Saturday, January 17, 2015

~~ Ebook Great Expectations: The Sons and Daughters of Charles Dickens, by Robert Gottlieb

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Great Expectations: The Sons and Daughters of Charles Dickens, by Robert Gottlieb

The strange and varied lives of the ten children of the world's most beloved novelist

Charles Dickens, famous for the indelible child characters he created―from Little Nell to Oliver Twist and David Copperfield―was also the father of ten children (and a possible eleventh). What happened to those children is the fascinating subject of Robert Gottlieb's Great Expectations. With sympathy and understanding he narrates the highly various and surprising stories of each of Dickens's sons and daughters, from Kate, who became a successful artist, to Frank, who died in Moline, Illinois, after serving a grim stretch in the Royal Canadian Mounted Police.

Each of these lives is fascinating on its own. Together they comprise a unique window on Victorian England as well as a moving and disturbing study of Dickens as a father and as a man.

  • Sales Rank: #1006377 in Books
  • Published on: 2012-11-27
  • Released on: 2012-11-27
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.13" h x .92" w x 5.51" l, .83 pounds
  • Binding: Hardcover
  • 256 pages

From Publishers Weekly
Just in time for fireside reading season, Gottlieb (Lives and Letters; Sarah: The Life of Sarah Bernhard) offers this intimate look into the family life of Charles Dickens, the World's Best Worst Father. Gottlieb profiles each of the 10 Dickens children—seven sons and three daughters, one who died in infancy—and includes a chapter on the scandalous possible existence of an 11th child, a son born to Ellen Ternan, Dickens's probable mistress. The book is divided into two separate, chronological sections delineated by Dickens's death in 1870, a structural choice that re-enacts the way in which Dickens held ultimate control over the life narratives of his children, and demonstrates just how large his shadow loomed as both an excellence-demanding father and a disappointment-doling ghost. Life was often bleak for the siblings, who were subject to Dickens's often brutal scrutiny and the life-altering decisions that followed. Gottlieb studs these portraits with artifacts ripe for happy discovery, including excerpts from personal letters and rare photographs. The results are fascinating but often tragic, with each Dickens baby born with more perceived brilliance than the last, only to grow up and reveal a fatal ordinariness to their father. This smart and accessible biography is written in a clever, conversational tone that radiates coziness during even the coldest moments, keeping the pages swiftly turning. (Nov.)

From Booklist
Master portraitist Gottlieb (Lives and Letters, 2011) zeros in on cherished writer Charles Dickens’ greatest failings in this unique, fascinating, and disconcerting family history. Marrying Catherine Hogarth elevated Dickens’ social standing, and theirs was a “highly sexual” marriage. But as Catherine endured a dozen pregnancies and suffered miscarriages, the death of a child, and postpartum depression, her famous husband withdrew his affection. In love with the actress Ellen Ternan, he “ruthlessly expelled” Catherine from her home and, even worse, kept their children, recruiting Catherine’s sister, Georgina, as a surrogate mother. The repercussions of this betrayal certainly undermined the well-being of the nine Dickens offspring, but Dickens was also venomously critical of his seven sons, sending most of them to India, Australia, or the military, where they floundered and fell into debt, and several died young. Among the sons, only Henry, an attorney, truly thrived. As did Katey, an accomplished painter, while Mamie lived a strange half life. Gottlieb’s meticulously researched and vivid group portrait of the Dickens clan ascendant and accursed reveals a complex amalgam of ambition and inheritance, celebrity and despair, pride and stoicism. --Donna Seaman

Review
“Robert Gottlieb's Great Expectations: The Sons and Daughters of Charles Dickens is an ingenious way of using the available information on Dickens's nine children who grew into adulthood. It throws light not only on the novelist himself, but also on the range of influence parents and home life can have on offspring. It is also a fascinating and haunting portrait of attitudes towards children and career possibilities in England in the mid-nineteenth century . . . It would have been easy for Gottlieb to trace the personal weaknesses and the strange fate of most of the Dickens brood to the separation of their parents and the banishment of their mother, but it is to his credit that he reads each case more subtly and without a scheme and allows each of the children a sort of autonomy, giving them a life not merely determined by a single traumatic event in their youth or childhood . . . The fate of the Dickens children as outlined here allows us to imagine with greater richness the lives of so many others whose names merely survive on gravestones, or census forms, or on lists of members of the army and navy. They also help us to read the novels of the period.” ―Colm Tóibín, The New York Review of Books

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21 of 22 people found the following review helpful.
Another Side to Dickens--the Father
By Timothy Haugh
In this year of the 200th anniversary of Charles Dickens' birth, there have been a number of good biographies of the author published. The best of them, however, seem to be those that take a different tack than the huge overview of his entire life. This one joins that short list, for Mr. Gottlieb has provided us with a look at Dickens through providing us with short biographies of his children.

In most biographies Dickens does not shine as a husband and father. Granted, this part of his life is often lost under the avalanche of information about his writing. In addition, his parenting is colored by two telling things: his nearly universally condemned (and rightly so) treatment of his wife, Catherine, while separating from her which included his attempts to forbid his children to see her; and his often-voiced disappointment in his children's lack of achievement in his letters. Unfortunately, these events of his latter life can be misleading.

Mr. Gottlieb does a nice job of showing us the real story of the Dickens children in brief biographical entries for each child. In fact, since he divides their stories into pre- and post-Dickens death, most of the children get two entries. And what comes out is that most of his children end up as reasonably successful adults with two of the ten--Kate and Henry--becoming fairly well-known in their own right: Kate as a portrait painter and Henry as a lawyer and judge, eventually knighted for his service to the country. Even some who take severe tongue lashings in Dickens' letters turn out well when objective eyes are opened. Alfred and Plorn have some success in Australia. Charley, especially, shows strong literary abilities as an editor and manager once Dickens lets him try his hand though, of course, he will never become the author his father was.

What Mr. Gottlieb recognizes is that it will be difficult for a man who pulled himself up from poverty through talent, indefatigable energy, and a lot of hard work to accept that his children will be anything less than hugely successful. Frankly, despite the carping and complaining we find in many of his letters, Dickens must have been a loving father. He was clearly at his best with young children, but he also made provision for each of his children as they grew and did his best to get them started on careers; in some cases, multiple times. If he was sometimes critical and worried that his children wouldn't amount to anything, that seems fair when some of his kids ran up debts and abandoned situations Dickens found for them. Besides, it is interesting to see how much Dickens' children loved him, even decades after his death and the need for pleasing him or protecting his legacy would seem to have passed.

Mr. Gottlieb also deserves credit for briefly looking at the evidence for Dickens having an eleventh child with his mistress, Ellen Ternan. Most of this comes from Claire Tomalin's work on the subject which I have commented on elsewhere (and in a somewhat similar vein to Gottlieb). He finishes with a short connection between Dickens and his fictional children.

In the end, this is an easily digestible book that adds a lot of flavor to other, larger biographies of Dickens. In so many of these other books, Dickens children are mentioned only in passing and we get little sense of this part of Dickens' life. Having this information available makes for a much more complete picture of the author and Mr. Gottlieb should be congratulated on his work.

