Saturday, July 18, 2015

! Fee Download All the Odes: A Bilingual Edition (Spanish Edition), by Pablo Neruda

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All the Odes: A Bilingual Edition (Spanish Edition), by Pablo Neruda

A career-spanning volume, charting the Nobel laureate's work in the ode form


Pablo Neruda was a master of the ode, which he conceived as an homage to just about everything that surrounded him―from an artichoke to the clouds in the sky, from the moon to his own friendship with Federico García Lorca, from the seasons to his favorite places in Chile. He was in his late forties when he committed himself to writing an ode a week and in the end produced a total of 225, which are dispersed throughout his varied oeuvre. This bilingual volume, edited by Ilan Stavans, the distinguished translator and scholar of Latin American literature, gathers all the odes together for the first time in any language. Rendered into English by an assortment of accomplished translators that includes Philip Levine, Paul Muldoon, Mark Strand, and Margaret Sayers Peden, collectively they read like the personal diary of a man in search of meaning who sings to life itself, to our connections with one another, and to the place we have in nature and the cosmos. All the Odes is a lasting statement on the role of poetry as a lightning rod during tumultuous times.

  • Sales Rank: #150639 in Books
  • Published on: 2013-10-22
  • Released on: 2013-10-22
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 9.48" h x 1.90" w x 6.46" l, 2.73 pounds
  • Binding: Hardcover
  • 896 pages

From Publishers Weekly
The Chilean Nobel laureate, who died in 1973, combined stratospheric powers of invention with a fecundity that bordered on the prolix; among his many creations were 225 odes, almost all in very short lines, connecting accessible, democratic vocabulary to exalted emotion. Most of the odes date from the 1950s; some odes on household objects (to a lemon, to a potato) remain much imitated in English. Stavans says he is the first to gather all the odes, including very late, very early, and more formal outliers. Stavans and a few lesser-known translators account for a large majority of translations here, though W. S. Merwin and Stephen Mitchell also appear. Along with a fishing boat, an elephant, vegetables, French fries, New Year's Day, and other this-worldly phenomena, Neruda's odes show both his communist and romantic sides, praising love itself, clarity, broken things, and V. I. Lenin. This enormous book provides an education of sorts into Neruda's contexts as well as his effusive mind. Daunting to read straight through, sometimes banal, the volume nonetheless has profuse delights: Neruda lauds seagulls as you are:/ your insatiable voraciousness,/ your screech in the rain, while Ode to Laziness begins Yesterday I felt this ode/ would not get off the floor. (Oct.)

From Booklist
The ode, a form with origins in Greek choral poetry, was revived in Elizabethan lyric poetry. Since then, its emphasis has been shifted to rhetorical apostrophization expounding on the nature of things and ideas. Perhaps no modern poet is so practiced a composer of odes as Neruda, who vowed to pen one a week. This enormous collection features a wide range of his best imagery (the verdant texture of corn’s green hair, green needles of rain), odes that express his discomfiting sympathy for Stalinist politics, and many that are focused on men and insemination and that turn attention back to the poet with a wink. The greatest draw of this bilingual edition is editor Stavans’ decision to present the whole Chilean enchilada, as it were, from the enchantingly narrative (“Ode to the Eye”) to the less excellent and problematically obscure (“Ode to Clarity”). The able translators, including poets Jane Hirshfield, Paul Muldoon, and W. S. Merwin, illuminate the original Spanish, and 70 poems have been translated for the first time into English. A substantial gathering of universally influential work. --Diego Báez

Review

“How could you not love this book? Put it by the bedside. Or by the porcelain convenience. Anywhere you find yourself alone with a minute. Flip pages to a random ode, and have a ball . . . These are direct, open, rapid, often joyful poems addressed to things of this world--onion, building, butterfly, eye, horse, washerwoman, envy, old poet, typography (yes!), Paul Robeson . . . . It's a grateful, grief-stricken, revolving-in-wonder song of life on Earth, a reminder, in short, skinny bursts, of the thrill of what's in front of us . . . By far most of the odes strike me as still vigorous. And Stavans' notes explain much that has gone forgotten . . . If you read All the Odes, you will live more alive to the living world.” ―John Timpane, Philly.com with praise for Pablo Neruda

“There is no poetic work in the Spanish language as exuberant and multifarious as that of Neruda, a poetry that has touched so many different worlds and irrigated such diverse vocations and talents. The only comparable case I know in other languages is that of Victor Hugo . . . Undoubtedly, Neruda's work will endure and continue to bewitch future generations of readers the way it has bewitched ours.” ―Mario Vargas Llosa with praise for Pablo Neruda

Most helpful customer reviews

11 of 12 people found the following review helpful.
Everything But the Odes
By Publicagent
Pablo Neruda is probably my favorite poet of all-time. I have read the majority of his works in English, so I got this text primarily for the reputed 70 odes that have yet to appear in English. The 70 odes are nearly 1/3 of the text, so that is quite substantial. The other 2/3 I am happy to read again. Many of Neruda's odes are scintillating, some are fun, and others leave something to be desired.

Instead of commenting on the odes, which is the work of Neruda, and always worth 5 stars, I want to comment on the other parts of the text, namely the work of the translators/ publishing house.

1) Formatting.
I like it and I don't. Instead of English and Spanish on opposite pages, which would have made the text an absurd 1600 pages, they placed the English and Spanish on the same page. On one hand this is nice because we have a bilingual version of all the odes in about 800 pages. It's also nice to look across from the English and see the Spanish words near the eye. But this is precisely why it's distracting. I applaud the choice of putting the Spanish in a lighter grey text, but it is still a little distracting. When I read the odes, which have very few words per line, I can see the grey text in the corner of my eye, and since it's on the same page, my eye naturally wants to go there even though I do not read Spanish. I have gotten a bit used to this after reading 100 plus pages.

2) Introduction.
I honestly wanted more regarding the publication of the odes. There is mention of what Neruda published in Spanish book-wise, and references to some of the English translations, in addition to some biographical notes, and commentary on the simple style of the odes. So what is missing? I wanted to know why some odes were previously translated into English and some weren't. It can be quite frustrating to try and match the numerous English translations with the Spanish editions. I have what was the most substantial collection of odes prior to this one, Selected Odes of Pablo Neruda, and it was never mentioned in the introduction. There is also no discussion on how the 18 translators were chosen. (Stavans often translates himself.) There is a nice bibliography in the "Notes" in the back, but more transparency in the overall process would have been nice.

3) Organization of Odes
Alphabetical? There is mention in the introduction that this what Neruda wanted for his first collection of odes, and the manner in which he published four of the volumes so it make sense in that respect. But it also seems a little arbitrary. Since it is all of the odes that he ever wrote, the order in which he wrote them, or in the texts that they were originally published would have been nice. Still, alphabetical makes it easy to find particular odes that people like, such as Ode to the Artichoke. I can't even find the 70 odes that were never printed in English before which is where I would have liked to start.

Overall, I have to give credit where credit is due. Bringing about the complete odes in a bilingual text is ultimately impressive. It is very welcome to the Neruda/English canon and my life is certainly better with it. I give the collection 4.5 stars overall.

