Thursday, November 6, 2014

~ Ebook Download An Eye for the Dragon: Southeast Asia Observed: 1954-1970, by Dennis Bloodworth

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An Eye for the Dragon: Southeast Asia Observed: 1954-1970, by Dennis Bloodworth

An Eye for the Dragon: Southeast Asia Observed: 1954-1970, by Dennis Bloodworth



An Eye for the Dragon: Southeast Asia Observed: 1954-1970, by Dennis Bloodworth

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An Eye for the Dragon: Southeast Asia Observed: 1954-1970, by Dennis Bloodworth

Book about Southeast Asia mid to late 20th century

  • Sales Rank: #565379 in Books
  • Published on: 1970-06-01
  • Binding: Hardcover
  • 414 pages

Most helpful customer reviews

5 of 5 people found the following review helpful.
I want to read it again
By Peter Targett
I first read this book when I was a young Australian engineer in Singapore in the 60's. It (and an earlier even better book "The Chinese Looking Glass") had an enormous impact on my understanding and appreciation of the Chinese people. By this time I had lived in Singapore for several days and just did not realise how little I understood the world I lived in. I have never since found a more readable book on the subject. I am at this site looking for a copy as I made the mistake of lending mine.

2 of 2 people found the following review helpful.
Five Stars
By Michael Wade
Books like this one give journalistic writing a good name. And old gem.

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** Free PDF The White Goddess: A Historical Grammar of Poetic Myth (FSG Classics), by Robert Graves

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The White Goddess: A Historical Grammar of Poetic Myth (FSG Classics), by Robert Graves

The definitive edition of one of the more extraordinary and influential books of our time

This labyrinthine and extraordinary book, first published more than sixty years ago, was the outcome of Robert Graves's vast reading and curious research into strange territories of folklore, mythology, religion, and magic. Erudite and impassioned, it is a scholar-poet's quest for the meaning of European myths, a polemic about the relations between man and woman, and also an intensely personal document in which Graves explores the sources of his own inspiration and, as he believed, all true poetry.
Incorporating all of Graves's final revisions, his replies to two of the original reviewers, and an essay describing the months of illumination in which The White Goddess was written, this is the definitive edition of one of the most influential books of our time.

  • Sales Rank: #38226 in Books
  • Published on: 2013-10-08
  • Released on: 2013-10-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.27" h x 1.44" w x 6.07" l, 1.01 pounds
  • Binding: Paperback
  • 544 pages

Amazon.com Review
Robert Graves, the late British poet and novelist, was also known for his studies of the mythological and psychological sources of poetry. With The White Goddess: A Historical Grammar of Poetic Myth, Graves was able to combine many of his passions into one work. While the book is so poetically written that many of the passages amount to prose poems, it is also frequently plot driven enough to feel like a novel, and it is rich with scholarly insight into the deep wells of poetry. Especially fascinating is the chapter in which Graves explores the ancient and ongoing practice of poets' invoking the muse. Graves details the practice in both the Eastern and Western literary traditions, and shows specific similarities and differences among Greek, British, and Irish tales and myths about the muse. Graves has much to offer students of history and myth, but poetry lovers will also be fascinated with The White Goddess.

About the Author

Robert Graves (1895–1985) was a poet, novelist, and critic. His first volume of poems, Over the Brazier (1916), reflected his experiences in the trenches during World War I and was followed by many works of poetry, nonfiction, and fiction. He is perhaps best known for his novel I, Claudius (1934), which won the Hawthornden Prize and the James Tait Black Memorial Prize.

Grevel Lindop's books include Travels on the Dance Floor: One Man's Journey to the Heart of Salsa, The English Opium Eater: A Life of Thomas De Quincey, and several volumes of poems. He was born in Liverpool and now lives in Manchester, where he was formerly a professor of Romantic and

Early Victorian Studies at the Victoria University of Manchester.