4 of 4 people found the following review helpful.
Great Expectations: The Sons and Daughters of Charles Dickens is a concise guide to the children of Boz
By C. M Mills
Robert Gottlieb is a literary scholar who has long been fascinated by the works of Charles Dickens (1812-1870) the most famous and widely read English novelist. In this short work of only 239 text pages we learn about the many children sired by Dickens. Dickens and his wife Catherine separated in 1857 after news of the novelist's affair with Ellen Ternan the actress was revealed to the public. Dickens saw Catherine only three times from 1857 to his death in 1870. Catherine had grown fat and Dickens was bored with her. He certainly exercised his marital rites producing a quiverful of children with Kate.
The children Charley-the oldest son who became a businessman. Mamie his eldest daughter never married. She was eccentric and loved animals.
Katey was wed to Charles Collins the brother of Wilkie Collins the novelist. He died and Katey remarried an artist named Carlo Perugni who was associated with the Pre-Raphalite artistic brotherhood. Katey was an artist and was the favorite of her father.
Walter died young while on duty in India as a member of the British army. Frank served in India and in Canada as a mountie. He died in Moline, Illinois where he is married. Sydney was a sailor who had a short and sad life. Henry Fielding Dickens became a respected barrister and was a graduate of Cambridge.
None of the children could match the genius displayed by their father. Many of them had difficult lives dealing with such issues as finances, illness and an inability to find a career to pursue in life. Some of them were sent to such faraway places as India and Australia. All of them loved both their famous father and their mother. Dickens may have fathered a child with Ellen Ternan but this is uncertain. If he did the chances are high that the child died in infancy.
Dickens was a demanding father who expected great things from his brood. He wanted them to be neat, orderly and successful. He was often disappointed by them. Dickens comes across as a great author but a poor and adulterous husband. he was loved by his family.
This little book will add to our understanding of Dickens and his personal life. It is a worthy addition to the groaning shelf of Dickens biographical works.
\

2 of 2 people found the following review helpful.
What the Dickens?
By Amazon Customer
Well you might ask. Or no doubt the great writer must have done so as he considered his considerable brood. But he might also have taken a good look in the mirror and considered himself and his less than admirable approach to parenting. The dickens indeed. Realizing the perils of examining yesteryear figures through the critical lens of modern mores, the practice of sending young teenagers off to Australia or India to fend for themselves still seems a bit extreme. That said, arguably the greatest novelist in English literature deserves a certain amount of disciplinary leeway...birth control being no control in the nineteenth century and a house full of young children a challenge to anyone's concentration. Then it comes to Dickens, the private man and the public figure remain enigmatic because the differences are so irreconcilable. Although somewhat mechanical in structure, Robert Gottlieb's Great Expectations does a very good job of casting new light on this fascinating subject and, in so doing, reminding us that in writing about so many waifs, orphans and lost children, Dickens also did a spectacular job of creating his own.

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Tuesday, January 13, 2015

? Download PDF In Touch: The Letters of Paul Bowles, by Paul Bowles

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In Touch: The Letters of Paul Bowles, by Paul Bowles

A collection of correspondence from the author of The Sheltering Sky discusses his attempts to record primitive Moroccan music, nature and the craft of writing, the Beat writers, living in North Africa, and other topics.

  • Sales Rank: #2904778 in Books
  • Published on: 1993
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.50" h x 6.75" w x 1.75" l,
  • Binding: Hardcover
  • 604 pages

From Publishers Weekly
Expatriate American novelist, story writer and composer Bowles, who has lived in Morocco for nearly a half century, is a prolific letter writer, as attested to by his expansive, conversational correspondences with the likes of Allen Ginsberg, William Burroughs, Gore Vidal and Virgil Thomson. A vast humming tableau of the avant-garde, these 400-plus letters extending from 1928 to 1991, vividly evoke Bowles's frenetic activity in the Paris of the 1930s and '40s, where he met Jean Cocteau, Ezra Pound, Gertrude Stein and painter Pavel Tchelitchew. Peppered with firsthand impressions of Tennessee Williams, Leonard Bernstein, Kurt Schwitters, Aaron Copland and many others, the volume, edited by his biographer, also contains Bowles's sharp lyrical travel observations from Mexico to Ceylon, as well as his reflections on the unconscious processes that guide his writing of fiction. Most revealing are his letters to his wife Jane Bowles during her 16 years of suffering from a neurological disorder that destroyed her eyesight and led to strokes, convulsive seizures and electroshock therapy for depression. Photos.
Copyright 1993 Reed Business Information, Inc.

From Library Journal
American-born composer and writer Bowles settled in Tangier after traveling extensively in Europe, Africa, and Latin America. These letters, culled from more than 7000 pages of correspondence, record Bowles's activities and friendships from 1928 through 1991. Correspondents include Gertrude Stein, Virgil Thompson, Tennessee Williams, Allen Ginsberg, and William Burroughs, among others. The subjects covered in the letters vary greatly, but many of them deal with one of Bowles's favorite themes--travel. Among the most interesting letters are those dealing with Jane Bowles's breakdown and hospitalization. The work includes biographical notes and an Arabic glossary. Recommended for contemporary literature collections.
- William Gargan, Brooklyn Coll. Lib., CUNY
Copyright 1994 Reed Business Information, Inc.

From Kirkus Reviews
``Places have always been more important to me than people,'' Bowles (b. 1910) confesses in one of more than 400 letters collected here by Miller. Spanning more than seven decades, the letters offer no intimate revelations and little celebrity gossip- -but they're full of dazzling descriptions of faraway places. ``At Asni the trees are full of peacocks that scream murder. The road swarms with children who hand us amethysts till we have nowhere to put them.'' With campy wit, Bowles compares the exotic to the homegrown mundane: In a Saharan oasis, the coarse grass ``looks like the stuff they put in Woolworth's windows on the floor of the display cases at Easter time''; in a Berber village, ``the streets and walls look as if someone had poured tons of white cake- icing over them.'' It's not surprising, then, that Bowles-the- writer's letters add up to a book that one would rather quote than discuss. What is surprising is the strength of Bowles-the- composer's devotion to Berber music and Bowles-the-husband's devotion to his wife through long years of illness. Descended from New England Puritans, Bowles read Poe at age six and took off from there. In the 30's, he was close to Gertrude Stein and Aaron Copland. In the 50's, he befriended Tennessee Williams, Truman Capote, and Gore Vidal. In his pursuit of sexual adventure and his reliance on the drug kif, he was way ahead of the pack--led by Ginsberg and Burroughs--that hit Tangier in the 60's. More recently, Ph.D. candidates have elicited from him pithy statements on writing (on the hermetic absorption needed to complete a novel: ``Don't let the air in; it kills the fetus''). About a quarter of the collection is dead wood--chat about agents, contracts, fees--but read in one sitting, it's a fascinating, tonic history of the counterculture in what was for a time the American century. (Photographs) -- Copyright ©1993, Kirkus Associates, LP. All rights reserved.

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Monday, January 12, 2015

# Download La Folie Baudelaire, by Roberto Calasso

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La Folie Baudelaire, by Roberto Calasso

In La Folie Baudelaire, Roberto Calasso―one of the most original and acclaimed writers on literature, art, culture, and mythology―turns his attention to the poets and writers of Paris in the nineteenth century who created what was later called "the Modern." His protagonist is Charles Baudelaire: poet of "nerves," art love, pioneering critic, man about Paris. Calasso ranges through Baudelaire's life and work, focusing on two painters―Ingres and Delacroix―about whom Baudelaire wrote acutely, and then turns to Degas and Manet, who followed in the tracks Baudelaire laid down in his great essay The Painter of Modern Life. In Calasso's lavishly illustrated mosaic of stories, insights, close readings of poems, and commentaries on paintings, Baudelaire's Paris comes brilliantly to life.

In the eighteenth century, a Folie was a garden pavilion set aside for people of leisure, a place of delight and fantasy. Following Baudelaire, Calasso has created a brilliant and dramatic "Folie Baudelaire"―a place where the reader can encounter the poet himself, his peers, his city, and his extraordinary likes and dislikes, finally discovering that that places is situated in the middle of the land of "absolute literature."

