the book the essays got boring. Epidurals and pitocin. Most of these births are hospital births and it seems like the doctors and residents take control of the woman's labor instead of allowing the body to labor in its own rhythm. I carried two children to term and one of my babies died. I am no stranger to heartbreak and loss, but this book for the most part does not offer hope. I found a lot of it to be cold and I am longing for a spiritual perspective of life-changing pregnancy and birth. I came to this book after reading Arielle Greenberg and enjoyed her essay very much. Nuar Alsadir and Cheryl Strayed, Sarah A. Strickley, Gina Zucker also write compelling essays. We think that by reading books about life that we can prepare ourselves. We get the message here: You cannot prepare for labor and a newborn. However, I wonder what the editors were thinking in terms of the big trajectory of the book. What is its overall message? A space to tell stories of labor is important, but what kind of message are we giving women who are pregnant? I am doing research and writing a book about pregnancy after a fatal "diagnosis" so I am reading a lot of difficult material, yet there is usually hope. One in four pregnancies end in miscarriage, stillbirth or infant death. This is part of our story and humanity, but what we do with our grief and our experiences is life changing. The lack of spirituality in most of these essays makes the book more clinical for me and I cannot recommend it overall.

2 of 2 people found the following review helpful.
Difficult, but a great read
By MatPat
After reading a couple excerpts that were posted in online magazines, I decided to order the book. It's great to hear the good, the bad, and the ugly of delivery. Often, when any book discusses a birth story, it is to illustrate a point (ex. someone wants to prove home birth is a good idea, cue home birth story). This book has less of an agenda, and so it is a better way to just learn about how many different families have experienced birth. Reading some of the stories really releived my stress about choosing the right doctor, practice, birth plan, etc., because I read about how many different people all made it through even though they had different plans.
Also, in the introduction they list a couple of the stories which might be upsetting to pregnant mothers (miscarriage stories), so it is clear which ones to skip if you are prone to worry.

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! PDF Ebook Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell, by Elizabeth Bishop, Robert Lowell

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Words in Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell, by Elizabeth Bishop, Robert Lowell

Robert Lowell once remarked in a letter to Elizabeth Bishop that "you ha[ve] always been my favorite poet and favorite friend." The feeling was mutual. Bishop said that conversation with Lowell left her feeling "picked up again to the proper table-land of poetry," and she once begged him, "Please never stop writing me letters―they always manage to make me feel like my higher self (I've been re-reading Emerson) for several days." Neither ever stopped writing letters, from their first meeting in 1947 when both were young, newly launched poets until Lowell's death in 1977. The substantial, revealing―and often very funny―interchange that they produced stands as a remarkable collective achievement, notable for its sustained conversational brilliance of style, its wealth of literary history, its incisive snapshots and portraits of people and places, and its delicious literary gossip, as well as for the window it opens into the unfolding human and artistic drama of two of America's most beloved and influential poets.

  • Sales Rank: #789738 in Books
  • Published on: 2008-10-28
  • Released on: 2008-10-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.21" h x 1.88" w x 6.14" l, 2.70 pounds
  • Binding: Hardcover
  • 928 pages

From Publishers Weekly
Starred Review. Bishop and Lowell were two of the major poets of postwar America. From the time they met in 1947 at a party thrown by their mutual friend and poet, Randall Jarrell, through the end of Lowell's life in 1977, the pair—who saw each other rarely but considered themselves intimate friends—maintained a steady correspondence about literature and their turbulent lives and their own complicated, at times flirtatious friendship. Lowell was manic-depressive and embroiled in two volatile marriages, while Bishop also suffered depression and more than her share of loss, including the suicide of her longtime lover. Many of their now famous letters, previously available in separate volumes, appear here in one volume, their exchanges preserved in the order they were sent and received. Throughout this momentous volume, transcendence comes to these two often troubled writers through the shared experience of art that brought them together and sustained them: If only one could see everything that way all the time!, writes Bishop in 1957, that rare feeling of control, illumination—life is all right, for the time being. 13 b&w photos. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
How much one enjoys this volume—300 of the letters here have never before been published—depends on how much one embraces the poetry and lives of Lowell and Bishop. The critics themselves were quite pleased, often strutting out prose with a faintly purple hue in honor of these two postwar poetry giants. Of course, there's a great deal of wit to go around—the usual savaging of colleagues and the mockery of modern society; Bishop takes the road less traveled and even flings some mud at old Robert Frost. A few critics called for stricter editing, given the inclusion of letters detailing dental appointments and job applications. But the unrequited love between Bishop and Lowell redeems any hint of banality; instead, Words in Air is an inspiring lifelong conversation between two great poets.
Copyright 2008 Bookmarks Publishing LLC

