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Monday, December 8, 2014

!! Ebook Free Overwhelmed: Work, Love, and Play When No One Has the Time, by Brigid Schulte

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Can working parents in America—or anywhere—ever find true leisure time?

According to the Leisure Studies Department at the University of Iowa, true leisure is “that place in which we realize our humanity.” If that’s true, argues Brigid Schulte, then we're doing dangerously little realizing of our humanity. In Overwhelmed, Schulte, a staff writer for The Washington Post, asks: Are our brains, our partners, our culture, and our bosses making it impossible for us to experience anything but “contaminated time”?
Schulte first asked this question in a 2010 feature for The Washington Post Magazine: “How did researchers compile this statistic that said we were rolling in leisure—over four hours a day? Did any of us feel that we actually had downtime? Was there anything useful in their research—anything we could do?”
Overwhelmed is a map of the stresses that have ripped our leisure to shreds, and a look at how to put the pieces back together. Schulte speaks to neuroscientists, sociologists, and hundreds of working parents to tease out the factors contributing to our collective sense of being overwhelmed, seeking insights, answers, and inspiration. She investigates progressive offices trying to invent a new kind of workplace; she travels across Europe to get a sense of how other countries accommodate working parents; she finds younger couples who claim to have figured out an ideal division of chores, childcare, and meaningful paid work. Overwhelmed is the story of what she found out.

Sales Rank: #96263 in Books
Published on: 2014-03-11
Released on: 2014-03-11
Original language: English
Number of items: 1
Dimensions: 9.26" h x 1.30" w x 6.32" l, .0 pounds
Binding: Hardcover
368 pages

From Booklist
Journalist Schulte manages to take a fairly pedestrian topic, the value of leisure in modern American society, and turn it into a compelling narrative on work, play, and personal achievement. Liberally peppered with her own experiences as a wife, mother, and Washington Post reporter, this artful blend of memoir and cultural exploration asks hard questions about how to create a well-lived life. Is leisure a waste of time, or the only time to “live fully present”? Are we more concerned about a purpose-driven experience, or bogged down in “banal busyness”? Schulte, juggling the demands of children and work while facing conflicts with her spouse over familial responsibilities, realizes that she is mired in busyness. Her discussions with a wide range of experts clarify her concerns and open her mind to the manufactured madness of a competitive culture and the false promise of the ruthlessly dedicated “ideal worker.” Schulte follows every lead to uncover why Americans are so determined to exhaust themselves for work and what has been lost in the process. For Lean In (2013) fans, and everyone who feels overwhelmed. --Colleen Mondor

Review
"Schulte takes a purely practical and secular approach to a question that philosophers and spiritual teachers have debated for centuries--how to find meaningful work, connection, and joy--but her research is thorough and her conclusions fascinating, her personal narrative is charmingly honest, and the stakes are high: the "good life" pays off in 'sustainable living, healthy populations, happy families, good business, [and] sound economies.'" - Publisher's Weekly starred review

"Overwhelmed is a superb report from the front lines of the sputtering gender revolution. Brigid Schulte takes up the perennial problem of women's 'second shift' with fresh energy and fascinating new data, effortlessly blending academic findings and mothers' lived experiences, including her own often hilarious attempts to be both the perfect parent and a successful full-time journalist. ... read this book!" - Barbara Ehrenreich, author of Nickel and Dimed: On (Not) Getting By in America

"Overwhelmed is a time management book that's not just about how to be more productive and effective--it's about the broad and fascinating role time plays in our emotional satisfaction, our physical health, and even our notions of gender equality. The more overwhelmed you feel, the more crucial it is to take the time to read this important book." - Daniel H. Pink, author of Drive: The Surprising Truth About What Motivates Us

"Every parent, every caregiver, every person who feels besieged by permanent busyness, must read this book. A new wave of research, experience, and insight is challenging deep assumptions about why we have to live and work the way we do. Overwhelmed is a wake-up call and an exhilarating prescription for change." - Anne-Marie Slaughter, president and CEO of the New America Foundation and author of "Why Women Still Can't Have It All"

"Why is life so insanely busy? What happened to 'leisure' time? Tired of the modern hamster wheel, Brigid Schulte set out to find a better way to live. Her voice is delightful, her findings surprising and hopeful. Overwhelmed is a passionate, funny, very human book that reads like a detective story." - William Powers, author of Hamlet's BlackBerry: Building a Good Life in the Digital Age

“Schulte takes a purely practical and secular approach to a question that philosophers and spiritual teachers have debated for centuries--how to find meaningful work, connection, and joy--but her research is thorough and her conclusions fascinating, her personal narrative is charmingly honest, and the stakes are high: the "good life" pays off in 'sustainable living, healthy populations, happy families, good business, [and] sound economies.'” ―Publisher's Weekly starred review

“Overwhelmed... brings a fresh perspective and needed insight into what's too often called the problem of the work-life balance.” ―Elle

“An unexpectedly liberating investigation into the plague of busyness that afflicts us all.” ―The Washington Post

“This artful blend of memoir and cultural exploration asks hard questions about how to create a well-lived life... For Lean In fans, and everyone who feels overwhelmed.” ―Booklist

“An eye-opening analysis of today's hectic lifestyles coupled with valuable practical advice on how to make better use of each day.” ―Kirkus

“Just reading the first chapter of Overwhelmed may be cathartic: as bad as it is... at least you're not the only one... Overwhelmed is Schulte's attempt to not merely survive but also unpack and analyze the quintessentially modern and increasingly universal experience of feeling utterly unable to cope. Putting her own crowded life (two children, thriving career) on the slab for dissection, Schulte tries to figure out how we got here and how we can get out of it.” ―Time

“Overwhelmed is a superb report from the front lines of the sputtering gender revolution. Brigid Schulte takes up the perennial problem of women's ‘second shift' with fresh energy and fascinating new data, effortlessly blending academic findings and mothers' lived experiences, including her own often hilarious attempts to be both the perfect parent and a successful full-time journalist. Before you embark on parenthood, before you volunteer to make cupcakes for a school party or stay up late to finish a fourth grader's science project--and definitely before you pick up another copy of Martha Stewart Living--read this book!” ―Barbara Ehrenreich, author of Nickel and Dimed: On(Not) Getting By in America

“Reflecting on her meticulous research, searching her feelings, and renegotiating the division of emotional labor with her husband, Tom, Brigid Schulte offers us a well-written and timely book, both witty and wise.” ―Arlie Hochschild, author of The Second Shift: Working Families and the Revolution at Home

“Beautifully written, with searing facts, engaging stories, illuminating history, and wry personal observations. A must-read by a truly perceptive author!” ―John de Graaf, editor of Take Back Your Time: Fighting Overwork and Time Poverty in America

“Why is life so insanely busy? What happened to ‘leisure' time? Tired of the modern hamster wheel, Brigid Schulte set out to find a better way to live. Her voice is delightful, her findings surprising and hopeful. Overwhelmed is a passionate, funny, very human book that reads like a detective story.” ―William Powers, author of Hamlet's BlackBerry: Building a Good Life in the Digital Age

“Overwhelmed is a time management book that's not just about how to be more productive and effective--it's about the broad and fascinating role time plays in our emotional satisfaction, our physical health, and even our notions of gender equality. The more overwhelmed you feel, the more crucial it is to take the time to read this important book.” ―Daniel H. Pink, author of Drive: The Surprising Truth About What Motivates Us