  • Sales Rank: #1206015 in Books
  • Brand: Calasso, Roberto/ McEwen, Alastair (TRN)
  • Published on: 2012-10-16
  • Released on: 2012-10-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.33" h x 1.15" w x 6.33" l, 1.91 pounds
  • Binding: Hardcover
  • 352 pages
Features
  • Used Book in Good Condition

From Booklist
What Calasso, a wizard of cultural erudition and scintillating interpretation, did for Kafka in K. (2005), he does for Baudelaire here. As in all his propulsive yet intricately figured books, Calasso dives right in, pulling biographical and historical facts into the slipstream of his richly anecdotal critique, along with glinting quotations and startling observations. The French poet and critic takes shape in all his resistance to society as Calasso considers Baudelaire’s transforming sensibility, “a Baudelaire wave that rolls across all things,” particularly as manifest in his art essays. He also parses Baudelaire’s habits of being, including inebriation, and his thorny relationships with his mother and his muse and lover, the Haitian-born Jeanne Duval. In vital and witty close readings of both published and private works, Calasso traces the coalescence of Baudelaire’s seminal and controversial definitions of modernity and osmotic influence. This ignites Calasso’s own freshly discerning responses to Ingres, Delacroix, Manet, and Degas, in which he offers evocative and moving insights into the artistic audacity and moral ferment of Baudelaire’s Paris, that oft-revisited revolutionary crucible. --Donna Seaman

Review

“Roberto Calasso's book, written in magnificent and supple prose and illustrated with reproductions of often little-known works of art, responds admirably to its title: it's the most absorbing guided visit that one could imagine of the brothel-museum of Baudelaire's dreams . . . One exits amazed by the intelligence and erudition of the guide, the foremost expert on a romantic and decadent Paris in which the rococo and neo-classical epochs remained living and present under the surface. And silently running throughout this account are the contradictory facets of the most gifted man in Paris at that time, Baudelaire, lover and critic of art, poet, journalist, bohemian, and dandy.” ―Marc Fumaroli, Commentaire

“Roberto Calasso [is] the most inquisitively suggestive literary critic in the world today . . . La Folie Baudelaire is no narrow study of the poet's work or, even worse, a birth-to-death biography. Rather, by associating the poet with the prominent writers and artists with whom he came into contact, Calasso has created what he calls ‘analogical history . . . an ever-more-urgent desideratum in an intellectually debilitated epoch such as the present.' A questioning assault upon the received wisdom, it exposes the hollow triumph of Impressionism and its artists, Renoir, Manet, Monet and Degas, over an implacable academy . . . the deeper purpose of Calasso's project can be glimpsed: a subtle inquiry into how the 19th century, and the popular description of it as a century of startling liberatory artistic promise and vast industrial progress, could give birth to a next century defined by Auschwitz, the gulag and Hiroshima.” ―Thomas McGonigle, The Los Angeles Times

“Calasso captures [Baudelaire's] shifting, overlapping world, never seeming overwhelmed by his material. Certain anecdotes stand out. Calasso is not afraid to show these figures as occasionally absurd. Ingres, a ‘compact and stocky' man ‘devoid of a sense of the ridiculous,' runs through his studio to launch himself on to a mattress in order to create interesting folds in a drape. Degas, a keen user of early photography, tries to capture the moon, only to find it ‘moved too much.' Calasso also collects stories of supporting characters--from Degas's housekeeper to Baudelaire's mistress--to evoke an entire world. Such details, combined with his ear for a lyrical phrase, make La Folie Baudelaire a joy to read.” ―Emma Hogan, Financial Times

“Calasso['s] … extravagant admiration and connective intuition make a book of equal brilliance out of a chain of fragmentary reflections--Walter Benjamin might have called them blinks--beginning and ending with Charles Baudelaire (1821-67), cast as the primary metaphysician of modernity: part-creator, part-revelator, part-enactor of our signature condition . . . Calasso emphasizes Baudelaire's clarity and originality (his ‘firsttimeness'), his imperativeness and his fearlessness . . . [Calasso's] Baudelaire is a person, not to say a personage. Part of the fascination of his book is its biographical or prosopographical color. ‘Baudelaire was a dandy, especially in ruin,' Calasso observes characteristically, evoking him at 32, walking too cautiously, for fear of widening the rips in his clothes. ‘He is a first Buster Keaton in a frock coat, who moves off, slowly, through the streets of Paris.' . . . The highlight of this ambitious enterprise is the reading or rereading of certain painters and paintings, in Baudelairian perspective . . . arresting observations on painters and paintings alike, aided and abetted by some discriminatingly chosen illustrations, beautifully reproduced . . . Calasso is one of the few to do justice to Degas's rabid antisemitism. He is also a great noticer of things in the paintings . . . Roberto Calasso wends his way, inviolate. La Folie Baudelaire is bedazzling.” ―Alex Danchev, The Guardian

“From a masterful biographical portrait of Baudelaire, the narrative spins out . . . to consider subjects as myriad as the airlessness of Ingres's neoclassicism, Chateaubriand's complaints about ‘the vulgarity . . . of passports' and the African exile of French poetry's enfant terrible, Arthur Rimbaud . . . his eye for illuminating anecdote is peerless. Thus he informs us of Alberthe de Rubempré who ‘was the mistress, in rapid succession, of Delacroix, Stendhal and Mérimée,' before waspishly adding: ‘Each of them spoke too well of her to his best friend--and was then promptly ousted by him.' . . . La Folie Baudelaire is a concrete triumph, for its recreation of Baudelaire's milieu is so intensely vivid as to miraculously transform the distantly anecdotal into the seemingly actual.” ―Lucian Robinson, The Guardian

“What a rare and special book this is, from its opening paragraph . . . But then what a rare writer is the prolific, post-Calvino Italian master Roberto Calasso--72-year-old scholar, translator, author of film scripts, radio and television adaptations, operatic librettos and seemingly most other viable prose forms in the late 20th and early 21st centuries . . . [La Folie Baudelaire is] an ideal introduction in English to one of the most urbane and readable of living masters.” ―Jeff Simon, Buffalo News

“In a series of elegant, passionate, erudite books, Calasso has attempted to map out an esoteric terrain: the metaphysical in literature. This study of Baudelaire and his era therefore represents a new stage in his project, developing from one of the essays in his Oxford lecture series, published as Literature and the Gods: an attempt to show how the metaphysical is still present, if in an occluded and buried form, even at the point when modernist literature begins . . . [Calasso's] book is baroque in its construction: its argument does not proceed from point to point but through a sequence of slow drifts and sudden aphoristic shocks. It is a gorgeous, willful, and convincing re-staging of Baudelaire's style . . . Toward the end of his book Calasso offers a final definition of his style: ‘an audacity that came naturally to Baudelaire no less than did a certain wavelike motion of verse. And it is precisely the alternation between those two tempos--the prestissimo of provocation and the sforzato of the Alexandrine--that separates him from all those who came before him and those who were to follow him.' Or, to put this another way, he was revolutionary, sure--and yet, as Calasso observes beautifully, ‘all his poetry seems translated from Latin.' Baudelaire was a classicist in his investigation of corruption. He was a constant double agent.” ―Adam Thirlwell, The New Republic

“Calasso's book can be seen as a series of spirited improvisations on the theme expressed in Walter Benjamin's essays on Baudelaire: that the poet, though he remained resolutely in the Romantic tradition, was the first to express the dark new reality of what Benjamin called ‘the permanent catastrophe' of life after the Industrial Revolution. Calasso illuminates this image of Baudelaire: the first poet to describe the shocking beauty of a decomposing corpse; to define the mixture of disgust, boredom, alienation, and fear that hung like a permanent fever mist in the brain of the city-dweller; to glory in the allure of the unhealthy, perverse and deformed, of the artificial and mechanical, of dissonance and fragmentation--all the scenery of destruction and despair that would become the natural landscape of writers from Kafka to Sartre and onward . . . Smoothing the way is the curiously conversational tone in which even the most arcane information is conveyed, as well as the underlying sense that, as the author piles detail upon detail, he's having a huge amount of fun. Calasso may identify with his hero, but there is no Baudelairean melancholy in his work. There's no show-off either--only a sincere delight, an innocent reveling in his own encyclopedic mind at play. This mood is catching, and if one adopts the right dreamy pace, one can commune with Calasso through a kind of imaginative osmosis.” ―Andrea Lee, Page-Turner (Newyorker.com)

