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Monday, December 15, 2014

! PDF Ebook The Lady with the Borzoi: Blanche Knopf, Literary Tastemaker Extraordinaire, by Laura Claridge

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The untold story of Blanche Knopf, the singular woman who helped define American literature

Left off her company’s fifth anniversary tribute but described by Thomas Mann as “the soul of the firm,” Blanche Knopf began her career when she founded Alfred A. Knopf with her husband in 1915. With her finger on the pulse of a rapidly changing culture, Blanche quickly became a driving force behind the firm.

A conduit to the literature of Langston Hughes and the Harlem Renaissance, Blanche also legitimized the hard-boiled detective fiction of writers such as Dashiell Hammett, James M. Cain, and Raymond Chandler; signed and nurtured literary authors like Willa Cather, Elizabeth Bowen, and Muriel Spark; acquired momentous works of journalism by John Hersey and William Shirer; and introduced American readers to Albert Camus, André Gide, and Simone de Beauvoir, giving these French writers the benefit of her consummate editorial taste.

As Knopf celebrates its centennial, Laura Claridge looks back at the firm’s beginnings and the dynamic woman who helped to define American letters for the twentieth century. Drawing on a vast cache of papers, Claridge also captures Blanche’s “witty, loyal, and amusing” personality, and her charged yet oddly loving relationship with her husband. An intimate and often surprising biography, The Lady with the Borzoi is the story of an ambitious, seductive, and impossibly hardworking woman who was determined not to be overlooked or easily categorized.

Sales Rank: #85754 in Books
Published on: 2016-04-12
Released on: 2016-04-12
Original language: English
Number of items: 1
Dimensions: 9.25" h x 1.38" w x 6.31" l, 1.00 pounds
Binding: Hardcover
416 pages

Review

"Claridge is the first to bring Blanche Wolf Knopf fully out of the shadows in this meticulous, groundbreaking biography . . . Claridge illuminates a radiant facet of American publishing and women’s history as she portrays Blanche Knopf in all her brainy and aesthetic glory and elegant fortitude." ―Booklist (starred review)

"[Claridge] manages to synthesize an enormous amount of research and biographical information to paint a complete picture of a complex figure. Packed with interesting literary anecdotes, this biography reveals a powerful woman who played an integral role in 20th-century publishing." ―Publishers Weekly

"Claridge's lucid and sympathetic portrait of an unconventional and path-breaking woman mired in a marriage that left her emotionally bereft but professionally empowered, will resonate with any reader who, like Blanche Knopf, has ever found salvation in books." ―Emily Bingham, author of Irrepressible

"At turns reviled and adored, fragile and invincible, free and shackled, Blanche Knopf was often denied credit for the success of the publishing firm she founded with her husband, and that bears his name alone. Laura Claridge’s biography of a woman and the books she loved shows in particular how much French existentialism and hard-boiled detective fiction owe to Blanche Knopf’s daring, independent vision. With a winning eye to detail, with empathy and wit, Laura Claridge gives Blanche Knopf her hard-earned seat at the high table of literary modernism." ―Alice Kaplan, author of Dreaming in French

"Blanche Knopf emerges as a revelation in this first biography: Elegant, highly strung, unappreciated and lonely in her marriage, she was a brilliant editor, a writer’s best reader, and essential to the creation of the great house of Knopf. No Blanche, no Knopf." ―Dorothy Gallagher, author of Lillian Hellman: An Imperious Life

"A fascinating look at Blanche Knopf . . . Filled with insights into the literary intrigues of the times and Blanche's careful handling and promotion of 'her' writers as well as the house's authors, this biography is highly recommended to readers who are interested in modernist literature, American literature, publishing, and creative writing." --Pam Kingsbury, Library Journal (starred review)

"[A] remarkable life story . . . Capacious and engaging . . . In The Lady with the Borzoi, Claridge triumphantly restores Blanche Knopf’s central place in 20th-century publishing history." --Catherine Hollins, Book Page

"If you've ever struggled with the task of composing a guest list for the ultimate fantasy dinner party, Laura Caldridge's biography of Blanche Knopf...will show you whom to put at the head of your table...[A] textured portrait" --Liesl Schillinger, New York Times Book Review

"Claridge has written a deeply researched biography of an important but often unacknowledged publisher." --Editor's Choice, New York Times Book Review

"An intimate, nuanced, and complex portrait of Blanche Knopf . . . [Claridge's research] lends the book both authority and authenticity. The writing style isaccessible, evocative, and frank, and underpinned by significant scholarship." ―Linda F. Burghardt, Jewish Book Council

"In her biography, Laura Claridge builds a compelling case that it was Blanche, far more than Alfred, who was responsible for that superiority, who pursued and persuaded writers to sign on―often for low salaries and pitiful advances―for the sake of the firm’s reputation and for her own devoted personal attention." ―Joanna Scutts, The New Republic

"A long-overdue acknowledgment of the pioneering role Blanche [Knopf] played at a time when women were nearly invisible in the business world." --Charles McGrath, The New Yorker

"Claridge’s biography has a clear, polemical, and sympathetic aim: to recuperate Blanche Knopf’s position as a giant in modern publishing, despite the efforts of her husband to obscure and minimize her role. This couldn’t be more timely . . . Blanche is now the subject of an admiring, dutiful, full-length biography . . . Blanche’s story, told by Claridge, astonishes."--Josh Lambert, Los Angeles Review of Books

About the Author
Laura Claridge’s books include Tamara de Lempicka: A Life of Deco and Decadence; Emily Post: Daughter of the Gilded Age, Mistress of America; and Norman Rockwell: A Life. A frequent contributor to The Wall Street Journal, Vogue, The Boston Globe, the Los Angeles Times, The Christian Science Monitor, and other publications, she lives in the Hudson Valley.

Most helpful customer reviews

0 of 0 people found the following review helpful.
Would have been a really excellent book with a different author
By Omi Cantor
The lady with the Borzoi was missing a decent author.Would have been a really excellent book with a different author. She did not due justice to the life of Blanche Knopf- never asked a follow up question. Topic outstanding - hope a better author chooses to write the story.

1 of 1 people found the following review helpful.
Five Stars
By ALBERTO VITALE
compelling and historically important

0 of 0 people found the following review helpful.
... fascinating inside story of much of the 20th Century's great literature and the people who made it possible
By Patience Huntwork
The fascinating inside story of much of the 20th Century's great literature and the people who made it possible.

See all 17 customer reviews...

