Saturday, February 7, 2015

! Free Ebook At the Sign of the Star, by Katherine Sturtevant

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At the Sign of the Star, by Katherine Sturtevant

At the Sign of the Star, by Katherine Sturtevant



At the Sign of the Star, by Katherine Sturtevant

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At the Sign of the Star, by Katherine Sturtevant

The tale of a bookseller's daughter

Meg Moore is the motherless and only child of a bookseller with a thriving business in Restoration London-and that makes her an heiress. She knows that someday she will have her pick of suitors, and that with the right husband she can continue in the book trade and be friends with wits and authors, as her father is. But Mr. Moore's unexpected marriage throws all Meg's dreams into confusion. Meg resists the overtures and edicts of her stepmother with a cleverness equaled only by her fierceness, but in spite of it all her rival's belly soon swells with what Meg fears will be her father's new heir. Meg seeks wisdom from almanacs and astrologers, plays and books of jests, guides for ladies and guides for midwives. Yet it is through her own experience that she finds a new matrimony with which to face her unknown future. This vibrant novel recreates a lively and fascinating historical period when women claimed a new and more active role in London's literary scene.

  • Sales Rank: #2981965 in Books
  • Published on: 2000-10-16
  • Original language: English
  • Number of items: 1
  • Dimensions: .65" h x 5.75" w x 8.55" l,
  • Binding: Hardcover
  • 140 pages

From Publishers Weekly
Though her mother died four years ago, the heroine of this novel set in 1677 London feels fortunate indeed: her father is a bookseller and publisher, and she is his only heir. Thanks to her anticipated dowry, she will have an unusual degree of freedom: "I would not live my life like other women, bound to dreary husbands and household duties." With her love of books and her admiration of Restoration London's great wits, the hours Meg spends working in her father's shop bring great pleasure. But all this changes when Meg's father takes a new wife: not only is Meg's inheritance jeopardized by the possible birth of a half brother, she must also study the womanly arts she scorns at the side of her stepmother, Susannah. Refreshingly, Meg's struggle to come to terms with her altered situation never degenerates into a battle of one-dimensional tomboyish virtue against uncomprehending femininity. Though readers never lose sight of Meg's predicament, Susannah is gradually and convincingly revealed to be as sympathetic and as hardheaded as her stepdaughter. Avoiding simplistic devices, resolution is achieved through perseverance and genuine emotional growth. Admirers of historical fiction will relish Sturtevant's (A Mistress Moderately Fair, for adults) detailed depiction of life in the great city, including a trip to Vauxhall, a visit to the theater (where Aphra Behn's work is performed) and the simple errands that take Meg through the smoky, noisy and beguiling streets. Ages 10-up. (Oct.)
Copyright 2000 Reed Business Information, Inc.

From School Library Journal
Grade 5-8-Restoration London in the year 1677 comes alive through the eyes of 12-year-old Meg Moore, the motherless only child of a bookseller whose home and place of business is, as the title conveys, "at the sign of the Star." Meg's father publishes the works of playwright John Dryden, among others, and Meg enjoys being part of the literary world. She expects to one day inherit the business and marry well with such a dowry. However, her expectations are dashed by her father's remarriage to Susannah Beckwith. Meg is cruel and insulting to her stepmother, who quickly becomes pregnant with the heir she fears will steal her future. When Susannah asks the girl to care for her baby in the event that she (like Meg's mother) dies in childbirth, Meg remembers how she had loved a younger brother who died. Though she does lose her inheritance when Tobias is born, she eventually comes to realize that, while the future may be unknown, she has many options. Sturtevant paints a lively picture of the time and place, weaving information on such diverse topics as medical procedures, food, and wedding rituals. Each chapter bears the title of an actual book written during the late 17th century. Readers also learn about Aphra Behn, a successful woman playwright of the time, who becomes a role model for Meg. Good historical fiction with a strong female heroine set in a time and place not often portrayed in books for this audience.
Connie Tyrrell Burns, Mahoney Middle School, South Portland, ME
Copyright 2000 Reed Business Information, Inc.

From Booklist
Gr. 4-8. Working in her widowed father's London bookshop in 1677, twelve-year-old Meg loves being on the fringe of the literary world and talking with her father and their customers about books. In addition, she feels secure knowing that the business she will inherit will give her the financial freedom to marry a man of her choosing. So when her father remarries, Meg finds the adjustment difficult. Not only must she now acknowledge that she will probably not inherit the bookshop, she must also accept her stepmother's tutelage in household skills and womanly decorum. Those lessons come hard to the quick-witted, rebellious child, who finds quiet, spiteful ways to needle her stepmother. Gradually, though, Meg comes to accept her new place in her old home and the inevitability of change itself. It's commonplace to find that the heroine in historical fiction is a strong-willed girl, reluctant to be bound by the conventions of a past society, but Meg seems less like a child transplanted from the late twentieth century than a product of her own times. In this novel, Sturtevant creates a vivid sense of a different culture through the vocabulary, speech patterns, and reactions of the characters, as well as the many details that make up the lively backdrop of seventeenth-century London. Readers will end the book hoping for a sequel to this engaging story, which is set in a period little visited in historical novels for young people. Carolyn Phelan
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

3 of 3 people found the following review helpful.
AT THE SIGN OF THE STAR
By A Customer
Meg Moore is only eight years old when her mother dies in childbirth. Her bookseller tells Meg that she is now heir to all his books, copyrights, and other interests. With such a dowry, she knows that someday she will have her pick of suitors and that with the right husband she can continue in the book trade. She dreams of being friends with witty people and authors, as her father is. She obstinately refuses to attend school, preferring to learn the booksellers' trade in her father's shop. She does not care to learn women's ways. Strong-minded, with a lively wit and caustic tongue, Meg brings London in the 1600s alive for us, through her eyes.

When her father remarries a woman named Susannah, it looks like Meg will lose her birthright and inheritance to Susannah and any child she might have. However, Meg does not want to live life as only a wife or servant, either. It seems though, that these might be the only options open to her unless she learns a trade. Meg consults Anthony Barker, an astrologer. Mr. Barker tells her that a great change is coming to her life.

Thirteen-year-old Meg must learn to take charge of her own life in an era when woman do not have much control over their lives. Meg is determined that she will become a bookseller or at least have some other trade. She refuses to be at the mercy of a husband or be forced to live as a servant.

Will an unsuspected talent be Meg's salvation, and will she find the maturity to face her unknown future? In AT THE SIGN OF THE STAR, Katherine Sturtevant has recreated the world of 17th Century Restoration London at a time when women were finally coming into their own on London's literary scene.

9 of 11 people found the following review helpful.
A fascinating novel filled with details of 17th century life
By Rebecca Herman
As the only child of a widowed bookseller in 17th century London, twelve-year-old Meg Moore stands to inheirit her father's entire estate. Because she is an heiress, Meg will be able to take part in the bookselling trade - her greatest wish - and will be able to chose her own husband. But Meg's entire future is changed when her father decides to remarry. Meg dislikes her new stepmother, Susannah, even though Susannah tries to be kind to her. She fears that Susannah will provide her father with a son that will take Meg's place as his heir, and that she will be reduced to marrying any man that will take her, or even worse, working as a maid. But over a year of change, Meg realizes that accepting Susannah can only bring good, and that there are ways that she can help influence her future, even if she is not an heiress. This was a fascinating glimpse into a time period that is not often written about in young adult fiction. Highly reccomend to teen fans of historical novels.