“Every parent, every caregiver, every person who feels besieged by permanent busyness, must read this book. A new wave of research, experience, and insight is challenging deep assumptions about why we have to live and work the way we do. Overwhelmed is a wake-up call and an exhilarating prescription for change.” ―Anne-Marie Slaughter, president and CEO of the New America Foundation and author of "Why Women Still Can't Have It All"

From the Author
This is an accidental book, and surely friends who knew me growing up - and waited as I burst into places late, trailing shoes and socks or a toothbrush - guffawed heartily when they heard I was working on a book about time. It all started with a phone call. I was part of a group of journalists at the Washington Post asked to research why fewer and fewer women under the age of 50 were reading the newspaper. The journalists, all of us women, most of us caretakers of some kind - mothers, guardians for nieces and nephews, daughters of aging parents - figured women were just too busy. After all, we sometimes found it hard to find the uninterrupted time to read the very newspaper we worked for in the swirl of morning craziness. My assignment was to find the time study data to prove how busy women are. Knowing nothing about time research, I googled, "busy women time" and up popped someone by the name of John Robinson, one of the first and most eminent time-use researchers in the world. I called him up, expecting to find easy validation. Instead, he told me women like me had 30 hours of leisure time every week. And thus the journey began.

Most helpful customer reviews

50 of 56 people found the following review helpful.
Read this and be inspired that change is possible
By Jessica DeGroot
As someone who has been involved in these issues professionally and personally for the last 20 years, I can honestly say this is the best book I have read on the topic. Not only does it provide cutting edge reporting, Brigid Schulte’s willingness to share her own experiences wrestling with these issues, also makes it a real page turner.
Throughout the book she provides an excellent analysis of what contributes to our sense of overwhelm and how badly it is impacting us. However, she also inspires us with a number of important “bright spots” – including the description of a number of truly modern workplaces that aren’t just saying they support their employees to live whole lives, they are actually making it happen.
Too often people feel stuck by the web of forces that make a more satisfying approach to work and life feel out of reach. Schulte’s book will help you better understand the challenges and inspire you that change is possible.

0 of 0 people found the following review helpful.
Five Stars
By Amazon Customer
prompt shipping and good quality. thank you

71 of 81 people found the following review helpful.
Overwhelmed is a must read for today's workforce.
By Laurie C Kelley
Like no book out there, Overwhelmed gives us deep insight into the ways in which our lives have become so complicated in today's fast-paced society. Heavily researched, the author also looks at workplace and family dynamics in other parts of the world, in contrast to our American practices. The book will make you think more deeply about the way you are spending the precious gift of time, especially if you are a parent, and even if you aren't. Additionally, people who are not caregivers will get a deeper understanding of the demands of balancing family needs with our careers. It'll make you think, laugh, reflect and hopefully move forward with more purpose in working through this one and only life. I loved it. So much I even found/made time to read the entire book.

See all 198 customer reviews...

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Friday, December 5, 2014

# PDF Download A Choice of Shakespeare's Verse, by Ted Hughes

PDF Download A Choice of Shakespeare's Verse, by Ted Hughes

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A Choice of Shakespeare's Verse, by Ted Hughes

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Shakespeare's best as chosen by the great English poet

"According to most anthologies, [Shakespeare] wrote only sonnets and songs for his plays. The reason for this [is the] reluctance of anthologists to break into the sacred precincts of his drama and start looting portable chunks . . . Yet when he great speeches of his plays are taken out of context they are no more difficult to understand and appropriate than those by other great poets."

This clear, compact, inviting selection of Shakespeare's verse opens the door to new readers of our greatest writer and deepens lifelong readers' understanding of his work. Ted Hughes spent his life considering Shakespeare's works and drawing on them for his own poetry; his book-length account of Shakespeare's development, Shakespeare and the Goddess of Complete Being, was one of the most distinctive works of literary criticism of recent years.

For this selection, Hughes deliberately took strong, relatively self-contained passages of Shakespeare's verse out of the plays and arranged them in a pattern, like beads on a string, including the best-known songs and sonnets. The result is at once a revealing sequence of Shakespeare's verse and an anthology of his greatest bits―"read in less than a minute, learned in less than five," Hughes remarks in the introduction, and always "capable of striking up a life of their own in the general experience of the reader."

Sales Rank: #2032245 in Books
Published on: 2007-09-04
Released on: 2007-09-04
Original language: English
Number of items: 1
Dimensions: 8.50" h x .52" w x 5.50" l, .62 pounds
Binding: Paperback
224 pages

From Publishers Weekly
Admired since the 1950s for the primal force of his own verse, former British poet laureate Hughes (1930-1998) also won praise in his home country for numerous projects of editing, literary criticism and translation, among them this enlightening selection (first published in 1971) of favorite passages from the Bard's sonnets, narrative poems, and (especially) his plays. Familiar and unfamiliar sonnets ("Not marble, nor the gilded monuments/ Of princes shall outlive this powerful rhyme") mingle with great speeches and lengthy passages, famous and not-so-famous, taken from most of the plays: "Once more into the breach, dear friends" (Henry V), "the great image of authority: a dog's obey'd in office" (King Lear) and over a hundred more. The reissue preserves both Hughes' brief 1991 introduction and his far more substantial "Note" (which follows the main text): more argument than simple explanation, this superb afterward is Hughes at his critical best, showing how Shakespeare's "common language of the highest and the lowest" set forth a "profoundly articulated, esoteric, spiritual vision." (Hughes pursued such ideas at far greater length in his Shakespeare and the Goddess of Complete Being.) Destined for substantial sales as a gift, this compact volume might also inspire readers who already know some of Shakespeare's plays quite well to look at the rest with new eyes and ears.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

About the Author

Ted Hughes (1930–98) produced more than forty books of poetry, prose, drama, translation, and children's literature, including, in his last decade, Shakespeare and the Goddess of Complete Being, Tales from Ovid, and Birthday Letters.

Most helpful customer reviews

2 of 2 people found the following review helpful.
I have really enjoyed reading it several times
By sarla sujan
It is a very interesting to read all the the selected poetic speeches of all the main characters of several of the Shakespeare's play.I have really enjoyed reading it several times.
Personally I have been recommending this book to all my friends who enjoy reading Shakespeare but are not so keen on the plots of several plays!

0 of 0 people found the following review helpful.
Five Stars
By R. J. Karger
Great book is great shape. Thank you!

See all 2 customer reviews...

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Thursday, December 4, 2014

! PDF Ebook The Ruling Caste: Imperial Lives in the Victorian Raj, by David Gilmour

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A sparkling, provocative history of the English in South Asia during Queen Victoria's reign
Between 1837 and 1901, less than 100,000 Britons at any one time managed an empire of 300 million people spread over the vast area that now includes India, Pakistan, Bangladesh, and Burma. How was this possible, and what were these people like? The British administration in India took pride in its efficiency and broad-mindedness, its devotion to duty and its sense of imperial grandeur, but it has become fashionable to deprecate it for its arrogance and ignorance. In this balanced, witty, and multi-faceted history, David Gilmour goes far to explain the paradoxes of the "Anglo-Indians," showing us what they hoped to achieve and what sort of society they thought they were helping to build.
The Ruling Caste principally concerns the officers of the legendary India Civil Service--each of whom to perform as magistrate, settlement officer, sanitation inspector, public-health officer, and more for the million or so people in his charge. Gilmour extends his study to every level of the administration and to the officers' women and children, so often ignored in previous works. The Ruling Caste is the best book yet on the real trials and triumphs of an imperial ruling class; on the dangerous temptations that an empire's power encourages; on relations between governor and governed, between European and Asian. No one interested in politics and social history can afford to miss this book.