“[Roberto Calasso is] an ambitious artist-critic, pushing the subject as far as he can, bent on penetrating the mind of both Baudelaire and his time. In the process, he delivers plenty of insight. . . Tough but rewarding, written with bold intelligence and panache.” ―Kirkus

“[Roberto Calasso is] a writer about the foundational myths and tales of human society who has no equal in the sparkle of his storytelling and the depth of his learning . . . His writing . . . these lost voices speak again, in magical, uncanny and something even sinister ways . . . La Folie Baudelaire . . . now published in a translation by Alastair McEwen that captures all the shot-silk hues of Calasso's elegant, gnomic and epigrammatic prose, returns to that 19th-century ‘landscape of the new' through glittering tableaux of the Parisian poet's life and work, and the art of his peers, from Ingres to Degas.” ―Boyd Tonkin, The Independent (London)

“Calasso has the 19th-century savant's light touch in his knowledge of hieroglyphs, Greek myths and Hindu texts, Turkish and Chinese culture and the ‘dandified' behaviour of the American Plains Indian. With chapters headed ‘The Natural Obscurity of Things' and ‘The Fleeting Sense of Modernity,' this well-illustrated volume is not a book for the faint-hearted. It is as red-blooded as art criticism gets, and a suitable encomium for the greatest of art critics.” ―Jad Adams, The Telegraph

“Let us lavish praise where praise is due: Roberto Calasso is the pre-eminent public intellectual of Western Europe, and perhaps the Western world. His extensive writings aim at nothing less than the recovery and reappropriation of the foundations of civilization. And he pursues his aim by reshaping and redirecting our vision toward the often obscure, but profoundly rich, synthesis of art, philosophy, literature and cultural theory that lies at the root of our identities . . . [In La Folie Baudelaire] he turns his formidable intellect to the birth of an era closer to home: the modern . . . [Calasso is] brilliant . . . pervasive in his studies . . . inventive in his narrative structure . . . Always surprising, never predictable, Calasso picks a progenitor of modernity that none of us would suspect . . . Charles Baudelaire, the Parisian enfant terrible, emblem of decadence and damnation to the status quo. Such eccentricity on Calasso's part allows "La Folie Baudelaire" to shine forth as his most accessible, satisfying book . . . to read Calasso's beautiful synthesis of the age in which Baudelaire flourished is to understand the poet as a Virgil to our Dante--exploring the labyrinthine depths of modernity's cult of endless images . . . For we moderns, as Calasso elegantly and authoritatively demonstrates, and as Baudelaire foretold: The future is now.” ―Arlice Davenport, The Wichita Eagle

“Don't expect anything so obvious as a thesis; what we get instead is a companionable guided tour of mid- and late 19th century Paris, loosely organized around Baudelaire, his associates and enthusiasms, and the idea . . . that what we like to think of as the modern sensibility (urban, alienated, etc.) first recognized itself in that time and place. Perhaps not surprisingly, more than a touch of the flaneur hovers over the proceedings. Rambling across decades and art forms, Calasso--a polymathic one-man genre whose previous books have soared in the loftiest realms where culture intersects with ritual and myth--finds room, this time around, for jokes about Belgium and digressions on mistresses and breasts.” ―Jeff Tompkins, PopMatters

“At his best, Calasso is a writer of sufficient force and grace not only to summon the gods, but to make them come. A brief biographical note to Calasso's latest book describes the publication as ‘the sixth panel' of ‘a work in progress.' Calasso has been laboring at this project for 25 years, and his work to date . . . constitutes a major critical accomplishment.” ―Algis Valiunas, The Weekly Standard

“[Calasso] has certainly managed to open a new road through the old landscape of literature.” ―John Banville, The New York Review of Books on Roberto Calasso

“[The Marriage of Cadmus and Harmony] is the kind of book one comes across only once or twice in one's lifetime . . . Is this, then, the work of a Mediterranean genius? Of a genius, that's certain. And it's all Calasso's own . . . I suggest you take a closer look at this book's author, for he, I think, is less mortal than most of us. His book certainly is.” ―Joseph Brodsky on Roberto Calasso

“Calasso is not only immensely learned; he is one of the most original thinkers and writers we have today.” ―Charles Simic on Roberto Calasso

“Roberto Calasso [is] an exceptionally accessible thinker, original and profound . . . [His] creative energy is active throughout [K.]. He claims to present Kafka's work as 'illuminated by its own light,' and succeeds in a unique way.” ―Muriel Spark, The Times Literary on Roberto Calasso

About the Author

Roberto Calasso, publisher of Adelphi in Milan, is the author of many books, among them The Ruin of Kasch, The Marriage of Cadmus and Harmony, Ka, K., and Tiepolo Pink, all parts of a work in progress of which La Folie Baudelaire is the sixth panel.



Alastair McEwen has translated almost ninety books of fiction and nonfiction and seven feature film scripts, as well as radio play adaptations, operative librettos, and many hundreds of articles for various magazines and newspapers. He has also translated some of Italy's finest writers (Calasso, Eco, Tabucchi, and many others). He lives and works in Milan.

Most helpful customer reviews

13 of 16 people found the following review helpful.
A Sainte-Beuve for Our Times
By Kevin Killian
Our book club decided to read this book for its debut meeting, and we met Saturday afternoon, each carrying a copy of Calasso--it is a strangely heavy book, with deep satiny paper that convey sort of well the dozens of period visuals from Ingres and Manet and Delacroix, et cetera, but lugging it around becomes a chore. In addition, the manner in which Calasso constructs his chronicle is, as others have testified, byzantine as a shaggy dog story but ten times as portentous. We had started the book hoping to read a biography of Baudelaire, but that was not to be. It is rather a book of emblems, each page turning inward to reveal another charming anecdote about life between the Empires, and the continual struggle of men to become number one in French Parnassus. At the center of them all, we find eventually, not Baudelaire, but Saunte0Beueve, the professional journalist for whom Calasso has nothing good to say, who wrote long articles on culture that apoeared every Monday morning for decades, who boasted of his election to the Academie Francaise and who relished his position as gatekeeper to culture.

To him Baudelaire was a rogue whose Paris Spleen and a few of the poems from Les Fleurs du Mal were works of genius, but on the whole, like Bartleby, he would prefer not to. Calasso bypasses the discussion for an extended side trip in which he tracks Sainte-Beuve's hilarious response to Flaubert's overheated flop Salammbo, the successor to Madame Bovary and different from it as night from day--well, actually, Calasso reveals, they are more or less the same book, one told in the modernist realism Saint-Beuve valued highly, and the other a novel of a civilization (ancient Carthage) which Flaubert retreated to in an attempt to keep his own interest in writing flagging, like the modernday pornaddict who must keep raising the stakes to feel any excitement whatsoever. Saint-Beuve spread out the attack over three long, delicious Monday articles and oh how Flaubert burned! When Baudelaire wrote privately to Sainte-Beuve to remonstrate, he took an unusual tactic to restore Flaubert's place as the first writer of France, but I mustn't spoil what all of us in the book club saw as the turning point of the story.