Review

“Helplessly lyrical till death did them part, Elizabeth Bishop and Robert Lowell wrote so many wonderful letters and postcards to each other from 1947 through 1977 that it's amazing they ever found the time to publish their poetry. Words in Air, edited by Thomas Travisano with Saskia Hamilton, is their complete correspondence, 800 pages of epigrams and gossips, anxieties and epiphanies, logrolling and backbiting.” ―John Leonard, Harper's

“Their surviving 459 letters . . . give us the closest view of these wounded creatures--his muscular, bull-in-a-china-shop intellect; her pained shyness and abject modesty, and a gaze like the gleam off a knife . . . The pleasures of this remarkable correspondence lie in the untiring way these poets entertained each other with the comic inadequacies of the world.” ―William Logan, The New York Times

“I just can't praise Words in Air enough. As Lowell and Bishop's friend Randall Jarrell used to say: ‘Anybody who cares about poetry will want to read it.'” ―Michael Dirda, The Washington Post Book World

“A remarkable friendship--part long-distance romance, part artistic collaboration, part AA meeting--that lasted almost thirty years. This huge and wonderful book encompasses all the surviving correspondence between Bishop and Lowell. 458 items in all, adding more than three hundred previously unpublished letters.' ” ―Christopher Benfey, The New Republic

“[Words in Air reveals] how this long literary and personal friendship developed and evolved, underwent painful strains, and always recovered . . . But beyond these descriptive tour de forces and compliments, beyond the literary and political gossip, the poet--especially as their lives grew increasing troubled by estrangements, separations, divorce, illnesses, and the deaths of friends--exchanged tender, serious, disturbed, and grieving messages.” ―Helen Vendler, The New York Review of Books

“What is absorbing and ultimately delightful about the book is that we can read the back-and-forth between the two writers for the first time, as each responds to the other.” ―Dinitia Smith, The Wall Street Journal

“The letters act as a kind of topographical map of the poets' personal and creative lives. They chart Lowell's periodic descents into psychosis, his three marriages, and his rise to become the most influential postwar poet in America. Of Bishop, living more quietly in Brazil, they offer elaborations on a sensibility that, combined with technical mastery, would cause her to win the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award. The letters offer vivid glimpses behind the scenes of what poet James Merrill has called ‘her own instinctive, modest, lifelong impersonations of an ordinary woman.' ” ―Dominic Luxford, The Believer

“Words in Air makes an invaluable contribution to American literary scholarship, as most of the letters here have never been published before; yet it is something more. By devoting a single volume to the letters between the pair in chronological order, the editors have re-created a lifelong conversation that is intensely moving and readable . . . What finally gives Words in Air its emotional heft is its long continuity, which endows its pages with the immediacy of life. Joys and sorrows and puzzlements jostle; great passions blaze and fade. In the last pages, the poets bury friends and colleagues with obituaries that are frank and sometimes moving. The satisfying constant is their devotion to each other.” ―Jamie James, Los Angeles Times

“This volume takes its place, along with the correspondence between Edmund Wilson and Vladimir Nabokov, or Kingsley Amis and Philip Larkin, as consummate examples of wit, affection, and indeed--in the case of Bishop and Lowell--love.” ―William H. Pritchard, The Boston Globe

“Words in Air allows us to experience the peculiar rhythm of the Bishop-Lowell relationship, a relationship conducted almost exclusively through the mail. The letters are assiduously but unobtrusively annotated by Thomas Travisano and Saskia Hamilton, and sometimes the dullest letters are also the most weirdly revealing . . . Words in Air is a sad, fascinating book by two great artists.” ―James Longenbach, The Nation