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Saturday, December 13, 2014

! Ebook Letters from Black AmericaFrom Farrar, Straus and Giroux

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Letters from Black America fills a literary and historical void by presenting the pantheon of African American experience in the most intimate way possible—through the heartfelt correspondence of the men and women who lived through monumental changes and pivotal events, from the 1700s to the twenty-first century, from slavery to the war in Iraq. The first-ever narrative history of African Americans told through their own letters, this book includes the thoughts of politicians, writers, and entertainers, as well as those of slaves, servicemen, and domestic workers. From a slave who writes to his wife on the eve of being sold to famous documents like Martin Luther King, Jr.’s “Letter from Birmingham Jail,” these writings illuminate struggles and triumphs, hardships and glory, in the unforgettable words of the participants themselves. Letters from Black America is an indispensable addition to our country’s literary tradition, historical understanding, and self-knowledge.

Sales Rank: #1185906 in Books
Published on: 2009-02-03
Released on: 2009-02-03
Original language: English
Number of items: 1
Dimensions: 9.27" h x 1.31" w x 6.37" l, 1.44 pounds
Binding: Hardcover
400 pages

From Publishers Weekly
With nearly 200 letters arranged chronologically under broad rubrics (e.g., Family, Courtship and Romance, Politics and Social Justice, Across the Diaspora), Newkirk (Within the Veil) sets out to offer “a sweeping narrative history of the Black American experience.” That is too large a claim—only 16 letters precede the end of the Civil War, and Newkirk's principle of selection is unclear. Public letters (Benjamin Banneker to Thomas Jefferson, Phillis Wheatley to George Washington, James Baldwin's letter to his nephew, Martin Luther King Jr.'s letter to white clergymen) are essential, but Newkirk's bland section introductions do little to set a context for particular letters, though the head notes are generally useful. About half of the letters were written between 1900 and 1940, but the book is up-to-date on the Obama campaign with letters from Rev. Wright and Toni Morrison. This is an instructive, moving—even delightful—primer on the myriad facets of African-American private and public life.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From School Library Journal
Adult/High School—This superb collection of more than 200 letters ranges widely in time, subject matter, and language, and as a unit it adds immeasurably to the singular story of a people, expressing in the most intimate terms the hopes, fears, struggles, tragedies, and triumphs of African Americans. From slavery to post-9/11, from Phillis Wheatley to Barack Obama, the book gathers correspondence from politicians, writers, and academics, as well as slaves, sharecroppers, servicemen, and domestic workers. Many well-known names are included: Martin Luther King, Jr., Booker T. Washington, W.E.B. Du Bois, Zora Neale Hurston, Alice Walker. But the most moving entries are the barely literate and astonishingly painful pleas for family, and for simple justice, by otherwise nameless individuals of the Jim Crow era. Here are people with no hope left other than the belief that death will bring the reunion in Heaven of husband and wife, mother and son. The letters are arranged chronologically within broad subject areas such as family, courtship and romance, and politics and social justice. Each section has a brief introduction by Newkirk, just enough to set the stage. There are 16 pages of well-chosen black-and-white photographs, mostly portraits and samples of correspondence. By far, the strength of this volume lies in the indispensable glimpse it provides into the hearts and minds of strong, resilient Americans.—Robert Saunderson, formerly at Berkeley Public Library, CA
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
The low literacy rates among African Americans during slavery and after emancipation has presented a challenge to collecting an anthology of historical letters. But Newkirk has drawn on archives and private collections to amass more than 200 letters written by African Americans from the eighteenth through the twentieth century. The letters are organized chronologically within each section, with early letters—often written by others—expressing longing for freedom and reunion with family members and news of births, deaths, and family members sold away. The collection includes letters by the poet Paul Laurence Dunbar to his mother, telling her of meeting Frederick Douglass; W. E. B. DuBois, who reminds his daughter to do well in school; and Martin Luther King Jr., who updates his parents on his progress in school and in later letters encourages Coretta during one of his incarcerations while she is pregnant. The letters are organized by category: family, romance, politics, education, war, art and culture, and across the diaspora. This collection offers an intimate look at the joys and concerns in the lives of ordinary and famous black Americans. --Vanessa Bush

Most helpful customer reviews

9 of 9 people found the following review helpful.
EXCELLENT BOOK!
By MQBLW
Dear Ms. Newkirk:

I am reading your book, and find the letters intriguing and enlightening.

As I digest the passages, I feel as though I am standing in the shoes of the writer - being taken back in time and living life during some of the most difficult days in our country's history.

I must admit that I am overcome with a sense of pride, grief and awakening all at the same time while reading the letters. Pride because we, as a people, have come so far . . . Grief because the letters display the hardships of our ancestors . . . Awakening because this treatise reinforces the need to continue the fight for what is right so that the promise of a better future is realized.

Please accept my heartfelt "Thank You" for working so hard to have this book published.

Sincerely,
MQBLW

6 of 6 people found the following review helpful.
A window into our past
By Divamani
Dear Ms. Newkirk:
Thank you for your brilliant contribution. The writing of this book brings us a new piece of the puzzle of our history. It shows the world just how very courageous, brilliant and loving we are.
Thank You
Imani Gunderson

0 of 0 people found the following review helpful.
Interesting Read!!!
By LeeAnne Valentine
I chose this book because I first read it at a library but I could not borrow it out. It was new at that time. I finally bought it, and I cried because I suspect my ancestor is one of the letter writers. I've been showing this book around the Valentine Family.
Also, the speed of delivery of this book as astounding. I recieved it in less than 5 days.

See all 4 customer reviews...

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Thursday, December 11, 2014

~ Ebook Download Against Happiness: In Praise of Melancholy, by Eric G. Wilson

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Americans are addicted to happiness. When we’re not popping pills, we leaf through scientific studies that take for granted our quest for happiness, or read self-help books by everyone from armchair philosophers and clinical psychologists to the Dalai Lama on how to achieve a trouble-free life: Stumbling on Happiness; Authentic Happiness: Using the New Positive Psychology to Realize Your Potential for Lasting Fulfillment; The Art of Happiness: A Handbook for Living. The titles themselves draw a stark portrait of the war on melancholy. More than any other generation, Americans of today believe in the transformative power of positive thinking. But who says we’re supposed to be happy? Where does it say that in the Bible, or in the Constitution? In Against Happiness, the scholar Eric G. Wilson argues that melancholia is necessary to any thriving culture, that it is the muse of great literature, painting, music, and innovation—and that it is the force underlying original insights. Francisco Goya, Emily Dickinson, Marcel Proust, and Abraham Lincoln were all confirmed melancholics. So enough Prozac-ing of our brains. Let’s embrace our depressive sides as the wellspring of creativity. What most people take for contentment, Wilson argues, is living death, and what the majority takes for depression is a vital force. In Against Happiness: In Praise of Melancholy, Wilson suggests it would be better to relish the blues that make humans people. Eric G. Wilson is the Thomas H. Pritchard Professor of English at Wake Forest University in Winston-Salem, North Carolina. The recipient of several important awards, including a National Humanities Center year-long fellowship, he is the author of five books on the relationship between literature and psychology. Consumer trends and popular medical and psychological interests indicate that Americans are addicted to happiness. At an increasing rate, they pop pills, seek both clinical and non-traditional therapies, read recent scientific studies that take for granted the population's quest for happiness, or buy self-help books by everyone from armchair philosophers and clinical psychologists to the Dalai Lama on how to achieve a trouble-free life: Stumbling on Happiness, Happiness: Using the New Positive Psychology to Realize Your Potential for Lasting Fulfillment; The Art of Happiness: A Handbook for Living. The titles themselves draw a stark portrait of the war on melancholy.