Sales Rank: #1909800 in Books
Published on: 2006-02-07
Released on: 2006-02-07
Original language: English
Number of items: 1
Dimensions: 9.00" h x 1.08" w x 6.00" l,
Binding: Hardcover
416 pages

From Publishers Weekly
How much do we really know about the lives of the British in imperial India? Gilmour's deftly organized, encyclopedic account of the day-to-day existence of the members of the Indian Civil Service (ICS) upends the view of the British rulers as tyrannical, racist philistines, an image born out of such works as E.M. Forster's A Passage to India and advanced strenuously since postcolonial studies emerged in the 1970s. Gilmour, author of highly regarded biographies of Rudyard Kipling and Lord Curzon, assembles a wealth of light, amusing anecdotes on an astounding range of topics concerning the members of the ICS, including their college days, bad habits, job duties, gripes about the weather and courtship practices. Though lacking in analysis, the sympathetic general portrait gives a good insider's view of how these men fared in an unfamiliar and sometimes dangerous region. A firm understanding of the British mindset and playful characterizations of its idiosyncrasies provide entertainment and insight, but, lacking a central thread or thesis, the book often feels inessential. The flatness of its prose may make reading wearisome, though the breadth and care of the scholarship merit esteem. Maps, b&w photos. (Feb.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Biographer of Lord Curzon and Rudyard Kipling, Gilmour deepens his study of British imperialists with this tour of lives and careers in the Indian Civil Service (ICS), the bureaucratic bulwark of British rule of India. Within the chronological brackets of the Indian Mutiny of 1857 and the death of Queen Victoria in 1901, Gilmour tours topics such as recruitment into the ICS, the experience of adjusting to India, and advancement up the ICS ladder. An intriguing theme is the way a civil servant was both an exile from England and a benevolent despot in India. The career of one Alfred Lyall, who arrived in 1855 and retired to England 32 years later, illustrates every topic Gilmour takes up, whether social life, methods of rule (Lyall topped out as a lieutenant governor, one tier beneath viceroy), or attitudes about the propriety of empire. Administrative history aside, social history readers have more to savor here, as Gilmour richly recovers the workaday aspects of an imperial career, from finding a wife to managing servants to seeking distractions in lonely postings. Gilbert Taylor
Copyright © American Library Association. All rights reserved

Review

“Engaging . . . Gilmour's judicious study contains vivid individual histories, some amusing and many poignant, that allows us to see real people beyond the caricature of starched pukka sahibs dressing nightly for dinner in remote up-country bungalows.'” ―A.J. Sherman, The New York Times Book Review

“The Ruling Caste paints an arresting and richly detailed portrait of how the British ruled 19th-century India. . . [This book] is the most thorough study imaginable of the careers of the 'Civilians,' from recruitment to retirement. . . . Gilmour is a serious historian. He writes accessibly and even wittily, with a wealth of anecdotage and an eye for the telling story.” ―Shashi Tharoor, The Washington Post Book World

“This book is a wonderful example of how a historian can bring to life the atmosphere and culture of the past by describing in rich detail the motivations and calculations of those who set the tone of a world that once was.” ―Foreign Affairs

“The Ruling Caste is a joy to read, and probably the best-written and most thoroughly researched social history of the Victorian British in India.” ―William Dalrymple, The New York Review of Books

“A stylish and engaging writer.” ―William Grimes, The New York Times

“The Ruling Caste is a most rewarding read. It is authoritative, based on over 150 manuscripts and 500 books and articles, many of them primary sources. It is also entertaining; full of anecdotes, vignettes and eye-opening facts.” ―Hugh Purcell, History Today

“Gilmour richly recovers the workaday aspects of an imperial career, from finding a wife to managing servants to seeking distractions in lonely postings.” ―Gilbert Taylor, Booklist

“Gilmour very successfully elucidates this period in history. Highly recommended.” ―Joel W. Tscherne, formerly with Cleveland Public Library, Library Journal

“You don't have to go very far into David Gilmour's absorbing study of the civilian branch of the 19th century British Raj before you get a sense of the kind of writer you're dealing with. You know this isn't going to be one of those books as dry and dusty as its setting, the plains of India . . . Mr. Gilmour brings a lot of knowledge and understanding of Victorian India to this latest project.” ―Martin Rubin, The Washington Times

“Wide-ranging study of the handful of British civil servants who ruled the 300 million people of 19th-century South Asia, and who left 'their impress as Rome did hers on Western Europe.' ... A solid complement to other recent work on British India.” ―Kirkus Reviews

“Gilmour's deftly organized, encyclopedic account of the day-to-day existence of the members of the Indian Civil Service (ICS) upends the view of the British rulers as tyrannical, racist philistines.... A firm understanding of the British mindset and playful characterizations of its idiosyncrasies provide entertainment and insight . . . the breadth and care of the scholarship merit esteem.” ―Publishers Weekly

Most helpful customer reviews

23 of 24 people found the following review helpful.
"Caste" of Thousands
By Thossy
My book club chose to read Gilmour's "The Ruling Caste" and we all struggled to get through it. It's a fact-filled and interesting--but not entirely readable--work that has the unmistakable stamp of thorough scholarship which must be appreciated. Because he carefully tends to the minutiae of workaday life for a Victorian-era man in the Indian Civil Service, the book gives up both gravitas and sweep.

Some luminaries of the times, like Rudyard Kipling and Lord Curzon, appear (Gilmour has written biographies of those two.) but most of the names are unknowns who kept journals or whose letters were turned over to the British archives by descendants.

These people were true Imperialists, spending their entire careers abroad and coming home to retire into obscurity: "Here were men who had governed millions of people...Yet no one in Britain seemed to care who they were or what they had been doing."

The reader may ask, "Shouldn't I be reading something more important?" Well, maybe so, but consider this: the British stamp upon India was so pervasive that, to this day, it informs the attitudes and ethics of millions of English-speaking, West-oriented Indians, from the call center clerk in Bangalore who helped you resolve that software problem last week to the cardiologist down the street in Anytown, USA.

22 of 25 people found the following review helpful.
An admirable account of the Civil Servants of the Raj
By Amazon Customer
"The Ruling Caste" by David Gilmour gives an excellent and evocative account of how British civilian officials lived their lives in the Raj (ie not the military, business people or missionaries). He covers how they were trained, their working routines, how they found wives, entertainment, sports and much else.

Many books on the history of British India focus on the big picture and the comings and goings of the senior officials in the Government and Military. Gilmour's book describes how the majority of officials lived and worked at the grassroots level of villages and districts: what exactly they did each day, how a magistrate did his job and so on.

Kipling's stories describe many of the same types of people, but of course they are fictionalised accounts which may be overly sympathetic or exaggerated in other ways. However, contemporaries in India frequently commented on their generally accurate portrayals.

Colonialism is often criticised because of our understandable repugnance of one country imposing its rule over the population of another. In principle this is fair, but criticism by historians is often taken to the extreme of refusing to accept that anything good ever came out of colonialism. This is especially unfair to the British, who did not behave with the rapacity and cruelty of other colonial powers of the day.

Gilmour's book and others like it redress the balance somewhat by describing lives of duty, sacrifice and affection for the people they ruled. Others became internationally respected for their work as historians, linguists and protectors of Indian cultural heritage. Another paid for the construction of a canal out of his own pocket - one of many similar, if less spectacular, examples of personal largesse.