“With this fall's release of Words In Air: The Complete Correspondence Between Elizabeth Bishop and Robert Lowell, edited by Thomas Travisano with Saskia Hamilton, we will be able to measure with excruciating fullness what the demise of our epistolary culture, should it occur, will be. In some 450 letters written across three decades and requiring 800 book pages to present, two superb poets from the mid-twentieth century explore writing, reading, politics, travel, friendship, and love at a level of discourse we may not see again. Travisano's central introductory claim is not puffery but truth: ‘For the artistic distinction of the correspondents, for the unfolding intimacy of the interchange, for its sustained colloquial brilliance of style (with neither poet ever on stilts), for its keen observation of both the ordinary and the extraordinary spliced with a wealth of literary and social history and a smorgasbord of literary gossip, it is hard to think of a parallel.' ” ―The Georgia Review

“Throughout this momentous volume, transcendence comes to these two often troubled writers through the shared experience of art that brought them together and sustained them.” ―Publishers Weekly (starred review)

Most helpful customer reviews

43 of 44 people found the following review helpful.
Love of Poetry
By C. Hutton
This correspondence is one long (nearly a thousand pages) love letter between two of the best poets of their generation. Both Elizabeth Bishop and Robert Lowell were personally tortured by their demons (her was alcohol, his was manic-depression) and failed relationships. Though never lovers, their's was a marriage of the minds via the mail for thirty years. It is helpful, though not vital, that the reader be acquainted with their poetry -- the letters have more meaning and one can understand the fuss they had with their written creations. This definiative collection of their letters is a biography of their adult lives.

26 of 26 people found the following review helpful.
bedtime reading
By Tyler Horsley
This has been my bedtime reading for a month now and what a lovely way to end the day.

They lived apart, continents apart, but close in spirit. Their letters are gossipy, smart, unguarded, critical of each others' work, supportive through triumphs and awful trials. They say things to each other that they never would have voiced aloud. (Sometimes they get catty, and mostly they are right.)

As their careers progress, you follow a poem by poem progression. The letters made me aware of the extent to which their poems were written in response to the work of the other, and the importance of their prose and translation to the poems for which they are now famous.

It's a nice book too, a good design, and a fine thing in hand. My only complaint is that the footnotes (which are fascinating) are printed in a tiny font that's almost too small for my tired eyes.

16 of 16 people found the following review helpful.
The best thing I've read in a very long time
By Adam Webb
I spent two and a half years reading Words In Air - reading fifty- or hundred-page chunks between other books - and I think it is the best thing I have read in a very long time. I knew nothing about Elizabeth Bishop or Robert Lowell when I entered their thirty year correspondence (I just like books of letters) and I got to know them, their brilliant poems, their debilitating faults, and the lives of poets (or some poets) from the 1940's to the 1970's. I spent more time than I ever expected trying to understand a defense of Ezra Pound, I researched their favorite books (including Bishop's favorite 19th Century animal fiction, Rolf in the Woods), I listened to the classical pieces they referenced (or dwelt on), I found the Google Street View of their past residences. I didn't become obsessed but - when I was in the book - I felt somehow enmeshed in those two lives. Books of letters leave things out: while reading the very last letter of Words In Air I discovered a rather important bit of gossip about Bishop and American literature that either was glossed over or I missed a few hundred pages earlier. So when some time passes, maybe a few years, I'm going to reopen the book and start again, picking up the pieces I missed and reliving these two lives.

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^ Free PDF For the Union Dead., by Robert, Lowell

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For the Union Dead., by Robert, Lowell

First edition bound in green cloth with gold lettering. 8vo size, 72 pp. Book is VG. Spine is dusty and dull. Brief gift inscription dated 1964 on front fly, bookstore stamp on front pastedown page. Contents clean, tight, unmarked. No dj.

  • Sales Rank: #1905305 in Books
  • Published on: 1964-06
  • Binding: Hardcover

About the Author
Robert Lowell (1917-1977) was born in Boston. He was recognised as an accomplished poet in his own lifetime, and along with Elizabeth Bishop, John Berryman and Sylvia Plath he created the fashion and generated the force of American poetry over the 1950s, 60s, and 70s. Life Studies, published in 1959, marked a watershed. It initiated an autobiographical project which would dominate his oeuvre thereafter, and is now regarded as one of the most influential books of the century. He received a Pulitzer Prize for Lord Weary's Castle (1946) and another for The Dolphin (1973).

Most helpful customer reviews

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
I have know his work as an editor; now, I will know him as a poet.

