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Thursday, November 20, 2014

^^ Ebook Download The Philosophical Baby: What Children's Minds Tell Us About Truth, Love, and the Meaning of Life, by Alison Gopnik

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The Philosophical Baby: What Children's Minds Tell Us About Truth, Love, and the Meaning of Life, by Alison Gopnik

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How do babies think? What is it like to be a baby? How much do our experiences as children shape our adult lives? In the last decade there has been a revolution in our understanding of the minds of infants and young children. We used to believe that babies were irrational, and that their thinking and experience were limited. Now Alison Gopnik—a leading psychologist and philosopher, as well as a mother—explains the cutting-edge scientific and psychological research that has revealed that babies learn more, create more, care more, and experience more than we could ever have imagined. And there is good reason to believe that babies are actually smarter, more thoughtful, and more conscious than adults.

This new science holds answers to some of the deepest and oldest questions about what it means to be human. A new baby’s captivated gaze at her mother’s face lays the foundations for love and morality. A toddler’s unstoppable explorations of his playpen hold the key to scientific discovery. A three-year-old’s wild make-believe explains how we can imagine the future, write novels, and invent new technologies. Alison Gopnik - a leading psychologist and philosopher, as well as a mother - explains the groundbreaking new psychological, neuroscientific, and philosophical developments in our understanding of very young children, transforming our understanding of how babies see the world, and in turn promoting a deeper appreciation for the role of parents.

Sales Rank: #354842 in Books
Published on: 2009-08-04
Released on: 2009-08-04
Original language: English
Number of items: 1
Dimensions: 8.59" h x 1.06" w x 6.13" l, 1.00 pounds
Binding: Hardcover
288 pages

From Publishers Weekly
Psychologist Gopnik (The Scientist in the Crib) points out that babies have long been excluded from the philosophical literature, and in this absorbing text, she argues that if anything, babies are more conscious than grownups. While adults often function on autopilot, getting through their busy days as functional zombies, babies, with their malleable, complex minds and penchant for discovery, approach life like little travelers, enthralled by every nuance of their exciting and novel environment. Gopnik compares babies to the research and development department of the human species, while adults take care of production and marketing. Like little scientists, babies draw accurate conclusions from data and statistical analysis, conduct clever experiments and figure out everything from how to get mom to smile at them to how to make a hanging mobile spin. Like adults, the author claims, babies are even capable of counterfactual thinking (the ability to imagine different outcomes that might happen in the future or might have happened in the past). As she tackles philosophical questions regarding love, truth and the meaning of life, Gopnik reveals that babies and children are keys not only to how the mind works but also to our understanding of the human condition and the nature of love. (Aug.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
"The great American psychologist William James described the infant's worldview as a `blooming, buzzing confusion.' Gopnik's book is a challenge to this notion. Based partly on her own pioneering studies, she brings to life the sophisticated mental capacities of infants. A great read." --V. S. Ramachandran, author of Phantoms in the Brain: Probing the Mysteries of the Human Mind

"One of our best writers, Gopnik reveals the inner workings of those minds that have been wrapped in mystery for all of human time: our children's." --Daniel Levitin, author of This Is Your Brain on Music

"In The Philosophical Baby, Alison Gopnik reveals the latest scientific discoveries--many of them quite surprising--about the developing minds of young children. She also presents a richly provocative and endlessly insightful story that unites the endearing other-worldliness of children's imaginations with some of the oldest and most profound questions in philosophy. This book is at once touching, eloquent, and masterful in its fascinating revelations about what makes us human." --Frank J. Suloway, author of Born to Rebel

"Alison Gopnik's absorbing, smart, and enjoyable book might be better titled The Philosophical Developmental Psychologist. Her remarkably thoughtful and carefully reasoned studies into how babies learn and think give intriguing insights and invite new ways of reflecting on consciousness and creativity in adults as well. In a refreshing counterpoint to speculations in evolutionary psychology, her lucid and engaging descriptions of experiments with babies demonstrate how much can be understood simply by asking the right questions with an open and critical mind. Parents and scientists will enjoy the insights but so will anyone who has thought about the question of what it means to be human." --Lisa Randall, Professor of Physics, Harvard University, and author of Warped Passages

"What is it like to be a baby? In this astonishingly interesting book, Alison Gopnik reminds us about what we can't remember. In the process, she teaches us a tremendous amount about the human condition and how the mind is made." --Jonah Lehrer, author of How We Decide

“This book really makes you think about consciousness. The mind of a child is a strange and wonderful world." --Temple Grandin, author of Thinking in Pictures

"After convincing us that the seemingly familiar human child is actually wrapped in mystery, Alison Gopnik offers a compelling and convincing portrait of the opening years of life. This is scientific writing of the highest order." --Howard Gardner, author of Five Minds for the Future

Review
"One of our best writers, Gopnik reveals the inner workings of those minds that have been wrapped in mystery for all of human time: our children's."

Most helpful customer reviews

65 of 69 people found the following review helpful.
Every parent should read this!
By M. Jones
Don't be swayed by the austere title, what this book does best is corral and explain recent studies on what babies and toddlers understand and when: When do they start to feel empathy? When are they able to understand that hitting hurts? When can they be expected to understand rules? What's the deal with invisible friends? It's given me a new perspective and a lot more sympathy for my into-everything son.

It's also a page-turning easy read and utterly fascinating-- you'll want to go through with a highlighter to pick out all of the brilliant points.
Would make a great gifts for parents & parents-to-be!

39 of 40 people found the following review helpful.
Insight into the inner life of children
By Israel Ramirez
Have you ever wondered about the inner life of children, how they understand things, what their stream of consciousness is like, how they perceive the world, what their feelings are really like? I watched my own children grow up, talked with them daily, fed them, played with them, but always felt that I was missing a lot about their inner world. Gopnik answered some of my questions and showed me other questions that I hadn't thought of asking.

Gopnick argues, for example, that young children don't have the same self narrative adults have. I remember being appalled by my daughter's inability to describe what happened on her recent trip to the zoo. Gopnick argues that this happens because very young children haven't developed the story about themselves that allows them to go back and fetch prior events the way adults do. When I return from a trip to the zoo, I retain a story about finding a parking spot, paying admission, watching the monkeys near the entrance, etc. With very young children, there is no such narrative, only a series of events. These events are remembered. So if I ask a more direct question, like did you enjoy the monkeys in the big cage, she tells me about the big monkey chasing the smaller monkey.

Gopnik emphasizes the sophistication of children who can easily distinguish between imaginary, possible, and real objects. She tells us about how children can make sophisticated judgments about causal relationships after having seen only a few relevant events. She tells us how children can distinguish acts which are wrong because they hurt someone as opposed to things which are wrong because they are against the rules

Gopnik frames her discussion around philosophical themes such as reality versus fiction, discovery of reliable truth from messy observations, consciousness, nature of the self, love, morality, etc. She rightly argues that although topics such as these have long been important to philosophers, potential insights that could be provided by studying children have not been considered by philosophers.

Specialists will find this book unsatisfactory. There isn't a single graph. There are no statistics or numbers of any kind. There are no literature reviews describing areas where researchers get conflicting results. When experiments are reported at all, they are mentioned briefly with no detail. Gopnik is more interested in the big picture, discussing the main themes using mostly informal language. Just the same, she takes you through some of the toughest concepts in the field and isn't afraid to bring up technical terms, like lantern consciousness, whenever it is helpful to do so.