3 of 3 people found the following review helpful.
Celebrate the insignificant
By A Reader
Lovely way to realize and celebrate life in all its glorious simplicity. Pablo Neruda's odes are observations of love for objects surrounding us everyday. He was truly one who appreciated being alive. This is a wonderful book to go to when you are feeling depressed. It makes you realize what a gift it is to be alive on this earth of ours.

1 of 1 people found the following review helpful.
BATHING IN POETRY
By Hansen Alexander
Don't tell me that you were doing something else last week besides reading this wonderful collection of the odes of Pablo Neruda.

Reading this collection is more like bathing in poetry. All your senses are alive to these wonderful words. They just flow over you, relax you, instruct you, inspire you, make you feel great to be alive.

Neruda takes subject matter as obtuse as your feelings and as concrete as the water, the air, the land, and earth, and the magical mystery of men and women, and love.

His appropriate tribute in his ode to Walt Whitman near the end of the book is a fitting conclusion to the sharing of universal passions over time, and the reminder that poetry, unlike the latest novels, is timeless.

[Hansen Alexander is the author of "An Introduction to the Laws of the United States in the 21rst Century," an Amazon, e-book exclusive.]

See all 11 customer reviews...

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Wednesday, July 15, 2015

? Ebook Download Alibis: Essays on Elsewhere, by André Aciman

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Alibis: Essays on Elsewhere, by André Aciman

A Boston Globe Best Nonfiction Book of 2011 Celebrated as one of the most poignant stylists of his generation, André Aciman has written a luminous series of linked essays about time, place, identity, and art that show him at his very finest. From beautiful and moving pieces about the memory evoked by the scent of lavender; to meditations on cities like Barcelona, Rome, Paris, and New York; to his sheer ability to unearth life secrets from an ordinary street corner, Alibis reminds the reader that Aciman is a master of the personal essay.

  • Sales Rank: #1176314 in Books
  • Published on: 2011-09-27
  • Released on: 2011-09-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.34" h x .80" w x 5.94" l, .75 pounds
  • Binding: Hardcover
  • 208 pages

Review
Praise for Call Me by Your Name: "Aciman ... has an ability to make the finest, the tiniest and most convincing distinctions between moods, responses, and registers. Everything is watched as it shifts and glitters and then hesitates and maybe is shadowed over ... This really is fiction at its most supremely interesting; every clause and subclause shimmers with a densely observed and carefully rendered invention that seems oddly and delightfully precise and convincing ... There are many layers and levels in this story." —Colm Tóibín, The New York Review of Books Praise for Alibis: 

“From the acclaimed Egyptian-born author, gorgeous musings on longing and memory fueled by travel.

A virtuoso in literary criticism, memoir and fiction (Eight White Nights, 2010, etc.), Aciman revisits themes that have obsessed him since his youth growing up in Alexandria, when he and his family were waiting for years for visas to migrate to Europe, then the United States. Anticipation—and all the longing it held—proved the ideal, romantic, satisfying state, rather than the actual delivery. For example, longing for America all those years proved much more delicious and lasting than the actual naked reality of living there. In each essay, Aciman elegantly palpates these themes of place and displacement (‘dispersion, evasion, ambivalence’). In ‘Lavender,’ the myriad scents of aftershave he will discover over the years mark milestones in his life, but hark back essentially to the first, significant scent of his father’s lavender aftershave. Initiating his young sons into the memories of his youth, in ‘Intimacy,’ involves taking them back to Via Clelia in Rome, where the author 40 years before lived in limbo with his family for three years while waiting for their visas to America. For Aciman, who was poor, speaking Italian self-consciously with a foreign accent, it was a time of shame, yet writing about it helps unlock the ‘numbness’ and encourages ‘dream-making.’ In ‘Temporizing,’ through the personal exploration of his family’s Marrano roots, the author fashions a brilliantly subtle excursus on the craft of a writer such as Proust, who avoids the tyranny of the particular, the day-to-day, by circumventing pain and sorrow at all costs, and passing all experience through ‘the literary time filter.’ Aciman’s own travel essays—on Venice, the Place des Vosges, Tuscany, Barcelona and New York—filter the present through an ever-shifting palette of sensuous memory and impression.

These essays sing with bracing clarity.” —Kirkus Reviews

“‘Shame, which is the reluctance to be who we’re not even sure we are, could end up being the deepest thing about us, deeper even than who we are, as though beyond identity were buried reefs and sunken cities teeming with creatures we couldn’t begin to name because they came long before us.’”

You might think for a moment that these words belong to Freud or Kafka, but neither could have addressed the subject with quite the same elegance and lyricism—poetry, really—as the Egyptian Jewish émigré writer André Aciman. The quote comes from an essay about the author’s summer vacation in Rome that is included in his latest collection, Alibis: Essays on Elsewhere. This is what most of his travels, detailed in this book, have been like. Aciman is neither a thrill-seeking tourist nor a sophisticated Baudelarian flâneur, but rather a man in search of intense and unexpected moments of introspection, which are triggered by the various settings and cultures he encounters . . .

In Aciman’s writing, behind a facade of discussions, reminiscence, and contemplation there appear sudden slippages, admissions into the world of ‘ancient riffs and sunken cities’ that are fraught with truths that cannot be experienced other than through hints and insinuations.

In that way, Alibis is a much more personal and revealing book than Aciman’s memoir or his first essay collection. Now that the author has dissected his writing methodology and thought process so meticulously, the next book and new direction he’ll go toward seems more of a mystery still . . . That’s part of the excitement of reading Aciman, whose work is never a mere jest or entertaining distraction but genuine self-inquiry.” —Jake Marmer, Tablet

“In Aciman’s hands [memory] seems fresh and complex once again . . . On the occasion of Alibis, his project is ostensibly the result of his travels, and he does indeed treat readers to length reflections on Rome, Barcelona, Paris, Tuscany, and New York, among other locales. But these are not simple city guides. They are personal, searching efforts, prompted by places which hold some mythic quality for the author, places which have figured prominently in his life . . . Place itself is a door to other concerns for Aciman—the role of memory in particular, as well as how we form our identities across years and experiences. If his concerns sound weighty, he balances them against a fluid, engaging style, one equally suited to handling painful memories and dear ones alike . . . Aciman’s work is consistently thoughtful and unsentimental . . . André Aciman is a writer in full command of his powers . . . Alibis is a quiet, unassuming triumph.” —John Mcintyre, The Millions

“Now and then . . . we are offered a reading experience that reminds us of the gold standard in literature, and one such book is Alibis: Essays on Elsewhere by André Aciman . . . he shares with Proust an ability to plumb the depths of memory and meaning in the observed details of ordinary life . . . Aciman resolves the contradictions that he embodies—‘This feeling of being cut off from oneself or of being in two places at the same time’—with a simple credo: ‘Art is nothing more than an exalted way of stylizing distortions that have become unbearable.’ The statement surely applies to his own book, a work of alchemy that turns lead into gold.” —Jonathan Kirsch, The Jewish Journal