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^ Download Ebook Blood and Politics: The History of the White Nationalist Movement from the Margins to the Mainstream, by Leonard Zeskind

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Blood and Politics: The History of the White Nationalist Movement from the Margins to the Mainstream, by Leonard Zeskind

More than fifteen years in the making, Blood and Politics is the most comprehensive history to date of the white supremacist movement as it has evolved over the past three-plus decades. Leonard Zeskind draws heavily upon court documents, racist publications, and first-person reports, along with his own personal observations. An internationally recognized expert on the subject who received a MacArthur Fellowship for his work, Zeskind ties together seemingly disparate strands—from neo-Nazi skinheads, to Holocaust deniers, to Christian Identity churches, to David Duke, to the militia and beyond. Among these elements, two political strategies—mainstreaming and vanguardism—vie for dominance. Mainstreamers believe that a majority of white Christians will eventually support their cause. Vanguardists build small organizations made up of a highly dedicated cadre and plan a naked seizure of power. Zeskind shows how these factions have evolved into a normative social movement that looks like a demographic slice of white America, mostly blue-collar and working middle class, with lawyers and Ph.D.s among its leaders. When the Cold War ended, traditional conservatives helped birth a new white nationalism, most evident now among anti-immigrant organizations. With the dawn of a new millennium, they are fixated on predictions that white people will lose their majority status and become one minority among many. The book concludes with a look to the future, elucidating the growing threat these groups will pose to coming generations.

  • Sales Rank: #466354 in Books
  • Published on: 2009-05-12
  • Released on: 2009-05-12
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.24" h x 2.12" w x 6.37" l, 2.02 pounds
  • Binding: Hardcover
  • 672 pages

From Publishers Weekly
Journalist Zeskind delivers a thorough, if scattered, dossier on white nationalist politics in America from the end of WWII to the present, focusing closely on three plotters on the fringe of the American mainstream: Willis Carto, William Pierce and David Duke. Among the book's dizzying investigations of neo-Confederates, skinheads, survivalists, tax protestors, Second Amendment nuts and anti-Semites, these three men loom largest as the provocateurs and grandfathers of racist politics. Drawing on writings from Oswald Spengler and Francis Parker Yockey, these white nationalists constructed a narrative about the death of Western civilization, where white nationalists are patriotic race warriors hawking their ideas at gun shows, in print and in online forums. With the breadth of an encyclopedia, this book features a staggering number of actors, publications, flashpoints and organizations, such as the Posse Comitatus movement, which denies all of the Constitution's amendments after the 14th, prints community money and seeks independence from ZOG (the Zionist Occupation Government). Zeskind's rigorously researched and eloquent book is a definitive history of white nationalism and contains alarming warnings for a resurgence in racist politics. (May)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

“Nobody knows more about the movements that spawned the alleged gunmen than Leonard Zeskind, who has spent most of a lifetime observing, analyzing and opposing racism and anti-Semitism in America and abroad. Now he has distilled those hard and dangerous decades of work into Blood and Politics: The History of the White Nationalist Movement from the Margins to the Mainstream, a magisterial new book that explains how and why racial hatred became and remains a significant political force in American society.” —Joe Conason, Salon

“Zeskind tracks the white supremacist impulse, as embodied in various groups since the mid-1970s, in chronological fashion. He analyzes every twist, turn and rivalry . . . Readers will be exposed to groups including skinheads, Christian Identity adherents and Ku Kluxers; individuals such as David Duke, Patrick Buchanan and Pat Robertson; and also to ‘cadres’ . . . driven by racism, anti-Semitism, opposition to abortion, antipathy toward homosexuality, hatred of the federal government (and especially the Internal Revenue Service), gun-rights activism, millennial beliefs, anti-immigrant fervor and a taste for Holocaust denial. Given such diversity, if Zeskind had not provided connective tissue showing significant contacts between groups and cross-pollination over time, Blood and Politics would seem merely a compendium of relatively fringe groups and their leaders . . . And yet there is continuity too among the figures Zeskind follows.” —Art Winslow, Los Angeles Times

“Leonard Zeskind’s staggering, painstakingly researched report on the last three decades of American bigotry dramatizes the back story to the recent upsurge in this septic politics . . . Zeskind’s encyclopedic book reveals the shadow history contemporaneous with the march of civil rights and is essential to the understanding of our present moment. Obama’s presidency heralds a new stage in America’s engagement with the color line, but as both Blood and Politics and the recent enlistment in the armies of racial purity attest, nothing in the world is single.” —Michael Washburn, The Boston Globe