3 of 3 people found the following review helpful.
Live in Another Time
By Kat Corbett, author of the DanceFutures series
Women and girls today have so many more freedoms and opportunities than they once had. Find out what it was like to be a girl in Restoration London--specifically, in 1677. Meg Moore, an independent-minded girl of 12, chafes at the restrictions on her life--on how she must behave, speak, and accept the future arranged for her. If her father's new wife bears him a son, she will no longer be his heir. Upon his death, she will not be able to take over his bookselling business, which she loves, as she hopes and plans to do. She acts out her resentment of her stepmother in bold rudenesses that you will guiltily enjoy. :) By the time her worst fear becomes a reality, however, Meg has discovered a new talent that may win her an even more independent future.

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Friday, February 6, 2015

!! Ebook Free The Visible Man: Poems, by Henri Cole

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The Visible Man: Poems, by Henri Cole

"To write what is human, not escapist," is Henri Cole's endeavor. In The Visible Man he pursues his aim by folding autobiography and memory into the thirty severe and fiercely truthful lyrics--poems presenting a constant tension between classical repose and the friction of life--that make up this exuberant book. This work, wrote Harold Bloom, "persuades me that Cole will be a central poet of his generation. The tradition of Wallace Stevens and Hart Crane is beautifully extended in The Visible Man, particularly in the magnificent sequence 'Apollo.' Keats and Hart Crane are presences here, and Henri Cole invokes them with true aesthetic dignity, which is the mark of nearly every poem in The Visible Man."

  • Sales Rank: #1528879 in Books
  • Published on: 2005-10-05
  • Released on: 2005-10-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .19" w x 5.50" l, .23 pounds
  • Binding: Paperback
  • 80 pages

From Library Journal
Cole (The Look of Things, LJ 2/1/95) has contributed much to contemporary poetry, not just as a poet but as a Harvard lecturer and as the former executive director of the Academy of American Poets. This fourth collection tarnishes that reputation. The problems begin with the title, which brings implications of revelation and epiphany. Unfortunately, the "visible man," or the visible speaker, is obfuscated by underdeveloped allusions, dense diction, and weak images. The style and form of the poems echo those of J.D. McClatchy's latest book, The Ten Commandments, compared with which Cole's efforts pale. Still influenced by the title, the reader expects the speaker to emerge vividly with some proclamation. Hints of such a declaration are strewn throughout: "I want! I want I kept hearing in my head,/ without understanding how I was governed/ by the thing Id hated. Im just like you,/ he moaned." However, these half-committed proclamations fall short each time the speaker shifts to a religious allusion. Perhaps this shift is the construct of the speaker's internal conflict; it is unclear. The 12-part poem "Apollo" alone demonstrates the brilliance of Cole's earlier books. Sadly, the volume cannot stand solely on this one poem. Not recommended.ATim Gavin, Episcopal Acad., Merion, PA
Copyright 1998 Reed Business Information, Inc.

Review

“The invention of a self so harrowing in character will remind readers of the confessions in Robert Lowell's Life Studies . . . Most other books would be reduced to ashes by the comparison.” ―William Logan, The Washington Post Book World

“* In his fourth collection, Henri Cole has submitted to the unsparing self-examination and self-generated demand for change that mark the true artist . . . The voice that breaks the poems open frees itself in a crucible of confession and absolution, through poems that incorporate history, art, religion, family, and sexuality.” ―Tina Barr, The Boston Review

From the Inside Flap
Praised by Harold Bloom and many other critics and poets for his earlier collections, Henri Cole has grown steadily in poetic stature and importance. "To write what is human, not escapist," is his endeavor. Now he pursues his aim by folding autobiography and memory into the thirty severe and fiercely truthful lyrics--poems presenting a constant tension between classical repose and the friction of life--that make up this exuberant book.
On being awarded the Rome Fellowship in Literature from the American Academy of Arts and Letters, Henri Cole received the following citation:
"In a poetry nervously alive to the maladies of the contemporary, yet suffused by a rare apprehension of the delights of the senses, Henri Cole has relished the world while being unafraid to satirize it. In poems that are both decorative and plain-spoken he permits his readers to share a keen and unsentimental view of the oddities, horrors, and solaces surrounding them at the end of the twentieth century."

Most helpful customer reviews

1 of 1 people found the following review helpful.
A brilliant, elegant new work by a major contemporary voice.
By A Customer
From a review in Publisher's Weekly (9/28/98): A dazzling combination of ceremonious poise and brash, confessional utterances, the lyrics of Cole's fourth book form an intensely personal quest to reconcile tradition with angst-ridden bodily desire. Cole sets the book's first section in a glitzy contemporary Italy where "men and boys stroll among the ruins,/ anonymously skirting the floodlights." In a sly break away from the ghosts of Merrill and Bishop (haunting this and earlier collections), foreboding is enhanced by masterful mock simplicity: "Curleyhead was bellowing Puccini/ and making the boat rock./ The sun shone like a Majolica clock./ The sea boiled noisily./ I lay down like a child in a box./ It was my birthday." Familiar Catholic rituals prompt disturbing questions. Poems like "White Spine" stage frank inner confrontations between religion and sexuality: "Liar, I thought, kneeling with the others,/ how can He love me and hate what I am?" But Cole's greatest strength is in his consistent attention to the body, both in theologizing poems like "26 Hands," "Giallo Antico" and "Adam Dying" and in classically tinged images reminiscent of his contemporaries Carl Phillips and Karl Kirchwey. The twelfth of the 14 sonnet sequence "Apollo" ends: "as in the seventh circle/ the burning rain prevents the sodomites/ from standing still/ But I am in motion, stroking toward what I cannot see, like an oar/ dipped in the blood that ravishes it,/ until blood-sprays rouse the dissolute mind,/ the ineffable tongue arouses itself." Such lines are exemplary of Cole's graven images and wrenching, impressive effects.

6 of 7 people found the following review helpful.
"Writing What Is Human"
By Judy Lightfoot
[This book brief appeared March 11, 1999, in Seattle's "The Stranger" and can be found online at [...]
Cole does to the sonnet what postmodern consciousness does to the self--he wrenches it, shatters it, sucks it dry, turns it inside out, and sometimes, for a moment, holds it in a quiet embrace. The central problem of his book is knowledge, which made Apollo a god but divides us from ourselves. Cole seeks to unite body and mind in a self through Arte Povera poems - rough, impromptu works "in motion, / stroking toward what [he] cannot see" ('Apollo'). But the self proves to be neither a temple for the spirit nor a sturdy Greek column, and Cole becomes a tourist and connoisseur of his own disintegration -- he is marble rubble, broken stanzas, stray glimpses of porn flicks, bouts of loveless fellatio under the pier. The poet is a Visible Man in what he calls an "erotic x-ray of my soul" ('Self-Portrait as Four Styles of Pompeian Wall Painting').
Though Cole refuses to flatter us with sweetness, he can be very funny, mingling exquisitely precise imagery with comic observation. Ancient crumbling statues resemble "bodies sinking in quicksand," but "a luckless prick / is frozen in the stucco." Scholars "eat big bowls of pasta / and drain their preposterous bowels" ('The Scholars'). Many passages are marvelous - history has "white teeth / jammed with gristle" ('The Black Jacket'); forgiveness is "so hard to swallow it unshackles us" ('26 Hands'); a house is "illuminated all night, / like the unconscious, though no one enters" ('The Coastguard Station').
Cole is determined "To write what is human, not escapist." He makes himself "at home with evil, with unexamined feelings, / with just the facts" ('Apollo'), and welcomes the "Stranger, with genitalia greased," crooning, "Come, unlace my boots; I chose you" ('Etna'). Here the nervous system is, for better or worse, the organ of the mind.