Finally, Gopnik's wit, graceful writing, and genuine feeling for children make her book a pleasure to read.

0 of 0 people found the following review helpful.
Five Stars
By Mirona M.
Great book! Offers a really nice insight on the mind of babies. :)

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Wednesday, November 19, 2014

## Free PDF Wait for Me!: Memoirs, by Deborah Mitford

Free PDF Wait for Me!: Memoirs, by Deborah Mitford

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Wait for Me!: Memoirs, by Deborah Mitford

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Deborah Mitford, Duchess of Devonshire, is the youngest of the famously witty brood of six daughters and one son that included the writers Jessica and Nancy, who wrote, when Deborah was born, "How disgusting of the poor darling to go and be a girl." Deborah's effervescent memoir Wait for Me! chronicles her remarkable life, from an eccentric but happy childhood roaming the Oxfordshire countryside, to tea with Adolf Hitler and her sister Unity in 1937, to her marriage to Andrew Cavendish, the second son of the Duke of Devonshire. Her life changed utterly with his unexpected inheritance of the title and vast estates after the wartime death of his brother, who had married "Kick" Kennedy, the beloved sister of John F. Kennedy. Her friendship with that family would last through triumph and tragedy.

In 1959, the Duchess and her family took up residence in Chatsworth, the four-hundred-year-old family seat, with its incomparable collections of paintings, tapestry, and sculpture―the combined accumulations of generations of tastemakers. Neglected due to the economies of two world wars and punitive inheritance taxes, the great house soon came to life again under the careful attention of the Duchess. It is regarded as one of England's most loved and popular historic houses.

Wait for Me! is written with intense warmth, charm, and perception. A unique portrait of an age of tumult, splendor, and change, it is also an unprecedented look at the rhythms of life inside one of the great aristocratic families of England. With its razor-sharp portraits of the Duchess's many friends and cohorts―politicians, writers, artists, sportsmen―it is truly irresistible reading, and will join the shelf of Mitford classics to delight readers for years to come.

Sales Rank: #230134 in Books
Published on: 2010-11-09
Released on: 2010-11-09
Original language: English
Number of items: 1
Dimensions: 9.08" h x 1.35" w x 6.40" l, 1.42 pounds
Binding: Hardcover
368 pages

From Publishers Weekly
In this sparkling memoir, the Duchess (The Pursuit of Laughter) writes about her famously eccentric family and the upper reaches of the British aristocracy with whom she has mingled during her long life (she'll turn 91 in March). She was related to Winston Churchill's wife, Clementine, and to Prime Minister Harold Macmillan. In 1938, she met her future husband, Andrew Cavendish, and socialized with the Kennedy's. As their guest, she attended JFK's inauguration, and then his funeral, and writes movingly of both events. When her husband inherited his title, she became the mistress of Chatsworth; the Devonshire family estate dated back to the time of Henry VIII and contained fabulous treasures, including original Rembrandt paintings, and Mitford helped manage a variety of enterprises connected with it. In the '60s, Andrew served as a Minister of State and the couple travelled widely. A staunch conservative herself, her family's politics tended to be more extreme. Her parents sympathized with Nazi Germany, her sister Unity, a close companion of Hitler, attempted suicide at the start of hostilities, and sister Diana, wife of British fascist Oswald Mosley, was jailed. Full of absorbing anecdotes, Mitford's wonderfully-written tale of a tumultuous era is fascinating. Norman Parkinson's iconic 1952 photo of the Duchess adorns the cover.
(c) Copyright PWxyz, LLC. All rights reserved.

Review

“Charming, captivating, and at times wickedly funny. ‘Wait for Me!' was the refrain of young ‘Debo', the baby of the family. Now ninety, she has caught up beautifully.” ―Time

“A national treasure.” ―Sarah Lyall, The New York Times

“Wait for Me! . . . teem[s] with memories of love, war, betrayal, heartbreak, housekeeping, and frolic . . . tantalizing . . . riveting.” ―Liesl Schillinger, The New York Times Book Review

“Admirably done, cannily blending disclosure and reticence in a charming book that kept me riveted.” ―Miranda Seymour, The Guardian (London)

“[Debo] is in possession of what I can only describe as a uniquely Mitford-esque sensibility: loving but unsentimental . . . able to find the ridiculous in almost anything.” ―Rachel Cooke, The Observer (London)

“More entertaining than anything I could say about it.” ―P. J. Kavanagh on COUNTING MY CHICKENS..., The Spectator

“Nobody with an interest in the past century could fail to be interested in the gossip, which extends to just about everyone of interest.” ―Matthew Bell on HOME TO ROOST, The Independent on Sunday

“Behind the wit and quips, there is something else stronger and more rigorous. She goes to the ballet at Covent Garden with the Queen Mother and notices that throughout the entire performance, the Queen Mother's back ‘never once touched the chair.' That is how the Duchess is too--never a slouch, never a saggy moment, even in grief alert, attentive, observant.” ―Adam Nicolson on HOME TO ROOST, The Spectator

“One of the great twentieth-century correspondences . . . Bursting with wit and conviviality.” ―James Purdon on IN TEARING HASTE, The Observer (London)

“Beguiling . . . Hugely enjoyable . . . What these letters so wonderfully demonstrate is an unfailing appetite for life.” ―Anne Chisholm on IN TEARING HASTE, The Spectator

“Funny, loving, sparkly, snarky, heartbreaking, chilling, gossipy, wise.” ―Amanda Lovell on THE MITFORDS, O, The Oprah Magazine

About the Author

Deborah Vivien Freeman-Mitford Cavendish, Duchess of Devonshire, was brought up in Oxfordshire, England. In 1950 her husband, Andrew, the 11th Duke of Devonshire, inherited extensive estates in Yorkshire and Ireland as well as Chatsworth, the family seat in Derbyshire, and Deborah became chatelaine of one of England's great houses. She is the author of Counting My Chickens and Home to Roost, among other books, and her letters have been collected in The Mitfords: Letters Between Six Sisters and In Tearing Haste: The Correspondence of the Duchess of Devonshire and Patrick Leigh Fermor. Following her husband's death in 2004, she moved to a village on the Chatsworth estate.

Most helpful customer reviews

295 of 309 people found the following review helpful.
What is glamour, anyway?
By Patricia Tryon
The cover of the American edition of this book demonstrates, to some degree, the difference between working definitions of glamor in the United States and in England. In the United States... Well, you see from the cover. The English cover shows the Dowager Duchess at her age (90), comfortably -- even proudly -- holding two prize hens. It could be that the covers show something of the difference in expectations readers will have as they wade into this autobiography.

Almost a third of the book deals with the Duchess' life before she married. She describes in detail the Victorian backgrounds of both her parents and what it was like to grow up in an unsentimental household where the birth of another daughter (she is the youngest of six daughters and a lone, prized son) was scarcely greeted with undiluted joy. Armchair psychologists will find much to mine because the descriptions of her family are affectionate, but unvarnished to the point of unsparing. But the Duchess' family was not unique in this respect among members of their socio-economic class. Their circumstances, comparatively reduced for the circles in which they traveled, required a degree of creative economizing, whether in the family's having to move house or in organizing yet another "coming out" for a daughter.