Most helpful customer reviews

156 of 164 people found the following review helpful.
Flawed Masterpiece
By Thomas F. Ogara
I am a great fan of Robert Graves. I find him to be an outstanding poet, an excellent novelist, and a compelling writer of non-fiction. Probably the best known, if not the best, example of the last mentioned genre is "The White Goddess."
When "Goddess" first appeared in the late 1940's it was a groundbreaking work; for lack of a better definition it is a book on cultural anthropolgy written by a poet, who felt that as a a poet and a man who understood the inner motivation of the poet he would give his views on the Muse and her invocation. The book covers a lot of territory, sprawling across civilization from the Greeks to the Celts, and from the three forms of the Muse to the Fisher King to the Ogham alphabet. It wanders so far that it's hard to keep up with Mr. Graves as he gallops across centuries and over distances. For those of us used to Mr. Graves' usual tight control of his material and its presentation, it's difficult to deal with how he jumps from subject to subject with little or no notice.
I'm almost tempted to say that this is Mr. Graves' version of "Finnegan's Wake", only in a non-fictional form. It certainly is his encomium to the White Goddess, whom he identifies as the original Muse of all poets, including himself. There's enough to think about for years in this book, and neo-pagan movements may be described as having largely started based on the thoughts provoked by this book.
But Graves was a poet, not a social scientist, and in the last fifty years many of his observations have been proven to be wrong. This in itself is not so surprising, nor is it really such a bad thing; the real problem is the amount of emotional residue that those ideas left in their wake. Graves makes some observations that some would find offensive now, such as his allegation that women can't be real poets - they have no Muse to appeal to, the White Goddess only wants the worship of males. He makes a possible exception of Sappho, for what it's worth.
In short, "Goddess" still deserves to be read - it's a good, albeit exhausting read, and Graves is always worth reading - but it would be a mistake to pick up his ideas and run with them.

86 of 93 people found the following review helpful.
visions and memory in myth
By karl b.
I won't pretend I know exactly what this book is about. Graves presents his arguments with the reasoning of a poet, decidedly not the formal logic of a theologian or the empirical induction of a historian. I gave this book 5 stars because of its sheer ambition and audacity. Graves is attempting a synthesis of the entirety of mythology into a coherent grammatical code, a universal metaphysical language. That is a monumental undertaking, not only due to the breadth of knowledge of the Christian, Pagan and Classical canons it requires, but also because these traditions are commonly regarded as antithetical, their communities, such as they exist, hostile to each other. Graves proffers a common root under the ossified codices, if with an uneven case.
Poets, as a group, are known for their affinity to the mystical and mythological. The poetic temperament imbues and projects inner forms with aspects of corporeality, which the rest of us grasp only dimly as a spectre of consciousness, without significance or shape. The true poet is more likely to see them as a magical talisman, an object of necessary reality. Numbers, alphabets, calendars, zodiacs-- lunar and solar domains-- a primal order bubbles from the cauldron of Graves's conceptions. His spells are incarnate in trees, minerals, birds, planets-- metaphors of an underlying truth.
This analysis springs from two dense poems of spiritual mysticism, The Battle of the Trees (Welsh Druid) and Hanes Taliesen ( Early Christian). Presented as a vision, like Revelations, they pose a riddle and mix symbols. Graves's solution loosely ties his thesis together. Linguists have theorized about the existence of grammatical archetypes; mythic relics are visible in Christian sacraments; correspondence amongst various folklore is widely acknowledged. Graves is not proposing anything radically new. He has, though, developed a cryptic framework which is supernatural and aesthetic, an elixir of divination and contemplation. He sees the White Goddess, as muse, in every authentic poem since those of Homer. His construction puts history at the service of his grammatical architecture. The White Goddess is a work of introspection and selective interpretation, comparable to those of Jung or Spengler, not one of conventional scholarship. Many of its assertions are farfetched or arbitrary, some pure formulations. That is not to understate its value. This is the culmination of a life's reflections, investigations and musings. It represents the articulation of a powerful, syncretic imagination-- a concordance of speculation and intuition.

53 of 57 people found the following review helpful.
Jaw-Dropping Amazement
By J. W. Kennedy
More startling than the Golden Bough! More conjectural than Manly Hall! Who cares if the facts are correct? This book is amazing, and enough of it matches up with familiar mytho-historical fragments to keep you going along, nodding your head and saying "yeah, I'm with you." Graves admits quite clearly that much of his conclusions are pure conjecture. This book isn't about history, it's about poetry and mysticism - if you're moaning about the disservice done to Celtic scholarship, then perhaps you've missed the point. He was guessing. He was making stuff up. He was following his intuition, as long as it made some kind of sense. And it does...

Chapter 19 "The Number of the Beast" is a side-step completely out of the thread of the rest of the book. He devotes the entire chapter to document, step by step, his train of though as he winds his way backwards, forwards, and completely sideways to arrive at a FRIGHTENINGLY plausible solution for the famous "666" cryptogram from the Revelation of St. John. In fact, he arrives at the same traditional solution that theologians have known for centuries, but he arrives there by a completely different route. This book is a supreme example of what management-seminar speakers call "thinking outside of the box." Graves has gotten so far outside the box that he seems to have forgotten that there even WAS a box. The incredible thing is, that there's a lot of truly amazing stuff out there and a lot of it sounds completely plausible after you've followed the circuitous chain of mental connections that got you there..