2 of 2 people found the following review helpful.
Best Book of Poetry published in 1998
By A Customer
Henri Cole has long been seen as a fussy apprentice to James Merrill and Elizabeth Bishop, but this has always been an issue easily overlooked because of the vigor with which Cole has often written about his subjects. With this, his fourth book, Cole has not rejected the fastidiousness of Bishop or the sly elegance of Merrill, he has corrupted these things and, by so doing, created a harrowing, desperate, powerful poetry. In many of these poems, the complications may seem less than subtle until one realizes the focus of angst is only one of the many complications in each poem. Christianity, its pagan predecessors, modern Law, Homosexuality and its place in these constructs--all of these issues are present but secondary to the voice of speaker whose anguish to understand is the anguish of self-blame and self-deception. A brilliant and haunting book of poems.

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Tuesday, February 3, 2015

^ PDF Ebook Where's the Truth?: Letters and Journals, 1948-1957, by Wilhelm Reich

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Where's the Truth?: Letters and Journals, 1948-1957, by Wilhelm Reich

Where's the Truth? is the fourth and final volume of Wilhelm Reich's autobiographical writings, drawn from his diaries, letters, and laboratory notebooks. These writings reveal the details of the outrider scientist's life―his joys and sorrows, his hopes and insecurities―and chronicle his experiments with what he called "orgone energy."

A student of Freud's and a prominent research physician in the early psychoanalytic movement, Reich immigrated to America in 1939 in flight from Nazism, and pursued research about orgone energy functions in the living organism and the atmosphere. Where's the Truth? begins in January 1948, shortly after Reich became a target of the Federal Food and Drug Administration. He had already faced persecution by the U.S. government, having been mistaken by the State Department and the FBI for both a Communist and a Nazi. Starting in 1947, Reich was hounded by the FDA, which, in 1954, obtained an injunction by default against him that enabled it to burn six tons of his published books and research journals, and to ban the use of one of his most important experimental research tools―the orgone energy accumulator. Challenging the right of a court to judge basic scientific research, Reich was imprisoned in March 1957 and died in the U.S. Penitentiary in Lewisburg, Pennsylvania, eight months later.

The text gathered here shows Reich's steadfast determination to protect his work. "Where's the truth?" he asked a lawyer, and that question animates this volume and rounds out our understanding of a unique, irrepressible modern figure.

  • Sales Rank: #819330 in Books
  • Brand: Brand: Farrar, Straus and Giroux
  • Published on: 2012-08-07
  • Released on: 2012-08-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.32" h x .98" w x 6.46" l, 1.12 pounds
  • Binding: Hardcover
  • 288 pages
Features
  • Used Book in Good Condition

About the Author

Wilhelm Reich's many works include Character Analysis, The Function of the Orgasm, The Cancer Biopathy, Cosmic Superimposition, and earlier autobiographical writings: Passion of Youth, American Odyssey, and Beyond Psychology―all published by FSG. An early disciple of Freud's, he came to America in 1939, published The Function of the Orgasm in 1942, and died in 1957.

Excerpt. © Reprinted by permission. All rights reserved.
WHERE'S THE TRUTH? (1948)

7 January 1948

In the beginning of one's task one is enthusiastic about helping mankind. At the end of the same task one is worn out and has lost most or all of the enthusiasm. Humanity, for whose benefit one believed to fight, has put too many dangerous obstacles in one's path. One had to risk breaking one's neck in overcoming these obstacles. Disillusionment has overcome the searcher and helper. Humanity itself through its pestilent sergeants has obstructed its own benefits. Therefore the inventor or searcher acquires that definite expression of suffering and sorrow in his face (Beethoven, Galileo, Freud), which indicates that the enthusiasm to help has been replaced by ardent adherence to truth beyond any immediate practical interests.

17 January 1948

Cancer book printed--published. It is an honest book.*

Investigation by Food and Drug still going on.

24 January 1948

No legal action against FDA possible. Advice from Hays office+

To Physician Students

26 January 1948

Dear Dr.

I have been informed that the investigators of the Food and Drug Administration are trying now to question patients whom you treat psychiatrically. It is my duty to inform you that the patients must be protected from irresponsible inquiries into their private lives. Would you be kind enough to instruct all your patients that they should restrict the investigators to matters pertaining to the accumulator and definitely refuse to answer any questions such as: "How much they pay the doctor," or "Why they went to the doctor," or "With whom they associate," "Where they were born and brought up," etc., etc. Such questions by the inspectors of the F.D.A. are illegal; they have nothing to do with the object of the investigation. Protect medical secrecy.

27 January 1948

Stop of all investigation through FDA by refusing to answer any questions at all. With the FDA the mechanistic world view tried to kill the functional attitude.

The development of materialistic philosophy proceeded from fundamental questions not of a mechanical nature but, strangely enough, of a psychological nature. What is sensation? How can matter experience itself? To what is sensation bound? It was on these questions, and not on purely material questions, that scientific minds parted company with metaphysical and mystical minds, and that every dispute flared up about the correct view of the world and the events occurring in it. Because it was clear right from the start that it is only our sensation of events and things that holds the key to the deep mysteries of understanding nature. Sensation is the sieve through which the self is in contact with the world within and outside itself. All our perceptions and our judgments about the world and ourselves depend on the nature of this sieve. The sieve is the outermost limit that delineates the living orgonotic system in the orgone ocean; through the holes in the sieve, the experiencing organism communicates with the cosmic orgone ocean.*

To Dr. Werner kemper

30 January 1948

Dear Dr. Kemper,

I have received your letter of 29 December and was very pleased to hear that the parcels have finally reached you. We sent you a fourth food parcel last week and likewise a parcel of books was sent to you via Willi Brandt* in Berlin. These books also include one called "The Cancer Biopathy" which covers the work done over the last 14 years on organic biopathies. I hope that you will embrace the discovery of orgone.+ It sounds incredible, but it is quite obvious that what psychoanalysts once called the libidinous cell energy has now actually been shown to exist in a physical and demonstrable form.

Are you in contact with Aenne Morseth (Heimburgstrasse 4, Hamburg Klein--Flottbeck)? Please keep in touch now and again, and I would be glad to be of help to you in any way that I can. We are also in contact with other people in Europe.

16 February 1948

Eva+ in distress. The following happened: She was in class with several students and a professor of heart physiology. They spoke of literature to be read. He said, "Don't read literature like that of the paranoic who believes there is a pulsation in the body and in the atmosphere."--clearly WR. She did not say anything. But felt terrible.