“[An] authoritative, readable overview . . . Clearly the best, broadest and deepest historical study of the white nationalist movement yet . . . While it has been in preparation for more than 15 years, the publication of Blood and Politics is timely. America has a black president, and demographers are predicting that whites will cease to be a majority in the U.S. by 2035. Those of us dedicated to a multicultural democracy ignore the seriousness of the white-nationalist threat to domestic peace at our peril. We’re fortunate to have Blood and Politics as a solemn reminder.” —Rick Hellman, Moment

“We are all in Leonard Zeskind’s debt. Exhaustively researched, Blood and Politics is not only a brilliant account of the origins, modes of operation, collaborations, and internecine disputes of white supremacist, neo-Nazi, Holocaust-denier, and anti-Semitic groups in America, but alerts us to the fact that despite—or perhaps because of—significant improvements in race relations and changing demographic patterns, we are likely to witness a resurgence of their activities.” —Drew S. Days III, Professor of Law, Yale University, and former U.S. Solicitor General

 

“Leonard Zeskind deserves our gratitude for his lifelong commitment to the battle against the international racist underworld. He combines the skill and zeal of the investigative reporter with the shrewd perspective of the historian. In this magisterial work, Zeskind identifies the leaders, politics, and strategies of that dangerous movement with great literary skill—and explains why the perils they represent remain alive in a new century.” —Joe Conason, author of It Can Happen Here

 

“Leonard Zeskind takes us into a sprawling and shadowy world of racist leaders and their communities to give the definitive account of how racial hatred became a powerful movement in the late twentieth century and what it means for today’s multicultural society. A must-read.” —Kathleen Blee, Distinguished Professor of Sociology, University of Pittsburgh

 

“An authoritative tour through the shifting currents of the American radical right over the last three decades. Filled with keen insights about the interaction between this movement and historical developments shaping the larger world, Blood and Politics is a prescient warning about a movement that promises to haunt us for generations to come.” —Mark Potok, Director, Intelligence Project, Southern Poverty Law Center

 

“Wow! Leonard Zeskind’s cogent analysis of the white nationalist movement is breathtaking in scope. From one of our most knowledgeable minds on the subject, Blood and Politics presents the big picture, supported by meticulous detail and analysis, and should be required reading.” —Abby Ferber, Professor of Sociology, University of Colorado, Colorado Springs

 

“One of America’s greatest strengths—its diversity—is in danger of being sapped by modern racism. Leonard Zeskind has spent a lifetime studying this danger, and his book is essential to our understanding and response.” —John Shattuck , CEO, John F. Kennedy Library Foundation

 

“For decades, every journalist and academic reeling from the latest eruption of the far right into national politics has turned first and foremost to Leonard Zeskind. Between the names, dates, and places in his unrivalled archives and the deep understanding forged in more than thirty years of research, activism, and reflection, he sees far more clearly even than the white nationalist movement itself where it has been and where it is going. Blood and Politics is a singular contribution to American history and politics. There will never be—never could be—another book like it.”—Elinor Langer, author of A Hundred Little Hitlers: The Death of a Black Man, the Trial of a White Racist, and the Rise of the Neo-Nazi Movement in America

 

“For years, Leonard Zeskind has tracked the racist far right, from re-emergence of the Klan to the Oklahoma City bombing, and Blood and Politics is an invaluable guide for anyone seeking to understand how the margins of political life affect the American mainstream. This book is a long awaited event.”—Jim Ridgeway, author of Blood in the Face

 

“If you care about the future of this nation, non-violence, and armed rebellion, read this remarkably important and ominous book.” — BuzzFlash.com 

“Zeskind offers a well-placed warning that the racist right still has plenty of causes left, many wrapped up in the long-simmering nativist, anti-immigration movement.” —Kirkus Reviews

 

“Zeskind’s rigorously researched and eloquent book is a definitive history of white nationalism and contains alarming warnings for a resurgence in racist politics.” —Publishers Weekly

 

“Recommended for all libraries.” —Stephen L. Hupp, Library Journal

 

“An activist who has shadowed white supremacists and anti-Semites for The New York Times and other publications, Zeskind has stuffed a fat bundle of information into 600 pages.” —David Luhrssen, Shepherd Express

About the Author
Leonard Zeskind has written widely on racism and anti-Semitism for publications such as The New York Times, the Los Angeles Times, The American Prospect, The Nation, Rolling Stone, and the Forward.