More than any other generation, Americans today believe in the transformative power of positive thinking. Happiness is considered a liberty, if not an ultimate life goal. But the scholar Eric G. Wilson argues that melancholia is necessary to any thriving culture, that it is the muse of great literature, painting, music, and innovation—and that it is the force underlying original insights. Francisco Goya, Emily Dickinson, Marcel Proust, and Abraham Lincoln—all confirmed melancholics.

What most people take for contentment, Wilson argues, is living death, and what the majority sees as depressive is a vital force that inspires creativity, spurs ambition, and helps people form more intimate bonds with one another. It's time to throw off the shackles of positivity and relish the blues that make us human. "Mr. Wilson's basic thesis is that, without suffering, the human soul becomes stagnant and empty . . . We must live between the poles of sadness and joy and not try to expunge misery from our lives. Mr. Wilson makes a strong case . . . to deny our essential sadness in the face of a tragic world is to suppress a large part of what we are as human beings."—Colin McGinn, The Wall Street Journal "Utilitarianism is the philosophical doctrine according to which happiness is the sole intrinsic value—the only thing that is good in itself. Although invented by 19th-century Britons, notably Jeremy Bentham and J.S. Mill, utilitarianism has some claim to be the official philosophy of the U.S.A. or, as a philosopher might have it, the 'Utilitarian States of America.' In America, happiness is what makes life good, and unhappiness is what makes it bad. We must therefore seize the former and avoid the latter. Eric G. Wilson, a professor of English at Wake Forest University, disagrees, contending that utilitarianism has it the wrong way around. The 'happy types,' as he calls them, are apt to be bland, superficial, static, hollow, one-sided, bovine, acquisitive, deluded and foolish. Sold on the ideal of the happy smile and the cheerful salutation, they patrol the malls in dull uniformity, zombie-like, searching for contentment and pleasure, locked inside their own dreams of a secure and unblemished world, oblivious to objective reality, cocooned in a protective layer of bemused well-being . . . Mr. Wilson's basic thesis is that, without suffering, the human soul becomes stagnant and empty. We can only reach our full potential through pain—not a pathological kind of pain but the kind that comes from a recognition of death, decay and the bad day (or decade). We must live between the poles of sadness and joy and not try to expunge misery from our lives. Mr. Wilson makes a strong case for this anti-utilitarianism, in prose both spare and lavish. (Of Coleridge he writes: 'He was hurt into these sublimities. He was axed into ecstasy.') And indeed, to deny our essential sadness in the face of a tragic world is to suppress a large part of what we are as human beings. It is to retreat into a fearful solipsism, refusing to peep out into the world beyond—an approach to life that is all the more fatuous in that it can never succeed . . . Mr. Wilson's case for the dark night of the soul brings a much needed corrective to today's mania for cheerfulness. One would almost say that, in its eloquent contrarianism and earnest search for meaning, Against Happiness lifts the spirits."—Colin McGinn, The Wall Street Journal

“[Wilson has] the passionate soul of a nineteenth-century romantic who, made wise by encounters with his own personal darkness, invites readers to share his reverence for nature and exuberance for life. Providing a powerful literary complement to recent psychological discussions of melancholy . . . this treatment is variously gloomy and ecstatic, infuriating and even inspiring.”—Booklist

"An impassioned, compelling, dare I say poetic, argument on behalf of those who ‘labor in the fields of sadness’. . . a loose and compelling argument for fully embracing one's existence, for it is a miracle itself — a call to live hard and full, to participate in the great rondure of life and to be aware of the fact that no one perspective on the world is ever finally true."—Minneapolis Star Tribune

“[A] lively, reasoned call for the preservation of melancholy in the face of all-too-rampant cheerfulness . . . pithy and epigrammatic."—Bookforum

“Wilson's argument is important, and he makes it with passion."—Raleigh News and Observer

"This slender, powerful salvo offers a sure-to-be controversial alternative to the recent cottage industry of high-brow happiness books. Wilson, chair of Wake Forest University's English Department, claims that Americans today are too interested in being happy. (He points to the widespread use of antidepressants as exhibit A.) It is inauthentic and shallow, charges Wilson, to relentlessly seek happiness in a world full of tragedy. While he does not want to 'romanticize clinical depression,' Wilson argues forcefully that 'melancholia' is a necessary ingredient of any culture that wishes to be innovative or inventive. In particular, we need melancholy if we want to make true, beautiful art. Though others have written on the possible connections between creativity and melancholy, Wilson's meditations about artists ranging from Melville to John Lennon are stirring. Wilson calls for Americans to recognize and embrace melancholia, and he praises as bold radicals those who already live with the truth of melancholy . . . [a] provocative cultural analysis."—Publishers Weekly

Sales Rank: #179961 in Books
Published on: 2008-01-22
Released on: 2008-01-22
Original language: English
Number of items: 1
Dimensions: 7.50" h x .69" w x 5.00" l,
Binding: Hardcover
176 pages

Features

READING IS GOOD FOR THE SOUL....

From Publishers Weekly
This slender, powerful salvo offers a sure-to-be controversial alternative to the recent cottage industry of high-brow happiness books. Wilson, chair of Wake Forest University's English Department, claims that Americans today are too interested in being happy. (He points to the widespread use of antidepressants as exhibit A.) It is inauthentic and shallow, charges Wilson, to relentlessly seek happiness in a world full of tragedy. While he does not want to romanticize clinical depression, Wilson argues forcefully that melancholia is a necessary ingredient of any culture that wishes to be innovative or inventive. In particular, we need melancholy if we want to make true, beautiful art. Though others have written on the possible connections between creativity and melancholy, Wilson's meditations about artists ranging from Melville to John Lennon are stirring. Wilson calls for Americans to recognize and embrace melancholia, and he praises as bold radicals those who already live with the truth of melancholy. Wilson's somewhat affected writing style is at times distracting: his prose is quirky, and he tends toward alliteration (To be a patriot is to be peppy a person seeking slick comfort in this mysteriously mottled world). Still, beneath the rococo wordsmithing lies provocative cultural analysis. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Enough with the power of positive thinking, says literature professor and self-confessed melancholic Wilson in this ardent entreaty for the honesty and beauty of gloom. Exasperated by the shallow consumerist contentment pursued by “American happy types,” Wilson aches for the roller coaster of intensified feeling and heightened creativity that often arises from the “somber and weird depths of the melancholy imagination.” It is thus fitting that his narrative is profoundly turbulent, lurching from bile-spitting condemnations of gated communities and shopping malls to self-absorbed reveries on rusty radiators and rotting leaves, to brilliant, soaring celebrations of melancholic geniuses such as Coleridge and Springsteen (two among many famous melancholic artists noted by the author). But beneath the many trappings of polemic lies the passionate soul of a nineteenth-century romantic who, made wise by encounters with his own personal darkness, invites readers to share his reverence for nature and exuberance for life. Providing a powerful literary complement to recent psychological discussions of melancholy, such as Joshua Wolf Shenk’s Lincoln’s Melancholy (2005), this treatment is variously gloomy and ecstatic, infuriating and even inspiring. --Brendan Driscoll