She did not dare to look at the Cancer Biopathy I had sent to her. She did not go to work with Cott§ as arranged. She "gave herself another two years."

23 February 1948

Refutal of the ionization theory*. Facts and experiment:

  • G M [Geiger Müller] tubes give G.M reaction without voltage to orgonotic excitation.
  • Electrons from secondary coil produce no ionization. The leaves in the charged electroscope do not come together.
  • The energy field between two plates, fed by the IInd coil, does not influence the electroscope.
  • Single-pole electroscope can be charged.
  • Lumination in complete vacuum 2-pole and single - pole.
  • I photograph the ether!!! No doubt. The more literature I read on the ether, the clearer the following become:

  • The requirements of the ether are important, but the description of the ether is not important.
  • The understanding of ether became nonsense in order to take account of certain mechanical processes, which are in themselves questionable: for example, quantum 6.5 × 10-27 erg sec.
  • The orgone is the true ether.
  • The high-ranking physicists and mathematicians have puffed themselves up unduly, They provide proof of arbitrary assumptions in a stringent way.
  • 6 March 1948

    Today, between 8 and 9 p.m. the entire world came crashing down, and a new one came into being.

    Experiment: A vacuum tube produced 10,000 pulses per minute (32 scaler), with a blue glow, up to 1,000 volts without gas, without ions.

    12 March 1948

    The ether requires a restructuring of physics and astronomy in their entirety. This requires courage, method, loneliness, and very little publicity. And this load cannot be easily carried.

    13 March 1948

    The rolling snowball: Karl Menninger, incoming president of the American Psych. Society, has approvingly published Brady's* insulting article. Orgonomy+ has pulled the rug out from under his psychoanalysis.

    22 March 1948

    I must not allow myself to be captured by current things and forms. My work is part of the distant future.

    I need helpers, but the helpers belong to the present. This is a tragedy. And only he who carries his own load can make my burden lighter.

    To Armin Beregi

    2 April 1948

    Dear Mr. Beregi:

    I have received your letter of 12 March, via Dr. Hoppe.+ Many of the questions that you raise, such as those relating to heart action currents, etc., cannot be answered at present because we still know too little about the relationship of orgone to electromagnetism. As regards your methods of approaching orgone phenomena, I must in principle repeat what I have already indicated to you: Over the course of about 16 years, packed full with experimentation and theorizing, it has become quite clear that we cannot understand orgone energy in the context of the methods and theories of classical physics, because these methods are simply not suitable and do not take us any further forward. It has already been discovered, through experiment, that we must separate the electromagnetic excitation of light from the radiation of light itself; i.e. the phenomenon of light consists of two different functions. This has been confirmed.

    Similarly, it is likely that the orgone theory will make it possible to explain Planck's quanta, which so far have not been understood, rather than--vice versa--Planck's quanta providing an explanation of the functions of orgone energy. This follows clearly from the fact that orgone is primordial and is obviously the source of all known energy phenomena. It you ever succeed in establishing relationships between the action currents and orgone energy phenomena, you will have made a contribution to science the value of which cannot be overestimated. You are also certainly correct in stating that all manner of so-called miracle cures are based on body-orgone effects. Naturally, in the final analysis, such questions can be answered only by the outcome of experiments.

    My Planck number is slightly higher than the one that is generally known because I was forced to extend the minute by 4 seconds.

    My orgonometric numbers on astrophysics were deliberately formulated in such a way that nobody can understand them. They will be published in a way that everyone can follow, once the work has been completed.

    2 April 1948

    I succeeded in:

  • Reducing the ion theory of the GM tube to 0; orgone works in a vacuum.
  • Reducing the energizing voltage to 250 V at 3000 [pulses] per minute.
  • [Obtaining] 7-8000 pulses per minute at 350 V.
  • An orgone-motor is becoming a reality.

    6 April 1948

    I have once more ended in a heavenly waste land. This time because of the discovery of the orgone phenomena in a vacuum.

    Like other people, I could enjoy children. but I need rest in order to think, and children do not allow that.

    I could exert a fascination more easily than other people in gatherings.* But I had to recognize that this enthusiasm achieves nothing. They continue to defame as before.

    I have discovered the ether.

    This will cause me a terrible amount of trouble. Einstein stands squarely in the way with his empty space, supported by human fear of the truth. But I must put Einstein out of action as far as the ether question is concerned. By presenting the facts.

    10 April 1948

    Ilse+ called Dr. Wolfe of the Med. Dept. of the Atomic Energy Commission NY.

    She wanted to talk to him about the GM reaction as a social problem. He promised to call back but did not do so on the same day.

    We are still afraid of the great responsibility that has been visited upon us. That is why we are running to "authorities" fo...

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    25 of 26 people found the following review helpful.
    Inspirational.
    By Richard Schulman
    I have finished my first read. Having read most of Dr. Reich's books, been in his Therapy I know his discoveries have found real, moment to moment truth in my life. There will always be people who have not truly experienced his work and as such I will leave them like the FDA to there own ends. Given my great admiration for Dr. Reich and yes I loved reading Where's The Truth, I was disappointed in not finding out more details how Dr. Reich coped with his isolation. How did he cope with day to day prison life? There were many rumors of how he did cope but no refutation in this book. Dr. Reich had tremendous courage in standing up to the FDA and the Emotional Plague and I was glad to read in the excellent Introduction by Dr. Strick of Strick's outrage.
    I read the journal over a period of a week, and savored each detailed year and thank the the Editors for there respect and love of Dr. Reich. The personal papers of Dr. Reich were given the attention that the great man deserved. I appreciated learning of Dr. Reich's new found love for painting, and understood how he would synthesize his visual acuity into new hypothesizes. There is lots of legal briefs and interesting love letters to Grethe Hoff (Myron Sharaf's ex wife) and an insightful view into Ilsa Ollendorffs marriage to Reich. One sees how horrendously the United States and The FDA pursued Dr. Reich and ultimately ignored what was right, motivated by the usual pharmaceutical greed, imprisoned and helped destroy the Twentieth Century most overlooked genius.

    Reading the personal Letters of Dr. Reich was an honor, and a privilege.

    2 of 2 people found the following review helpful.
    Five Stars
    By acting teacher
    the man is a genius and everyone should read him

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    Sunday, February 1, 2015

    ! Download PDF What Is Life?: Investigating the Nature of Life in the Age of Synthetic Biology, by Ed Regis

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    What Is Life?: Investigating the Nature of Life in the Age of Synthetic Biology, by Ed Regis

    In 1944, the Nobel Prize-winning physicist Erwin Schrödinger published a groundbreaking little book called What Is Life? In fewer than one hundred pages, he argued that life was not a mysterious or inexplicable phenomenon, as many people believed, but a scientific process like any other, ultimately explainable by the laws of physics and chemistry.  Today, more than sixty years later, members of a new generation of scientists are attempting to create life from the ground up. Science has moved forward in leaps and bounds since Schrödinger's time, but our understanding of what does and does not constitute life has only grown more complex. An era that has already seen computer chip-implanted human brains, genetically engineered organisms, genetically modified foods, cloned mammals, and brain-dead humans kept "alive" by machines is one that demands fresh thinking about the concept of life. While a segment of our national debate remains stubbornly mired in moral quandaries over abortion, euthanasia, and other "right to life" issues, the science writer Ed Regis demonstrates how science can and does provide us with a detailed understanding of the nature of life. Written in a lively and accessible style, and synthesizing a wide range of contemporary research, What Is Life? is a brief and illuminating contribution to an age-old debate.