Indeed Calasso himself reminds me of Sainte-Beuve. he is definitely the man who knows everything, as my friend Brandon asserted approvingly last night at the ATA. He has every fact at his fingertips, and is especially eloquent on why Sainte-Beuve spoke of "Kamchatka" as the far-off, apocalyptic land on which Baudelaire laid his "folie," That is, through able deconstruction Calasso brings out all the edges and shadows with which educated French men of culture would have seen the terrain of KAmchatka, its position in regards to Asia and Russia, its culture and even its shape, and all this im the service of establishing Sainte-Beuve's own anxiety and perplexity about where, finally, to "place" Charles Baudelaire, the disturber of modern life. And Roberto Calasso's a little like that too. Though he seems like an pantomath, wise and assured, there are some storms he cannot weather.

6 of 12 people found the following review helpful.
A Sanctuary for Some
By Reece Thomas Harris
It is doubtful if you can find any ideas in this book. Rather, the book abounds with encounters which enhance or even build anew our mode of being precisely because the experience shatters our usual categories with which we accost things; and because of this vacuum we have new space to renew our ourselves. Such experiences, in the end, can make us alien to others as is the case for Bauderliare, Mallarme', yes, even Proust. So, should anyone ask, I could not say what this books is about, yet paradoxically it offers much fruit for those willing to pause in their too rapid reading and ponder as they read.. The text of this book is stretched on a warp of many startling quotations which in themselves might inspire us to yield to the "great temptation to recreate true life."--Proust, (p.275). These many quotations are difficult reading, but for me are the veritable heart of this book woven deftly together by Calasso's own text.

Sainte-Beuve (p.260) asserts Baudelaire built an outpost, a veritable Romantic Kamchatka which Sainte-Beuve christens as 'Baudelaire's folly.' The essential insight is that the inhabitants on this island outpost are in this world, but not of it. The have departed from the midst of those who live in the wide and shallow consciousness of the Many for this ``bizarre pavillion, a folly, high decorated, highly tormented, but graceful and mysterious. . .''---Reece Harris.

7 of 17 people found the following review helpful.
Steinerian chutzpah without a safety net
By Simon Barrett 'Il Penseroso'
Calasso says that everyone wants to put Baudelaire in the same category as themselves. I find him operatic verging on Grand Guignol, which isn't me at all. Calasso can be infuriating. There's a distinct element of mumbo-jumbo* about him, as indeed there is about Baudelaire himself, not to mention the entire Romantic movement (Baudelaire is a Romantic or he is nothing; I'm more of a Rimbaldian), but mercifully this is mainly about Baudelaire the art critic. Those who stay the course may learn much (it may help to be a Francophile first). At school, according to Calasso, the only thing Baudelaire was good at was Latin composition. 'All his poetry is as if translated from a dead, nonexistent tongue, blended with Virgil and Christian liturgy.' We don't have to agree to find this mighty suggestive. Sumptuously illustrated, but I fear more destined to be leafed through than read

* viz page 21: 'on countless occasions we sense Proust extending Baudelaire's progression and sonority'; no examples cited - and what on earth does 'extending progression' mean? It might be fairer to say that Baudelaire brought out the worst in Proust (not in his magnum opus, of course). On the other hand I look forward to Calasso's Proust book should he be contemplating such; it is impossible to write a bad book on Proust, I long ago concluded. Jonathan Franzen should probably read Proust and give up fiction. I cite Franzen because Freedom is the only ambitious modern American novel I've read

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Ghetto: The Invention of a Place, the History of an Idea, by Mitchell Duneier

A five-hundred-year story of exclusion and containment, from the first Jewish ghetto to the present

On March 29, 1516, the city council of Venice issued a decree forcing Jews to live in a closed quarter, il geto―named for the copper foundry that once occupied the area. The term stuck, and soon began its long and consequential history.

In this sweeping account, Mitchell Duneier traces the idea of the ghetto from its beginnings in the sixteenth century and its revival by the Nazis to the present day. We meet pioneering black thinkers such as Horace Cayton, a graduate student whose work on the South Side of Chicago established a new paradigm for thinking about Northern racism and black poverty in the 1940s. We learn how the psychologist Kenneth Clark subsequently linked the slum conditions in Harlem with black powerlessness in the civil rights era, and we follow the controversy over Daniel Patrick Moynihan’s report on the black family. We see how the sociologist William Julius Wilson refocused the debate on urban America as the country retreated from racially specific remedies, and how the education reformer Geoffrey Canada sought to transform the lives of inner-city children in the ghetto.

By expertly resurrecting the history of the ghetto from Venice to the present, Duneier’s Ghetto provides a remarkable new understanding of an age-old concept. He concludes that if we are to understand today’s ghettos, the Jewish and black ghettos of the past should not be forgotten.

  • Sales Rank: #28525 in Books
  • Published on: 2016-04-19
  • Released on: 2016-04-19
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.24" h x 1.06" w x 6.34" l, 1.00 pounds
  • Binding: Hardcover
  • 304 pages

Review

A New York Times Book Review Editors' Choice

A Best Book of April, The Christian Science Monitor

Staff Pick, Publishers Weekly

"Stunningly detailed and timely . . . In Duneier's impressive and comprehensive volume, readers will find a greater sense of the complexity of America's problem of racial inequality, as well as the urgency―practical and moral―of solving it." ―Khalil Gibran Muhammad, The New York Times Book Review

"Brilliant . . . [Duneier's] concerns are born from profound sociological and historical understanding. His book is an incisive, balanced yet commendably biting account of the unfinished history of the ghetto." ―Jerry Brotton, The Wall Street Journal

"[Ghetto is] a history of the concept which also serves as an argument for its continued usefulness. Duneier is a sociologist, too, sensitive to the sting of 'ghetto' as an insult. But for him that sting shows us just how much inequality we still tolerate, even as attitudes have changed . . . Duneier’s book makes it easy to see how, through all these changes, black ghettos in America have remained the central point of reference for anyone who wants to understand poverty and segregation." ―Kelefa Sanneh, The New Yorker

"A searing and searching examination of the political and cultural history at the root of this powerfully evocative and inflammatory term." ―David M. Shribman, The Boston Globe

"As [Duneier's] fine book demonstrates, the meaning of 'ghetto' has changed over time, responding to political circumstances . . . His rich intellectual history of the ghetto raises important questions about how we might address the plight of its residents." ―Aram Goudsouzian, The Washington Post

"Beautifully written . . . [Duneier] is our most acute observer of [the ghetto's] history." ―Mario L. Small, The Chronicle of Higher Education

"Duneier's intellectual biographies sparkle with revealing details . . . Duneier offers one of the best―and certainly the most readable―accounts of the transformation of American sociological thinking on race. Like the most accomplished intellectual biographers, he situates his subjects in fierce debate with their contemporaries and with each other . . . [Ghetto] is a provocative and often brilliant history of urban sociology and public policy." ―Thomas J. Sugrue, Bookforum

"An arresting, listen-up synthesis of ghetto-living theory and practice over its 500-year history; particular emphasis is paid to the last century, when ghettoes shape-shifted with alarming speed. You emerge with an oh-so-better understanding of the forces that fashioned the ghetto." ―Peter Lewis, The Christian Science Monitor

"Mitchell Duneier's Ghetto is a badly needed and rich historical analysis. In his subtle treatment of towering figures such as Horace Cayton, Kenneth Clark, William Julius Wilson, and Geoffrey Canada, Duneier helps us discern the insights and blindnesses of policies that seek to empower poor people." ―Cornel West

"One of America's preeminent ethnographers, renowned for his exquisite close-focus portraits of the deprived in our cities, now zooms out to wide-angle intellectual history. Tracing the concept of 'the ghetto' from its tangled roots in early modern Italy to its genocidal implementation by the Nazis in Warsaw and its contemporary embodiment in poverty-stricken, subjugated American central cities, Mitchell Duneier offers subtle, unexpected insights into the contours and consequences of race-based residential segregation." ―Robert D. Putnam, author of Bowling Alone and Our Kids