The sketches of her sisters carry overtones of love, but are also stinging and regretful. The Duchess is, keep in mind, one of the legendary Mitford sisters. Among them was a famous novelist and raconteur, another was the whistle blower on the notoriously exploitative American funeral industry (The American Way of Death, still in print), another was an infamous Hitler sympathizer who in fact took occupancy of an apartment in Germany from which a Jewish family had been evicted. If a hint of condescension enters in, perhaps it cannot be helped. The writer was, it could be argued, the most successful of the sisters: in the event, the most long-lived and prosperous. She was also, at least according to her telling, the one to whom others turned when illness and other vicissitudes struck.

Americans for the most part have an idea of dukes and duchesses that is well conveyed (and appealed to) in the portrait chosen for the American book cover. The reality is quite different. The Duchess married a younger son, Andrew Cavendish, who stood to inherit nothing of the status and responsibility of that would be conferred on his elder brother. But World War II changed things with the death of the elder son, William. As a result, her husband inherited a title in a family whose aristocratic roots extend back to the 16th century. He also inherited crushing debt because inheritance tax in post-War Britain was, in effect, confiscatory. Transferring some important works of art to the State and opening Chatsworth to the public were ways of dealing with the debt.

Chatsworth required extensive rehabilitation and renovation, and some of the book deals with an arduous task that might have daunted anyone who truly understood what the job would require. The Duchess became a knowledgeable and effective decorator whose skills have been called upon for projects beyond Chatsworth. The Duchess' country upbringing contributed, too, to her willingness to tackle gardens, livestock, and shooting. These days the latter is an unpopular topic in many quarters, but the Duchess is intransigently unapologetic. Game management is part of country life; perforce hunting is, as well.

Those of us who remember where we were the day Kennedy was shot might be interested in what the Duchess relates in the appendices about her friendship with JFK. She attended both his inauguration and his funeral.

Lest this sound like a life of cosseted privilege, it must be added that the Duke and Duchess experienced the extraordinary sadness of burying more than one baby. Her husband became alcoholic and did not recover on his first attempt. There is much more about which the Duchess writes. Her tone in the telling is far from detached, but completely lacks self-pity.

To this point, I have been describing the story told in this autobiography. My point is that I think it is an interesting life; my intention is not to pass any kind of judgment on it. A review, though, is more than a description. My review of the book is brief. I think it is intelligently written and that the writer turns phrases boldly, but not brashly. She weaves together the many strands of a story almost seamlessly.

At almost 400 pages, it is not a short autobiography so it impressed me that my interest was unflagging. The writing shows wit, acumen, irony, command of many topics (e.g., her "review" of Graceland), and occasionally just a hint of score settling. There is not a great deal of introspection. Whether this suggests a lack of insight might say more about the reader than about the writer.

The photographs represent the sweep of the Duchess' life and fortunes. They illustrate the story and, in a sense, augment it.

I like the genre of contemporary autobiography. This book will remain on my shelf as an exemplar of the genre. And I think I shall return to its stories again and again. For me, that makes it worthy of fully five stars.

69 of 75 people found the following review helpful.
Her first 90 years: A life of privilege and purpose, well lived
By Sharon Isch
Her sister Nancy was an acclaimed novelist. Sister Jessica (Decca) was the muckraking journalist who wrote "The American Way of Death." Sister Unity fell in love with Hitler and then shot herself. Sister Diana married the British Fascist leader Sir Oswald Mosley and spent much of World War II in prison. Now Deborah, or Debo as she is known, the youngest and only surviving Mitford sister, tells the story of her life so far, one that may well make her the most famous Mitford sister of all.

Unlike her wicked and witty collection of writings compiled in "Counting My Chickens" that reveals her crush on Elvis, her resistance to book reading and predeliction for buying her clothes at agricultural fairs, "Wait for Me!" which takes its name from a youngest child's constant struggles to catch up with the others, is a book that has the carefully considered weight of history hanging over its every word.

As Duchess of Devonshire, Deborah Vivien Freeman-Mitford Cavendish was responsible for seven houses that, in addition to the great British country house, Chatsworth, included Lismore Castle in Ireland where the family spent salmon-season every April and Bolton Abbey where they hosted shooting parties every August. Other times found her shopping the coutourier houses of Paris with a sister or two...going to Carnival in Rio with Aly Kahn and coming home with the gift of one of his horses, the Grand National winner Royal Tan...making a hop across the pond at the invitation of her friend Jack at 1600 Pennsylvania Avenue, smack dab in the midst of the Cuban missile crisis...assigned to trailing the Queen Mother at an agricultural fair and mixing Her Royal Highness's Dubonnet and gin drinks...playing hostess to "Uncle Harold" Macmillan, the Shah of Persia, Lady Bird, Lynda Bird, Evelyn Waugh, Balenciaga, and Givenchy...developing the entrepreneureal skills that have made Chatsworth thrive...sitting for portraits by world-famous artists that will doubtless hang in the halls of the most famous country house in all of England for generations to come and may one day come to outshine those of the other Devonshire duchesses--even Georgiana, the one played by Keira Knightley in that movie with Ralph Fiennes...and then, as a 90th birthday treat, going to the ballet at Covent Garden as the guest of the Prince of Wales and Duchess of Cornwall and sitting in the royal box.

What an incredible life she has had. What an incredible woman she is, though one who's seen more than her share of pain--the losses of three babies within hours of their birth, and of her only brother, her brother-in-law and countless friends in World War II and the pure hell of her husband's long, long struggle with the family curse of alcoholism--a story she'd have preferred to omit from this memoir, but could not because he'd already written about it in his. I suspect there's much else she left out. For example, her husband's well known roving eye, which makes its only appearance here during their courtship; also we're told almost nothing about her children, their lives and her relationship with them.

This is a serious and mostly straightforward story of a life, leavened with occasional glimpses of the Dowager Duchess's lighter side. Like the proud admission that she had had the downstairs lavatory in the Old Vicarage where she now lives lined with silver paper and portraits of Elvis. And an offhand comment on one of the more successful products sold at Chatsworth's stall at the Chelsea Flower Show: In addition to garden seats, she writes, "We also did well meeting the revived fashion for wooden lavatory seats, whose middles we made into cheeseboards."

Update 9/25/14: The Dowager Duchess died on September 24 at the age of 94.

47 of 50 people found the following review helpful.
Another Mitford Sister Remembers
By Cathy C
This is a window into a long gone world. We have seen parts of it in the other Mitford sisters books, but Debo takes us on into the world of the busy life of the Duchess, as well. It is interesting to compare the perspectives of the sisters on their family. Debo is very loving toward them all. She does not have the brilliant wit they did and some of this reads a bit like a Christmas letter-nice bits about people you don't know and aren't interested in. I would recommend this for those who are fascinated by the Mitfords, and England as it used to be.

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The story of how four young bohemians on the make - Bob Dylan, Joan Baez, Mimi Baez, and Richard Farina - converged in Greenwich Village, fell into love, and invented a sound and a style that are one of the most lasting legacies of the 1960s

When Bob Dylan, age twenty-five, wrecked his motorcycle on the side of a road near Woodstock in 1966 and dropped out of the public eye, he was recognized as a genius, a youth idol, and the authentic voice of the counterculture: and Greenwich Village, where he first made his mark as a protest singer with an acid wit and a barbwire throat, was unquestionably the center of youth culture.