“Many of these essays begin with a city—New York, Barcelona, Rome—before spiraling into images and ideas that connect with other places and times in Aciman’s own well-traveled history. Born in Egypt, raised in a French-speaking Jewish family, his complex identity (is he African? French? Jewish?) confronts him with a ‘fundamental distortion’ that he can make sense of only by the transformative power of art . . . In a brilliant piece called ‘Temporizing,’ Aciman examines his own propensity for filtering all experiences through the Egypt in his mind. Writing, even thinking, thus becomes ‘an interminable restoration project whose purpose is to prevent all contact with the present.’ With his sly self-deprecation and supple, curious mind, Aciman is the perfect guide through the mysteries of time and place.” —Kate Tuttle, Boston Globe

“Maddening though this habit of searching for displaced selves might be in a traveling companion—the word ‘alibi’ literally means ‘elsewhere’—it is a pleasure in an essayist. While the roll call of places visited by Mr. Aciman is unexceptional, his angle on them is anything but, since his weakness for traveling ‘in search of lost time’ opens up telescoping possibilities of reverie and speculation. The allusion to Proust . . . sets the tone. Sometimes the lost time prospected is his own history, sometimes the history of a place, but the journey is always beguiling and its conclusion often poignant.” —Elizabeth Lowry, The Wall Street Journal

“André Aciman is, quite simply, one of the finest essayists of the last hundred years—you’d have to go back much farther, perhaps a visit to Montaigne, to find the combination of elegance, restraint, and longing that Aciman so generously bestows upon his reader . . .  You emerge with a perspective on life. You are reminded of the hard-won beauty of it all. You want to travel, to see things—they are a cure for agoraphobia . . . In these 16 essays, he explores everything: sight, smell, imagination, reality, numbness, decay, intimacy. He recalls favorite streets and streets he embellished in his memory, cities (Barcelona, Rome, New York), stories he told and stories he was told and where they met in the middle. He thinks about writing and how it alters experience . . . Aciman’s theorem: What you find when you go looking is almost always better than what you hoped for. Try it out. Assume it to be the case.” —Susan Salter Reynolds, The Los Angeles Review of Books

About the Author
André Aciman is the author of Eight White Nights, Call Me by Your Name, Out of Egypt, and False Papers, and is the editor of The Proust Project (all published by FSG). He teaches comparative literature at the Graduate Center of the City University of New York. He lives with his wife and family in Manhattan.

Excerpt. © Reprinted by permission. All rights reserved.
Lavender
 

I
Life begins somewhere with the scent of lavender. My father is standing in front of a mirror. He has just showered and shaved and is about to put on a suit. I watch him tighten the knot of his necktie, flip down his shirt collar, and button it up. Suddenly, there it is, as always: lavender.
I know where it comes from. An elaborately shaped bottle sits on the dresser. One day, when I’m having a very bad migraine and am lying on the living room sofa, my mother, scrambling for something to take my mind off the pain, picks up the bottle, unscrews the cap, and dabs some of its contents onto a handkerchief, which she then brings to my nose. Instantly, I feel better. She lets me keep the handkerchief. I like to hold it in my fist, with my head tilted slightly back, as if I’d been punched in a fistfight and were still bleeding—or the way I’d seen others do when they were feeling sick or crushed and walked about the house taking occasional sniffs through crumpled handkerchiefs in what looked like last-ditch efforts to avoid a fainting spell. I liked the handkerchief, liked the secret scent emanating from within its folds, liked smuggling it to school and taking furtive whiffs in class, because the scent brought me back to my parents, to their living room, and into a world that was so serene that just inhaling its scent cast a protective cloud around me. Smell lavender and I was sheltered, happy, beloved. Smell lavender and in came good thoughts—about life, about those I loved, about me. Smell lavender and, no matter how far from one another, we were all gathered in one warm, snug room stuffed with pillows, close to a crackling fire, with the patter of rain outside to remind us our lives were secure. Smell lavender and you couldn’t pull us apart.
My father’s old cologne can be found the world over. I have only to walk into a large department store and there it is. Half a century later it looks exactly the same. I could, if I were prescient enough and did not want to risk walking into a store one day and not finding it, purchase a tiny bottle and keep it somewhere, as a stand-in for my father, for my love of lavender, or for that fall evening when, as an adolescent, I’d gone with my mother to buy my first aftershave but couldn’t make up my mind and returned alone the next evening after school, happy to discover, among so many other things, that a man could use shaving as an excuse for wearing perfume.
I was baffled to find there were so many scents in the world, and even more baffled to find my father’s scent among them. I asked the salesman to let me sample my father’s brand, mispronouncing its name on purpose, overdoing my surprise as I examined its slanted shape as though it were a stranger whom I had hailed in error, knowing that the bottle and I were on intimate terms at home, that if it knew every twist my worst migraines took—as I knew every curve on its body—it knew of my imaginary flights from school in Mother’s handkerchief, knew more about my fantasies than I dared know myself. And yet, in the shop that was about to close that day and whose owner was growing ever more impatient with my inability to choose, I felt mesmerized by something new, something at once dangerous and enticing, as though these numberless bottles, neatly arranged in stacks around the store, held the promise of nights out in large cities where everything from the buildings, lights, faces, foods, places, and the bridges I’d end up crossing made the world ever more desirable, if only because I too, by virtue of this or that potion, had become desirable—to others, to myself.
I spent an hour testing bottles. In the end I bought a lavender cologne, but not my father’s. After paying and having the package gift wrapped, I felt as though I’d been handed a birth certificate or a new passport. This would be me—or me as long as the bottle lasted. Then we’d have to look into the matter again.
Over time, I discovered all kinds of lavenders. There were light, ethereal lavenders; some were mild and timid; others lush and overbearing; some tart, as if picked from the field and left to parch in large vats of vinegar; others were overwhelmingly sweet. Some lavenders ended up smelling like an herb garden; others, with hints of so many spices, were blended beyond recognition.
I experimented with each one, purchased many bottles, not just because I wanted to collect them all or was searching for the ideal lavender—the hidden lavender, the ur-lavender that superseded all other lavenders—but because I was eager to either prove or disprove something I suspected all along: that the lavender I wanted was none other than the one I’d grown up with and would ultimately turn back to once I’d established that all the others were wrong for me. Perhaps the lavender I wanted was basic lavender. Ordinary lavender. Papa’s lavender. You go out into the world to acquire all manner of habits and learn all sorts of languages, but the one tongue you neglect most is the one you’ve spoken at home, just as the customs you feel most comfortable with are those you never knew were customs until you saw others practice completely different ones and realized you didn’t quite mind your own, though you’d strayed so far now that you probably no longer knew how to practice them. I collected every fragrance in the world. But my scent—what was my scent? Had I ever had a scent? Was there going to be one scent only, or would I want all of them?
What I found after purchasing several aftershaves was that they would all lose their luster, like certain elements in the actinide series that have a brief radioactive life before turning into lead. Some smelled too strong, or too weak, or too much of such and such and not enough of this or that. Some failed to bring out something essential about me; others suggested things that weren’t in me at all. Perhaps finding fault with each fragrance was also my way of finding fault with myself, not just for choosing the wrong fragrance each time, or for even thinking I needed a fragrance in the first place, but for believing that the blessings conferred by cologne could ever bring about the new life I yearned for.
And yet, even as I criticized each fragrance, I found myself growing attached to it, as though something that had less to do with the fragrances themselves than with that part of me that had sought them out and been seduced by them and finally blossomed because of them should never be allowed to perish. Sometimes the history of provisional attachments means more to us than the attachments themselves, the way the history of a love affair stirs more love than the affair itself. Sometimes it is in blind ritual and not faith that we encounter the sacred, the way it is habit not character that makes us who we are. Sometimes the clothes and scents we wear have more of us in them than we do ourselves.
The search for ideal lavender was like the search for that part of me that needed nothing more than a fragrance to emerge from the sleep of thousands. I searched for it the way I searched for my personal color, or for a brand of cigarettes, or for my favorite composer. Finding the right lavender would finally allow me to say, “Yes, this is me. Where was I all this time?” Yet, no sooner is the scent purchased, than the me who was supposed to emerge—like the us who is about to emerge when we buy new clothes, or sign up for a magazine that seems so thoroughly right for us, or purchase a membership to a health club, or move to a new city, or discover a new faith and practice new rituals with new congregants among whom we make new friends—this me turns out to be, of course, the one we’d always wished to mask or drive away. What did I expect? Different scent, same person.
Over the past thirty-five years I have tried almost all the colognes and aftershaves that perfume manufacturers have concocted. Not just lavenders, but pine, chamomile, tea, citrus, honeysuckle, fern, rosemary, and smoky variations of the most rarefied leathers and spices. I liked nothing more than to clutter my medicine cabinet and the entire rim of my bathtub with bottles two and three deep, each vial like a tiny, unhatched effigy of someone I was, or wished to be, and, for a while, thought I’d finally become. Scent A: purchased in such and such a year, hoping to encounter happiness. Scent B: purchased while scent A was almost finished; it helped me abandon A. C, marking sudden fatigue with B. D was a gift. Never liked it; wore it to make the giver happy; stopped using it as soon as she was gone. Comes E, which I loved so much that I eventually purchased F, along with nine of its sibling scents made by the same house. Yet F managed to make me tire of E and its isotopes. Sought out G. Disliked it as soon as I realized that someone I hated loved it. Then H. How I loved H! Stayed with H for years. They don’t make it any longer; should have stocked up on it. But then, much as I loved it, I had stopped using it long before its manufacturer discontinued it. Back to E, which I had always liked. Yes, definitely E. Until I realized there had always been something slightly off, something missing about E. I stopped using it again. Of the woman who breezed through my life and, in the ten days I knew her, altered me forever, all I remember is her gift. I continued to wear the fragrance she’d given me as a way of thinking she’d be back soon enough. Now, twenty years later, all that’s left of her is a bottle that reminds me less of her than of the lover I once was.
I have thrown many things away in life. But aftershave bottles, never. I take these bottles wherever I move, the way the ancients traveled with their ancestral masks. Each bottle contains a part of me, the formaldehyded me, the genie of myself. One could, as in an Arabian tale, rub each bottle and summon up an earlier me. Some, despite the years, are still alive, tho...