Review

“Mr. Wilson's case for the dark night of the soul brings a much needed corrective to today's mania for cheerfulness. One would almost say that, in its eloquent contrarianism and earnest search for meaning, Against Happiness lifts the spirits.” — Colin McGinn, The Wall Street Journal

“An impassioned, compelling, dare I say poetic, argument on behalf of those who ‘labor in the fields of sadness’. . . a loose and compelling argument for fully embracing one's existence, for it is a miracle itself — a call to live hard and full, to participate in the great rondure of life and to be aware of the fact that no one perspective on the world is ever finally true.” —Minneapolis Star Tribune

“[A] lively, reasoned call for the preservation of melancholy in the face of all-too-rampant cheerfulness. . . . pithy and epigrammatic.” —Bookforum

“Wilson's argument is important, and he makes it with passion.” —Raleigh News and Observer

“Gleefully peevish . . .” —New York Review of Books

“[A] potent little polemic . . . poetic prose . . . If you think the world is being overrun by zombie Pollyannas intent on spreading their insidious joy, Against Happiness will gladden your heart.”—Globe and Mail

“[A] deeply philosophical polemic . . . lucid and engaging prose.”—Playboy.com

"I have never been Mr. Happy, but after reading Against Happiness, I felt a lot better about myself. It almost made me happy. An important book and a stunning reminder, in these troubled times, that there are important lessons in our pain and that a smile may make a better moment, but not a better world." —Lewis Black

"A lucid, literate defense of feeling like hell—and, in fact, of feeling itself." —David Gates, author of Jernigan

"With his merry diatribe and his spiritual wisdom, Eric Wilson brings us to our senses and gives us a book that really helps. Dare to be against mere contentment and you can end up embracing ecstasy." —Robert D. Richardson, author of William James: In the Maelstrom of American Modernism

"This book will change your mind, and maybe your life, with its pitiless account of the value of happiness and the price we Americans pay for pursuing it so compulsively. Almost every American claims to be happy, and yet we are a nation increasingly benumbed by drugs, opiated by messianic religion and buffed smooth by surgery, as we chase the illusions of perpetual youth, of life without death and joy without pain. This movingly written book may help us stand up before it’s too late and face our demons, by learning to love the melancholy realism and the creative powers that arise out of the darkness in our hearts." —Richard Klein, author of Cigarettes Are Sublime

Most helpful customer reviews

107 of 115 people found the following review helpful.
The Muse- Melancholy
By Shalom Freedman
This book is in one sense a diatribe against the Happiness Industry , the whole Positive Psychology shtick, the mentality which says you have a right to happiness, and you should be happy, and if you are not happy something is wrong with you, and you must do everything possible to make yourself happy, and show the world that you are happy , because happiness is success. It is against the Culture of Superficiality which would make us all plastic robots pleasure- hooked forever.
On the other hand and more seriously it is a study of Melancholy and its uses in literary and artistic creation. This positive side of the work seems to me a much more persuasive than the attack on the Happiness Industry. My own sense is that there is so much suffering and pain in the world, and that each human being at some point or perhaps throughout their lives has so much of it, that it doesn't make much sense to attack those who are trying to alleviate that suffering. Or to put this another way. I don't buy the figure which is cited that eighty- five percent of Americans consider themselves happy, unless that is we combine that with another figure that ninety- five percent of people lie at one time or another. In any case this is pretty much irrelevant to the heart of this book which again provides examples of the way the use and transformation of Melancholy create great Art and Literature.
Wilson is not simplistically and stupidly advocating that people become depressed. He writes, "Depression (as I see it, at least) causes apathy in the face of this unease, lethargy approaching total paralysis, an inability to feel much of anything one way or another. In contrast, melancholia generates a deep feeling in regard to this same anxiety, a turbulence of heart that results in an active questioning of the status quo, a perpetual longing to create new ways of being and seeing."
Wilson writes beautifully in showing the way the great poet of Melancholy Keats was also a person of tremendous courage in contending with the very many losses and trials he had in his brief life.
As Wilson understands it Melancholy leads us to struggle with the polarities and complexities of Existence. He speaks about how it moves us toward striving towards perfection, using our freedom in a fragmented reality to move towards greater connection and wholeness.
He is of course not alone in seeing how the darker side of our heart and mind has moved us to great literature. Kay Redfield Jamison one of the world's foremost experts on Manic -Depression has written on this subject. The great Art-Historian Rudolf Wittkauer studied the Saturnic dimensions of Creation. The writer Amos Oz often says that almost all great Literature comes out of suffering, of difficulty.
I do not buy the 'Against Happiness' straw- man part of this book as I do not believe the the world is in danger of being overcome by universal happiness. The studies in fact show that Americans are not on the whole more happy today than they were half a century ago. But the literary analysis here is outstanding, and this is the real beauty and value of the book.

33 of 34 people found the following review helpful.
Talking About The Big Pink Elephant In The Room
By SORE EYES
After hearing an interview with this authour on NPR, I couldn't wait to read this book. Finally someone was talking about that big pink elephant in the room-America is obsessed with happiness and we'll do anything not to feel unhappy. There was an 800 percent increase in the use of anti-depressants in the US in four years.

Personally, I'm sick and tired of the happiness industry, so this book found the right audience. Against Happiness explores what's wrong with the happiness industry as well as what's right with feeling down. Wilson argues that melancholy does have it's use in life, particularly a life of literary and artistic creation.

Wilson does not advocate becoming depressed or suicidal to be creative. He writes, "Depression causes apathy in the face of this unease, lethargy approaching total paralysis, an inability to feel much of anything one way or another." On the other hand Wilson argues that melancholy generates "a turbulence of heart that results in an active questioning of the status quo, a perpetual longing to create new ways of being and seeing." In other words, hang on to your melancholy and listen to it. It's an important tool for development.

Wilson illustrates his theories with the lives and writings of authours like Keats and Blake. His literary analysis is very good and one of the outstanding features of this book.