Reading this book one cannot escape the feeling that there was a certain nobility and decency about the work of many officials of the Indian Civil Service, especially those working in Districts where they were in intimate contact with villagers.

District Officers were mostly young men in their twenties in charge of a District of up to a million people, with perhaps only a few other British officials - or even none at all. The opportunities for corruption, oppression or debauchery are obvious, but by and large these young men were incorruptible and behaved with great honour.

These decent lives deserve to be better known and Gilmour's book does them justice. Today, mere "celebrity" is often applauded as heroism and talent, so it is good to read about true heroes and genuinely talented people who did not court publicity but just went about their unsung work in India, often for a lifetime.

Of course they were not all hard-working saints and Gilmour gives sufficient examples to make this clear. India had its share of "bad bargains", eccentrics and mavericks and Gilmour describes their exploits with sympathy and dry humour. Some of these tales are gems.

Readers interested in how the Raj was run and the people who ran it will love this book.

I also recommend it as an antidote to contemporary celebrity worship, so we may compare the enduring, worthwhile qualities of the best of those who served the Raj, with the ephemeral appeal of many celebrities, whose fleeting reputations depend on media attention to create and sustain them.

11 of 12 people found the following review helpful.
interesting, well-researched, but tedious
By lector avidus
David Gilmour has written an extremely well-researched history of the Indian Civil Service, that is of the British civil servants who administered India, the crown jewel of the British Empire, which then encompassed India, Pakistan, Bangladesh and Myanmar. Anyone who has any doubts that it was not, on the whole, extremely capable and incorruptible, and, all in all, a huge force for the good will not harbor them at the end of the book.

This book is written in a sort of dry, plodding and scholarly style that makes it a dream come true for anyone who needs to write a paper or otherwise consult Gilmour's research for their own work. But the same matter-of-factness and lack of narrative mean that only very few will enjoy reading this book for pleasure.

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Wednesday, December 3, 2014

# Get Free Ebook The Good, the Bad & the Beagle, by Catherine Lloyd Burns

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Set in a Manhattan, this is the story of feisty eleven-year-old Veronica Morgan, who believes that a furry lemon beagle from the neighborhood pet store will be the solution to the endless worries she has about life in general and friendship in particular. This is a problem, since her bumbling psychiatrist parents won't buy her the puppy she wants or stop meddling in her life at her challenging new school. But things never turn out the way you plan, particularly if you never stop expecting the worst to happen, and haven't taken a chance on being a true friend yourself.

Sales Rank: #1310294 in Books
Published on: 2014-10-14
Released on: 2014-10-14
Original language: English
Number of items: 1
Dimensions: 8.50" h x 1.18" w x 5.77" l, 1.00 pounds
Binding: Hardcover
336 pages

From School Library Journal
Gr 4–6—Pessimistic Veronica Morgan determines that if another family purchases her favorite dog from the local pet store, it will be a fate "worse than death." Veronica's quiet disposition and social anxiety, which seems to go nearly unnoticed by her psychiatrist parents, separate the protagonist from the rest of her friendly peers. Her parents surprise her by purchasing Cadbury, the dog she has wished for, which consumes the 11-year-old's life for months. Ultimately, circumstances force Veronica to deal with death, friendship, and academic responsibility. This novel centers on a subdued, asocial teen who becomes unhealthily obsessed with her dog, Cadbury. While Burns's visually descriptive writing brings Manhattan and Veronica's inner thoughts to life, the plotting is inconsistent and at times difficult to follow. Themes of Judaism, atheism, and a connection to the natural world float through the text, but are never truly developed or resolved. Burns fails to create an authentic bond between Veronica and Cadbury, which becomes problematic, given the protagonist's extended heartbreak after the animals' death. The girl's depression and months of seclusion seem overdramatic and unrealistic. Ultimately, readers will be left wondering if Veronica has changed or learned anything through her predicaments.—Mary-Brook J. Townsend, The McGillis School, Salt Lake City, UT

Review

“Animal lovers and insecure middle-schoolers alike will connect with this realistic portrayal of tween life.” ―Booklist

“Burns approaches serious (and less serious) topics with empathy and humor, making Veronica's mistakes and recoveries as fun to read about as the boldest of adventures.” ―VOYA

“Burns's visually descriptive writing brings Manhattan and Veronica's inner thoughts to life.” ―School Library Journal

“Readers will find this journey back to contentment both fully believable and emotionally resonant.” ―Kirkus Reviews

“Offers a warmhearted and realistic take on love, grief, and the difficulties and rewards of making human friends.” ―Publishers Weekly

About the Author

Catherine Lloyd Burns is the author of It Hit Me like a Ton of Bricks: A Memoir of a Mother and Daughter (FSG, 2007). She has appeared in numerous TV shows, including Law and Order and Malcolm in the Middle, and in many films―most recently, Adult World. She lives in Brooklyn, New York, with her husband, daughter, and dog, Shirley. The Good, the Bad, and the Beagle is her first book for young readers.

Most helpful customer reviews

1 of 1 people found the following review helpful.
Beautiful, funny, engaging and true.
By Kathleen Dennehy
I loved this book and tore through it in two sittings. I felt like the writer knew exactly what my childhood was like. My parents were different, but my anxieties, fears and socialization skills were exactly like Veronica's. Reading the book now, as an adult, who also happens to be a mother of a young girl, was such a deeply visceral, funny and heartbreaking experience, because while I completely felt for Veronica's problems, I also could see and understand a lot of my daughter's apprehension when she is in a new place, with new children... It's like a walk down memory lane for adults and a sweet-hearted, knowing primer for young girls to understand that almost everyone is nervous, anxious and self-doubting. I also went to an all girls school when I was growing up, so I experienced bullying (as a bully, and as a victim of one) and this book brilliantly exposes how girls slyly bully and diminish each other, especially right under the noses of adults.

0 of 0 people found the following review helpful.
awesome
By Patricia L. Meyers
this was a really good book! i recommend it for dog lovers. it may be a little sad but is also very exciting. it keeps you interested the whole way through the book! this i one of my favorite books!

0 of 0 people found the following review helpful.
Really good for adults and pre-teens
By BonnieS
Really good for adults and pre-teens, especially those who are hoping to get a dog someday...even though
Mom is allergic.

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Tuesday, December 2, 2014

## Free Ebook The Letters of Robert Lowell, by Robert Lowell

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Over the course of his life, Robert Lowell impressed those who knew him by his "refusal to be boring on paper" (Christopher Benfey). One of the most influential poets of the twentieth century, Lowell was also a prolific letter writer who corresponded with many of the remarkable writers and thinkers of his day, including Elizabeth Bishop, Edmund Wilson, Robert Kennedy, Ezra Pound, William Carlos Williams, T. S. Eliot, and Robert Frost.

These letters document the evolution of Lowell's work and illuminate another side of the intimate life that was the subject of so many of his poems: his deep friendships with other writers; the manic-depressive illness he struggled to endure and understand; his marriages to three prose writers; and his engagement with politics and the antiwar movement of the 1960s.

The Letters of Robert Lowell shows us, in many cases for the first time, the private thoughts and passions of a figure unrivaled for his influence on American letters.