So embedded are Dylan and the Village in the legend of the Sixties--one of the most powerful legends we have these days--that it is easy to forget how it all came about. In Positively Fourth Street, David Hajdu, whose 1995 biography of jazz composer Billy Strayhorn was the best and most popular music book in many seasons, tells the story of the emergence of folk music from cult practice to popular and enduring art form as the story of a colorful foursome: not only Dylan but his part-time lover Joan Baez - the first voice of the new generation; her sister Mimi - beautiful, haunted, and an artist in her own right; and her husband Richard Farina, a comic novelist (Been Down So Long It Looks Like Up To Me) who invented the worldliwise bohemian persona that Dylan adopted--some say stole--and made as his own.

The story begins in the plain Baez split-level house in a Boston suburb, moves to the Cambridge folk scene, Cornell University (where Farina ran with Thomas Pynchon), and the University of Minnesota (where Robert Zimmerman christened himself Bob Dylan and swapped his electric guitar for an acoustic and a harmonica rack) before the four protagonists converge in New York.

Based on extensive new interviews and full of surprising revelations, Positively Fourth Street is that rare book with a new story to tell about the 1960s. It is, in a sense, a book about the Sixties before they were the Sixties--about how the decade and all that it is now associated with it were created in a fit of collective inspiration, with an energy and creativity that David Hajdu captures on the page as if for the first time.

Sales Rank: #215479 in Books
Published on: 2001-06-01
Original language: English
Number of items: 1
Dimensions: 1.13" h x 6.30" w x 9.36" l,
Binding: Hardcover
328 pages

Features

the life and times of Bob Dylan and friends

Amazon.com Review
David Hajdu (pronounced HAY-doo), the prizewinning author of the magisterial jazz biography Lush Life, now steam-cleans the legend of the lost folk generation in Positively 4th Street: The Lives and Times of Joan Baez, Bob Dylan, Mimi Baez Fariña, and Richard Fariña. What a ripping read! It's like an invitation to the wildest party Greenwich Village ever saw. You feel swept up in the coffeehouse culture that transformed ordinary suburban kids into ragged, radiant avatars of a traditional yet bewilderingly new music. Hajdu's sociomusical analysis is as scholarly as (though less arty than) Greil Marcus's work; he deftly sketches the sources and evolving styles of his ambitious, rather calculating subjects, proving in the process that genius is not individual--it's rooted in a time and place. Hajdu says Dylan heisted many early tunes (e.g., "Maggie's Farm" from Pete Seeger's "Down on Penny's Farm"): "Dylan [told] a radio interviewer that he felt as if his music had always existed and he just wrote it down ... [in fact], much of his early work had existed as other writers' melodies, chord structures, or thematic ideas." But Dylan and company made it all their own, and Hajdu vividly evokes the scenes they made.

Positively 4th Street is very much a group portrait. When something amazing happens, Hajdu puts you right there. The unknown Baez barefoot in the rain, bedazzling the Newport Jazz Festival and becoming immortal overnight. The irresistibly irresponsible Fariña talking his folk-star wife out of shooting him dead with his own pistol. The "little spastic gnome" Dylan transmogrified into greatness onstage, bashing Joan with the searing lyrics of "She Belongs to Me." A stoned Fariña advising Dylan to cynically hitch his wagon to Joan's rising star and "start a whole new genre. Poetry set to music, but not chamber music or beatnik jazz, man... poetry you can dance to."

The book is as delectably gossipy as Vanity Fair (one of Hajdu's employers). Richard married the exceedingly young beauty Mimi and helmed their career, but he might have dumped her for big sister Joan, whose madcap humor and verbal wit harmonized with his--except that he ineptly killed himself on a motorcycle first. Bob mumblingly courted both sisters, but when he cruelly taunted the insecure Joan, Mimi yanked his hair back until he cried. The account of Bob and Joan's musical-erotic passion is first-rate music history and uproarious soap opera. Hajdu's research is prodigious--even Fariña's close chum Thomas Pynchon granted interviews--and his anecdotes are often off-the-cuff funny: "[Rock manager Albert Grossman] was easy to deal with.... It wasn't till maybe two days after you would see Albert that you'd realize your underwear had been stolen." Full disclosure: Hajdu was one of my long-ago bosses at Entertainment Weekly, but that's certainly not why I heartily endorse this book. It's scholarship with a human face, akin to "poetry you can dance to." --Tim Appelo

From Publishers Weekly
Sometimes, gifted people intersect at the perfect moment and spark a cultural movement. According to acclaimed biographer David Hajdu (Lush Life), Joan and Mimi Baez, Dylan, and Farina were of that brand of fated genius, and via romantic and creative trysts, they invented 1960s folk and its initially maligned offshoot, folk rock. But their convergence hardly emblematizes the free-loving media version of the 1960s. Egos--especially Joan Baez's and Dylan's--clashed, jealousies flared, romance was strategic. Hajdu does not dwell on Dylan's thoughtless, well-documented breakup with Joan Baez after riding to fame on her flowing skirts. Instead, he spotlights Joan's younger sister, Mimi, a skilled guitarist in her own right, and her husband, novelist-musician Farina. After divorcing leading folkster Carolyn Hester, the disarmingly groovy Farina captivated teenage Mimi via love letters, and, but for his untimely death, might have pursued Joan. Though Farina comes off as more opportunistic than Dylan, Hajdu compellingly asserts that Farina, not Dylan, invented folk rock and provided fodder for Dylan's trademark sensibilities. Hajdu provides a skillfully wrought, honest portrait that neither sentimentalizes nor slams the countercultural heyday. Photos not seen by PW. (June)Forecast: Hajdu's reputation and Dylan's 60th birthday on May 24 will win the book attention.

From Library Journal
With the explosive early 1960s folk revival as backdrop, Hajdu (Lush Life: A Biography of Billy Strayhorn, LJ 5/15/96) entertainingly recounts this downright Shakespearean tale of Folk Queen Joan Baez falling for the Ass, Bob Dylan. Meanwhile, Joan's younger sister, Mimi, succumbs to the spell of the charming writer Richard Fari$a, and the two become a highly regarded folk-singing duo in their own right. Little does Mimi suspect that she is a convenient way for Richard to get closer to Joan. Tragedy strikes the foursome as Dylan dumps Baez once his fame eclipses hers, and Fari$a is killed in a motorcycle accident on Mimi's 21st birthday, two days after the publication of his first novel Been Down So Long It Looks Like Up to Me. Though Dylan and Baez will sell this book, the real star is the colorful but controlling rogue, Fari$a, whose star was swiftly rising at the time of his death. Hajdu pulled off a coup in winning the participation of reclusive novelist Thomas Pynchon, who was a close friend of Fari$a's. Recommended for Dylan fans and enthusiasts of the 1960s folk revival.
-DLloyd Jansen, Stockton-San Joaquin Cty. P.L., CA
Copyright 2001 Reed Business Information, Inc.