46 of 50 people found the following review helpful.
Resisting our craving for certainty
By Kerry Walters
In this wise (and at times irritating) little book, Eric Wilson asks readers to reflect on three things: first, that all of us read our experiences through a filter of abstractions and preconceptions that mold reality into what we want it to be; second, that the American consumerist, instant-gratification culture encourages us to fashion filters that breed a bovine contentment by devaluing anything that smacks of sadness and ignoring the darker, untamed aspects of human existence; and third, that our cultural obsession with certainty, clear classifications, and airtight definitions may be a sign of repressed anxiety.

Wilson argues that "melancholy," or a restless dissatisfaction with the status quo, serves as a check on our tendency to personal and social self-deception. Moreover, it weans us of our need for certainty by encouraging us to explore the "dark boundaries between opposites" (p. 73), thereby inviting "a vision of a healing third term" (p. 76) which embraces rather than denies ambiguity and discordance. The melancholic mood accommodates insight into the fact that the world isn't fixed, that beauty and all good things in life are possible only because they and we are transient, and that a human being is homo viator, a pilgrim open to possibilities because refusing to embrace false certainties. This "ironic" orientation to the world acknowledges the anxiety that impermanence and uncertainty bring, but also recognizes that the anxiety can go hand in hand with a sense of imaginative playfulness and profound gratitude.

Wilson insists that he's not trying to trivialize clinical depression or genuine joy. His concern is to counter what he describes as the "soul-deadening" cult of faux-happiness that breeds narcissism, an arrogant sense of control and entitlement, and a frightened blindness to the rich depths of experience. Most of us have the intuition that an honest recognition of suffering and despair is a necessary condition for living fully. Wilson's book explores this intuition with sensitivity and erudition. He adroitly illustrates his defense of melancholic restlessness by appeals to classical (Blake, Keats, Schiller, & Ficino) as well as popular culture (John Lennon & Yoko Ono, Joni Mitchell, & Bruce Springsteen)

This isn't to say that the book doesn't have its weaknesses. Wilson's style at times becomes pompously oracular. He favors repetitious short sentences that often obfuscate more than reveal, and he lapses occasionally into tedious Emersonisms: "Plumb down into your interiors. There find the sullen ruler of the underworld. On his face is an ambiguous grimace. It is possibly a clinched product of the somber dark. But it is more likely a squinting before the amber glow growing before his eyes" (p. 106). This sort of prose isn't helpful.

Moreover (again, rather like Emerson), Wilson overgeneralizes sometimes--as in his distinction between "happy" and "sad" people--and is frustratingly vague at still others--his discussion of polarities in the chapter on "Generative Melancholia" is especially unclear, falling into the very abstractionism he thinks melancholy cures.

But all in all, Wilson raises issues that need to be thought and talked about. There is value, wisdom, and insight to be found in insecurity and the melancholic restlessness that attunes us to insecurity. A hard thing to hear, perhaps, but a necessary one.

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Wednesday, December 10, 2014

>> PDF Ebook Where You'll Find Me, by Natasha Friend

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Where You'll Find Me, by Natasha Friend

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""Natasha Friend, I loved your book. I was hooked from the first page." ―Judy Blume

The first month of school, thirteen-year-old Anna Collette finds herself...
DUMPED by her best friend Dani, who suddenly wants to spend eighth grade "hanging out with different people."
DESERTED by her mom, who's in the hospital recovering from a suicide attempt.
TRAPPED in a house with her dad, a new baby sister, and a stepmother young enough to wear her Delta Delta Delta sweatshirt with pride.
STUCK at a lunch table with Shawna the Eyebrow Plucker and Sarabeth the Irish Stepper because she has no one else to sit with.

But what if all isn't lost? What if Anna's mom didn't exactly mean to leave her? What if Anna's stepmother is cooler than she thought? What if the misfit lunch table isn't such a bad fit after all? With help from some unlikely sources, including a crazy girl-band talent show act, Anna just may find herself on the road to okay.

Sales Rank: #270187 in Books
Published on: 2016-03-08
Released on: 2016-03-08
Original language: English
Number of items: 1
Dimensions: 8.51" h x 1.07" w x 5.79" l, .0 pounds
Binding: Hardcover
272 pages

From School Library Journal
Gr 6–9—Anna is reeling from the recent changes in her life. A year ago, her parents divorced; six months ago, her dad and stepmother had a baby; a few weeks ago, her BFF declared their friendship over; and three days ago, her mother tried to commit suicide. Everything in Anna's life feels wrong and awful—and on top of everything else, Anna feels she's let her mother down. Friend's book deals with all the difficulties of middle school, newly blended families, and—authentically and without oversimplification—having a parent with mental illness. Anna's confusion about her mother, her mother's bipolar disorder, and their relationship are heartbreaking and honest, and her conflicts and conversations with her parents, teachers, and friends ring true. Friend avoids all the pitfalls of a run-of-the-mill "issue" novel to offer a nuanced look at a life that, despite unexpected turns and sometimes crippling feelings of fear and loss, can still be happy. VERDICT This well-written, expertly layered work is strongly recommended for YA collections.—Amy Koester, Learning Experiences Department, Skokie PL

Review

""Natasha Friend, I loved your book. I was hooked from the first page." ―Judy Blume

"Anna’s voice is extremely realistic and the attention to detail about her emotional distress surrounding her mother’s suicide attempt makes this a must-read book for teens who are going through tough times and screaming their “why me” yawp out into the void." ―VOYA starred review

"Friend avoids all the pitfalls of a run-of-the-mill “issue” novel to offer a nuanced look at a life that, despite unexpected turns and sometimes crippling feelings of fear and loss, can still be happy. VERDICT This well-written, expertly layered work is strongly recommended for YA collections." ―SLJ starred review

About the Author
Natasha Friend--wearer of silly hats, lover of press-on mustaches, admirer of Gloria Steinem, devotee of well-named nail polish shades--is also an author. When she is not writing books, you will find her playing Wiffle ball, turning cartwheels, making chocolate-chip pancakes, singing, dancing, and wishing she was in a talent show. Natasha lives in Connecticut with her husband, three kids, and dog. Where You'll Find Me is her sixth novel.

Most helpful customer reviews

2 of 2 people found the following review helpful.
Middle school transition in all it's painful, wonderful spendor.
By Ardis Y. Atkins
When I first read the description of the book, Where You'll find me, by Natasha Friend, I was immediately interested. Middle School is a time of huge transitions from child to teen. I had a similar experience of getting dumped by my best friend when I was 15, so I could relate to the main character on a very personal level.

The story centers on Anna, who is facing not only getting dumped by her best friend, but the aftermath of her mother's suicide attempt. While her mom is in the hospital, Anna must live with her estranged dad and his wife (who is only 10 years older than Anna!). Anna feels anger, guilt, embarrassment, and loneliness as she tries to make sense of all these changes.