Sales Rank: #337989 in Books
Published on: 2005-06-09
Released on: 2005-05-19
Original language: English
Number of items: 1
Dimensions: 9.00" h x 2.13" w x 6.00" l, 2.86 pounds
Binding: Hardcover
888 pages

From Publishers Weekly
Starred Review. Already excerpted in the New Yorker and elsewhere, these letters have been awaited at least since Ian Hamilton's monumental 1985 biography of Lowell (1917– 1977). Brilliant, intimate, free, sculpted, various and wildly desirous of communication, the letters were worth the wait. The letters to Randall Jarrell and John Berryman have a peculiar professional intimacy. Those to his various wives, particularly Elizabeth Hardwick, have a raw pleading that often centers on the aftermath of episodes of mania or depression, but they never veer into bathos. The letters to Elizabeth Bishop form the core of the collection, and they are extraordinary, particularly the letters describing Maine, where both summered (though almost never at the same time): Lowell's eye for physical detail and feel for emotional valence seem directly wired into his prose. There are love letters to an Italian mistress, and lovely, frank letters in friendship to Jacqueline Kennedy Onassis. Lowell corresponded at one time or another with many major modernists (Eliot, Pound, Frost, Williams); watching Lowell simultaneously assert, defer and posture without obsequiousness is fascinating. Over the course of this vast volume, Lowell's reading, moods, professional obligations, political engagements, family life and final sense of isolation come through with often searing clarity. Even for those who don't care for Lowell's verse (or any verse), this is a major epistolary life. Photos not seen by PW. (June)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Given his status as a major American poet, Robert Lowell's manic depression, friendships with prominent people, and influence on other poets, including Anne Sexton and Sylvia Plath, have been well documented. Now, with this monumental volume of his letters to friends, family, peers, teachers, and even political leaders, those facets of his life are further illuminated. Lowell's correspondence offers personal thoughts and confessions, but it also embodies a calculated recognition of audience, meaning that his letters seem more carefully crafted than mere communication requires. And one of the most fascinating aspects of this collection is its documentation of the contact Lowell had with so many incredibly talented writers. From Robert Frost to Elizabeth Bishop to Flannery O'Connor, Allen Ginsberg, and Ezra Pound, Lowell had his finger on the pulse of writing during his lifetime and was motivated to stay in the thick of literary movements. Mainly for readers intrigued or inspired by Lowell, this collection is an invaluable primary resource, supplement to Lowell biographies, and companion to his fascinating poetry. Janet St. John
Copyright © American Library Association. All rights reserved

Review
“Robert Lowell was one of the three or four greatest American poets of the twentieth century . . . [His] torrential eloquence, his historical consciousness, his moral and political seriousness are a standing challenge.” ―Adam Kirsch, The Times Literary Supplement

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11 of 12 people found the following review helpful.
Wonderful letters from a now-distant past
By Eileen G.
This big collection of letters is remarkable in so many ways. Lowell was a tireless and prolific correspondent and never dull. He expressed love, wonder, and a surprisingly cheerful interest in mundane things and events. He wrote, for example, to Elizabeth Bishop, congratulating her (somewhat self-consciously) on her weight loss, among many other achievements. To Elizabeth Hardwick (second of his three wives) he sent tender and intimately newsy letters - often with an ache. Randall Jarrell, another friend, received a letter that began "Lying awake in bed the other night after my reading, I thought of the joy of seeing you."

Lowell would have loved email: he complains every now and then about the slowness of the mails, especially between the US and Europe. He is by turns thrilling and everyday in these letters, and often tender and loving.

Much has been made posthumously of Lowell's bipolar disorder. It's sad and sweet to read his notes to his mother. After beginning "psycho-therapy" in the late 1940's he writes to her that "I've been trying to understand my first six or seven years, and have many questions to ask you." He is uncynical and open. After her death in 1954 (also documented in letters) he had a psychotic break during which, as ever, he wrote letters.

Editor Saskia Hamilton has arranged these chronologically so you can read them as a sort of a biography. This is a terrific window on Lowell and his world.

7 of 8 people found the following review helpful.
What Next?
By Kevin Killian
Saskia Hamilton, a New York based poet, proves her mettle as an editor with this fat collection of Robert Lowell's letters.

He wrote great letters, and this surprised me a bit, but every one of them shows an insane desire to please, to flatter, to make the recipient feel good about himself or herself; he's marvelously attentive to nuance and knows exactly how to push the right buttons of his correspondents, telling them just what they want to hear. And he's sincere, which is a plus. Over and over again I was impressed by the facility with which he was blessed, or maybe he worked it up over time, because the earliest letters aren't that great, it's not until he gets into the 1940s that the familiar Lowell manner takes over.

This volume explains so much! Mostly how it was that, with all the truly awful things Lowell did, people still loved him. If it wasn't red-baiting the director of Yaddo and forcing the board to impeach her in 1947, it was publishing all those poems about Elizabeth and Harriet against their wishes, or it was wanting to marry Jackie Kennedy or whatever. Apparently all these were episodes of a manic nature in his bipolar disorder, including the car wreck that permanently disfigured wife #1 Jean Stafford. Well, of course none of them were really his fault but still. And now this book of letters unveils his real private voicem, gently coaxing reassuring, making sense of the world, interpolating, and penetrating the consciousness of whoever he was writing to at the time. The older and the famous got one style of letter; his peers got another.

Hamilton's notes are sparse, but seem sensible. However printing over 700 of these letters is out of control. Like the Bidart-edited POEMS, the book physically becomes too big to handle, it takes two strong men just to lift it off the shelf. Why so many? Plus, one gets the feeling that this is just the tip of the iceberg as far as the letters go, and that in a year's time we may have the first of many annual sequels, "More Letters by Robert Lowell." Never underestimate how many times a manic genius (with, as he boasts, unearned income and lots of free time) will reach out to others to make himself heard and understood. The word is the life.

0 of 0 people found the following review helpful.
Excellent!
By J. Cohen
This collection of Robert Lowell letters is an excellent supplement to Lowell's Collected Poems. Like the Collected Poems, this book is heavily annotated (which is a very good thing) and well-edited. The letters are divided into 8 sections, with each section covering a period of 5-7 years, and grouped according to major events or publications in Lowell's life.

The letters are fascinating and wonderfully written. With the annotation, they're also easy to follow, and you really get a sense of what it must have been like to be one of the poets in Lowell's inner circle. You also get an up-close and personal sense of Lowell as a human being: his ambitions, frustrations, and judgments are all very clearly spelled out.

I would highly recommend this book to any serious fan of Lowell's poetry. It would also be an excellent resource for anyone interested in the American poetry scene in the 1950's and 60's.

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Monday, December 1, 2014

** Download Ebook "Literchoor Is My Beat": A Life of James Laughlin, Publisher of New Directions, by Ian S. MacNiven

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A biography―thoughtful and playful―of the man who founded New Directions and transformed American publishing

James Laughlin―poet, publisher, world-class skier―was the man behind some of the most daring, revolutionary works in verse and prose of the twentieth century. As the founder of New Directions, he published Ezra Pound's The Cantos and William Carlos Williams's Paterson; he brought Hermann Hesse and Jorge Luis Borges to an American audience. Throughout his life, this tall, charismatic intellectual, athlete, and entrepreneur preferred to stay hidden. But no longer―in "Literchoor Is My Beat": A Life of James Laughlin, Publisher of New Directions, Ian S. MacNiven has given us a sensitive and revealing portrait of this visionary and the understory of the last century of American letters.
Laughlin―or J, as MacNiven calls him―emerges as an impressive and complex figure: energetic, idealistic, and hardworking, but also plagued by doubts―not about his ability to identify and nurture talent but about his own worth as a writer. Haunted by his father's struggles with bipolar disorder, J threw himself into a flurry of activity, pulling together the first New Directions anthology before he'd graduated from Harvard and purchasing and managing a ski resort in Utah.
MacNiven's portrait is comprehensive and vital, spiced with Ezra Pound's eccentric letters, J's romantic foibles, and anecdotes from a seat-of-your-pants era of publishing now gone by. A story about the struggle to publish only the best, it is itself an example of literary biography at its finest.