Most helpful customer reviews

7 of 11 people found the following review helpful.
Great reference, poorly organized
By Carl G
This book is better suited to electronic format, as the characters that get introduced are often picked up and dropped quickly. A diagram or some kind of timeline would have gone a long way to clarifying the names here. Maybe it's just my limitation as a reader, but I found the author would bring people up and drop them with little reference to time or place, and re-introduce them too casually without referring back to them.

That being said, the author is obviously an expert on the subject, and this book is incredibly useful to have around as a reference. Just could use a few more bells and whistles to make it approachable.

26 of 45 people found the following review helpful.
An Interesting Study of White Nationalism in America.
By New Age of Barbarism
_Blood and Politics: The History of the White Nationalist Movement: From the Margins to the Mainstream_ (2009) by Leonard Zeskind provides an interesting history of the emerging white nationalist movement within the United States.

This book considers several important types of groups within the white nationalist movement. First, it should be noted that many of the individuals described are simply gangs of armed thugs with guns. As such they differ little from black, Hispanic, or Asian gangs, or other gangs, and thus the fact that they are white is irrelevant. The more legitimate faces of white nationalism are as follows:

Willis Carto (the respectable side of the movement) who used to operate on two fronts, a lobbying front through the Liberty Lobby and a more scholarly organization the Institute for Historical Review (which I think actually raises interesting questions about war and the assignment of war guilt).

William Pierce (a neo-Nazi who rejects conservativism completely for radical race revolution, sees the holocaust as not only historical fact but as justified in terms of a "new ethic" and calls for the creation of a secret Order to administer a system of white supremacy.

David Duke (a Klansman become "respectable" who advocates a gentler approach to white nationalism featuring open debate on issues, infiltration of politics through mainstream political parties, and separatism).

Pat Buchanan (a mainstream political commentator, a staunch ultra-conservative, and an advocate of isolationist policies and immigration reform).

Several other important figures, movements, and events are discussed in this book. These include issues such as the contrast between mainstreamers versus vaguardists (who advocate violent revolution) and white supremacy versus white separatism (which the author problematically maintains are the same thing). The book discusses the following individuals and groups: Wilmot Robertson, the Order, Gordon Kahl (an early tax-protester), the Posse Commitatus, Christian Identity, Bo Gritz (and the Populist Party - which sought to appeal to dispossessed farmers), the role of Pat Robertson (who forever disgraced himself by supporting Israel and calling for the assassination of Venezuelan president Hugo Chavez on American television), Randy Weaver (and the horrifying events at Ruby Ridge - though the author despicably maintains that the government was justified), the events at Waco, the rise of the militia movement (and opposition to the New World Order), Timothy McVeigh (and the Oklahoma City Bombing, including his accomplice Terry Nichols and "others unknown"), Eric Rudolph (and anti-abortion activism), the role of the Freemen and the Phineas Priesthood (Richard Kelly Hoskins), Mark Weber (and the IHR/Legion for the Survival of Freedom, which came into conflict with Willis Carto), Resistance records (and the role of the skinhead movement), the role of German reunification and the rise of Russia, Sam Francis (and his involvement in the paleoconservative cause), the authors of _The Bell Curve_, Samuel Huntington (a mainstream academic who espoused theories of white racial unity), the role of the Reform Party in the campaign of Pat Buchanan, the scare of Y2K and other millennial fears, the rise of 9/11 conspiracy theories, the role of anti-immigration, the decline of Carto and Pierce, and finally a look towards the future. The book further considers such issues as the role of segregationism in America, opposition to income tax, communism, and immigration, the role of isolationism and nationalism, the opposition to globalism and the New World Order, and the role of pro-gun rights. The book also explains such issues as the interpretation of the Constitution by militia groups who distinguish between a "sovereign" and a Fourteenth Ammendment "citizen", the role of Christian Identity and the "one seed" versus the "two seed" theories, the role of the Phineas Priesthood based on a biblical character who allegedly opposed race-mixing, and finally the fears of "human rights" watchdog groups that the internet would introduce kids to white nationalist ideas and the subsequent hysteria which ensued. The book ends by noting the role that white nationalism may come to play in the future as the white majority becomes further dispossessed and anti-immigrant activism continues, particularly in the light of the recent election of Barak Obama.