While I have never dealt with suicide in my family, my parents often fought in front of others and it seemed that the whole neighborhood knew about my parents screaming matches. I was often very self-conscious about this. So I felt that the book was right on target as it showed how embarrassing and upsetting it is to have well-meaning teachers give you the "if you need to talk" sympathy speech.

At first, I felt so sad for this girl. So many awful thing were happening to her at once. I felt like, wow, is this kid going to make it? Anna's journey mirrors her mother's; she is dumped by her best friend just as her mother is abandoned by her husband. Although Anna is not bipolar like her mom, she does go through some understandable depression and then she slowly emerges from it.

The author also showed how relationships change over time. As we move from preteen to teen, most people wind up drifting from their old friends to other groups of kids. They find their tribe. At first, Anna has no no one to sit with at lunch and settles for hanging out with the weird kids. Over time, Anna starts to see these girls for who they really are. These are smart, creative, fun individuals who draw Anna out of her shell and help her regain her self-confidence.

I liked that the book didn't have instant solutions to Anna's issues. Her (and her mother's) journey back to normalcy came in baby steps. From developing new friendships, to finding a way to come to terms with her parent's divorce, Anna grows up. She learns to accept what happened and to forgive herself for her anger and guilt.

I found this to be a wonderful book. It was difficult to read, at times, due to how sad it made me. But then, slowly, I could see hope for Anna, her family and her friends. I hope that many teens read this book and can see it's message of hope.

0 of 0 people found the following review helpful.
Where You'll Find Me
By Live Outside
This is one of those middle school novels where life is not fair. It just seems that Anna’s life is crumbling all around her and she had no one, I mean no one to dump on. Her best friend had decided that this is the year that she was going to branch off and find other friends and her father also decided that he was branching off and he found himself a new family. Anna was left in a house with her mother, who was crumbling right before her eyes. Anna blames herself for her mother’s downfall, for “if only” Anna had seen the signs, she could have saved her. With all the downward twists in Anna’s life, she didn’t lash out or get depressed, Anna puts on a strong front. As I read, I could feel the weight inside Anna, I could feel how she wanted her life to reverse itself, she felt helpless yet Anna knew she had to resign herself to her new life no matter how different it now was. There were times that Anna expressed herself to the individuals in her life, a few comments spoken here and there about the situation at hand, it just seemed when she couldn’t handle things any longer she let go, sometimes her words not finding their targeted audience. She felt alone. She wanted her mom; you can feel her desperation in the author’s words. Her mother was dealing with her own issues and being a mother was not something she could handle at the moment, so Anna couldn’t count on her mother when she needed her. Anna resented her father. He did more than just walk out the door when he left the family that day and I had wonder if Anna and her father were ever going to build back that relationship and how. Reading this novel, I especially liked the honesty of Anna. The situation that she was addressing and her feeling were sincere and honest. I wasn’t too fond of the ending and I’m not stating why as that might spoil it for some but that is why my rating is what it is. The ending, to each its own.

0 of 0 people found the following review helpful.
adorable and fantastic
By Little-Book-Wyrm
Thank you to Nori from ReadWriteLove28/the Sunday Street Team, Farrar, Straus, and Giroux, NetGalley for providing me with an ARC for an honest review.

I actually didn’t realize that this was a middle grade novel when I started reading it, but hey, no one is ever to old to read anything. This story is cute, adorable and fantastic. Yes, I realize that two of those words are basically the same but this novel is both.

Anna is a young girl in high school who has a mom with bipolar two who tried to kill herself. As a result, she is sent to live with her father, stepmother, and their baby. She feels alone, especially since her best friend, Dani, decided to never talk to Anna again when she became popular. I know exactly how this feels and let me tell you: it absolutely sucks.

Anna was very relatable. Even if readers have never been through some of the things that she is going through, they will still be able to find a way to relate to her. She is struggling to cope with everything that is going on. She is forced to be friends with the most unpopular girls at school. In the end it turns out that these girls aren’t as bad as she thought.

This novel is told with such honesty from Anna’s point of view that it hurts my heart to think about how heart broken she is over her situation. Even though this novel started out with the tragedy of Anna’s mom trying to kill herself, that wasn’t the focus. The focus was Anna and the development of her character as she learns a lot about who she is and grows closer with the family she thought she hated.

I won’t say anything more because I hate spoiling things for people. Everyone should definitely check this novel out. Remember: you’re never to old for middle grade novels.

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* Ebook The Isle of Youth: Stories, by Laura van den Berg

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Laura van den Berg's gorgeous new book, The Isle of Youth, explores the lives of women mired in secrecy and deception. From a newlywed caught in an inscrutable marriage, to private eyes working a baffling case in South Florida, to a teenager who assists her magician mother and steals from the audience, the characters in these bewitching stories are at once vulnerable and dangerous, bighearted and ruthless, and they will do what it takes to survive.

Each tale is spun with elegant urgency, and the reader grows attached to the marginalized young women in these stories―women grappling with the choices they've made and searching for the clues to unlock their inner worlds. This is the work of a fearless writer whose stories feel both magical and mystical, earning her the title of "sorceress" from her readers. Be prepared to fall under her spell.
An NPR Best Book of 2013

Sales Rank: #350074 in Books
Published on: 2013-11-05
Released on: 2013-11-05
Ingredients: Example Ingredients
Original language: English
Number of items: 1
Dimensions: 7.45" h x .67" w x 5.01" l, .42 pounds
Binding: Paperback
256 pages

Amazon.com Review
An Amazon Best Book of the Month, November 2013: In her second short story collection, The Isle of Youth, Laura van den Berg plays frequently with readers' expectations. She surprises and delights with her gift for language and tone. If there's a cohesive bond between these seven stories, it's the women who inhabit them, all of whom are in search of something: luck, love, loved ones. Like all great short story collections, Isle is as much about interior landscapes as they are exterior ones. The centerpiece of the book is "Antarctica," about a woman who travels to the Antarctic Peninsula to recover the bones of her dead brother. It's in the frigid topography of the southernmost tip of the world that we discover a haunted secret, one that reveals a heartbreaking meditation on the weight of grief. --Kevin Nguyen

From Booklist
In strange and overwhelming locales—swampy Florida, bleaker-than-bleak Antarctica, and a curious South American waterfall—van den Berg (What the World Will Look Like When All the Water Leaves Us, 2009) explores the lonely, triumphant sorrow of love and family in this new collection. A mother-daughter magician duo isn’t coming close to filling their Hollywood, Florida, shows, so teen Crystal charms wallets out of men at the bar afterward. A band of young cousins, robbing banks in an exultant escape from the “freedom” of their home-schooled, off-the-grid upbringing, attempts to float just above the law, while a couple of nonlicensed PI sisters grasp at their position questionably under it. In the squirming, electric title story, a woman impersonates her twin sister as a favor, with vertiginous results. Van den Berg sends her characters along the undulations of extraordinary familial relationships—navigating their understood strength and, at the same time, arbitrariness—and gathers their piercingly true, hauntingly single voices in this memorable collection. --Annie Bostrom