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6 of 7 people found the following review helpful.
Compelling essays!
By Kindle Customer
Aciman is an amazing writer of extraordinary depth. His writing is transcendent and even the most mudane subjects become beautifully woven textiles that challenge the readers' sense of time and space. I recently returned from Paris and when I read his essay on Place des Vosges, I only wished I had read it before my trip as it would have enhanced my experience infinitely more. He digs deep beyond what the eyes see and creates and time-space continuum that is only rivalled by Proust.

2 of 3 people found the following review helpful.
Beautifully written and moving!
By kayjay
This book is one of those writings that make you think about life, your place in it, and what that means. As you read the author's stories, you experience a place with a new, keener set of senses, whether or not you have ever physically traveled there. It is as with the mind's eye, you "pack a bag and go." The stories can be read in any order. I was moved to tears when reading the first called "Lavender" and felt homesick when reading "New York, Luminous." The Afterword commentary at the end of the book offers much food for thought, and should not be skipped.

0 of 0 people found the following review helpful.
Shouldn't have been published
By Ann B.
Having read and enjoyed Out of Egypt I was expecting more of the same - to read about experiencing different places and cultures, presented from a personal perspective but giving a sense of the place and what one experiences when there. Instead, I read a mix of history, philosophy, and much about Mr. Aciman's neuroses of identity - repeated over & over to the point of boredom. I'm surprised I finished the book; it was a struggle to do so!

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Monday, July 13, 2015

* Get Free Ebook Francois Truffaut: Correspondence, 1945-1984, by Francois Truffaut

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Francois Truffaut: Correspondence, 1945-1984, by Francois Truffaut

The five hundred letters collected here span the whole of Tuffaut's extraordinary career, from the ardent and troubled adolescent to the years of grandest accomplishment in the French cinema. Noteworthy correspondents incude Jean-Luc Goddard, Alfred Hitchcock, Louis Malle, Helen Scott, Eric Rohmer, and lifelong friend Robert Lachenay.

  • Sales Rank: #5035557 in Books
  • Brand: Brand: Farrar, Straus and Giroux
  • Published on: 1990-06-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.56" h x 1.80" w x 6.38" l,
  • Binding: Hardcover
  • 618 pages
Features
  • Used Book in Good Condition

From Library Journal
Director Truffaut's place in contemporary world cinema has been secured by such stunning films as The 400 Blows, Jules and Jim , and Day for Night . Truffaut, who never finished secondary school, was also a voluminous correspondent, and this chronological selection reveals his basic humanity, as he encourages others in the film industry, speaks lovingly of his children, and always, always talks of movies--his and others. Many of the letters are to the late Helen Scott (to whom the volume is dedicated); she was his close American friend who facilitated translation of Truffaut's famous interviews with Hitchcock. A fine supplement to other works on the director like Truffaut by Truffaut (Abrams, 1987).
- Thomas Wiener, formerly with "American Film," Washington, D.C.
Copyright 1990 Reed Business Information, Inc.

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El rey guardaba un secreto…

Nadie en el reino de Zaffirinthos sabía que, a consecuencia de un horrible accidente, el rey tenía amnesia. Era tal la pérdida de memoria, que no sabía por qué Melissa Maguire, esa mujer inglesa tan bella, le inspiraba unos sentimientos tan profundos.

Convencido de que no estaba capacitado para reinar, decidió renunciar a sus derechos dinásticos, pero Melissa tenía algo importante que decirle: ¡tenía un heredero!

Según la ley, Carlo no podía abdicar, así que iba a tener que encontrar la manera de llevarse bien con Melissa, su nueva reina.

  • Sales Rank: #5360976 in Books
  • Published on: 2011-04-05
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 6.62" h x .42" w x 4.21" l, .20 pounds
  • Binding: Mass Market Paperback
  • 160 pages

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0 of 0 people found the following review helpful.
Five Stars
By Gretchen Y
Excelente

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Saturday, July 11, 2015

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Power, Inc.: The Epic Rivalry Between Big Business and Government- —and the Reckoning That Lies Ahead, by David Rothkopf

The world's largest company, Wal-Mart Stores, has revenues higher than the GDP of all but twenty-five of the world's countries. Its employees outnumber the populations of almost a hundred nations. The world's largest asset manager, a secretive New York company called Black Rock, controls assets greater than the national reserves of any country on the planet. A private philanthropy, the Bill and Melinda Gates Foundation, spends as much worldwide on health care as the World Health Organization.