Most helpful customer reviews

2 of 2 people found the following review helpful.
If you like to read about the 60's from an insider's perspective ...
By david makofsky
If you like to read about the 60's from an insider's perspective and a social history perspective, this is a good shot. I have recently read Van Ronk's memoirs and Suze Rotolo's great reflections on Dylan and Greenwich Village. Hajdu is a bit of an outsider, but this is real in depth reporting. In addition to Dylan and Joan Baez, you get a real interesting view of Mimi Farina, Richard Farina, Thomas Pynchon, and Eric Von Schmidt Add to that Pete Seegar, and you get a mice rounded view of people and personalities. Other memoirs and biographies exist, but most of it is sex, dope, and rock and roll, and this goes much further. For me, all this began by seeing Inside Llewelyn Davis and reading Teri Thal's comments on the movie. I will tell you, of them all, Bob Dylan comes out looking the worst and the rest - Joan Baez and the Farinas, surprisingly good.

2 of 2 people found the following review helpful.
4 Decades Later...
By Richard Sutton
In 1962 I was a tentative, impressionable kid hoping that a guitar and a three chord song would give my life direction. The most important thing in Mr. Hajdu's new biographical tour-de-force is finding that although his subjects have become cultural icons and symbols for my generation's excesses, they were then also tentative, impressionable teenagers raised on Buddy Holly, the Lone Ranger and Mighty Mouse. They were also looking for direction and while most biographies of musical artists of that time usually concentrate on their achievements in the public arena, this book never forgets to remind us of the confused, hopeful kids that were standing up on stage. Their humanity leaps and bounds off these pages. Through the author's skillful storytelling and impeccable research, the spirits of those two sisters and those two part-time friends feel like they're in the room with the reader -- just over your shoulder with a joke, a new chord fingering, or a complaint. While many of us were listening in coffee houses and campus venues, a few of us were trying to make our instuments do what we wanted them to do, and thought that if we could just get it right, the world would be saved. Mr. Hadjdu's work reminded me of who I was then -- something easily forgotten today. It brought back the confusion when lessons were learned the hardest way, and no one was the winner. I even found myself falling for the clever, overflowing charm of Richard Farina, still gesturing wildly to get the party started from within the pages. Four decades later, I'm as much a disciple now it turns out as I was when I first heard "Children of Darkness" or "Dopico". I want to thank Mr. Hajdu for bringing it back to me, and I want to thank the Baez sisters and Bob Dylan for making it all seem so simple when it was anything but... This was a one-sit read. I couldn't put it down! Now I'll go find a few old vinyl records that have been on the shelf much too long.

0 of 0 people found the following review helpful.
I wanted to read this book because of my fascination ...
By Chris Gagne
I wanted to read this book because of my fascination with Farina. I found the author's representation of the four main characters very fair but revealing. I finally realized just how big a star Joan Baez was in the early sixties.

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Tuesday, November 18, 2014

~~ Fee Download The Race to Save the Lord God Bird, by Phillip Hoose

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The Race to Save the Lord God Bird, by Phillip Hoose

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The tragedy of extinction is explained through the dramatic story of a legendary bird, the Ivory-billed Woodpecker, and of those who tried to possess it, paint it, shoot it, sell it, and, in a last-ditch effort, save it. A powerful saga that sweeps through two hundred years of history, it introduces artists like John James Audubon, bird collectors like William Brewster, and finally a new breed of scientist in Cornell's Arthur A. "Doc" Allen and his young ornithology student, James Tanner, whose quest to save the Ivory-bill culminates in one of the first great conservation showdowns in U.S. history, an early round in what is now a worldwide effort to save species. As hope for the Ivory-bill fades in the United States, the bird is last spotted in Cuba in 1987, and Cuban scientists join in the race to save it.

All this, plus Mr. Hoose's wonderful story-telling skills, comes together to give us what David Allen Sibley, author of The Sibley Guide to Birds calls "the most thorough and readable account to date of the personalities, fashions, economics, and politics that combined to bring about the demise of the Ivory-billed Woodpecker."

The Race to Save the Lord God Bird is the winner of the 2005 Boston Globe - Horn Book Award for Nonfiction and the 2005 Bank Street - Flora Stieglitz Award.

Sales Rank: #1321372 in Books
Published on: 2014-08-26
Released on: 2014-08-26
Original language: English
Number of items: 1
Dimensions: 9.72" h x .78" w x 8.91" l, .0 pounds
Binding: Hardcover
224 pages

From School Library Journal
Grade 6 Up–This meticulously researched labor of love uses drama, suspense, and mystery to tell the story of the Ivory-billed Woodpecker, the first modern endangered species. Its story is also the story of America, its economics and its politics, its settlement and its development, its plume hats and its environmental protection laws. In 1800, the large and impressive woodpecker lived in the southeastern United States, from Texas to the Carolinas and as far north as Indiana. By 1937, it could be found on only one tract of land in northeastern Louisiana. Its last confirmed sighting was in Cuba in 1987. Hoose skillfully introduces each individual involved through interesting, historically accurate scenes. Readers meet John James Audubon as well as less familiar people who played a part in the Ivory-bill story as artists, collectors, ornithologists, scientists, and political activists. Sharp, clear, black-and-white archival photos and reproductions appear throughout. The author's passion for his subject and high standards for excellence result in readable, compelling nonfiction, particularly appealing to young biologists and conservationists.–Laurie von Mehren, Cuyahoga County Public Library, Brecksville, OH
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Gr. 5-8. Hoose details the history of the Ivory-billed woodpecker through the lives and work of those who studied it, painted it, and tried to save it from extinction as settlers and loggers reduced its habitat. Increasingly threatened by those who would kill it for sport, for its feathers, or paradoxically because its rarity made it valuable to collectors, the woodpecker found protectors in a growing number of scientists and bird lovers who took up the challenge of observing the bird and attempting to save the dwindling species. Once a distinctive inhabitant of wilderness areas in the southeastern U.S. (with a related variety in Cuba), the Ivory bill has evidently died out as a result of loss of habitat. A great deal of original research went into the writing of this book, as evidenced in the text and the detailed, discursive source notes that are appended along with a time line and glossary. Science, economics, and social and timely political history are intertwined in this precise, chronological record. Profusely illustrated with black-and-white photos. Carolyn Phelan
Copyright © American Library Association. All rights reserved

Review

“With power and humor, rage and sorrow, the narrative details the demise of the Lord God bird, braiding into its tale the stories of those who came into contact with it, from J.J. Audubon himself to James Tanner...Sidebars add engrossing details, and extensive back matter bespeaks exemplary nonfiction. But it's the author's passion that compels. Outstanding in every way.” ―Starred, Kirkus Reviews

“In a thoroughly researched account based on interviews, primary materials, and published sources, Hoose tells how naturalists...raised, too late, awareness of the Ivory-bill's plight. Illustrated with archival photos and well provided with side bars, "important dates," maps, glossary, and index, this important summary of an environmental tragedy belongs in every library.” ―The Horn Book

“This meticulously researched labor of love uses drama, suspense, and mystery to tell the story of the Ivory-billed Woodpecker...Hoose skillfully introduces each individual involved through interesting, historically accurate scenes. The author's passion for his subject and high standards for excellence result in readable, compelling nonfiction.” ―Starred, School Library Journal

“The combination of the best of storytelling supported by extensive research...a must for any library serving youth or teachers.” ―VOYA

“A compelling tale...readers will sense the urgency that remains, even if the Ivory-bill is gone.” ―Publishers Weekly

“Hoose is a gifted storyteller. An engrossing story.” ―The Bulletin of the Center for Children's Books

“Fascinating, engrossing.” ―Book Links

Most helpful customer reviews

16 of 17 people found the following review helpful.
One of the best books of 2004
By Meggie
An exceptionally well documented and highly readable book about the ivory billed woodpecker. Though the reader knows how the book will end, one becomes so attached to this bird that when the last bird's home has been destroyed the reader has a true understanding of the word extinct. Don't miss this one.