"In Poland in 1949, W.E.B. Du Bois recognized the 'Negro problem' in the former Warsaw ghetto, drawing a parallel Mitchell Duneier explores with discernment. Focused on particular thinkers in particular times, Ghetto reveals how social science actually operates. The result: a brilliant combination of breadth and sharpness, of thought-provoking questions and clear-sighted answers, of Jews and blacks in cities across the Western world."―Nell Irvin Painter, author of The History of White People

"In this ingenious and riveting book, Mitchell Duneier reveals that social scientists were as important as structural racism, urban policy, and economic forces in creating what we’ve come to know as the modern ghetto. The story of the ghetto's invention is chock-full of misinterpretations, intrigues, and analytical breakthroughs. Revisiting the often elusive relationships between the medieval Jewish ghetto, the Nazi-created ghetto, and the open-air prisons we call the black ghetto, Duneier turns prevailing wisdom on its head, warning us that what we think of as 'ghetto fabulous' may, in fact, be fabulations." ―Robin D. G. Kelley, author of Freedom Dreams: The Black Radical Imagination

"Mitchell Duneier's book on the ghetto explores both the place and the thinking it has inspired. He tells the story of a reality that will not go away. His writing is never superficial, always clear, and sometimes deeply moving. To understand the American city, you need to read this book." ―Richard Sennett, author of The Craftsman and The Fall of Public Man

"Mitchell Duneier's book should be read by anyone who wants to understand the history of the ghetto and how our thinking about race has developed. For many, it will be the equivalent of Robert Heilbroner's The Worldly Philosophers, which introduced readers to the history of economic thought―it displays a similar gift for narrative, appraisal, and analysis. In light of recent events in Ferguson, Baltimore, and elsewhere, and the emergence of the Black Lives Matter movement, this book could not be more timely." ―Paul Starr, author of The Social Transformation of American Medicine

"A magisterial recovery of a repudiated concept that brings much needed historical awareness to the idea and the reality." ―Barbara Kirshenblatt-Gimblett, Chief Curator, Core Exhibition, POLIN Museum of the History of Polish Jews, Warsaw

"A wholly new perspective on the ghetto." ―Kenneth Stow, author of Theater of Acculturation: The Roman Ghetto in the Sixteenth Century

"A major work of original historical research and contextualization that is destined to become a classic." ―Benjamin C. I. Ravid, Jennie and Mayer Weisman Professor Emeritus of Jewish History, Brandeis University

"A brilliant if sobering exploration of how the mental architecture of stigma and confinement has imposed itself." ―Patricia J. Williams, James L. Dohr Professor of Law, Columbia Law School

"A careful and wide-ranging intellectual history of the ghetto. We need this book." ―Jonathan Holloway, Dean of Yale College

"The rise of economic inequality has become a staple of policy debates and stump speeches. Less visible is the way the rise has altered the landscape of America’s urban neighborhoods . . . [Ghetto] should help change that." ―Patrick Sharkey, The Atlantic

"Duneier considers the ghetto to be a useful sociological concept . . . and has worked hard to bring us its abundant history . . . Using new and forgotten sources, Duneier’s book is a valuable examination of black ghettos in America from 1944 to the present." ―Dusty Sklar, Jewish Currents

"There are no magic solutions in Ghetto, but the book makes it clear that any attempt to undo the disenfranchisement of the ghetto will have to wrestle with the restrictions based on race, income and wealth that built its walls in the first place." ―Naomi Gordon-Loebl, The Washington Spectator

"Noted sociologist Duneier uncovers the intellectual and sociological history of how the word ["ghetto"] evolved . . . The narrative moves seamlessly from the 1940s through 2004, with plenty of history and future thinking peppered in-between . . . [Ghetto] is timely and important." ―Rebecca Vnuk, Booklist

"In his timely history of the black American ghetto and the thinkers who theorized and defined it, Princeton sociologist Duneier resuscitates the 'forgotten ghetto' and the various ways it was understood . . . [a] far-reaching and incisive study." ―Publishers Weekly (starred review)

"[E]ffectively merges scholarship with a journalist's eye for detail . . . [Ghetto] deserves a wide readership."―Kirkus Reviews

About the Author
Mitchell Duneier is the Maurice P. During Professor of Sociology at Princeton University and the author of the award-winning urban ethnographies Slim’s Table and Sidewalk.

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9 of 10 people found the following review helpful.
Jewish ghetto? Who knew?
By Terry Teacher
This book resonated with me on so many levels: Black scholars defining/illuminating my childhood home (the ghetto); becoming aware that the ‘ghetto’ originated with the Jews centuries ago; while the Jewish ghetto was more one of group solidarity - people thriving within their culture - the African American (AA) ghetto was/is more like a prison/encampment with pretty much no opportunity to get out (e.g. generational); more information on restrictive covenants (who knew) and how they were demonically planned to keep Black folks in very small dense communities with hardly any services (the results of which still impact our communities today); how AA have not been thought of as humans (kinda knew but when you hear more proof…whoo) since forever; how the government, including colleges and powerful national outside organizations, were complicit (knew this too but again more proof) in systematically and diabolically upholding the draconian policies and unfair real estate planning practices.

The author juxtaposes the Jewish ghetto where people ‘simultaneously suffered and flourished’ and were able to move far away from their ghetto and fellow Jews, with the AA ghetto and how they were unable to ‘break through restrictive covenants (in addition to red lining and the rest) to the borders of existing neighborhoods’; offering limited opportunities no matter how successful. “ … black settlement patterns were unnatural and based on white aspirations to racial purity. They did not resemble those of other ethnic and racial groups.”

I especially appreciated how Duneier framed and enlightened ‘the ghetto’ term, as it relates to blacks, from mainly AA scholars’ perspectives. As he himself stated: “It’s little recognized that the term embodies some of the most brilliant work in the history of the social sciences, much of which was contributed by black scholars such as those presented in these pages.” As a social worker myself I smiled when I read about how the first scholar presented, Horace Clayton, actually did field-work (the right way) with over 200 interviewers (supervised by 20 graduate students) –in the Black neighborhood to learn about and get information on Black people!

This book brilliantly elucidates these scholars’ views on the AA ghetto, based on research and the people who lived there as well as offering recommendations and opinions on the best way to better the ghetto or move people out of it. Although, over the years, there have been many views and opinions on how to support/help the inhabitants of the ghetto there’s obviously not a quick fix and we need to keep that in perspective. It took us centuries to get into this position it may take us that long to untangle it…. hope not though.

Finally, really glad I was exposed to this author at a book reading in Baltimore at Sheppard Pratt Library. This quote reflects American ghetto sentiments best: “Above and beyond racism, this ability of the American people to compartmentalize, to live with moral dissonance, is the crucial underlying foundation of the forgotten ghetto.”

4 of 4 people found the following review helpful.
An outstanding book
By Van C. Tran
This book is a sweeping treatment and an insightful intellectual history of the concept of the "ghetto". It contains an excellent mix of sociological knowledge that is essential to the debate on urban poverty and the nuanced details of the concept's emergence and use over time both in Europe and in the U.S. A must-read for all scholars of urban poverty, race and inequality!

1 of 1 people found the following review helpful.
Their stories provide a layered narrative that is one more lens - and an important one - in which to view the history of racial
By Paul
Mitchell Duneier’s book Ghetto: The Invention of a Place, the History of an Idea is an important and powerful contribution to the national story of race, place, and inequality in America. Where others have documented the power struggles, policy failures and political motivations behind America’s enduring legacy of racial apartheid, Duneier documents the history of the American black ghetto as a social, psychological and physical construct and follows the work of African American scholars Horace Cayton, St. Clair Drake, Kenneth Clarke, and William Julius Wilson as each of these intellectual luminaries interact with the world of academia, politics, culture, national policy and the ghetto communities of Chicago and New York. Their stories provide a layered narrative that is one more lens - and an important one - in which to view the history of racial segregation in America and to better understand its impact on American society as a whole including our current political dysfunction, policy failures and our inability to respond effectively - or even speak coherently - about the intersecting issues of racial justice and economic inequality.