The rise of private power may be the most important and least understood trend of our time. David Rothkopf provides a fresh, timely look at how we have reached a point where thousands of companies have greater power than all but a handful of states. Beginning with the story of an inquisitive Swedish goat wandering off from his master and inadvertently triggering the birth of the oldest company still in existence, Power, Inc. follows the rise and fall of kings and empires, the making of great fortunes, and the chaos of bloody revolutions. A fast-paced tale in which champions of liberty are revealed to be paid pamphleteers of moneyed interests and greedy scoundrels trigger changes that lift billions from deprivation, Power, Inc. traces the bruising jockeying for influence right up to today's financial crises, growing inequality, broken international system, and battles over the proper role of government and markets.

Rothkopf argues that these recent developments, coupled with the rise of powers like China and India, may not lead to the triumph of American capitalism that was celebrated just a few years ago. Instead, he considers an unexpected scenario, a contest among competing capitalisms offering different visions for how the world should work, a global ideological struggle in which European and Asian models may have advantages. An important look at the power struggle that is defining our times, Power, Inc. also offers critical insights into how to navigate the tumultuous years ahead.

  • Sales Rank: #1147456 in Books
  • Published on: 2012-02-28
  • Released on: 2012-02-28
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.36" h x 1.48" w x 6.43" l, 1.45 pounds
  • Binding: Hardcover
  • 448 pages

Review
What is the appropriate balance between the market and the state in providing both opportunities and protections for its citizens?. . . For an idea of why the major economies have yet to converge around an answer, a brilliant, ambitious new book provides penetrating insights...Rothkopf's basic premise is that nation states, most of them at least, cannot make sovereign decisions about the financial, economic and global policies their citizens require without contending with the enormous market power of large global businesses whose corporate profit and autonomy far outstrips most national GDPs. . .Rothkopf's message is especially relevant for the United States, where the market fundamentalism of the 1990s fed a deregulation frenzy of explosive consequences for the decay of today's middle class, and of the country's infrastructure and human capital. . . Decades before the Occupy Wall Street movement, the slogan 'Capitalism with a Human Face' captured the aspirations of the socially-minded. Last weekend's IMF and World Bank meetings showed the many faces of Rothkopf's competing capitalisms, democratic countries nearly all of them. Yet none seemed very happy. Is the gloom permanent? The 800 years of history covered in this courageous, learned, and timely book suggests that we still have a choice. (Julia Sweig, Council on Foreign Relations)

In his new book, Power, Inc., David Rothkopf sounds an alarm. He argues that thousands of private actors who he calls "super citizens" now hold greater power than most countries in the world. He notes, for instance, that corporations have grown to the point where roughly the richest two thousand are more influential than 70-80 percent of the world's nations. Walmart, for example, has revenues higher than the GDP of all but 25 nations. He correctly notes that these gargantuan players now prevent us from dealing with the pressing issues of our day such as global warming, growing economic inequality and embracing cleaner forms of energy. He examines watershed years of yore, such as 1288, when the world's first stock certificate was issued to Sweden's Stora, the world's oldest corporation, now a huge multinational. The point he is making is that the struggle between private and corporate power is hardly a new phenomenon. . . The story comes to life when he hones in on events which took place in the United States starting at the end of the 19th century. He recounts the time when JP Morgan literally rescued the United States government from bankruptcy in 1896. He also tells the sorry story of how corporations gained legal protections and rights in the Supreme Court starting in 1886 and ending most recently with the infamous Citizens United case in 2010. In Rothkopf's view, the world has shifted from a 'battle between capitalism and Communism to something even more complex: a battle between differing forms of capitalism in which the distinction between each is in the relative role of each is in the relative role and responsibilities of public and private sectors.' The extremes of both Soviet communism and free-market financial excesses have been discredited. American capitalism initially triumphed but has since receded: and competition between different capitalisms will continue. (Roy Ulrich, The Huffington Post)

In his new book, Power, Inc.: The Epic Rivalry Between Big Business and Government--and the Reckoning that Lies Ahead (Viking), David Rothkopf explains how the United States, once viewed as the model for a mixed-market economy, is increasingly held captive by the avarice of private interests. Power, Inc. is an undeniably ambitious book--attempting to put the current U.S. situation into a global and historical context. . . The takeaway is profound: that relations between the state and competing interests (be it church or private enterprise) have always been strained, yet the state--and its power to enforce the fundamental social contract it has with its citizens--has never been weaker. Rothkopf is a realist at heart. He recognizes that some form of capitalism is the only way forward--be it a more activist capitalism (being pushed by the emerging powers of India and Brazil), the welfare-state capitalism of northern Europe, or what he calls the "entrepreneurial small-market" capitalism of countries like Singapore and Israel. But for the first time in more than a century, Rothkopf argues, it will not be the Americans leading the way. (Matt O'Grady, Canadian Business)

In his new book, Power, Inc., David Rothkopf offers a provocative analysis of the push-pull between big business and big government. He says the rift has gone far past simplistic political rhetoric to a larger battle: pitting American capitalism against other forms of capitalism that have emerged on the world's stage in the past decade or so. (Maureen Mackey, The Fiscal Times)

Rothkopf's book is astonishingly ambitious. It traces the relationship between state and market--a relationship that, he says, has succeeded the relationship between church and state as the dominant conflict in societies--from the thirteenth century to the present. During the past thirty years, he says, we've adopted the view that politics and markets were actually allied: freedom in one realm meant freedom in the other. The result of this idea, along with the increasing influence of business within both political parties, was a series of policies that deregulated national currencies and banking systems and enabled the globalized economy of the Superclass. Meanwhile, the overwhelming majority of people still live in specific places and depend on local and national governments for social benefits, beginning with items as basic as stable currencies. Globalization, in its present form, strengthens a cadre of very large businesses that Rothkopf calls 'supercitizens,' and diminishes government, which is becoming, in his nice phrase, 'too small to succeed.'… he makes it clear that he thinks that political decisions created the present situation and that only different political decisions will alleviate it. (Nicholas Lemann, The New Yorker)

The problem for the right in Britain and its big brother in the US is that, after 30 years of the conservative revolution, it is now wedded to the premodern view that risks in a market economy and society should be run as individualistically as possible… But, as a growing number of us are arguing - David Rothkopf, editor of Foreign Policy and author of the recently published Power, Inc is but the latest to sign up - the propositions ignore reality…This is a worldwide debate, as Rothkopf outlines, a bid to define what 21st-century capitalism could be. (Will Hutton, The Guardian)

A sharp rebuke of free markets run amok and a loud call for rebalancing public needs and corporate interests. (Greg Hanscom, Grist)

An enlightening account. (Mary Whaley, Booklist Review)

Rothkopf…uses a wide-angle lens to examine the relation between public and private power…[He] delivers a lively, accessible treatment of a multifaceted, complex subject. (Kirkus Starred Review)

This should be read by serious students of politics, economics, or business and will be of interest to anyone invested in our country's economic history and, especially, future. (Bonnie A. Tollefson, Library Journal)