    • Sales Rank: #2142362 in Books
    • Published on: 2008-04-01
    • Released on: 2008-04-01
    • Original language: English
    • Number of items: 1
    • Dimensions: 7.46" h x .86" w x 5.69" l, .60 pounds
    • Binding: Hardcover
    • 208 pages

    From Publishers Weekly
    As scientists come closer to creating artificial life, the very definition of life is ever more elusive. Science writer Regis (The Biology of Doom) tackles this large issue and more in a book that never quite finds its focus. By selecting the same title as Nobel laureate Erwin Schrodinger's 1945 classic and Lynn Margulis and Dorian Sagan's 2000 offering, Regis self-consciously situates his book as a response to theirs. He is, however, no more successful than they were in answering the central question, though he proposes cell metabolism as the best definition we currently have. Regis discusses current attempts to use new techniques to create entities that could be considered living, but he fails to tell a compelling story about either the progress being made or the medical implications of these efforts. Instead, he heads off on several well-traveled tangents presenting relatively simple explanations of how we've come to our understanding of DNA, basic metabolic pathways and evolutionary biology. Although he touches on the fact that being able to distinguish animate from inanimate entities is of critical philosophical importance for debates over such issues as abortion, stem cell research and euthanasia, he never does more than scratch the surface of any of these topics. (Apr.)
    Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

    From Booklist
    To the question posed in the title, science writer Regis provides this answer: an embodied metabolism. The title honors the 1944 science classic by physicist Erwin Schrödinger, of wave/particle duality fame. When Schrödinger posed the question, he meant to set an agenda––DNA had not yet been identified as the genetic carrier molecule. Regis’ purpose in asking it seems motivated by the incipient creation of life from scratch, and, putting aside the ethics and biological danger of this portentous landmark in human history, seeks to furnish informed readers with a framework for deciding for themselves when scientists have crossed the finish line. Setting the tone by profiling a team running the artificial-life race, Regis presents their research program for bringing up baby, then reverts to a historical summary of the revolution in molecular biology. Covering its major discoveries, Regis devotes as much time to metabolism as to the more glamorous DNA story. Venturing that aliveness is more a philosophical than a scientific matter, Regis offers timely preparation for thought about big science headlines to come. --Gilbert Taylor

    Review
    “Ed Regis is always a careful researcher, always an independent thinker.  In this subversive little book, he shows that the biggest of big questions is still worth asking—more urgently now than ever.”   —David Quammen “Elegant, simple, clear, beautifully written. Regis takes up where Erwin Schrödinger left off and tackles the ultimate mystery of biology. This book is a scrumptious gem.”   —Richard Preston, author of The Hot Zone “A comprehensive and elegant  analysis of the physical basis of life: an up-to-date successor to Schrodinger’s 1944 book.”  —Marvin Minsky, Toshiba Professor of Media Arts and Sciences, M.I.T., and author of The Emotion Machine Praise for The Biology of Doom: “[An] engaging expose ... entertaining and informative ... the best account yet of U.S. research and efforts to produce biological weapons.”   —Washington Post Book World  “Ed Regis has dug around in the roots of bioweaponry and unearthed a fascinating tale.”   —Richard Preston, author of The Hot Zone

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    4 of 5 people found the following review helpful.
    A popular-science writer explores basic questions
    By Roy E. Perry
    In 1944, Austrian physicist Erwin Schroedinger published a book with the same name as the current volume: "What Is Life?"

    Popular science writer Ed Regis points out that Schroedinger "wanted to challenge the notion that at the core of life was some impalpable excrescence that lay beyond the grasp of science."

    This optimistic view holds that life can be explained in the same terms, and by the same laws of physics and chemistry, as those that pertain to everything else in nature. To be sure, life is exceptional, but it is rule-governed and law-abiding; there is nothing inherently magical or mystical about it. Ultimately, scientists will be able to unravel all of life's mysteries.

    Present-day scientists are not so sanguine. The question, "What Is life?", Regis suggests, lies more in the realm of religion, philosophy, and metaphysics--and by extension, politics and ethics--than in the realm of science.

    At first glance, a tangential approach to the question, "What is life?" promises a satisfying solution: "Unquestionably, if there was anything that appeared obvious about what it meant to be alive, it was possessing the ability to die."

    One's hopeful expectations of an answer, however, are dashed by this consideration: There is no agreement concerning what death is. In between life and death there is often "a state of near-death, or pseudo-life."

    If one insists on a scientific answer, Regis suggests the following, "Defining life as embodied metabolism . . . seems to be the most defensible theory we have at the present."

    If you expect a definitive answer to the question "What is life?", this book will disappoint you.

    Ed Regis holds a Ph.D. In philosophy from New York University and taught for many years at Howard University. He is now a full-time science writer, contributing to Scientific American, Harper's Magazine, Wired, Discover, and The New York Times, among other periodicals. He is the author of several books, including The Biology of Doom: The History of America's Secret Germ Warfare Project.

    1 of 1 people found the following review helpful.
    Not much new in this short survey, but still valuable
    By Wayne Lobb
    I had hoped to get from this short book a probing, thoughtful, current answer to the title question, especially given the subtitle of "In the Age of Synthetic Biology". I was disappointed: this is a brief and generalized historical survey. The end footnotes and bibliographical references are valuable, though, for guided further reading.

    Regis says that Schrödinger in 1943 "discreetly refrained from answering" the question. If so, then Regis has refrained as well. Here is how Schrödinger answered the question in 1943: "What is the characteristic feature of life? When is a piece of matter said to be alive? When it goes on 'doing something', moving, exchanging material with its environment, and so forth, and that for a much longer period than we would expect of an inanimate piece of matter to 'keep going' under similar circumstances." I.e., metabolism and negative entropy over long stretches of time. Here is how Regis summarizes things 65 years later: "A reasonable answer ... seems to be: an embodied metabolism." Hardly different from Schrödinger, and less illuminating. Regis defines the essential term "embodied" only through a quote in a footnote buried at the end of the book: wrapped in a membrane, like a cell is.

    To my mind, Regis is wrong and unfair to dismiss Margulis and Sagan's multiple, accumulating, descriptive answers in their 1995 book of the same title as being "figurative, flowery, or metaphorical ... entirely too many answers." Here is how Margulis and Sagan answer the fundamental question: "Life itself is these [metabolic] patterns of chemical conservation in a universe tending toward heat loss and disintegration", i.e. essentially the same definition as Schrödinger. They go further than Schrödinger, asserting that the cell is the smallest unit of life on Earth and that reproduction is a crucial feature of life on Earth.

    Schrödinger addressed the question of what life ultimately amounts to from the standpoint of physics and chemistry. Margulis and Sagan addressed the question of what life on this planet actually is, from its core metabolic machinery up to the fullness of all living matter that we humans perceive. Left unaddressed is the question of what life HAS to be at a very minimum, not only to be manifestly alive on Earth for a generation like an infertile mule is, but to be able to persist and evolve, perhaps synthetically, for thousands or millions or billions of years in an environment that might not resemble Earth at all. Metabolism of some type appears to be mandatory, together with the ability to adapt to a changing environment whether through reproduction with random mutation or through some other mechanism.