Though I've read the Mabinogion, Chretiene de Troyes' Arthurian romances, and lots of Norse / Icelandic lore, I'll admit there was quite a bit here that went over my head, some material I was unfamiliar with. But just when I thought Graves had vanished over the hills and left me behind, he'd come back with something familiar and I'd go "oh, right ... so that's where this was headed. By all means, continue..."

Reading this book is worthwhile just for the delightful experience of being on the edge of your seat as some smooth-talking showman (possibly a charlatan, but who cares?) slowly draws back the veil .. you feel at each moment that a profound secret is about to be revealed, maybe on the next page, or the next one... It's been a long time since I read anything that THRILLED me like this book did.

Some other reviewers seem to have missed the distinction between mere fact and TRUTH. Graves' facts may be incorrect; you can pick at them and prove them wrong (can you? really? personally, I wanted to believe every word), but the White Goddess is not diminished by scholarly dissections. What Graves is talking about here is the profound, amazing, overwhelming, dark, unsettling, everlasting TRUTH. And if you care at all about that, this is a book you really should read.

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Tuesday, November 4, 2014

^^ Download Divided by God: America's Church-State Problem--and What We Should Do About It, by Noah Feldman

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Divided by God: America's Church-State Problem--and What We Should Do About It, by Noah Feldman

A brilliant and urgent appraisal of one of the most profound conflicts of our time

Even before George W. Bush gained reelection by wooing religiously devout "values voters," it was clear that church-state matters in the United States had reached a crisis. With Divided by God, Noah Feldman shows that the crisis is as old as this country--and looks to our nation's past to show how it might be resolved.

Today more than ever, ours is a religiously diverse society: Muslim, Hindu, and Buddhist as well as Catholic, Protestant, and Jewish. And yet more than ever, committed Christians are making themselves felt in politics and culture.

What are the implications of this paradox? To answer this question, Feldman makes clear that again and again in our nation's history diversity has forced us to redraw the lines in the church-state divide. In vivid, dramatic chapters, he describes how we as a people have resolved conflicts over the Bible, the Pledge of Allegiance, and the teaching of evolution through appeals to shared values of liberty, equality, and freedom of conscience. And he proposes a brilliant solution to our current crisis, one that honors our religious diversity while respecting the long-held conviction that religion and state should not mix.

Divided by God speaks to the headlines, even as it tells the story of a long-running conflict that has made the American people who we are.

  • Sales Rank: #1227076 in Books
  • Published on: 2005-07-06
  • Released on: 2005-06-23
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.03" h x 6.38" w x 9.26" l,
  • Binding: Hardcover
  • 320 pages

Amazon.com Review
In Divided By God, Noah Feldman examines the unique, fascinating balance the United States has pursued for well over 200 years now -- the attempt at democratic government by the people in a country made up of many religions, and many highly religious people. The novel principle enshrined to help make this a success was strong separation of church from state. The strain on the system has never been greater as polarization grows over the many hot-button topics of our day. Feldman also observes how the stakes have been raised in the last 50 years as the forces of secularism have fought a largely successful battle to remove religious symbolism from the public sphere, while at the same time the growing tide of religious conservatism has managed to forge a surprisingly close church-state relationship through government funding of religious priorities (faith-based initiatives and school vouchers, for example.)

Feldman, a law professor at New York University, delivers a timely book that attempts to move the discussion past rhetoric, by a careful examination of the history of church-state separation. The book's lively, conversational writing makes for a fascinating journey, starting with a precise analysis of exactly why our founding fathers debated and finally agreed to formally separate church and state, and then tracking the tests and challenges that separation has stood over the last two centuries. Perhaps the most refreshing current throughout is Feldman's lack of partisan bias, and his respect and understanding of the values, fears and goals that successive generations have brought to all sides of this never-ending debate.

It is that lack of partisanship that makes his conclusion all the more powerful -- a call to move beyond a battlefield where the secular and religious forces aggressively pursue their own mutually exclusive goals, and instead to seek a deeper understanding of what values we all hold in common, and to recognize the importance of engaging in constructive debate in order to find and define that commonality together. --Ed Dobeas