The story of Kare the Goat…serves as a kind of creation myth for David Rothkopf's sprawling new book, Power, Inc. Stora Kopparberg, the business established in 1288 to mine for copper in the hills above Falun (Sweden), still exists making it the "oldest continuously operating corporation in the world." Rothkopf argues that the evolution of Stora from a scrappy, goat-founded outfit to a $20 billion multinational business is emblematic of a tectonic shift in international relations, in which global corporations today wield greater power than all but a handful of nation-states. Rothkopf is an energetic story-teller...the story of Stora is fascinating…The most eye-popping sections of Power, Inc., detail how decolonization, globalization and financial deregulation have subverted the prerogatives states have traditionally reserved for themselves. (Romesh Ratnesar, Bloomberg Businessweek)

As David Rothkopf points out in his incisive and timely new book, Power Inc, the pendulum has swung sharply from public to corporate in the last generation. That has changed the character of the US economy. 'In the past there was a tight connection between economic growth leading to jobs creation, which in turn led to broad wealth creation,' Mr Rothkopf says. 'Those links no longer seem to work.' (Edward Luce, Financial Times)

David Rothkopf…has a smart new book out, entitled Power, Inc., about the epic rivalry between big business and government that captures, in many ways, what the 2012 election should be about … the future of 'capitalism' and whether it will be shaped in America or somewhere else. Rothkopf argues that while for much of the 20th century the great struggle on the world stage was between capitalism and communism, which capitalism won, the great struggle in the 21st century will be about which version of capitalism will win, which one will prove the most effective at generating growth and become the most emulated. Rothkopf's view, which I share, is that the thing others have most admired and tried to emulate about American capitalism is precisely what we've been ignoring: America's success for over 200 years was largely due to its healthy, balanced public-private partnership. (Thomas Friedman, New York Times)

It would be hard to find a timelier book than Power, Inc. Where we draw the line between public and private power will shape the twenty-first century as the divide between communism and capitalism shaped the twentieth. The full dimensions of that struggle are just beginning to emerge, but David Rothkopf, as usual, is ahead of the curve with a provocative, insightful book that is easy to read and hard to put down. (Anne-Marie Slaughter, Bert G. Kerstetter '66 University Professor of Politics and International Affairs. Princeton University)

Power and money make the world go around. Eras are defined by how they are intertwined. David Rothkopf's important book chronicles the history of the power money nexus and defines where we are and where we may be going. This book deserves much discussion in both the world's national and financial capitals. (Lawrence H. Summers, Charles W. Eliot University Professor, Harvard University, and former U.S. Secretary of the Treasury)

The frontier between governments and markets is constantly shifting. Focusing on this contested border, David Rothkopf vividly describes the parallel rise of the modern nation-state and the modern corporation. In an age of globalization, Rothkopf argues, this frontier urgently needs to be redrawn. Readers, whatever their views on this important debate, will be compelled to rethink today's economic travails and reassess expectations for tomorrow. (Daniel Yergin, author of The Quest: Energy, Security, and the Remaking of the Modern World)

David Rothkopf is a deep thinker and a fine writer. We now know that he is also an astute and creative historian. Power, Inc. tells an important story: how once-weak corporations have evolved into the muscular institutions that are now stronger than many countries--and have been grotesquely enabled in the United States by Citizens United. It's also chock full of fascinating historical tidbits. Who knew that the copper industry may have begun with a goat? Read it to be informed and delighted. (Alan S. Blinder, former Vice Chairman, U.S. Federal Reserve, and Gordon S. Rentschler Memorial Professor of Economics and Public Affairs, Princeton University)

At a time when our political debate lacks clarity and our economic model is floundering, David Rothkopf brings a compelling vision to the table, both about the challenges that we face and about what the future might look like. It is based on his own experience in business and government and on a remarkably detailed sense of history. He describes how the complex relationship between private and public interest has evolved since the time of Sweden's first king, and how that relationship at least in part explains our current malaise. Rothkopf employs a brilliant use of history to identify the channels that could, in the end, lead to a better way forward. (Carol Graham, Senior Fellow and Charles Robinson Chair, The Brookings Institution, and author of The Pursuit of Happiness: An Economy of Well-Being)

About the Author

David Rothkopf is the internationally acclaimed author of Superclass: The Global Power Elite and the World They Are Making and Running the World: The Inside Story of the National Security Council and the Architects of American Power. He is the president and chief executive of Garten Rothkopf, an international advisory firm, and a visiting scholar at the Carnegie Endowment for International Peace and CEO and Editor-at-Large of the FP Group, publishers of Foreign Policy Magazine.

Excerpt. © Reprinted by permission. All rights reserved.
1     The Goat with the Red Horns
 
In the abyss itself lie in wild confusion—pell-mell—stones, slag and scoria, and an eternal, stupefying sulphurous vapour rises from the depths, as if the hell-broth, whose reek poisons and kills all the green gladsomeness of nature, were being brewed down below. One would think this was where Dante went down and saw the Inferno, with all its horror and immitigable pain.
—E.T.A. Hoffmann, “The Mines of Falun”
 