    Lest you think that synthetic life would be have to be uninteresting, take a look at robots that evolve altruistic behavior entirely on their own, by googling the phrase "Altruistic robots produced through evolution".

    3 of 4 people found the following review helpful.
    Beyond Frankenstein - Polymath07 review
    By Polymath07
    The recent book by Ed Regis, "What is Life? Investigating the Nature of Life in the Age of Synthetic Biology", may be considered the third of a series. In 1945, Edwin Schrodinger, of the "Schrodinger Equation" that can (with strenuous labor) calculate the properties of any atom's electron cloud, and whose eponymous Cat defines the dilemma of quantum phenomena in a macroscopic world, wrote "What is life? The Physical Aspect of the Living Cell", in which he did not answer the title question, but explored life phenomena from a strictly chemical and physical aspect. He predicted crucial aspects of the genetic code a decade or two in advance of their discovery. Then in 1995 Lynn Margulis brought certain of the same themes more up to date in "What is Life?", shortly thereafter revised and reprinted with her son Dorian Sagan as co-author. As Ed Regis reports, Margulis and Sagan answered the question in so many ways that it is not answered at all.

    Author Regis begins his book with a look at the formation of a four-way consortium in 2002, with the aim of specifically creating a living cell not based on previously living matter. To date, the effort has not succeeded, but as Edison would have said, they are learning a great number of things that don't work...and a few that offer tantalizing clues to what might work. So much so, that the government is now interested, as evidenced by the Los Alamos Protocells web site (protocells.lanl.gov) and its link to protocell.org, a jumping-off place to a handful of major efforts in the Synthetic Life arena.

    Regis does home in on an answer, a minimalist definition that life is "embodied metabolism". A few caveats are needed, such as a measure of autonomy and of self-repair, for example: An automobile consumes fuel and moves about, but does not direct its own motions nor maintain itself, while a portion of the metabolism of living cells goes to structural regeneration and growth. And "embodied" is needed to distinguish living matter from open flames.

    More generally speaking, living things not only metabolize, they also reproduce and evolve. Not every individual will do so, but all can do so. And, specifically for all life that we know, all life processes are directed by coded instructions. DNA carries the instructions, while RNA plus proteins carry them out. Synthetic cells could be based on DNA, RNA and proteins, or it could instead use different chemistry, perhaps not even based on carbon. But whenever a wholly synthetic "embodied metabolism" gets cranked up, performing as cells perform, I suppose we'll have to dub it "living".

    This is quite a step beyond our fearsome archetype, the Frankenstein monster. That creature was supposedly produced by re-animating a sewn-together collection of bits of corpses. Certain partial successes in the synthetic life area have been analogous to this. But the goal is to create living cells from chemicals, not from various bits taken from other cells.

    The rub comes if the creators of synthetic life endow it with the ability to reproduce; the ability to evolve will come along as baggage immediately. At that point, no matter what precautions they may take, SynLife (not my term: Google yields 3,770 hits) will most certainly escape into "our" environment, evolve so as to take advantage of it, and then we'll REALLY learn what it is like to live with invasive alien species! Sparrows, multiflora roses, and zebra mussels will probably pale by comparison.

    I suggest that, really early on, SynLife cells be presented as a challenge to a large variety of prokaryotes, so they'll have a chance to develop resistance mechanisms and chemicals that we can later exploit when we need AntiSynBiotics!!

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    Wednesday, January 28, 2015

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    Major new fiction from an acclaimed master

    From the prizewinning writer Stuart Dybek comes a superb new work: a novel-in-stories, eleven masterful tales told by a single voice with remarkable narrative power. In I Sailed With Magellan, Dybek finds characters of irrepressible vitality amidst the stark urban landscapes of Chicago's south side; there, the daily experiences of the neighborhood are transformed in the lush imaginative adventures of his hero, the restless Perry Katzek.

    There is remarkable music in each of Dybek's intertwined episodes, the rhythm of street life captured in all its emotional depth and unexpected humor: a man takes his young nephew to a string of taverns where the boy sings for his uncle's bourbon; a small-time thug is distracted from making a hit by the mysterious reappearance of several ex-girlfriends; two unemployed youths hatch a scheme to finance their road trip to Mexico by selling orchids stolen from the rich side of town; a young couple's amorous beach adventure is interrupted when an unexpected visitor washes ashore. As these poignant, often funny chapters unfold, Perry grapples toward the exotic possibilities the world offers him, glimpsing them even beneath the at times brutal surface of the inner-city.

    Throughout I Sailed With Magellan, fans of Dybek will find the captivating storytelling, the sharp, spare prose, the brilliant dramatization of resilient, inventive humanity that they have come to expect from him.

    • Sales Rank: #1774190 in Books
    • Published on: 2003-11-15
    • Original language: English
    • Number of items: 1
    • Dimensions: 8.25" h x .80" w x 5.50" l,
    • Binding: Hardcover
    • 320 pages

    From Publishers Weekly
    Dybek's third work of fiction (his first in over 10 years, after the story collections Childhood and Other Neighborhoods and The Coast of Chicago) comprises 11 elegiac, interlocking stories narrated by Perry Katzek, a young Polish-American growing up on Chicago's racially diverse South Side in the 1950s and 1960s. Although it lacks the narrative momentum of a linear novel, the book offers a powerful, cumulative portrait of the lives of Perry, his family and the people in his neighborhood, where "it seemed that almost every day someone lost teeth at one or another of the corner bars." "Breasts" follows three men with only tenuous connections to Perry, including Joey Ditto, a gangster who keeps getting distracted from making a ruthless hit by the ethereal forms of past lovers. "Blue Boy," which begins as a tale about a sick youngster, ends as a gorgeous contemplation of loss. The strongest stories deal directly with Perry's exploits. In "Orchids," Perry and his friend Stosh try to scheme their way to Mexico by stealing exotic orchids, and in the much-anthologized "We Didn't," Perry and his girlfriend's erotic lakeshore tumbling ("Swimsuits at our ankles, we kicked like swimmers to free our legs") is interrupted by the discovery of a dead body. "I was the D. H. Lawrence of not doing it," Perry reflects, "the voice of all would-be lovers who ached and squirmed." Indeed, all of these beautifully written stories teem with aching recollections. They are lyrical odes to wasted lives, youthful desires, vanishing innocence and the transformative power of memory, which is "the channel by which the past conducts its powerful energy; it's how the past continues to love."
    Copyright 2003 Reed Business Information, Inc.