Sales Rank: #939548 in Books
Published on: 2014-11-18
Released on: 2014-11-18
Original language: English
Number of items: 1
Dimensions: 9.24" h x 1.84" w x 6.27" l, 1.00 pounds
Binding: Hardcover
592 pages

Review

“As the storied founder of the publishing house New Directions, James Laughlin caught butterfiles with Vladimir Nabokov, went swimming with Ezra Pound and quarreled with Henry Miller . . . And in the thick of it it all, he published some of the most important books of the twentieth century. In "Literchoor Is My Beat," Ian MacNiven's meticulous and informative biography, the life of this tireless litterateur and athlete resembles nothing so much as a ski trip: a thrilling rush through a rarefied atmosphere.” ―Abigail Deutsch, The Wall Street Journal

“[An] indispensable major biography of an indispensable figure . . . As the Poundian title of the book suggests, it wouldn’t do to write of such a crucial figure in a conventional way. And MacNiven doesn’t. He calls him ‘J’ throughout the book and, in a book piled rather high with excess and eccentricity, you’ll still find a chapter that begins ‘Even a decade later, J would weep when he read his valedictory poem for Tennessee. ‘I loved him―he was my friend.’ he said. Not many people saw J let down his guard.’ No, this book doesn’t replace Laughlin’s eccentric The Way it Wasn’t but the two books together do something crucial the world desperately needed done” ―Jeff Simon, The Buffalo News (Editor’s Choice)

“As Ian S. MacNiven . . . ably demonstrates in this impeccable biography, Laughlin was a born publisher, whose work ‘shaped English-language modernist poetry.' . . . ‘Literchoor Is My Beat' looks at Laughlin's low points, too, such as his failures as a husband and struggles through a number of financial crises. But it's hard to pull focus from the authors he championed: Hermann Hesse, Thomas Merton (his good friend), Allen Ginsberg, Lawrence Ferlinghetti, Gary Snyder, Paul Bowles and Pablo Neruda. It's an amazing story, and MacNiven tells it brilliantly with depth, grace and acuity.” ―Tom Lavoie, Shelf Awareness

“James Laughlin was one of the heroes of modern publishing and an avatar of the best in small-press Jeffersonianism. "Literchoor Is My Beat," the first life of Laughlin, is written with genuine feeling for the material, with a supple, lucid prose, quite free of the newspeak of academic jargon, and with a scrupulous documentary insistence. And the narrative Ian MacNiven has to work with is remarkable . . . MacNiven's biography is enlivened by reports of Laughlin's encounters with figures vital to 20th-century literature: the arch-elitist Vladimir Nabokov; the sweetly devotional Thomas Merton; the impecunious Dylan Thomas, who complained that his family had no money for food; the irascible and often contentious Kenneth Rexroth, who took him hiking in the High Sierras and reinforced his interest in Asian literature; and the explosive and sometimes delusional Delmore Schwartz, who helped run New Directions for a time.” ―John Tytell, The American Scholar

“Laughlin, the founder of the publishing imprint New Directions, brought some of the best literature of his era to American audiences--from Ezra Pound to Jorge Luis Borges. But MacNiven shuffles off those immortal names to probe the doubts and complexities of the publisher behind them.” ―NPR

“Reading MacNiven's book at a time when debates over the nature of publishers and their relationship to writers will find much that resonates. There are echoes of the recently-resolved debate that ranged for a large chunk of this year between Amazon and Hachette, for one thing. (At one point, an angry Henry Miller declares the publisher to be ‘the natural enemy of the author.') At the same time, MacNiven's biography also makes the case for New Directions as an iconic publisher, and Laughlin as a particularly idiosyncratic figure. Certain publishers resist easy categorization and help to revise definitions of what's expected from literature (and from the way that it's packaged and sold). And so MacNiven's biography not only makes the case for the importance of Laughlin and the publishing house he created, but also the spirit that moved them both.” ―Tobias Carroll, Biographile

“[An] absorbing biography.” ―Steven G. Kellman, The Chronicle of Higher Education

“MacNiven offers a lively and engaging look at Laughlin's life as publisher, poet, and world-class skier, among a pantheon of American literary talent . . . This book is a loving portrait of a man who shaped modern American poetry and literature.” ―Vanessa Bush, Booklist

“I strongly hope that the simultaneous publication of [Laughlin's] collected poems and of the hugely entertaining biography by MacNiven will not only perpetuate the memory of this extraordinary man and his poetry, but also renew interest in one of the richest periods in American literature.” ―Charles Simic, The New York Review of Books

“The adventuresome life of a literary maverick . . . MacNiven has drawn upon nearly 1,200 boxes of personal and professional papers at Harvard's Houghton Library, along with sources in other archives, for this sympathetic and thorough chronicle of Laughlin's life and business ventures . . . . MacNiven offers vivid portraits of the irascible Pound, with whom Laughlin had a filial relationship; Laughlin's intimate friend Thomas Merton; and poet Kenneth Rexroth, who often ‘played the devil's advocate . . . jabbing ruthlessly wherever he suspected cant, false values, weak art.' . . . Sensitive to Laughlin's strengths and shortcomings, MacNiven offers a comprehensive, prodigiously researched biography of a transformative literary figure.” ―Kirkus Reviews

“New Directions founder Laughlin (1914-1997) emerges as a perceptive, if distracted, visionary in this meticulously detailed biography. Though he aspired to be a poet, and eventually published verse and fiction, "J" was persuaded by mentor Ezra Pound to channel his creative ambitions into publishing. In 1936, while still an undergrad at Harvard, he rolled out the first New Directions title, the anthology New Directions in Poetry and Prose, and soon became the primary publisher for Pound, William Carlos Williams, Delmore Schwartz, Kenneth Rexroth, and other modernists whose work usually flew below the radar of most trade publishers. Laughlin's patrician heritage, as MacNiven presents it, endowed him with a worldliness that made him receptive to the work of underappreciated literary talents, both here and abroad. MacNiven quotes extensively from Laughlin's vast correspondence with luminaries, capturing their camaraderie and occasional capricious sulks. While working as a publisher, Laughlin was also trying to run a ski lodge in Utah, write, and keep his neglected family together; there is much here to suggest that New Directions succeeded despite, rather than because of, his abundant energies. Laughlin's professional and personal lives were so packed with incident that it's all MacNiven can do to contain the torrents of detail; readers will come away from the book appreciating Laughlin's impact on 20th-century letters.” ―Publishers Weekly

“Ian S. MacNiven's ‘Literchoor Is My Beat': A Life of James Laughlin, Publisher of New Directions presents a lively and revealing portrait of the man, he writes, who ‘practiced disappearance' and yet, ‘more than any other man of the twentieth century, directed the course of America writing and crested the waves of American passions and preoccupations,' publishing more than 1,500 books by others and writing more than 30 of his own.” ―Harvard Magazine

About the Author
Ian S. MacNiven's authorized biography of Lawrence Durrell was a New York Times Notable Book for 1998. He has edited two collections of Durrell's correspondence (with Richard Aldington and Henry Miller), is the author of numerous articles on literary modernism, and has directed and spoken at conferences on three continents. He is also a past president of the D. H. Lawrence Society of North America and of the International Lawrence Durrell Society. MacNiven resides on the west bank of the Hudson, outside the town of Athens, New York.