From Publishers Weekly
Feldman, a legal rising star and author of After Jihad (a look at democracy and Islam), turns his attention to America's battle over law and religious values in this lucid and careful study. Those Feldman calls "legal secularists" want the state wholly cleansed of religion, while "values evangelicals" want American government to endorse the Christianity on which they say its authority rests. Feldman thinks both positions too narrow for America's tastes and needs. Much of his volume shows how those needs have changed. James Madison and his friends, Feldman writes, hoped to "protect religion from government, not the other way round." Debates in the 19th century focused on public schools, whose culture of "nonsectarian Christianity" (really Protestantism) created dilemmas for Catholics, and in the 20th century faced challenges from secularists and evangelicals—the former won in the courts until very recently; the latter, often enough, won public opinion. Feldman proposes a compromise: that government "[allow] greater space for public manifestations of religion" while preventing government from linking itself with "religious institutions" (by funding them, for example). The "values" controversy, as Feldman shows, concerns electoral clout, not just legal reasoning. His patient historical chapters will leave readers on all sides far more informed as matters like stem-cell research and the Supreme Court's forthcoming 10 Commandments decision take the headlines.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From The New Yorker
Having examined Islam and democracy in his first book, "After Jihad," Feldman, a law professor at N.Y.U., turns his attention to America's own fraught religious-secular divide. Much of the book consists of an agile account of the evolution of church-state relations, from the creation of the First Amendment to the 2003 Supreme Court ruling against a public display of the Ten Commandments. Feldman identifies two polarized camps today: "values evangelicals," who uphold religious values as integral to political decisions, and "legal secularists," whose aim is to keep religion and government separate. He downplays the heterogeneity within these groups, perhaps in order to bolster his solution for reconciliation: sanctioning "public manifestations of religion," while withholding government funding from religious institutions.
Copyright © 2005 The New Yorker

Most helpful customer reviews

23 of 24 people found the following review helpful.
Good accessible overview of the subject
By Michael White
Feldman's book is an intelligently written discussion of both the history of church-state law in the U.S. and the current debates that engage our society. Feldman works his way from the founding to the latest Supreme Court decisions of the last 15 years which have reshaped the interpretation of the Establishment Clause; the result is a fascinating overview of the legal and cultural evolution of America's ideas about church and state.

The great strength of this book is its focus on ideas and their development. Feldman does an excellent job laying out the reasoning used by various sides of the church-state debates over the last 200 years; he also frequently critiques these historical arguments, not as a partisan, but as more of a guide to these debates.

There are two larger issues that were problematic for me in this book:

First, I think Feldman's discussion of the church-state arguments made by the framers of the Constitution is too cursory and somewhat oversimplified. The Founding-era debates were arguably the most sophisticated and philosophically complex of all in American church-state history, and a bulkier, more rigorous chapter would have been better. After having read such great historical studies on this era as "The Sacred Fire of Liberty," "Original Meanings," and "The Founding Fathers and The Place of Religion in America," I was disappointed in this part of Feldman's book.

Second, I think Feldman overemphasizes the partisan divide over church and state in our contemporary culture. This sentence captures Feldman's outlook:

"...no single, unified theory or logical reason can explain the arrangements we now have. They are the product of an ongoing battle. The field has changed, some objectives have been captured and others lost, and disorder reigns."

Probably only the most active players and partisans would view the current status as an 'ongoing battle' where 'some objectives have been captured.' Most reasonable Americans are likely to find many of the recent Supreme Court decisions relying on Justice O'Connor's 'endorsement test' a fair compromise in tune with the deeper principle motivating the First Amendment. At the very least, I doubt that most Americans fall neatly into either of the two warring camps Feldman describes, although there are activist groups that certainly do fit.

This is a great book - one of best books on the subject I have read covering the specific legal and cultural arguments over all of American history and not just a specific era. I highly recommend it.

14 of 14 people found the following review helpful.
A well written history
By Idea Lover
While I find Mr. Feldman solution to the Church-State problem overly simplistic and probably unworkable, I found the book in general to be very useful. It helps one to understand the series of events that have brought the United States to today's church/state quagmire. The history leading up to a situation is always useful in understanding that situation (and possibly finding solutions and compromises to solve problems.)

The majority of Mr. Feldman's book deals with the history of how we arrived at where we are today. It is readable, not overly verbose and easy to follow and understand. Mr. Feldman has written with little or no editorial content in describing the history of the church/state problem. He is to be congratulated for this effort and his book read in the context of the clear concise history he presents.

18 of 22 people found the following review helpful.
Find out for yourself and get past the talking points !
By Kim A Miller
If the church - state debate interests you, you owe it to yourself to get informed. This book does an excellent job of blowing up all the talking points, from both sides of the political spectrum and helps the reader understand what happened and see both sides of this fascinating issue. Here's a list of interesting, historical observations which vary from the typical left and right talking points.

The nation was NOT founded by Christians. Most of the founders were deists who believed in a creator, but were NOT traditional christians.

Those who wrote the constitution did not think christian symbols, prayer in public ceremonies or other chrsitian trappings "established" religion.