Review

“Wonder and mystery are recurring motifs. The women here are one step ahead of disaster or one step behind it, and either way they are eager to discover what's next . . . Van den Berg, in this wonderful collection, never lets us turn away.” ―Natalie Serber, The New York Times Book Review

“Confident, gripping stories . . . Ms. van den Berg spins complex plots around a sense of emotional emptiness. Her stories are bursting at the seams, while her characters are lonely to the core.” ―John Williams, The New York Times

“The stories in Laura van den Berg's dreamy The Isle of Youth are absolutely captivating.” ―Vanity Fair

“The Isle of Youth, is a smart, fun, noir-y treasure map of where families hide their secrets and lost souls hide themselves. Van den Berg somehow packs a duffel bag of plot into carry-on-size stories. She also has the right kind of range: from brutal to moving to funny, South America to Paris to Antarctica, really great to freaking outstanding.” ―Kathryn Schulz, New York Magazine

“Darting, shifting things . . . though her stories find footing in dark matter, the reader ends up feeling something akin to having been freed by the end of the reading . . . [a] tremendous collection.” ―Weston Cutter, Minneapolis Star Tribune

“If you like Murakami's cool prose, that Raymond Chandler-esque aloofness in the face of strange events, have I got the book for you . . . [The Isle of Youth] is a small book, but it feels much bigger. I could have kept reading for days.” ―Rosecrans Baldwin, NPR's All Things Considered

“Curiosity--sprung from idleness, neglect, or betrayal--is a force to be reckoned with in these delicately layered narratives linked by themes of mystery and survival …Van den Berg gracefully captures such unseen moments of triumph and failure as lives are derailed--and discovered--in her stories.” ―ELLE Magazine

“If you like your female protagonists quirky, questing, and quixotic, you will adore this story collection and the author's ability to bore into her characters' innermost thoughts, piercing straight through to their red-hot centers.” ―O, The Oprah Magazine

“van den Berg's sophomore collection of mysterious stories follows likeable ladies with dangerous behavior.” ―Marie Claire

“Amusing and absorbing…” ―Glamour

“With her latest collection of seven stories, The Isle of Youth, Laura van den Berg gives readers a great place to maroon themselves…even though much remains unresolved, van den Berg's stories are still revelatory.” ―The Cleveland Plain Dealer

“…takes wry pleasure in reversing expected gender roles…Ms. van den Berg is perceptive about the ways that her characters--many of them demoralized wives--feel trapped within their identities and grasp at unwise escapes.” ―Sam Sacks, The Wall Street Journal

“A master of the short story creates seven elaborate worlds with beautiful and haunting characters at a time when it feels like most short story collections are pretty thinly plotted.” ―Esquire

“The small, genuine and insightful moments at the heart of each tale mark the progress of a distinguished young writer.” ―Time Out New York

“Van den Berg excels at complexity, eccentricity, maximalism of plot . . . Her emphases on elaborate plot and intentional loose ends are a refreshing departure from the contemporary taste for tidy, minimal plot paired with maximal voices.” ―The New Inquiry

“You know how we're always going on about how this is a really good time for fans of short stories? Laura van den Berg is one of the best examples of why that is totally true, and this new collection on FSG should be all the proof you need. She is at the head of the pack when it comes to young writers that are more comfortable with the shorter form.” ―Jason Diamond, Flavorwire

“A sturdy short story collection works like a good album: strong piece by piece, but also on the whole. "I Looked for You, I Called Your Name" is as strong an opener as I've ever seen in a book of short stories, and it sets the tone and pace for the rest of Laura van den Berg's second work, The Isle of Youth.” ―Grantland

“If ever there was a writer going places, it's Laura van den Berg, who follows up her debut collection, What the World Will Look Like When All the Water Leaves Us, with the ambitious, modular The Isle of Youth, whose seven stories are arranged along the themes of family secrets with noirish intrigue.” ―Publisher's Weekly (starred review)

“A mesmerizing collection of stories about the secrets that keep us.” ―Kirkus

“In The Isle of Youth, a group of young women narrators seek to understand the people in their lives as a means of understanding themselves. Magically, Laura van den Berg turns a group of lost souls into a beautiful and compelling read.” ―Ann Patchett, author of State of Wonder and Bel Canto

“Laura van den Berg is one of the most freakishly talented young writers at work today, and a master of the short story form. Hers are deliciously unnerving, moving, and monstrous tales.” ―Karen Russell, author of Vampires in the Lemon Grove and Swamplandia!

“I've never met Laura, but it seems like we would come across a new story by her every month or so during our reading for Best American Nonrequired Reading. They were uniformly excellent--emotionally complex, very raw--but always with a mixture of pathos and humour that made me think of Lorrie Moore.” ―Dave Eggers, Huck magazine

“The Isle of Youth is simply astonishing. Each story is more surprising, more urgent, more savagely frank than the last. This is an awe-inspiring and necessary collection from one of the most sure-footed writers of our time.” ―Claire Vaye Watkins, author of Battleborn

“This collection is rich, surprising, and a lot of fun. The Isle of Youth plays with crime stories of a kind, noir tales of deceit and betrayal, but really each investigates the spaces, the distances, that keep human beings from ever truly knowing one another. Van den Berg is a ridiculously talented writer, and this wonderful book provides the proof.” ―Victor LaValle, author of The Devil in Silver

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15 of 19 people found the following review helpful.
"The short answer: they are a group of people committed to making life as hard as possible."
By Amelia Gremelspacher
The young women in these stories seem to share that characteristic: they are committed to making life as hard as possible. Counterintuitively, they are beguiling people to with whom to engage. In language elegant to read, the author spins the web of each woman's story. My favorite line is one in which the author describes her missing father. "She learned 95 percent of the ocean was unexplored and and thought her father must be like that, too: filled with dark, unseen caverns." Each story opens in a setting pregnant with promise and a young woman on the far side of an abyss. The development of the stories is certainly a bleak descent, but somehow still the reading is a pleasure. I think that even people who are not fans of the short story genre will find this book an entrancing experience.

3 of 3 people found the following review helpful.
A collection not to be missed.
By Vivek Tejuja
I have always admitted to the fact that for me, short stories are a little more important than the novel. I am aware that there are literary greats who at one point mastered the form so well, that everything written by anyone after only got compared and perhaps looked pale when done so. There are also times an author comes along and literally makes you wonder about the most amazing genius he or she possesses when penning a short story and perhaps for me after Munro, there is now Laura van den Berg with her dazzling collection of stories, “The Isle of Youth”.