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8 of 8 people found the following review helpful.
A revelation, immensely readable and impeccably documented ....
By Terry G.Halladay and/or Laura Halladay
For both those who knew its subject personally, and those who only knew something of him through his own books and those he published, Ian MacNiven's biography of James Laughlin, "Literchoor Is My Beat...," is a revelation, a frank and compassionate account of a complex man who, in spite of frequently difficult personal and family issues, lived a life dedicated to the furtherance and preservation of much of what makes up the modern literary canon. Drawing on the immense archive of Laughlin's personal and professional papers preserved for posterity at Harvard, MacNiven's impeccably documented and eminently readable biography as well charts the history of New Directions, the publishing firm Laughlin founded and nurtured, and is rich with insight into Laughlin's personal and business relationships with his occasionally restless and always demanding stable of writers, with the ND staff members who supported and managed Laughlin's endeavors, and with his colleagues in the publishing world. It serves as an invaluable and illuminating companion to the recently published edition of Laughlin's Complete Poems. This reader is compelled to observe, however, that wholly apart from considerations of the high quality of MacNiven's work, its publisher, Farrar, Straus & Giroux, should be called out on an important point: this biography of a man who was for decades intensely attuned to the physical production quality of the books he published, who knew well and appreciated the significance of fine typography, distinctive design and fine binding, is bound in the cheapest, ugliest and least substantial paper board binding from a major publisher this reader - who has been involved professionally in the book business for four decades - has seen in many, many years.

3 of 3 people found the following review helpful.
A great must read book
By Richard G. Powers
I have NEVER read a finer, more insightful, more beautifully written biography than this. First of all, the man himself. Laughlin was born with many advantages, and he wasted none of them, using them as a springboard to prodigious achievement, suffused with an infectious joie de vivre and a never satisfied yearning for exceptional women. Then there was his early - as a college freshman - realization of the greatness of modernism in literature. Compare him to Peggy Guggenheim's similar genius as an art collector. Almost any year in Laughlin's life will give the average reader a lifetime program of self education. And he was a pioneer of American skiing, creating the Alta ski resort and lodge. Perhaps his greatest achievement was the editing of Thomas Merton's Asian Diaries, one of the great works of spiritual experience. MacNiven has to be proud of this great achievement.

1 of 1 people found the following review helpful.
Fascinating Lore
By David Curry
You can quarrel about James Laughlin's character, but the fact remains that if you remove him from the 20th century's literary scene, you do it considerable damage. He was the publisher of so many indispensable writers, and this biography's lore about Laughlin, his writers and other characters involved makes for a fascinating and frequently hilarious read.

When Tennessee Williams saw the jacket on the first edition of A STREETCAR NAMED DESIRE, he wrote Laughlin that the design was "original and striking" but that he objected to the "sort of shocking pink which reminds me of a violet scented lozenge."

At first mention in the book, Anais Nin is simply identified as "compulsive diarist." That would have frosted her. (Nin considered New Directions her ideal publisher, but Laughlin wasn't interested.)

Maria Britneva, a Russian-English ballerina turned actress, tried to lure Tennessee Williams away from homosexuality, while simultaneously pursuing Laughlin, Marlon Brando and George Plimpton. At one point, it appeared that Britneva would become Laughlin's second wife. She referred to Truman Capote as having "a voice so high that only a dog can hear it."

When Laughlin headed up PERSPECTIVES USA, an international journal funded by the Ford Foundation in the early years of the Cold War, he talked about "breaking down the barriers between the academic world and the real world," going on to say, "We are not at all interested in one more dead learned quarterly where myopic dons can butter or peck at each other."

But Laughlin never had the slightest interest in publishing books for the masses. His interest, as he put it himself, was in "publishing books that will be around after Robert Ludlum and Judie Krantz are forgotten."

Henry Miller constantly complained that New Directions was cheating him on royalties When Miller died and Laughlin received a statement of his finances, Laughlin rhymed, "Glad to know that dear old Hennery did not die in penury."

It's interesting to learn that Laughlin lived forever in fear of what his mother and his aunt would think of the books he published. He could have published LOLITA but turned it down and told Nabokov to take it to Barney Rosset at Grove Press.

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~ Download Comedy in a Minor Key: A Novel, by Hans Keilson

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A penetrating study of ordinary people resisting the Nazi occupation―and, true to its title, a dark comedy of wartime manners―Comedy in a Minor Key tells the story of Wim and Marie, a Dutch couple who first hide a Jew they know as Nico, then must dispose of his body when he dies of pneumonia. This novella, first published in 1947 and now translated into English for the first time, shows Hans Keilson at his best: deeply ironic, penetrating, sympathetic, and brilliantly modern, an heir to Joseph Roth and Franz Kafka. In 2008, when Keilson received Germany's prestigious Welt Literature Prize, the citation praised his work for exploring "the destructive impulse at work in the twentieth century, down to its deepest psychological and spiritual ramifications."

Published to celebrate Keilson's hundredth birthday, Comedy in a Minor Key―and The Death of the Adversary, reissued in paperback―will introduce American readers to a forgotten classic author, a witness to World War II and a sophisticated storyteller whose books remain as fresh as when they first came to light.

Sales Rank: #822027 in Books
Published on: 2010-07-20
Released on: 2010-07-20
Original language: English
Number of items: 1
Dimensions: 7.60" h x .61" w x 5.16" l, .48 pounds
Binding: Hardcover
135 pages

Features

Novel, Translated from German by Damion Searls

From Booklist
A German Jew who survived the war by hiding in Holland, Keilson later became a psychiatrist and published the first systemic study of children who had suffered from Nazi persecution. This selection is one of two novels Keilson began writing during the war. Its better-known sibling, Death of the Adversary (Eng. trans 1962), explored the thoughts of an oppressed man; plotless and psychological, it was something of an aesthetic experiment. Not previously translated, Comedy in a Minor Key takes a different approach: it tells the story of a Jewish man who dies in hiding from the perspective of the Dutch couple who shelter him and dispose of his body, and offers only slight clues as to the thoughts of the man in hiding. The story is simple and lean, but irony is plentiful, particularly when the couple must themselves go into hiding after realizing that tags bearing their name were left on the deceased’s clothing when his body was discovered. In spite of potentially comedic elements (and its title), most readers will not find this to be an essentially humorous book. They will find, however, a brisk, engaging work of Holocaust literature that deserves to be better known. --Brendan Driscoll

Review

“For busy, harried or distractible readers who have the time and energy only to skim the opening paragraph of a review, I'll say this as quickly and clearly as possible: The Death of the Adversary and Comedy in a Minor Key are masterpieces, and Hans Keilson is a genius . . . Although the novels are quite different, both are set in Nazi-occupied Europe and display their author's eye for perfectly illustrative yet wholly unexpected incident and detail, as well as his talent for storytelling and his extraordinarily subtle and penetrating understanding of human nature. But perhaps the most distinctive aspect they share is the formal daring of the relationship between subject matter and tone. Rarely has a finer, more closely focused lens been used to study such a broad and brutal panorama, mimetically conveying a failure to come to grips with reality by refusing to call that reality by its proper name . . . Rarely have such harrowing narratives been related with such wry, off-kilter humor, and in so quiet a whisper. Read these books and join me in adding him to the list, which each of us must compose on our own, of the world's very greatest writers.” ―Francine Prose, The New York Times Book Review