21 of 24 people found the following review helpful.
Highly recommended survey of the process of extinction
By Midwest Book Review
Originally designed and published as a children's book for teenage readers, Philip Hoose's The Race To Save The Lord God Bird is also confidently recommended an ideal introduction for an adult readership as a very highly recommended survey of the process of extinction and changing attitudes towards understanding and protecting species and habitats. From James J. Audubon's early efforts to the plume wars to early collectors of birds, The Race To Save The Lord God Bird documents the ravaging of the bird world around the turn of the century - and the slow realizations of bird extinction processes which evolved from there.

39 of 48 people found the following review helpful.
Richie's Picks: THE RACE TO SAVE THE LORD GOD BIRD
By N. S.
Don't it always seem to go

That you don't know what you've got

Till it's gone?

"Before white settlement, more than one-quarter of all the birds in what is now the United States were Passenger Pigeons. They were so abundant that in 1810 Alexander Wilson saw a flock pass overhead that was a mile wide and 240 miles long, containing over two billion birds. That flock could have stretched nearly twenty-three times around the equator. Passenger Pigeons were pretty and brown, with small grayish heads, barrel chests, and long, tapered wings that sent them through the sky at speeds of up to 60 miles per hour.

"But they had two problems: they were good to eat and they destroyed crops by eating seeds. Farmers not only shot them, but also cast huge nets over fields to trap them by the thousands. It took only a few decades to wipe out what may have been the most plentiful bird ever to live on the earth. A fourteen-year-old boy named Press Clay Southworth shot the last wild Passenger Pigeon in 1900. The species became extinct in 1914, when Martha, the last captive pigeon, died quietly in the Cincinnati Zoo."

You know those arcade games with a steering wheel and a gas pedal? (There never seems to be a brake pedal on those things.) Well, sometimes the world feels to me just like one of those babies, careening along full speed, sound effects and all, with all of us just trying to hold on and not send anyone or anything flying off the road. And then there are also those times it feels like I'm out there on that animated road like a deer in the headlights, waving my arms with all those crazy drivers blindly bearing down on me.

"Humans now use up more than half of the world's fresh water and nearly half of everything that's grown on land."

Back in 1960, when there were around 177 million people in the United States, I was growing up in Plainview, L.I., which was then the eastern terminus of the Long Island Expressway. I'd sometimes go kite flying in the pasture of a nearby cow dairy. (Yes, cow dairies in Plainview.)

In 1970, when the US was up past the 200 million people mark, my parents loaded us in the car for a drive to Florida to see the piece of investment property they'd bought in the middle of nowhere. That nowhere is now the city of Naples, Florida, and the swamps and grassy plains I saw there in 1970 are now nowhere.

The Ivory-billed Woodpecker must have been one heck of a bird. Big, noisy, powerful, and fierce, it once existed all over what is now the US South, and its plumage and/or head was prized by Native Americans for decoration and as an amulet. Indians from the North would offer much in trade for their own specimens. Once the white boys arrived, they too killed the Ivory-billed because of the big bucks involved. THE RACE TO SAVE THE LORD GOD BIRD utilizes the story of the Ivory-billed Woodpecker as the centerpiece for a fascinating and vital history that portrays the long and belated evolution of the "bird lovers," from the guys who loved them, shot them by the dozen, and sold them to collectors the world over, to the first modern ecologists who arose in the 1930s. Trying, at that point, to solve the mysteries of how the Ivory-billed fit into its environment, and whether there was a way to save the handful that still then existed, we read of the heroic determination by a few to prolong the life on earth of what many once called "that Lord God bird."

From James Audubon to the Audubon Society and beyond, THE RACE TO SAVE THE LORD GOD BIRD is as thrilling and as scary in its consequences as one of those arcade games. And, sadly, some of the corporate characters we meet treated the birds' survival as if it were a game. The story brings us to Jim Tanner, a man of my grandfather's generation, who spent years amid mosquitos and snakes, studying the world's remaining handful of Ivory-billed Woodpeckers. All living by that time in a single, last chunk of virgin riverbottom woods in Louisiana that was owned by the Singer sewing machine company, Tanner became the only person to ever band an Ivory-billed. His 1937 photos of that feisty young chick, which they came in contact with while its parents hunted for food and which they named Sonny Boy, show the proud young bird strutting atop his partner's hat. Returning to the Audubon society with the photos and a plea for immediate action, Tanner was singularly responsible for the Society's last ditch effort to save the Ivory-billed.

It is ironic that that last ditch effort was ended by a war. A self-proclaimed money grubbing corporation, utilizing imported Nazi POWs as cheap replacement labor, deliberately destroyed that last stand of Ivory-billed habitat before it could be saved. Now, as this powerful and sure-to-be-an-award-winning book comes to press, as thousands of species continue to become extinct every year, it is ever so hard to concentrate on such abstract issues as the pending extinction of some rare bird or bug. The economy has been crappy for years, so many have no health care, and we're all focused on photos of what soldiers are doing to prisoners for the sake of democracy. There isn't much brain room for nature.

But as the US population inexorably marches toward the 300 million mark--twice what it was when I was born a half-century ago--it is essential for today's young adults to begin considering what kind of world they want to spend their lives in. THE RACE TO SAVE THE LORD GOD BIRD illuminates the kind of important decisions that must be made, where making the wrong decision--or even no decision--will bring about irrevocable results for the planet.

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Wednesday, November 12, 2014

! PDF Ebook Poets in Their Youth: A Memoir, by Eileen Simpson

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In 1942, Eileen Simpson―then Eileen Mulligan―married John Berryman. Both were in their twenties; Eileen had just graduated from Hunter College and John had but one slim volume of poetry to his name. They moved frequently―from New York to Boston, then Princeton―chasing jobs, living simply, relying on the hospitality of more successful friends like Robert Lowell and Jean Stafford, or R. P. Blackmur and his wife, Helen. Rounding out their circle of intimates were other struggling poets like Randall Jarrell and Delmore Schwartz. Berryman alternately wrote and despaired of writing. Everyone stayed up late arguing about poetry.
Poets in Their Youth is a portrait of their marriage, yes, but it is also a portrait of a group of spectacularly intelligent friends at a particular time, in a particular place, all aflame with literature. Simpson's recollections are so tender, her narrative so generous, it is almost possible to imagine the story has a different ending―even as Schwartz's marriage crumbles, as Lowell succumbs to a manic episode, as her own relationship with Berryman buckles under the strain of his drinking, his infidelity, his depression.
Filled with winning anecdotes and moments of startling poignancy, Simpson's now classic memoir shows some of the most brilliant literary minds of the second half of the twentieth century at their brightest and most achingly human.