    From Booklist
    *Starred Review* Whenever Perry Katzek's much loved Uncle Lefty takes him up on the roof of his building to see the pigeon coop and the great grid of Chicago, he says, "Welcome to Dreamsville," which could serve as an alternative title for this magical suite of linked stories. In his first book since the unforgettable Coast of Chicago (1990), Dybek writes of his hometown with the poignant realism of Henry Roth, the mythic intensity of Leon Forrest, and the poetic otherworldliness of Gabriel Garcia Marquez. Eleven perfectly formed and exquisitely sensual tales--each so saturated with personality, event, and revelation they feel like novels--illuminate transforming moments in Perry's life. Imaginative, adventurous, and romantic, Perry falls in love and loses loved ones, witnesses violence and experiences transcendence, while Dybek masterfully and tenderly conjures the edgy ambience of Chicago's ethnic neighborhoods and the great divide between the bucolic North Side and the broken-glass-strewn, tavern-spiked industrial South Side, where bravado, musical gifts, and witty repartee are highly valued. Set in a chimerical world of ice and flowers, soul-bruising hard work and sweet dreams, ruthless mobsters and die-hard friends, Dybek's mesmerizing tales coalesce into an epic of survival and spiritual growth that is, by turns, gritty, surreal, hilarious, tragic, and bittersweet. Donna Seaman
    Copyright © American Library Association. All rights reserved

    Review
    "It's hard to tell where Nelson Algren leaves off and Stuart Dybek begins--they're a couple of naturals. They each capture the lyricism of Chicago's backstreets: the city behind the billboards. They celebrate our alleys as well as our boulevards. Stuart Dybek is, at this moment, our city's blue-collar bard. These eleven lovely stories comprise the Chicago novel of today."
    --Studs Terkel

    "Stuart Dybek is one of America's literary masters, and I Sailed with Magellan is a forceful new demonstration of his extraordinary skills. This book of linked stories is full of nuance and feeling and the voice of working people from a time when our world and horizons were just a little narrower and our connection to those near at hand somehow even more consequential. It is the kind of penetrating, moving book Stuart Dybek consistently writes."
    --Scott Turow

    "It's a superb cycle of stories -- brilliant individually and as a single whole story of the lives of those brothers and their larger family. 'Live from Dreamsville' is a Dickensian portrayal of the nightmare world inhabited by children and unsuspected by their elders. Stuart Dybek risks real emotion and achieves language of great beauty. May the book receive its due." --Frederick Busch, author of The Night Inspector

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    15 of 17 people found the following review helpful.
    Its Inventiveness and Spirit are Undeniable
    By Bookreporter.com
    Stuart Dybek's I SAILED WITH MAGELLAN arrives more than a decade after his previous book, a short story collection titled THE COAST OF CHICAGO. While it's neither a blockbuster nor a doorstop tome like Jeffrey Eugenides's long-awaited MIDDLESEX or Donna Tartt's years-in-the-making THE LITTLE FRIEND, I SAILED WITH MAGELLAN is definitely worth the wait, serving as a reintroduction to a writer who captures his old Chicago neighborhood with documentary detail and raconteur flourish.
    Despite its billing as a novel, I SAILED WITH MAGELLAN is actually a series of short stories that have locales and characters in common. All feature a teenage narrator named Perry and all are set in the Little Village community of Chicago during the early 1960s. Dybek lovingly and often humorously evokes this time and place through telling observations.
    Poor families use old bed sheets for curtains and veterans order shots for friends who didn't come back from the war. It's a dangerous, often discouraging neighborhood, and in strong, unfussy prose Dybek describes "the daily round of life where bag ladies combed alleys and the homeless, sleeping in junked cars, were found frozen to death in winter. Laid-off workmen became wife beaters in their newfound spare time; welfare mothers in the projects turned tricks to supplement the family budget; and it seemed that every day someone lost teeth at one or another of the corner bars."
    Fortunately, Dybek lets his lively characters --- including a junior high writing prodigy named Camille Estrada and a slob hitman named Joe Ditto --- run wild in this setting. Rather than engineering plots and scenes for them, Dybek simply lets them tell their own stories, a rare talent that gives the book a personal, unrehearsed quality. Plus, it makes for some truly weird goings-on. As a coming-of-age story, I SAILED WITH MAGELLAN eschews any predictability in favor of a dreamlike flow of events and characters, many of which are supersaturated with local color.
    There is, for instance, the Chickenman, who walks around town with a chicken perching on his head and pecking corn off his tongue. And there's Little Village's unofficial child saint, Ralphie Poskozim, who was born with blue skin: "The blue was plainly visible beneath his blue-green eyes, smudges darker than shadows, as if he'd been in a fistfight or gotten into his mother's mascara. Even his lips looked cold."
    All of these strange characters are filtered through Perry's perspective, and as the novel progresses, he grows up and his concerns become more adult. Fortunately, as Perry gains more freedom, the stories don't lose their charm or their sense of wonder.
    Memory works in flashes, not in fluid narratives, and it allows for exaggeration of facts. In the end these chapters cohere into something larger than a short-story collection, but the book is not like a proper novel. This is certainly not a criticism: the form of I SAILED WITH MAGELLAN may be unclassifiable, but its inventiveness and spirit are undeniable.
    --- Reviewed by Stephen M. Deusner

    11 of 12 people found the following review helpful.
    Excellent writing, deeply known characters
    By J. Rosenberg
    I especially liked the stories in the first half of this book, those that focus on main character Perry, a boy growing up in a Polish neighborhood on Chicago's Southwest side in the 1950s. They are deeply felt, wonderfully detailed, highly realistic and with excellent characters. Toward the middle are a few stories more "poetic" in style that appeal to me less. The last stories return to the old neighborhood and again, the perfectly noted details and highly individualized characters drew me back into the lives of that time and place. Highly recommended for those who enjoy short fiction and anyone who appreciates excellent writing.

    2 of 2 people found the following review helpful.
    Among the best contemporary fiction I have read in years
    By R. M. Peterson
    I will start with the conclusion: READ THIS BOOK. It is exhilarating and poignant, funny and wise. It consists of eleven interlaced stories about Perry Katzek, the son of an immigrant from Poland, growing up on the South Side of Chicago in the 1950s. The Chicago setting, the kaleidoscopic episodes, the sweaty grittiness of urban, immigrant life, and the rather picaresque nature of the narrative all remind me of Saul Bellow's "The Adventures of Augie March", though, to my mind, I SAILED WITH MAGELLAN turns out to be an even better book.

    No doubt much of it is based on the personal experiences of author Stuart Dybek, who was born in 1942 and grew up in the Little Village neighborhood of Chicago. Indeed, much of the book may well be personal memoir draped with but the thinnest of fictional garb. Still, it reads more like a novel (or a collection of inter-related stories) than like a memoir.

    Those who are from Chicago and are now between the ages of 55 and 75 might treasure the book just a tad more than the rest of us, inasmuch as it features such places as Twelfth Street Beach, Sportsman's Park, the Rocks, Meigs Field, Douglas Park, the outdoor market on Maxwell Street, the Sanitary Canal, and the Baha'i Temple. (I certainly would treasure any novel half as good about Philadelphia - my hometown - during the same years.) But one need not be from Chicago to find the book special. What it has to say about memory, childhood and youth, and the human condition should speak to most, and especially to males who grew up in an urban, working-class setting.

    The book abounds with lovable characters and with sparkling anecdotes. Among the former are Perry's father (whom he and his brother call "Sir" because one night while watching "Leave It to Beaver" he had said how nice it was that Wally and Beaver called their father "Sir"), his uncle Lefty who played the sax and the horses, his best friend Stosh, and his erstwhile girlfriend Laurel Elaine Levanto who left Perry stranded in the Fire Truck Graveyard after the high school prom. Among the anecdotes is this one about Denny "the Fish" Mihala: when the fourth-grade teacher Sister Philomena asked the class, "If birds come in flocks, and fish in schools, what other kinds of groupings can you name?", Denny eagerly answered, "A dozen donuts!"