My main criticisms of the book are as follows. I feel that the author really does not face up to the fact that multi-culturalism and "diversity" are not working very well, or the fact that some people genuinely want to be left alone and want the government out of their lives, or to consider some of the harm caused by the New Left on society since the Sixties. Further, the author makes no attempt to show why black nationalism or Jewish nationalism are any different from white nationalism. Nor why the left wing white devil theory or the Marxist capitalist devil theory are legitimate but the right wing communist devil theory or Jew devil theory are not. Finally, it is apparent that the author cannot abide the fact that whites may simply want their own counter-culture or understand the motives of disaffected people who are drawn to that counter-culture.

4 of 9 people found the following review helpful.
Eye-Opening Nexus of White Nationalism and Politics
By Amazon Customer
What a book, explaining the detailed history of White Nationalism and the close links with. US politics and society. It is a very sobering thought and somewhat frightening to think what superficially looks like a mainstream policy is in fact driven by an racially motivated agenda. Populist policy is something that I will now question vigorously. The history of white hate movements, sorry I mean white nationalist movements in the US was riveting in interest and kept my interest throughout.

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@ Fee Download Godard: A Portrait of the Artist at Seventy, by Colin MacCabe

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Godard: A Portrait of the Artist at Seventy, by Colin MacCabe

Jean-Luc Godard's early films revolutionized the language of cinema. Hugely prolific in his first decade--Breathless, Contempt, Pierrot le Fou, Alphaville, and Made in USA are just a handful of the seminal works he directed--Godard introduced filmgoers to the generation of stars associated with the trumpeted sexuality of postwar movies and culture: Brigitte Bardot, Jean Seberg, Jean-Paul Belmondo, and Anna Karina.

As the sixties wore on, however, Godard's life was transformed. The Hollywood he had idolized began to disgust him, and in the midst of the socialist ferment in France his second wife introduced him to the activist student left. From 1968 to 1972, Europe's greatest director worked in the service of Maoist politics, and continued thereafter to experiment on the far peripheries of the medium he had transformed. His extraordinary later works are little seen or appreciated, yet he remains one of Europe's most influential artists.

Drawing on his own working experience with Godard and his coterie, Colin MacCabe, in this first biography of the director, has written a thrilling account of the French cinema's transformation in the hands of Truffaut, Rohmer, Rivette, and Chabrol--critics who toppled the old aesthetics by becoming, legendarily, directors themselves--and Godard's determination to make cinema the greatest of the arts.

  • Sales Rank: #2600754 in Books
  • Published on: 2004-01-15
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.26" w x 6.00" l,
  • Binding: Hardcover
  • 456 pages

From Publishers Weekly
Not quite a biography, nor a guide for newcomers, this reckoning of Franco-Swiss director Jean-Luc Godard's still-evolving film and video oeuvre-encompassing Contempt, Alphaville, Week End, Tout Va Bien, King Lear, Histoire(s) du Cin‚ma and more-is an annotated, episodic chronology, an approach reflecting Godard's own suspicion of narrative conventions. The former British Film Institute head of research, MacCabe has collaborated with Godard and has firsthand experience of Godard's methods, politics and aesthetics, as well as of the man himself. He begins with a somewhat awestruck accounting of several generations of Godard's patrician family, centered in French-speaking Switzerland (to which Godard returned in the early '70s and where he remains) and of the young Godard's eventual rebellion and break with them. MacCabe's account of the Nouvelle Vague's theoretical formation via the journal Cahiers du Cinema, which brought eventual directors Godard, Truffaut, Rivette, Rohmer and Chabrol under the ideological sway of critic Andre Bazin, is superb and worth the price of admission alone. MacCabe is terrific in giving concise shape to the political history of the 1960s, from which Godard's work then is inseparable. But finally, there's too much work for MacCabe to be able to account for it all, though he clearly outlines Godard's 30 years of collaboration with writer/editor/actress Anne-Marie Mieville (buttressed by a complete filmography by Sally Shafto), which has produced extraordinary experiments with video and sound. MacCabe ends with apocalyptic warnings about cinema's destruction (along with the world's), but the vein of elegiac, uncompromising resistance that pervades Godard's work is present here, as is its beauty. Illus.
Copyright 2003 Reed Business Information, Inc.