 
The Past, Present, and Future of the Power Struggle That Defines Our Times
Throughout the writing of this book, I have had an image in my mind. It is of one of those charts showing the evolution of mankind. You know the type: they begin with an ape, heavy-browed, bent over, walking on all fours. They end with us, Homo sapiens, walking upright and looking somewhat brighter. The chart in my imagination however, illustrates another side of the story of human evolution. Rather than presenting us from a purely biological perspective—from the point of view of where, for example, in our family trees we picked up those useful opposable thumbs or the ability to digest frozen yogurt—it is describing a much more recent, still-unfolding aspect of our collective development. The imagined diagram, like this book, focuses on stages of our social evolution. More specifically, it describes the evolution of some of the most important organizations by which we bring order and productivity to our societies. As it happens, these are also the mechanisms by which power is distributed and wielded, by which rules are formulated and enforced, by which human collaborations and conflicts are facilitated.
Studying these organizations closely, you begin to wonder whether they themselves are actually the alpha organisms on the planet, the life forms that rule here on earth and of which we individuals make up only the temporary and replaceable working parts—much like the giant interconnected families of Armillaria ostoyae, also known as honey mushrooms, can grow to cover thousands of acres and live for millennia. A mushroom here or there gets lopped off, tossed into a salad, or eaten by some charming woodland critter, but the rest of the organism goes on about its business, sucking the water and nutrients out of great forests of trees that tower above the largely unseen fungus but that ultimately succumb to Armillaria’s superior organization.
After all, we individual human beings are fragile, small, and—at least for the moment—not even capable of reproducing while acting alone. Our time here is limited, and unsurprisingly, this unfortunate twist in the rules of nature has weighed heavily on us. Almost all human societies have cooked up higher powers that we define as higher first and foremost because they are immortal. And one of the things that distinguish us from the organizations we have created to live within is that they too are designed to be immortal, to outlast us and thus in some important respects to be above us like the gods themselves … or like large, enduring fungal networks.
In my imagined chart, the great-ape phase of evolution is the family, the basic social building block of every stage of human civilization. Then comes the tribe, and then the village. After that we see the development of ever larger, stronger, more complex products of organizational evolution until we reach one of those forks in the road, a little bit like the one that occurred during the period during which Neanderthals and Homo sapiens lived simultaneously. Grappling with the choice we face at that crossroads is where we have been these past few hundred years. On the one hand, there is an organizational approach that often seems to have much in common with the Neanderthals, better suited to the past but still strong and with much to recommend it. At the same time, we can see the irreversible rise of another one, not fully formed perhaps, suggesting several evolutionary steps to come, but clearly better suited to the global environment that is developing and changing around it.
On this timeline, however, the Neanderthals are national governments (this illustration was not created, I should hasten to say, because governments are on the verge of extinction, but rather because they are not as well suited to thrive in their current environment as some of their contemporaries on the organizational evolutionary chart), and the Homo sapiens, the ones that seem to have the evolutionary edge, are corporations—or at least global structures that are a lot more like multinational companies than they are like the traditional images of countries that we have today. No doubt some might say this is comparing humans to apes—apples and oranges as primates go—evolutionary cousins but clearly not the same species. But tell that to the companies and the governments. They have been locked in a power struggle with each other since the earliest days that companies were ushered into being by sovereigns who used them for economic purposes. They are different, but they are often compelled to occupy the same space. They are different, but in order to survive, it may well be that each must become more like the other. They are different, but they are both facing major evolutionary hurdles that must be addressed if they are to continue to exist in a rapidly changing international environment.
Also, as with the story of human evolution, this one is not without controversy. Just as the idea that men descended from the same ancient grandma as lemurs and chimps is offensive to those who take the Bible as literal truth, so too is the idea that somehow corporations are usurping the traditional place of countries on the international stage, thus upsetting some deeply ingrained, very nearly theological intellectual conventions. For example, to that group of political scientists who call themselves “realists,” this idea undercuts a central tenet of their worldview. Of course, one must always be skeptical of groups that give themselves a name that implies that only their adherents “get it” and that everyone else is by definition out of touch with “reality.” And in this instance, the skepticism is warranted despite the fact that “realists” trace their intellectual origins back thousands of years to venerable characters whose names are now inscribed on library friezes, such as Thucydides. Because while realism is purportedly built around the study of power, “realist” theory suggests that international power is solely concentrated in the hands of states. Private actors don’t really have a role in the realist cosmology. This despite the fact that today private organizations often and obviously wield power in ways that once only countries could, and in some cases in ways that many countries no longer can.
Many companies have greater economic resources at their disposal than many countries. Countries once derived power from their ability to print money, but now most can’t or don’t or have ceded the power to set the value of their currencies to markets. In fact, most of the value-bearing instruments in today’s financial markets are actually created by private organizations, traded in private markets, and only very lightly if at all regulated or understood by governments. And recently governments have concluded that the fate of private financial institutions is so important to the well-being of society that when those institutions falter—even as a result of greed and, in some cases, malfeasance—it is incumbent upon states to prop up the private entities even as private entities have from time to time propped up states.
Countries once controlled borders, but now borders are no longer the effective barriers to commerce or cultural exchange they once were, and while states are weakened by this, global private actors are strengthened. Multinational corporations effortlessly move capital, products, services, and production facilities across borders that are far more porous now than they were in the past. As has been the case almost since their very inception, private actors also have the ability to project force and influence political outcomes, and many have far more developed mechanisms of international persuasion than do the vast majority of countries. Think about the private military companies that the U.S. government employs to fight in the Middle East, or the influence that corporate lobbyists wield in democratic legislatures, or the success that some major energy companies have had in forestalling action on climate change and other environmental issues.
To be fair, even more recently developed theories of international relations such as liberalism (which is similar to realism but stresses the pacifying effects of free trade, democracy, and international institutions) and constructivism (a theory that focuses on cultural factors and asserts that the international system is a social construct) mention private actors only in passing despite their growing influence and role in the global era. In short, most theories of how international society works—the supposed focus of the academic discipline of international relations—are state-centric. Which, as I suggest, is either to miss or to grossly undervalue an important part of what is shaping today’s world and will shape tomorrow’s.
Such intellectual blind spots lead, not surprisingly, to some pretty important flaws in theories on which some pretty important decision making is based. For example, they lead to the thought that the central work involved in advancing national interests involves diplomacy between states. They also assume that national borders define sovereign bubbles in which there is considerably more unity of purpose among resident actors than there actually is. Yet as we all can see from recent headlines, nonstate actors from giant corporations to terrorist groups ...

Most helpful customer reviews

61 of 68 people found the following review helpful.
Outstanding!
By Loyd Eskildson
Appropriate balancing of public and private power is a central issue that helps determine the success of societies. About 15 years ago Americans celebrated the triumph of American capitalism and the defeat of state power by the focus of the marketplace - we'd shown that our balancing of the two was superior, if not optimum. Today, it is clear that our celebrating was premature. The freewheeling market model promoted by America is now reeling from self-inflicted wounds, while new models developed elsewhere (eg. China, Brazil, Israel, Singapore, the UAE) are providing better outcomes.

Author Rothkopf also points out this battle between Main Street and Wall Street is not unique to recent years, nor even to the U.S. - it has both raged years ago (Standard Oil vs. the trust-busters, Upton Sinclair/government vs. the filth, in-humaneness, and dangers of slaughterhouses, etc.) and across both oceans (England - 'Britain has the best democracy that money can buy;' China - moving from Mao's revolutions against businessmen to today's 'socialism with Chinese characteristics).

Unfortunately, since 1980 any semblance of proper balance between big government and big business has been lost - undermining our economy, politics, and international legitimacy. What drives this ongoing conflict? Markets find and exploit scale economies; scale economies, in turn, ease access to political and economic power. Another factor - confusing efforts to reign in alleged overreaching government power with supporting personal freedom. Reality, is that instead these 'victories' simply allow power to accrue to even less accountable private institutions whose interests do not align with those of most people. (Eg. Higher auto manufacturers' profits via emphasizing poor-mileage SUVs.) Thus, in the name of 'freedom,' we've opened the door to financial innovation that has brought excessive speculation. And pursuing the wrong overall economic goal (GDP) has led to loss of millions of jobs through off-shoring (eg. Asia), outsourcing (eg. Mexico), and hiring illegal aliens within our own borders. The former tight connection between economic growth and jobs creation is no more.

Rothkopf also expresses serious concerns over how voting rights have evolved in the U.S. We've gone from denying the right to vote to blacks, women, and while males who did not own land, to allowing each of the preceding to vote, again limiting suffrage via poll taxes (then overturning that practice), to now granting an enormous advantage to non-human corporations with cash. No other country claiming to be a democracy has granted corporations such a privileged role.

Originally corporations were state-sponsored entities whose existence were predicated on advancing the needs of the state. That no longer is the case in the Western world, and our corporations can now undermine society via off-shoring (Asia) and outsourcing (Mexico) millions of jobs, as well as hiring illegals within our borders by the millions. Interestingly, China avoids this problem via its heavy utilization of of state-owned-enterprises. (You probably also won't find any Chinese corporations emulating G.M. (helping Opel/Germany arm itself prior to WWII, assisting the management of Nazi death camps (IBM), or supporting Saddam (Haliburton).