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Sunday, January 11, 2015

! Free PDF Monsters: The 1985 Chicago Bears and the Wild Heart of Football, by Rich Cohen

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Monsters: The 1985 Chicago Bears and the Wild Heart of Football, by Rich Cohen

Monsters: The 1985 Chicago Bears and the Wild Heart of Football, by Rich Cohen



Monsters: The 1985 Chicago Bears and the Wild Heart of Football, by Rich Cohen

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Monsters: The 1985 Chicago Bears and the Wild Heart of Football, by Rich Cohen

The gripping account of a once-in-a-lifetime football team and their lone championship season

For Rich Cohen and millions of other fans, the 1985 Chicago Bears were more than a football team: they were the greatest football team ever―a gang of colorful nuts, dancing and pounding their way to victory. They won a Super Bowl and saved a city.

It was not just that the Monsters of the Midway won, but how they did it. On offense, there was high-stepping running back Walter Payton and Punky QB Jim McMahon, who had a knack for pissing off Coach Mike Ditka as he made his way to the end zone. On defense, there was the 46: a revolutionary, quarterback-concussing scheme cooked up by Buddy Ryan and ruthlessly implemented by Hall of Famers such as Dan "Danimal" Hampton and "Samurai" Mike Singletary. On the sidelines, in the locker rooms, and in bars, there was the never-ending soap opera: the coach and the quarterback bickering on TV, Ditka and Ryan nearly coming to blows in the Orange Bowl, the players recording the "Super Bowl Shuffle" video the morning after the season's only loss.

Cohen tracked down the coaches and players from this iconic team and asked them everything he has always wanted to know: What's it like to win? What's it like to lose? Do you really hate the guys on the other side? Were you ever scared? What do you think as you lie broken on the field? How do you go on after you have lived your dream but life has not ended?

The result is Monsters: The 1985 Chicago Bears and the Wild Heart of Football, a portrait not merely of a team but of a city and a game: its history, its future, its fallen men, its immortal heroes. But mostly it's about being a fan―about loving too much. This is a book about America at its most nonsensical, delirious, and joyful.

  • Sales Rank: #161878 in Books
  • Brand: Farrar, Straus and Giroux
  • Published on: 2013-10-29
  • Released on: 2013-10-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.33" h x 1.27" w x 6.46" l, 1.24 pounds
  • Binding: Hardcover
  • 352 pages
Features
  • Great product!

Amazon.com Review

An Amazon Best Book of the Month, November 2013: Monsters: The 1985 Chicago Bears and the Wild Heart of Football is a touching portrait of what is arguably one of the best--and most colorful--football teams ever. But Rich Cohen, better known as an essayist and editor than a sports writer, brings together an oral history of the Bears (featuring many well-known football figures, including Coach Mike Ditka), the evolution of the game and the league, and glimpses of his own childhood growing up in Chicago into a seamless narrative. Monsters is one of those rare books that transcends its topic without surrendering its enthusiasm for it. Cohen's perspective is both cogent and ambivalent. For example, he describes the quaterback as "a man in pain." He writes, "Via his suffering, we witness our own suffering at a safe remove. We eat chips and drink beer as he's lacerated, stepped on, stomped, taunted, concussed." Monsters is the rare sports book you can recommend to a non-fan as well as the biggest die hard. Really, you could recommend it to anyone who would enjoy a beautifully written, deeply human story. --Kevin Nguyen

From Booklist
Just when no more words could be added to the legacy of one of the great NFL teams of all time—the 1985 Chicago Bears—here’s another title to reanimate the likes of Walter Payton, Jim McMahon, Mike Singletary, Mike Ditka, Buddy Ryan, and the other players and coaches who made that team so dominant. Cohen (The Fish That Ate the Whale, 2012) does a good job drawing a line from the founding of the team (and the NFL!) by George Halas more than 100 years ago, to the innovations Papa Bear employed to win eight NFL championships, to the hiring of the volatile Ditka to restore a culture of winning to the Bears. The historical context enriches the book, as do Cohen’s explanation of the team’s groundbreaking “46” defense, his lively interviews with principals, and his analyses of what went right with the team, and, in subsequent years, what went wrong. The author too often gets in his own way—“In 1983, I made out with Christine Connor on the grass behind North School” (!)—but not enough to keep this engaging account out of the hands of eager football fans. --Alan Moores

Review

“Every year brings a Super Bowl, World Series, NBA, and Stanley Cup champion. All are duly noted and celebrated. But a memorable few have greater and more lasting resonance, a standing that excellence alone cannot explain. The 1985 Chicago Bears were such a team, a mélange of talents and outsize personalities that captivated and embodied a city. Rich Cohen experienced it as an obsessed seventeen-year-old. Almost three decades on, he remains obsessed--entertainingly and insightfully so, but obsessed nonetheless. His combination of reporting and remembrance is by turns evocative, revealing, quirky, and funny as hell--or at least as funny as Gary Fencik doing the Super Bowl Shuffle.” ―Bob Costas

“For anyone from Chicago, or anyone with any sense, the '85 Bears are the best team there ever was, and Rich Cohen has written the book we've always wanted. It's got all the people you want to hear from: Ditka, McMahon, Singletary, Wilson, Fencik, and, thank God, the incomparable and too-often-forgotten Doug Plank. This book--full of soul and searching, and also knock-you-down funny--is not just a great sports book, not just a great Chicago book, but a great book, period.” ―Dave Eggers, who grew up two miles from the Bears practice facility

“Rich Cohen's Monsters is the best book on professional football I know--the best because the most truthful.” ―Joseph Epstein, The Wall Street Journal

“A riveting account of one of football's most iconic teams, the 1985 Chicago Bears, features frank interviews with the players and coaches.” ―People Magazine

“As much as it is about the '85 Bears, Monsters is an emotional education of football and ‘the Stone Age pleasure of watching large men battle to the point of exhaustion.' At one point, Cohen attributes Halas for the development of football's emphasis on the passing game: ‘It was Halas, as much as anyone, who invented the modern NFL offense and lifted the game from the ground into the air.' You can't help but think that Cohen's doing the same thing here for sports narratives.” ―Kevin Nguyen, Grantland

“Entire forests have given their lives to the pursuit of the truth about Mongo, the Fridge, Danimal and other larger-than-life characters on Da Coach's rambunctious squad. The search ends with Monsters: The 1985 Chicago Bears and the Wild Heart of Football, out this week . . . Author Rich Cohen was a 17-year-old New Trier High School senior as the Bears were laying waste to the NFL in 1985 . . . his quest to understand the attraction 28 years later makes for a story that reflects Chicago--rough, tough and defiant to a man, the '85 Bears are the embodiment of this city's self-image . . . It is Cohen's skillful compilation and shrewd interpretation of the total package that make the book work. He combines intelligence and insight with a reporter's eye for detail and a novelist's writing chops . . . What Cohen's book does better than its predecessors is transform its subjects from cartoon characters--think Mongo McMichael's boozy gentlemen's club commercials--into real people with talents, flaws, loves, hates, fears, pleasures, anxieties, joys .?.?. human beings, just like the rest of us, only bigger, faster, stronger, tougher, braver, etc.” ―Dan McGrath, The Chicago Sun-Times

“Rich Cohen writes the best stuff--people, scenes, sentences, drunks, big men, fine women, jokes, impressions, secrets--in America.” ―David Lipsky, author of Although of Course You End Up Becoming Yourself