From Booklist
Much has been written about the films of Jean-Luc Godard, arguably the most innovative and influential director of his generation, but his life has been given short shrift. MacCabe's enthusiastic portrait makes considerable amends, though it is too opinionated and idiosyncratic to be totally satisfying as a biography. Although MacCabe is revealing about Godard's family and childhood, his evocative account of postwar Paris, where Godard met Truffaut, Rohmer, and the other cinephiles who launched the Nouvelle Vague, is the emotional centerpiece of the book. MacCabe worked with Godard on several films in the 1990s, and he treats both Godard's groundbreaking early '60s films (e.g., Breathless, Contempt) and the overtly political films that followed knowledgeably. More valuable is his appreciation of the infrequently screened films of the past two decades, which he finds as rewarding as the acclaimed early work, though he falters in doing full justice to Godard's dauntingly prolific output from this period. That this most iconoclastic director receives such quirky, perhaps overly partisan, biographical treatment seems quite fitting. Gordon Flagg
Copyright © American Library Association. All rights reserved

Review
"This is, at last, the book Godard deserves, one that does justice to the life and work of the most original filmmaker of the twentieth century. MacCabe vividly recreates the social and political turmoil of post-war France in which Godard came of age, moves fluidly from the theoretical to the personal, and captures at once the essence of the Nouvelle Vague and the particularity of individual films. A remarkable achievement."
--Peter Biskind, author of Easy Riders, Raging Bulls

Most helpful customer reviews

4 of 4 people found the following review helpful.
Godard
By j
I'm a fan of Godard's work and really enjoyed this book. It is part biography and part history and tends to go off on tangents which make the book all the more strange and interesting. Towards the end it becomes more personal because of the experiences MacCabe had with Godard later on in his life. Although the form and construction of the book are not very tight, it does a nice job of weaving through the complex mosaic that is Godard's life. It has some really cool pictures too.

7 of 9 people found the following review helpful.
A blow-by-blow account of 70 long years
By Kevin Killian
Once upon a time, Godard was the leading filmmaker in the world, and if he lost some of his stature after a run of didactic, neo-Rossellini and Maoist tracts in the 1970s, he never really wanted to be famous, just influential. MacCabe, who has written interesting books on Warhol and Nicolas Roeg, explicates the progression of a great artist from enfant terrible to a man most think has died. The chapter about Anna Karina is wonderful, and we get the impression that Karina remains for MacCabe one of the icons of femininity, whereas he is cool and respectful towards Anne-Marie (Godard's frequent collaborator) you get the feeling he's not turned on by her the way he is by Karina. Also, we see him being tremendously gallant I think, towards Jane Fonda, with whom Godard made a film TOUT VA BIEN and then after it failed, he turned on her with the vicious "cinema portrait" LETTER TO JANE, castigatig her for her vanity and her foolish liberalism. MacCabe delivers a reproof to Godard and Gorin that says it all.

I do agree that Godard has made too many films for any one critic to account for. It is not MacCabe's fault exactly, but he might have written two books, one on Godard's international career as auteur in the 1960s, and the other of the virtually unknown films. He makes you want to see them on the one hand, but on the other hand one realizes with a sinking heart, well, life's too short!

1 of 8 people found the following review helpful.
vulpecula venenata
By Alvaro Lewis
The author of this book writes aptly about the cultural and political contexts that frame the life of its protagonist and particularly well about Godard's experiences on or around May 1968. MacCabe shows himself as almost totally sympathetic (yet not completely uncritical) to a relatively unpleasant subject. Perhaps, Godard is too private for compassionate emanations, perhaps the priveleged scope of this work stretched only to the opus of the film maker and not beyond, but there seems to be very little evidence of the delightful emotions that mark most lives in the life of this subject. Will the brilliance of the films outshine the unkind specter of the living artist? MacCabe writes very well on the evolution of Godard's techniques and fascinations. Godard works autonomously, vigorously and in daring fashion from the beginning. There is no doubt that Godard is an innovator and a believer in his style and visions.
It's just that the creator of the films doesn't seem to be the sort of person who endures either the scrutiny of a biographer or the acquaintance of people who are not cinematic savants well at all. That surprise though is hardly grounds for the criticism of the book or its subject by one who stands wholly uninjured by both.

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