The result - America has become greatly weakened, nearing or perhaps already a 'semi-state.' (A 'semi-state,' per Rothkopf, is one that cannot accomplish any of the four basic functions of a state. These are to manage its finances, project force or at least effectively defend itself, control its borders, and make and enforce its laws.) During the same time-frame, private actors have grown to the point where roughly their richest 2,000 are more influential than 70 - 80% of the world's nations. WalMart has revenues higher than the GDP of all but 25 nations. And the not-so-invisible hands of these mega-players now prevent addressing Global Warming, growing economic inequality, embracing new forms of energy, the need for regulating derivatives, etc. And they've helped shift the spotlight to Tea Partiers, instead of the fact that during the last three decades the gap between the bottom fifth and the top grew larger than it had at any time in history, and continues to grow worse.

Also turns out Adam Smith's support for businesses isn't all it's been claimed to be. 'To prohibit a great people from making all that they can of every part of their own produce, or from employing their stock and industry in the way they judge most advantageous to themselves is a manifest violation of the most sacred rights of mankind.' Rothkopf' take on Smith's 'invisible hand' - "too often we've found Smith's invisible hand to be an iron fist wrapped in an invisible glove."

The 'good news' from Rothkopf is that the 'Chicken Littles' are also premature. Rothkopf tells us there was just as much bickering, conniving, and stupidity in President Washington's time. And the Great Recession did not become a depression.

Bottom-Line: 'Power, Inc' is an excellent synthesis of today's conflict between government by voters vs. by influence-buyers.

17 of 19 people found the following review helpful.
Wish Rothkopf would've run in 2012, then there'd be at least ONE candidate worth voting for.
By Mark Holechek
A MUST READ. The author is a master of explaining complex and important global policies and "plans" that affect us all, in a way that are both entertaining and enlightening. Frankly, if I hadn't read "Running The World" or "Superclass", I wouldn't have anticipated this next book with the same zeal. Fact is, I was looking forward to this (his) latest effort because there's always a tremendous amount of timely and vital information that is interspersed with humor--sometimes, even in a layman's lingo -- that hits home to the core of the issues and to the soul of the reader. That may sound corny, but it's very effective as a way of communicating the thoughts and concepts, and something I need in a book like this to keep me engaged. The author Pulls-No-Punches and shows no ambiguity whatsoever in his descriptions of the subject matter. Some of the scenarios I've already shared with colleagues and friends include the bankruptcy of GM and Saab, and the revelations I garnered from Rothkopf's evaluations of the way things happen differently between governments and businesses here in the US and in Sweden (and other stories from around the world, some approaching time immemorial). There are a lot of real, and dynamic perceptions that make you want to say, "HUH?"... information that will keep you hooked. From human rights issues to corporate hocus-pocus and everything in between, historically documented. Funny? Maybe. Scary? Potentially. Accurate? I think, absolutely. Take it from this guy who was Director of Kissinger Associates in NYC, to the Commerce Department of the US Government during the Clinton Administration, as a Professor at Columbia University, as a visiting Scholar of The Carnegie Endowment for International Peace, to the CEO of both the Foreign Policy Magazine Group and his own International Advisory Firm, Garten Rothkopf. (just Google him) Sounds like I'm stumping his book, and I guess I am, it was a great read and thoroughly enjoyable, because without spoiling the ending, it gave me hope.

6 of 6 people found the following review helpful.
A Great--yet Incomplete--Book About The Evolution of Power...But Not Really About a Reckoning
By E. White
I want to start out by pointing out what this book is not: Power, Inc. cannot be characterized as being about the reckoning that lies ahead between corporations and governments. More accurately, it is a historical analysis on how the relationship between corporations (and other trans-national entities) and states came to be. More than likely, the accuracy of the book's cover copy fell victim to a zealous marketer who wanted to amp up the conflict a little, despite Rothkopf's clear efforts to remain as neutral as possible. I'll admit, it did lead to a slight letdown, despite the book's other good qualities.

With that distinction made, the book is a fascinating and accessible primer on the origins, evolution, and nature of power, with a scope spanning from medieval times right up until the date of publication. While I don't necessarily agree with Rothkopf's interpretation of some events, I felt it was an accurate enough dissection and characterization of the factors that influence governance that I started recommending it to friends and coworkers as a good way to grasp what gave an entity legitimate power in the eyes of the people.

However, something about the book wasn't sitting well with me, and I couldn't put my finger on it until I was approaching the book's final chapters: Rothkopf hardly talks about the people, or their role in the mix of power. In fact, it is only in the very last line that he acknowledges that all power accrued by either a corporation or a government flows from the consent of the people to either part with their money or be governed. In a book about power--especially in a book about the power of corporations--you'd think the influence of the proletariat would play a bigger role. Perhaps Rothkopf didn't want to wade into the complexity and capriciousness associated with teasing apart the power of the people and its influence on world events in a book he intended to be straightforward and streamlined but, more likely, I believe he was probably writing about what he knows. Rothkopf comes from the inner circles of power elites (which he hints at often in the book) who already hold sway over large constituencies, either political or commercial, and believe the influence they've derived from that control is a given. It's not, and I need point no further than the Arab Spring to show how tenuous even a dictator's grasp on power really is. If you're wondering why I docked a star from Power, Inc, the fact Rothkopf glossed over this key component of the nature and balance of power (only giving it a token nod at the end of his book) is why.

Returning to the reckoning, I think Rothkopf is trying to advocate a strengthening of government oversight on corporations and the creation of a supra-national governing entity. I say "I think," because Rothkopf is fastidiously neutral, which is nice most of the time, but it also makes it hard to tell where he's coming from. To his credit, I think he advocates this viewpoint only because he's trying to find an oversight structure equivalent to the operating environment multinational corporations have created for themselves. This would, of course, be a reckoning because it would represent a massive increase in government power and coordination...but there are no signs that's going to happen anytime soon, despite the ovations Rothkopf's circles are making in that direction; there is simply too much mistrust in the international community and not enough damage on the part of multinationals for the people to rise up against them.

At the end of the day, money is power, and even with the growing inequity, people have power. We accidentally kill companies all the time simply because they went out of style and couldn't figure out what the people wanted. Whether it's taxes or sales, companies and governments cannot survive without the consent of the people, and I wish Rothkopf had factored that into his calculations more, instead of assuming the world's population would always play the part of willing pawn. I wish I could dock him more stars for what I think is a gross oversight, but the book was otherwise really well done and mostly covered a time when people thought (and generally accepted that) God had made them pawns, and he does a pretty good job of it.

In conclusion, Power, Inc. does a really good job of outlining how the ecosystem of private and public power that exists today came to be, but is more of a history book leading up to a current imbalance of power instead of a thorough analysis of how that imbalance can/might/would/should correct itself. The book is fastidiously neutral, which is mostly quite nice and refreshing, but it extends to his analysis, where I wish he'd take a stronger stand and state his beliefs clearly. He almost completely ignores a major component of the power mix, though, and I think the book is incomplete for it...but it's definitely usable, accessible, accurate in the things it does cover, and fun to read. If I knew what I know now about the book before I read it, I probably still would have read it.

Side note: Incidentally, I also used the Whispersync function ( Power, Inc.: The Epic Rivalry between Big Business and Government - and the Reckoning That Lies Ahead ) while making my way through this book so I could listen while I commuted. The narration was crisp and lively, and it did a good job of holding my attention while I drove. If you like audiobooks, or just spend a lot of time using your eyes for things other than reading, but not your mind, I recommend considering this alternate format.

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