“This first-ever English translation of Keilson's gripping 1947 novel about a Dutch couple hiding a Jewish perfume merchant in their home during WWII marks a welcome reintroduction to the author's unfortunately obscure oeuvre . . . Beautifully nuanced and moving, Keilson's tale probes the more concealed, subtle forces that annihilate the human spirit.” ―Publishers Weekly

“[Comedy in a Minor Key's] design is so neat, spare, and geometric that to think of it is like tapping a spoon to a crystal glass.” ―Yelena Akhtiorskaya, The Forward

“A brisk, engaging work of Holocaust literature that deserves to be better known.” ―Brendan Driscoll, Booklist

“What Keilson had experienced, body and soul, went into this precisely composed book, which succeeds in capturing the tragedy of countless anonymous victims alongside the grotesquerie of the individual tragic case.” ―Ulrich Weinzierl, Frankfurter Allgemeine Zeitung

About the Author

Hans Keilson is the author of The Death of the Adversary. Born in Germany in 1909, he published his first novel in 1933. During World War II he joined the Dutch resistance. Later, as a psychotherapist, he pioneered the treatment of war trauma in children. In a 2010 New York Times review, Francine Prose called Keilson a "genius" and "one of the world's very greatest writers." He died in 2011 at the age of 101.

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96 of 97 people found the following review helpful.
Feeling that you, even just a little bit, had won the war
By C. R.
Comedy in a Minor Key tells the story of a young Dutch couple, Wim and Marie, who conceal Nico, a Jewish perfume salesman, in their spare bedroom for a year during World War II. For Wim and Marie, their generosity isn't born out of political passion or response to injustice, but rather a sense of decency and neighborly kindness. In contrast to heroic war tales of the resistance and defiant rebels, Wim and Marie naively stumble through the awkwardness of a housing a stranger on the run from the enemy. The clumsiness of living with a stranger and riskily concealing him takes a dangerous turn when he passes away from illness, and the two are forced to dispose of his body.

Hans Keilson is enjoying new attention with English language readers due to the first English translation of Comedy in a Minor Key even though it was originally published in 1947, as well as the re-issue of his book The Death of the Adversary. This slim volume (only 135 pages) quietly relates a bleakly funny tale about human compassion that is startling and deeply affecting.

What I find so exciting about this work it wryly breaks expectations. As Marie observes thinking about the man they have concealed "He had defended himself against death from without, and then it had carried him off from within. It was like a comedy where you expect the hero to emerge onstage, bringing resolution, from the right. And out he comes from the left." For Wim, Marie, and Nico, their actions aren't those of heroes. Marie feels slighted by her guest concealing from her, Wim fumbles in banal yet clandestine operations, and even Nico commits selfish acts. In their efforts to do something grand, life in all its accidents and frustrations interrupts.

Keilson expertly reveals the realities of three deeply human characters living in an impossible, alienating situation. This short novel reads smoothly and feels deeply contemporary - with all the existential absurdity of a Beckett play and the character foibles of a Jonathan Franzen novel. Comedy in a Minor Key is a rare find, and I am deeply grateful that it has finally been published here.

23 of 24 people found the following review helpful.
Leaves the Reader Feeling as if they were in the "Upstairs Bedroom"
By Robert Brooks
Comedy in a Minor Key is a truly phenomenal short novel. The title reveals a great deal about the subject of the novel: a dark, almost absurdist comedy set amongst a traditionally sad background. The novel centers around the lives of three characters: A married couple, Wim and Marie, and their "guest" 'Nice' who comes to join Wim and Marie out of the necessity of the times.

Kielson adeptly develops the characters of all three characters, helping the reader to feel as though they were (1) the "man of the house" in WWII Belgium seeking to do the right thing, (2) the housewife forced to deal with the everyday realities of hiding a man in her home without allowing the neighbors to find out and (3) the man hiding in the upstairs bedroom of a couple he never knew because his background makes him eligible for death. Kielson moves from the mind of each character frequently, sometimes within the same paragraph, forcing the reader to think about the same conversation through each person's lens.

Kielson also employs a narrative device that is particularly powerful in the novel: he moves back and forth in time without warning or background. This often gives the novel the feel of being timeless, almost infinite. This is especially effective when considering the point of view of Nico, as he (and anyone in his situation) must have felt that time almost stood still at moments, and then suddenly jumped forward with events of great magnitude. Kielson helps the reader to have similar emotions, sometimes feeling that time was almost standing still and then suddenly a great burst of information or events would occur.

Comedy in a Minor Key is ultimately a beautiful look at the way lives are influenced and changed through the circumstances of life and how we may never be able to truly understand someone until we are sitting in their place, experiencing their nightmare. I highly recommend this novel and am grateful that it has finally been translated after more than 60 years.

8 of 9 people found the following review helpful.
Hiding and Identity, Comedy and Tragedy
By A Certain Bibliophile
The premise is simple enough. A married couple, Wim and Marie, decide to take in a Jew named Nico during World War II. In hiding him, the comfortably middle-class Wim and Marie learn what it means to live the precarious life of a Jew in 1940s Holland, in what would have otherwise been a set of rather ordinary circumstances. Soon afterwards, Nico becomes ill and eventually dies in their house, leaving the couple in the unique position of needing to dispose of a body no one can know they had there in the first place. They eventually leave him wrapped in blankets in a nearby park, but soon discover that they might have left a clue to their identity behind. Therefore, in a wonderful turn of irony, Wim and Marie are themselves forced to instantly flee their house for fear of being discovered by the police.

The title is beautiful and wholly appropriate to the story. Juxtapositions are everywhere: there is the comic lightness of opera bouffe as Wim and Marie try to figure out how to get rid of Nico, but also the crushing dramatic realization of how this has all come about because of how some humans have chosen to treat others; the interplay of the quotidian as the couple go about their day-to-day existences in war-torn Holland with only the audience to find that this will one day be a place of grand historical importance.

Writer Francine Prose recently wrote in a piece in the New York Times that she has come to include Dutch writer Hans Keilson in her personal list of the world's "very greatest writers." On that alone, I took up Keilson's "Death of the Adversary," and was just as impressed. Despite Time magazine's listing it as one of the ten best magazines of the year, aside Nabokov's "Pale Fire" and Porter's "Ship of Fools," Keilson unfortunately fell into obscurity in the English-speaking world.

Translator Damion Searls' revivification of his work is admirable and deserved, even while I found this "Comedy in a Minor Key" to be much less rewarding than "Death of the Adversary." The former is a small, personal, intimate picture of human identity and frailty touchingly conceived, but it felt underdeveloped to me. Its size, at a mere 135 pages, gave me less time than I would have preferred to get to know Wim, Marie, and Nico. "Death of the Adversary," however, deals with looming, world-historical forces that are at work in our lives, with bigger, abstracter ideas, and was probably for that reason more compelling for me. My rating of three stars here might be a little low. I didn't know whether to go with three or four, but I can't see myself rereading it any time soon, so I chose three. I would recommend to anyone interested in Keilson that they read "Death of the Adversary," which I found to be truly spectacular.

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Download Comedy in a Minor Key: A Novel, by Hans Keilson

Download Comedy in a Minor Key: A Novel, by Hans Keilson

~ Download Comedy in a Minor Key: A Novel, by Hans Keilson Doc

~ Download Comedy in a Minor Key: A Novel, by Hans Keilson Doc

~ Download Comedy in a Minor Key: A Novel, by Hans Keilson Doc

~ Download Comedy in a Minor Key: A Novel, by Hans Keilson Doc