“The Chicago Bears are one of the most fascinating franchises and compelling stories in football. From Mr. Halas to Mr. Ditka, from the Fridge to McMahon, it's been one of the wild rides of the NFL. Rich Cohen has captured the spirit of a team and an era, its heart and mind, its great triumphs. It's a wonderful story filled with characters with character. It doesn't get any better.” ―Joe Theismann, Super Bowl–winning quarterback, Washington Redskins

“Monsters is a remarkable book, beautifully written, but that's beside the point. You think you're going to read a football book but you wind up reading about America, about who we are--you and me--and even why. And Rich Cohen has accomplished this feat through portraits of some of the greatest characters ever to have charged onto a football field and then left it.” ―Ira Berkow, winner of the Pulitzer Prize

“Rich Cohen wrote it his own bleeping way and the result is a monster of a book. I'm a Packers guy, but I respect the Bears, our oldest rivals, and loved this book.” ―David Maraniss, author of When Pride Still Mattered

“The triumphant and tragic saga of the 1985 Chicago Bears and the aftermath of their historic championship season is a subject worthy of epic poetry. In Rich Cohen, the Monsters of the Midway have found their bard. Joyous yet mournful, inspirational yet irreverent, celebratory yet unsparing, Cohen's Monsters is an Aeneid for football lovers, blowin' our minds just like we knew it would.” ―Adam Langer, author of Crossing California, The Thieves of Manhattan, and The Salinger Contract

“A fan's engaging yet ultimately melancholy love letter to his beloved team and his hometown. 'Pick your team carefully, because your team is your destiny.' Vanity Fair and Rolling Stone contributor Cohen's father's solemn advice can be easily understood by sports fans. However, other readers will enjoy this entertaining, if profane, history of the 1985 NFL champion Chicago Bears . . . Cohen's telling of the Bears' founding and its tradition of nastiness is by turns devastating, regarding the irreparable harm done to players' bodies and minds, and moving, as when he explains that Hall of Fame running back Walter Payton was 'Chicago as Chicago wanted to be: a fighter . . . who's been knocked down but always gets back up.' Cohen thankfully avoids sentimentality and doesn't bog readers down in lengthy game reports or analyses. The author is at his best in the interviews with 32 retired players and executives who offer their impressions of the Bears' famed '46' defense, 'the most devastating force in football,' and its characters, including the Hit Man, Mongo, the Black & Blues Brothers and, most famously, the Fridge. Ideal for Chicagoans, both casual and die-hard sports fans and anyone who wonders, 'What happens when you have a dream and that dream comes true?'” ―Kirkus

“I just finished a book [Monsters] I thought was pretty close to perfect. Which simply means Rich Cohen picked a subject that matters to me and wrote exactly the book I wanted to read about it . . . Cohen writes one strong, creative sentence after another . . . Because the author understands football, he asks the former Bears intelligent questions and they open up to him. His explanation of Buddy Ryan's fabled 46 defense beats anything I'd read before.” ―Michael Miner, The Chicago Reader

“Whether you're a Bears fan or not, [Monsters] will entertain you a great deal. Cohen is an interesting writer, and the '85 Bears were a very interesting team. Sports fans will really enjoy it, but even those who don't much care about the NFL will similarly find it unputdownable.” ―John Tamny, Forbes

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36 of 41 people found the following review helpful.
"It was a collection of oddballs and characters."
By Jill Meyer
As I read Rich Cohen's book about the 1985 Chicago Bears, I looked for various comments or phrases to use as the title of my review of the book. After jotting down quite a few, I settled on one made by Cris Collinsworth, wide receiver for the Bengals in the 1980's. He played against the Bears in several games during his career and was well aware of the talent and the- uh - idiosyncracies displayed by most of the Bears' players and management. And the team's rabid fans, too; mostly Chicagoans who lived with broken promises from their sports teams through the years. We looked at the Bear teams of the 1980's with an almost pathetic yearning for...championship. And in the Superbowl of 1986, played in New Orleans, the team, the fans, and the city received that trophy.

I lived in Chicago in those years and was a long-suffering fan. So was author Rich Cohen, who has written many fine works of non-fiction. Some readers of this book might mind his inserting himself, family, and friends into his book, but for me, it just felt right. Because Cohen uses a bit of his own history to explain the agonies of the Bears fans and supporters, and writes an excellent book on just how the Bears reached the Super Bowl in that single year and how they, then, lost their way.

And by putting that wonderful year in the context of the city and the history of football, he lends the book a perspective missing from most books on sports.

Pro-football grew out of college football in the 1920's. Most players left the game after leaving college but some visionaries like George Halas saw the potential for pro-leagues. The first pro teams tended to be put on by companies, eager to put their names and products out into the media. Hence, the "Decatur Staleys", a team from Decatur, Illinois that later evolved into the Chicago Bears. (The Staley company made food starch - don't ask, but somehow the owners thought that having a pro football team might be a good sales tool.) George Halas took the Bears and made one of the league's premier teams. Halas was a football genius with a particular talent for getting - and, in general - keeping good players in his 50 or so years as the team's owner and manager. His team had championship seasons, but, basically, since the mid 1960's the team had been in the doldrums. Cohen does a good job of defining George Halas - helped along with Mike Ditka's comments about his legendary cheapness. But Halas wasn't only cheap with Ditka; he was certainly careful-with-the-coin for later players and team employees.

But most of Cohen's book deals with that marvelous 1985 season. Cohen doesn't mention the fact that the team lost three out its four preseason games, giving the fans little to look forward to in the on-going season. But as the games were played and the "46 defense" won with the help of the Jim McMahon-led offense, the players and everyone else began to think, "okay, maybe this IS the year". Only a loss in the final regular season game against the Dolphins marred the winning record. And maybe that loss helped center the team as it moved into the playoffs, and then Super Bowl XX.

Rich Cohen's book is a wonderfully readable book about men - George Halas, Mike Ditka, Buddy Ryan - as leaders and about men - Jim McMahon, Steve McMichael, among others - as those who carried out the plays called by those leaders. Or who didn't carry them out, as often was the case with the "Punky QB", Jim McMahon. One of the most touching anecdotes concerned Walter Payton and his deep distress about not being able to score in the Super Bowl. Both Ditka and McMahon say they had no idea during the game itself how important it was to Walter to be given that opportunity. It was only afterward, after seeing the running back sobbing in the locker room, that they realised what it meant to him.

This is a book for Chicagoans of a certain age, football fans, and anyone who just loves reading about sports.

22 of 24 people found the following review helpful.
real deal NFL
By MAXIMILLIAN MUHAMMAD
the real deal NFL. this was back when the NFL was hit as hard as you wanted to hit and no shame in the game. that Bears team from 85 is the single best Defensive team that i have ever seen. that one year run was scary. they were carting off Quarterbacks like it was no tommorow. you can't imagine that today. and what a cast of Character including there head coach Mike Ditka and a Defensive coach in Buddy RYan whose two sons have made a name for themselves in the modern NFL. Walter Payton one of the Greatest Running backs and Players ever. Jim Mcmahon was a trip out Quarterback. William the fridge Perry was something else. RIchard Dent and Mike SIngleterry who is one of the only Linebackers that i have ever seen who hit guys with his eyes wide open. and who can forget the "Super Bowl Shuffle"?? the only thing a bit amazing is that they didn't win another ring, however for One year they were unlike any other Pro Football team and they made statements every sunday.

13 of 16 people found the following review helpful.
A great book period
By Gene Taft
A great book about the NFL, past and present, but more than just "another sports book." Beyond the great sports stories, MONSTERS is also a wonderful coming of age memoir that reminds us all what it's like to be young and stupid, caring about the wrong things, but being utterly helpless to stop caring. If you've ever been a "fan"atic about anything, you'll enjoy this book and if you're not careful you might even learn a thing or two about the game of football. At the very least you'll probably have the Super Bowl Shuffle song stuck in your head for a few days. What are you waiting for, buy the book already!

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