    The motif that struck home with me the most had to do with memory and nostalgia. Here is one such excerpt: "Who knows why certain humble objects - a bike, a sweater, a sled - are salvaged by memory or dream to become emblems of childhood? Childhood, an alternative universe expanding into forgetfulness, where memory rather than matter is the stuff of creation."

    I SAILED WITH MAGELLAN is also noteworthy for its writing and craftsmanship. The stories are skillfully interwoven, and there are moments when Dybek's writing is brilliant, such as when he refers to a character gazing up at the nighttime sky, "aware that he was just another speck adrift in stardust on the absolute zero breath of God."

    I SAILED WITH MAGELLAN (the title comes from a song Perry's brother Mick sang when they were kids) was published in 2004, which to my way of thinking still makes it contemporary fiction. I don't read a lot of contemporary fiction. Maybe I should make a point of reading more, because I SAILED WITH MAGELLAN is first-rate literature. It easily is one of the ten best books I read in 2012.

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    Tuesday, January 27, 2015

    ## PDF Download Later the Same Day, by Grace Paley

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    Later the Same Day, by Grace Paley

    Publisher: NY (1985)

    • Sales Rank: #2471547 in Books
    • Published on: 1985-04
    • Original language: English
    • Number of items: 1
    • Binding: Hardcover
    • 211 pages

    From Publishers Weekly
    In the 17 short stories collected here, Paley writes with verbal economy and resonance, pithy insights, and warmth and humor. The themes are familiar: friendship, commitment, responsibility, love, political idealism and activism, children, the nuclear shadow. PW greatly enjoyed these tales, stating: " 'Somewhere for me perfection is flowering,' says a character in one of these stories. Many readers will find perfection flowering here."
    Copyright 1986 Reed Business Information, Inc.

    Review
    Later The Same Day combines Grace Paley's talent for innovative short stories with her unwavering commitment to feminist peace activism. Her characters are heroic in ordinary ways - they talk, laugh, and think about the things that matter to them. They live normal, everyday lives yet remain awake and focused in their concern about the future, emanating wisdom, humor, disappointment, hope, and fear. These stories center upon an appropriately named character, Faith, who tells and listens to the stories of friends, neighbors, lovers, and strangers struggling to find hope and meaning in their sometimes shattered lives. As the story titles suggest, Faith's endless confidence in her friends and in the ordinary powers of "Listening" and in becoming a "Story Hearer" pave the way for radical transformation. In "Zagrowsky Tells," Faith runs into the old Jewish pharmacist whose drug store she and her friends once picketed because he refused to sell to black patrons. Now, years later, she listens to how the ordinary act of learning to love his half black, half-Jewish grandson has taught him to unlearn his racism. Throughout the collection, neighbors learn to listen to each other, husbands and lovers learn to hear women, women who are longtime friends and political allies validate each others lives, and strangers tell stories that need to be heard. For Grace Paley, these important ties of love, faith, and language are what create community. -- For great reviews of books for girls, check out Let's Hear It for the Girls: 375 Great Books for Readers 2-14. -- From 500 Great Books by Women; review by Suzanne Sowinska

    Most helpful customer reviews

    0 of 0 people found the following review helpful.
    A poweful voice
    By Alejandro Gaviria
    This book was originally published 30 years ago. Grace Paley was then a beloved artist and a well-known political activist. But she is now almost forgotten. Previously only five people had reviewed this book, her last collection of short stories. Her style of social feminism has lost much of its urgency and appeal. Her political activism is outmoded to say the least: China is no longer the land of socialism and poor peasants, but the hub of capitalism and overpollution. Her leftism has not aged well, especially after Perestroika and all that. But her voice is still powerful. It touches a timeless issue, namely, how to live our private lives, the accumulation of days and tragedies, beyond our ideological convictions and social roles.

    In the last story of this collection, the two main protagonists discuss whether or not to have a child. “Haven't we agreed often, haven't we said that it had become noticeable that life is short and sorrowful? Haven’t we said the words 'gone' and 'where'? Haven't we sometimes in the last few years used the word 'terrible'? Everyone know this about life. Though of course some fools never stoop singing its praises,” says one of them.

    Grace Paley knows this well. She is not one of the fools. But she also knows that the stories we tell about ourselves can be redeeming. “I was right to invent for my friends and our children a report on these private deaths and the conditions of our lifelong attachments,” says Faith Darwin, the narrator of various stories of this good collection. This summarizes Paley’s purpose and ambition: inventing a report on the conditions of our attachments in order to palliate the too obvious sorrows of life.

    20 of 21 people found the following review helpful.
    Later the Same Day...a permanent resident of my headboard
    By A Customer
    I have a friend who is so well read that she refuses to discuss books with anyone else for fear they may "contaminate" her.
    Although I think that I have great taste in the printed word, I seldom mention anything I have read to her for fear she will think me common.
    When I read this book, I called her up and told her she must read it immediately.
    I have read a book a day or so since I was six. I am now a women of a certain age. About once every three years, I read the first page of a book and feel lightening strike my brain. That happened with "Later the Same Day".
    I now read and read again every book by Grace Paley, seeing my life in the lives of women who were wives/daughters/mothers/lovers/writers 50 years ago. (Is it that long?)
    The difficulties of combining motherhood, marriage, extended family, creative fullfillment, community activism and friendship are explored in painful detail in these stories, and ring true to the lives of all the women I know in the year 2000.
    Give this book to women in their 20s, 30s, and 40s, and ask them when it was written, and they will all say "this year".
    Give a copy to all your literate friends, both male and female, and keep a copy in your own headboard or bedside table, for those lonely nights when you want to know you are not alone in the struggle to be a complete person.

    2 of 2 people found the following review helpful.
    Book connection
    By PATH12
    Overall ,I enjoyed reading this book because I made many connections to it. While I was reading it, I was thinking in my mind how similar this book is to my life. Not only this book made a connection to my life but also to the world we are in today. The way it connects is by the political situations we were facing. Now that we have a new president, which is African American indeed, we are all looking forward to a better future and a better economy situation. I recommend this book to everyone to read because people might have some sort of connection to this book. This book can be challenging at times, but we should know that not everything in lfe is going to be easy.

    See all 6 customer reviews...

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    Friday, January 23, 2015

    > Fee Download Tell Me No Lies, by Elizabeth Lowell

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    Tell Me No Lies, by Elizabeth Lowell

    The McKenna Legacy

    Does Skelly McKenna have what it takes to fulfill it?

    Skelly McKenna didn't believe in his grandmother's legacy. But then Rosalind Van Straatan walked into his office…and into his heart. Rosalind held the key to the story of a lifetime—one that could make his career…and ruin her family.

    Rosalind needed to know the unvarnished truth about what happened the night her legendary grandmother confessed to murder. The irreverent Skelly McKenna wasn't exactly her first choice of investigative partner; unfortunately, he was her only choice. Truth be known, she didn't trust him…but she did want him.

    • Sales Rank: #2834649 in Books
    • Published on: 1986-11-01
    • Number of items: 2
    • Binding: Paperback

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