Sales Rank: #533970 in Books
Published on: 2014-10-21
Released on: 2014-10-21
Original language: English
Number of items: 1
Dimensions: 8.96" h x .76" w x 6.02" l, 1.00 pounds
Binding: Paperback
288 pages

Review

“Poets is part of her journey into autonomy. Its very composition is a quiet act of unfolding triumph; it's both a memorial to the men Simpson admired and an admonitory epitaph on lives lived at often false and ugly odds with their own aspirations toward truth and beauty. Read now, it seems like a fitting herald of our own time, when blustering male declarations of high moral principle are giving way to more convincing portrayals of social relations from women artists.” ―Lee Siegel, The New York Times Book Review

“An indispensable memoir.” ―Christopher Merrill, Los Angeles Review of Books

“It is as powerful and knowing an account of the literary muse and its effects as one could hope to read, and the neglect into which it seems to be sliding is a genuine injustice . . . Poets in Their Youth . . . never sensationalizes these brilliant but wildly erratic young men, only seeks to understand them . . . Poets in Their Youth has more to tell us about the minds and lives of poets than anything else I've read--except, of course, the poems themselves.” ―Jonathan Yardley, The Washington Post

“Mrs. Simpson has added a good deal to the stock of available reality . . . Reading the early chapters of this memoir, I found it hard to believe that Berryman would leap to his death from a bridge; Jarrell, a probable suicide, be run over by a car; Schwartz end his life a virtual derelict in a midtown Manhattan hotel; Lowell, worn out by manic-depressive episodes and alcohol, be found dead in a New York taxicab . . . Eileen Simpson, a shrewd manager of her unhappy saga, doesn't belabor its melodrama, only foreshadows its culmination here and there . . . While the writers talked, Mrs. Simpson listened, and her record of their conversation is unfailingly plausible.” ―James Atlas, The New York Times

“Simpson's book is absorbing and transporting, one of the best windows we have back to a significant and somewhat magical time . . . it is Simpson's position as a listener which helps make her book as rich as it is.” ―Lisa Levy, Full Stop

“A whole doomed generation of writers, the nights of wine, dancing, and brilliant talk giving way to paranoia, envy, madness, and death.” ―The Times Literary Supplement

“Discerning, often probing, and remarkably free of rancor . . . The book is loving, at long distance, and from the remove of forty years . . . Berryman is given every latitude by Mrs. Simpson, who understood him very well at close range.” ―Howard Moss, The New York Review of Books

About the Author
Eileen Simpson (1918–2002) was a writer and psychologist. Her books include The Maze, a novel; Reversals: A Personal Account of Victory over Dyslexia; Orphans: Real and Imaginary; and Late Love: A Celebration of Marriage After Fifty.

Most helpful customer reviews

7 of 7 people found the following review helpful.
Very moving.
By Harry
The book is out of print so you'll have to get it from a library. Was recently reviewed in the Washington Post, as one of the books to reconsider and appreciate. Eileen Simpson (married to John Berryman) chronicles her marriage as well as those of the poets of the 70s and 80s. The book is incredibly moving and the way in which Ms. Simpson tells her vignettes is matter of fact yet sympathetic. She talks about Berryman's suicidal bent, the womanizing ways of Ted Roethke, the manic depression of Robert Lowell, and various other chemical conditions and maladies that beset poets. The larger argument that emerges is whether such artists, absent such conditions, could have succeeded as poets. Based on the sample here, suffering is a prerequisite for writing poetry.

Eileen mentions some exceptions to the rule: William Carlos Williams, whose day job was practicing medicine. But those who didn't moonlight led a life of suffering, mainly because they were born wired and also because their main gig (writing poetry) required it.

6 of 7 people found the following review helpful.
Remarkably Warm and Illuminating
By Poetry Student
This is a terrific memoir, and very kind, of some of the most important literary figures in the second half of the last century. I was in college when I discovered Berryman via the Dream Songs, and only later read his earlier poems and more about his complicated life. Simpson writes feelingly of the sunny days and dark nights of this literary circle, and is sympathetic to them both as artists and people. I found her final benediction on Berryman at the end to be extremely touching.

2 of 2 people found the following review helpful.
Poets in Their Youth
By Rgfrim
This is an honest and beautifully written account of the lives of poets John Berryman, Robert Lowell, Randall Jarrell and Delmore Schwartz ((with some supporting characters such as Alan Tate). It recalls a time when poetry was a real concern, even among members of the public. Each of the central poets, except the relatively stable Jarrell, sank into the vortex of his self-abusing personality and yet produced wise, enduring verse. This is the rare meaningful memoir.

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Sunday, November 9, 2014

## Download Ebook The Silver Linings Playbook: A Novel, by Matthew Quick

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An enchanting first novel about love, madness, and Kenny G.

The Silver Linings Playbook is the riotous and poignant story of how one man regains his memory and comes to terms with the magnitude of his wife’s betrayal.

During the years he spends in a neural health facility, Pat Peoples formulates a theory about silver linings: he believes his life is a movie produced by God, his mission is to become physically fit and emotionally supportive, and his happy ending will be the return of his estranged wife, Nikki. When Pat goes to live with his parents, everything seems changed: no one will talk to him about Nikki; his old friends are saddled with families; the Philadelphia Eagles keep losing, making his father moody; and his new therapist seems to be recommending adultery as a form of therapy.

When Pat meets the tragically widowed and clinically depressed Tiffany, she offers to act as a liaison between him and his wife, if only he will give up watching football, agree to perform in this year’s Dance Away Depression competition, and promise not to tell anyone about their “contract.” All the while, Pat keeps searching for his silver lining.

In this brilliantly written debut novel, Matthew Quick takes us inside Pat’s mind, deftly showing us the world from his distorted yet endearing perspective. The result is a touching and funny story that helps us look at both depression and love in a wonderfully refreshing way.

Sales Rank: #980023 in Books
Published on: 2008-09-02
Released on: 2008-09-02
Original language: English
Number of items: 1
Dimensions: 8.54" h x 1.04" w x 5.75" l,
Binding: Hardcover
304 pages

From Publishers Weekly
Pat Peoples, the endearing narrator of this touching and funny debut, is down on his luck. The former high school history teacher has just been released from a mental institution and placed in the care of his mother. Not one to be discouraged, Pat believes he has only been on the inside for a few months––rather than four years––and plans on reconciling with his estranged wife. Refusing to accept that their apart time is actually a permanent separation, Pat spends his days and nights feverishly trying to become the man she had always desired. Our hapless hero makes a friend in Tiffany, the mentally unstable, widowed sister-in-law of his best friend, Ronnie. Each day as Pat heads out for his 10-mile run, Tiffany silently trails him, refusing to be shaken off by the object of her affection. The odd pair try to navigate a timid friendship, but as Pat is unable to discern friend from foe and reality from deranged optimism, every day proves to be a cringe-worthy adventure. Pat is as sweet as a puppy, and his offbeat story has all the markings of a crowd-pleaser. (Sept.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review

"Matthew Quick has created quite the heartbreaker of a novel in The Silver Linings Playbook." — from the Kirkus First Fiction Issue