“The Isle of Youth” is mainly about women and their lives. It is about the angry women, the quiet women, and the women who just want to lead uncomplicated lives, which is never the case with them. I think what struck me the most in these stories besides the language, was the strong characterization of both – the men (who obviously are in the background and yet play a vital role) and the women, whose every act and move is monitored, giving the reader the much needed understanding of the why and the how.

Every story in this collection speaks for itself. From the first story in the collection, “I Looked for You, I Called Your Name” with honeymooners’ crash landing in Patagonia to the title story, right at the end, van den Berg will dazzle you with her characteristic eye for detail and landscape of emotions used.

The first story is about the woman discovering her husband’s personality and in the wake of that, her relationship is riddled with doubt and she also begins to understand herself. The nature of the setting, Patagonia in this case also lends to the fragility of the story. For me, what worked the most was the sudden bleakness you are witness to throughout the stories and yet somewhere down the line, there is the underlined hope that is subtle and exquisitely written about.

My favourite story in the collection is, “Opa-Locka” about twin sisters, who are detectives and are entwined in people’s lives, causing unnecessary complications. They discover nothing and leave trails in form of objects and amidst all of this; they are confronted by their father’s criminal past. Why is it my favourite story? Because of the sheer force used to tell this tale. Van den Berg has used all her writing charm according to me in this one. It is that good.

The stories are full of wonder and charm. The women are weak, they are strong, they love and sometimes they also discard their emotions, to make sense of the real world. The stories will have you not look away from the book, till you are done with the collection. They are perfectly structured, coherent and magical. There is no sugar coating and nothing that is saccharine sweet. They are the way life is to a large extent and that is what makes them so readable.

5 of 6 people found the following review helpful.
As Mr. Sondheim said, you've got to have a gimmick...
By The Man in the Hathaway Shirt
In Laura vd B's first collection of stories, the gimmick was "lost" young women in far-flung exotic places where they seemed to be chasing monsters of some sort--sea monsters, bigfeet, etc. All the stories had a certain sameness, as the young women, who always seemed to have mothers or boyfriends/husbands who were scientists, and if one of the two was the scientist then the main character had just lost the other one tragically or been recently dumped/divorced. In this new collection we have the same sparse writing, only this time instead of monsters in far-flung locations we have gorilla mask-wearing thief cousins, mother-daughter magicians, and a PI "sister team." I'm sure she thinks all this is terribly clever, artsy, even intellectual. To me it's rather vapid, and the "oddball" elements of her narratives just keep her from delving into real depth, real emotion, real insight. Some of these stories are as thin as Kate Moss, pre-pregnancy, so she fills them in with krazy karacters and exotic set-ups--heaven forbid a story should take place in Fort Worth. But the emotional payoffs are always expected and ordinary. Lonely, frail people need somebody. Really, they do.

I think she reads the works of one of her idols, Deborah Eisenberg, and notices all the eccentric characters in there. But those eccentric characters function differently: they illuminate the central character and/or situation; in fact, they're not so much eccentric characters as they are "regular" characters who are just writ large, and who explain themselves a great deal more thoroughly and articulately than most ordinary people do. vd B's characters have more of a "Woo-hoo, look at me, I'm bizarre!" quality that adds nothing to the plot/themes. In fact, her plots are pretty non-existent and her themes are thin and repetitive, the same in every story. It seems she only has a small number of things to say but says them over and over.

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Tuesday, December 9, 2014

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Sales Rank: #324778 in Books
Published on: 1969-06
Binding: Paperback

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13 of 14 people found the following review helpful.
O'Connor's essays are invaluable
By E. J.
"I think that every writer, when he speaks of his own approach to fiction, hopes to show that, in some crucial and deep sense, he is a realist; and for some of us, for whom the ordinary aspects of daily life prove to be of no great fictional interest, this is very difficult. I have found that if one's young hero can't be identified with the average American boy, or even with the average American delinquent, then his perpetrator will have a good deal of explaining to do."

Flannery O'Connor's "Mystery and Manners" is, to me, an indispensable text: it has acted as my writing mentor for several years. As a collection of her essays, mostly about some aspect of writing, literature, culture, or religion (the oddball here is a humorous essay describing O'Connor's traumatic experience raising peacocks), "Mystery and Manners" provides a look into the mind and purpose of a great Southern writer. I recommend that those interested in O'Connor's works read this book before diving into "Wise Blood" or "A Good Man is Hard to Find." Without a clear understanding of O'Connor's intentions, first time readers may feel as if they are being sucked into a black whirlpool by the intensity of some of her works. These essays can help leviate that shock.

Here O'Connor explains why she writes the way she does ("The Grotesque in Southern Fiction," "On Her Own Work"), the value of regional culture to Southern writers like herself ("The Fiction Writer and His Country," "The Regional Writer"), what makes writing good ("The Nature and Aim of Fiction," "Writing Short Stories"), her view of how literature should be used in schools ("The Teaching of Literature," "Total Effect and the Eighth Grade"), and how her Catholic faith factors into her writing ("The Church and the Fiction Writer," "The Catholic Novelist in the Protestant South"). The final essay, "A Memoir of Mary Ann," discusses a cancer-wracked child's story--and that child's purpose. These writings, filled with both wisdom and humor, are valuable to writers with religious interests (Protestant as well as Catholic), to anyone trying to understand Southern culture, and to all lovers of good literature.

11 of 12 people found the following review helpful.
Stellar Insights Into O'Connor's Writing And Fiction In General
By Maclen
This is a wonderful compilation of essays, speeches and musings by Flannery O'Connor, one of America's finest short story writers. If you have read O'Connor's stories, then this is an essential companion to her stories, because it reveals O'Connor's vision of the South, the grotesque, religion, other writers and the meaning and purpose of fiction. This book also contains some of the most succinct and lucid essays about the art and craft of writing. In sum, this is a superb book that, with the passage time, is timeless.

7 of 7 people found the following review helpful.
Breaking O'Connor Open
By CDS
When I first read some of Flannery O'Connor's short stories I was baffled and a little disturbed by them. This book helps the reader to gain a deeper appreciation of O'Connor's craft, of her use of the grotesque, and how she exercises her art. To read O'Connor merely on the surface is to do it all wrong. There are many levels on which she is writing and on which she can be read. These essays not only serve as a guide for those seeking to understand O'Connor and her art, but in a more general way they serve for all readers and writers alike, by providing insights on the craft of writing.

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Monday, December 15, 2014

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Thursday, December 11, 2014

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Tuesday, December 9, 2014

>> Free PDF Mystery and Manners, by Flannery, Sally Fitzgerald, and Robert Fitzgerald O'Connor

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