"Matthew Quick is a natural storyteller, and his SILVER LININGS PLAYBOOK--honest, wise, and compassionate--is a story that carries the reader along on a gust of optimism. Without shying away from the difficulties of domestic life, it charts a route past those challenges, and leaves us with a lingering sense of hope. More than a promising debut or an inspiring love story, this novel offers us the gift of healing." — Roland Merullo, author of In Revere, In Those Days

"You don’t have to be a Philadelphia Eagles’ fan (or even from Philadelphia) to appreciate talented newcomer Matthew Quick’s page-turning paean to the power of hope over experience—the belief that this will all work out somehow, despite the long odds that life deals us. Tender, soulful, hilarious, and true, THE SILVER LININGS PLAYBOOK is a wonderful debut." —Justin Cronin, PEN/Hemingway Award-winning author of Mary and O'Neil and The Summer Guest

"The hero of Matthew Quick's first novel is Pat Peoples, amnesiac optimist and absolute original, whose dysfunctional journey takes him from big-league fandom to competitive dance and a host of other modern preoccupations. This is a funny, touching performance on the part of Mr. Quick—and the beginning, I hope, of a big career." —Dave King, author of The Ha-Ha

"Entertaining and heartfelt and authentic, The Silver Linings Playbook magically binds together love, madness, Philadelphia Eagles football, faith, family and hard-earned hope into a story that is both profound and wonderfully beguiling. This is a splendid novel, written by a big-time talent." —Martin Clark, author of The Many Aspects of Mobile Home Living and The Legal Limit

"I loved The Silver Linings Playbook. It is warm, funny, and moving." —Shawn McBride, author of Green Grass Grace

About the Author

In the six months that followed his leaving teaching and the Philadelphia area, Matthew Quick floated down the Peruvian Amazon and formed ‘The Bardbarians’ (a two-man literary circle), backpacked around Southern Africa, hiked to the bottom of a snowy Grand Canyon, soul-searched, and finally began writing full-time.

Matthew earned his Creative Writing MFA through Goddard College. He has since returned to the Philadelphia area, where he lives with his wife and their greyhound.

Most helpful customer reviews

168 of 176 people found the following review helpful.
A book that will make you happy
By Justin Heinze
IN The Silver Linings Playbook, Mr. Quick has done something very difficult for literature to do: inspire hope. As the unflinchingly and endearingly honest main character notes, many of the greatest classics in American literature end in despair, or are such thorough condemnations of life as it is that it is difficult sometimes to see the light at the end of the tunnel. The lives of the authors often mirror the grim reality of their novels. Hemingway shoots himself dead with a shotgun and Plath sticks her head into an oven. Pat Peoples' explanation? They never looked up at the clouds at sunset.

It is this simple kind of appreciation for beauty which distinguishes Pat not just from his literary contemporaries, but from all of the other characters in The Silver Linings Playbook itself. He appreciates characters like Hester Prynne and Holden Caulfield who, like himself, hold onto their values and nobility in a harsh world that seems bent on stripping them of everything they hold dear. Though Pat himself is slightly deluded - he is not just on 'apart time' with his wife, there is no 'inevitable reunion' as the first chapter title suggests - his honest, everyman's struggle, epitomized by the apt adage of 'practicing being kind rather than right', against all the forces in the world conspiring to break his hope is so convincing that the reader starts to believe in silver linings himself.

This book will make you happy, though, because of the way it is written. Most of the chapter titles will make you laugh in a different way than the next. Mr. Quick's apt use of detail, allusions, and brilliant comparisons bring the story to life. That a chapter should be called "Like he was Yoda and I was Luke Skywalker training on Dagobah" is a very precious thing. Meanwhile periodic interludes such as advice from Pat's 'black friend Danny', and even the whole introduction of the death of Veterans Stadium as a new thing, bring bits of humor just when the story may seem to be becoming sad. The author has an eye for quirks and intricacies of language and a gift for conveying them in a readable yet still emotional and romantic manner. More than just the ease of identifying with Pat, Mr. Quick's simple, declarative prose, highlighted by brief, nostalgic-filled, almost Hemingway-like sentences, reels in the reader.

Peoples seems to represent the Hemingway ideal of masculinity: courage as grace under pressure. Pat has much grace under pressure. Slips from this grace he deeply regrets, and is always molding himself into a good person, even when no one is watching and no one cares. His entire self-improvement program was aimed towards a person who would never know he had ever changed a bit.

But there is no tragic ending to match this altruistic ideal, as there is in many Hemingway stories. Though there is bad in life, there is good also, and Pat, like his author, knows where to find it.

94 of 99 people found the following review helpful.
A book that will make you believe in silver linings
By Myfanwy Collins
Philadelphia is not only the home of the quintessentially American Liberty Bell, cheese steak, and Rocky, but now Philadelphia offers us another American original: Pat Peoples, the neurologically-damaged, ex-wife pining, mother-loving, uber Eagles fan protagonist of Matthew Quick's dazzling debut novel The Silver Linings Playbook.

You might think that a book about a guy who has lost so much--his wife, his home, his job, and many years of his life in a mental health facility--would be depressing. Far from it. In fact, this book is uplifting. For what Quick offers us is not just the brutality of life--a father who won't talk to his son, a cheating wife, many violent tempers--but also the beauty of it--finding love in unexpected people. Basically, Quick shows us that no matter how far down you fall, there are people willing to help you pick yourself back up. Quick gives us hope.

Does everything turn out the way Pat wanted it to? No. But it does turn out just as it should: with two broken souls coming together, hoping, and believing in the silver lining.

In short: a gorgeous, poignant, funny and uplifting book. Read it.

0 of 0 people found the following review helpful.
READ THE BOOK NOT THE MOVIE
By Nanners
Honestly by far this is one of the best books I've ever read. Matthew Quick is a sensational author who perfectly captures not only the Philadelphia Eagles fan's lifestyle, but also the lifestyle of a bipolar person. He understood what most bp would feel in certain moments and was able to perfectly display it in his book. I hate to be "that guy" but if you've only seen the movie I beg you to read the book. I get that they aren't able to put every single thing from the book into the movie but really they completely changed the ending because of some of the things they did in this book.
WARNING SPOILERS
1. Nikki isn't supposed to show up to the dance, also there was no bet put in place for them to win
2. At the dance, all the other dancers were supposed to stink and pat/ tif were supposed to get an excellent score
3. Pat was supposed to meet up with Nikki in Philadelphia but would only find Tiffany there explaining that she wrote the letters
4. He's supposed to meet up with his friend Danny after he runs away from Tiffany in Philadelphia, he is found with a broken leg.
5. After all this he realizes he does love Tiffany.

The only reason I'm complaining so much about this is because it really ruined the movie, it was still amazing acted and produced but the plot became more of a common ending. If they went with the books ending not only would the plot be completely different but you'd also be more interested. You wouldn't have known the first 2 hours of watching it that Tiffany was writing all the letters, and you would have thought that there were no silver linings because of what just happened and then you would have been surprised again when pat does love Tiffany after Nikki never shows up...... In the book Nikki never actually sees pat

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Thursday, November 20, 2014

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Wednesday, November 19, 2014

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Tuesday, November 18, 2014

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Wednesday, November 12, 2014

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Sunday, November 9, 2014

## Download Ebook The Silver Linings Playbook: A Novel, by Matthew Quick

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