Bible reading was prominent in public schools all the way into the middle of the 20th century and was viewed as a way of establishing public morality. It was NOT viewed as establishing religion.

The judges who created a more severe interpretation of the establishment clause were influenced by the events of World War II, where millions were killed on the basis of their religion alone. The idea that they might have been power hungry, liberal and secular judges is not strongly supported by the facts. Justice Black who wrote the first opinion in 1947 that called for a "high wall of separation" was a former klansman and was concerned about one religion holding sway, not with building a secular country.

The establishment clause was originally applied only to federal matters.

There are many more fascinating historical facts that will help inform and broaden your grasp of this issue.

I highly recommend this book.

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Monday, November 3, 2014

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Lucy Steadman no estaba dis puesta a dejarse intimidar por el poderoso italiano Lorenzo Zanelli. Tal vez él tuviera el futuro de la empresa familiar en sus manos, pero no pensaba someterse a sus demandas.

Como artista, Lucy sabía ver lo que ocultaba la belleza; Lorenzo podía ser increíblemente apuesto, pero su alma estaba ennegrecida por el deseo de venganza. Y dejarse llevar por un hombre así significaría perder la cabeza y el corazón para siempre.

  • Sales Rank: #4900301 in Books
  • Published on: 2011-11-01
  • Ingredients: Example Ingredients
  • Original language: Spanish
  • Number of items: 1
  • Dimensions: 6.62" h x .42" w x 4.21" l, .20 pounds
  • Binding: Mass Market Paperback
  • 160 pages

About the Author
When Jacqueline Baird is not busy writing she likes to spend her time travelling, reading and playing cards. She enjoys swimming in the sea when the weather allows. With a more sedentary lifestyle, she does visit a gym three times a week and has made the surprising discovery that she gets some of her best ideas while doing mind-numbingly boring exercises on the weight machines and airwalker. Jacqueline lives with her husband Jim in Northumberland.

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The Chosen Ones: A Novel, by Steve Sem-Sandberg

The Am Spiegelgrund clinic, in glittering Vienna, masqueraded as a well-intentioned reform school for wayward boys and girls and a home for chronically ill children. The reality, however, was very different: in the wake of Germany's annexation of Austria on the eve of World War II, its doctors, nurses, and teachers created a monstrous parody of the institution's benign-sounding brief. The Nazi regime's euthanasia program would come to determine the fate of many of the clinic's inhabitants.

Through the eyes of a child inmate, Adrian Ziegler, and a nurse, Anna Katschenka, Steve Sem-Sandberg, the author of the award-winning The Emperor of Lies, explores the very meaning of survival. An absorbing, emotionally overwhelming novel, rich in incident and character, The Chosen Ones is obliquely illuminated by the author's sharp sense of the absurd. Passionately serious, meticulously researched, and deeply profound, this extraordinary and dramatic novel bears witness to oppression and injustice, and offers invaluable and necessary insight into an intolerable chapter in Austria’s past.

  • Sales Rank: #264916 in Books
  • Published on: 2016-08-02
  • Released on: 2016-08-02
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x 1.76" w x 6.36" l, .0 pounds
  • Binding: Hardcover
  • 576 pages

Review

“In this intensively researched historical novel, readers follow Sem-Sandberg (and his adept translator) into a nightmarish Nazi inversion of medicine . . . A harrowing chronicle.” ―Booklist (starred review)

“With a gift for finding humanity in even the darkest of stories, Sem-Sandberg has written an indelible, moving novel.” ―Publishers Weekly (starred, boxed review)

“A horror novel, of a sort, in which Swedish novelist Sem-Sandberg (The Emperor of Lies, 2011) returns to the Holocaust to limn its essential inhumanity . . . There is much evil in the book, and much of it is banal indeed. Making every word count, Sem-Sandberg explores the psychologies of captive and captor, the complexities of bearing witness to things that most people would sooner forget. A memorable meditation on the human capacity to do ill―and to endure.” ―Kirkus Reviews

About the Author
Steve Sem-Sandberg is a Swedish journalist, novelist, and translator. He is the award-winning author of The Emperor of Lies (FSG, 2009). He divides his time between Vienna and Stockholm.

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Sunday, November 2, 2014

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A Crack in the Earth: A Journey up Israel's Rift Valley, by Haim Watzman

The Jordan Rift Valley, stretching from the Red Sea to Lebanon, was ripped open millions of years ago by vast forces within the earth. This geological object has also been a part of human history ever since early humans used it as a path in their journey out of Africa. And for a quarter of a century it has been part of the biography of Haim Watzman, an Israeli journalist.
            In the autumn of 2004, as his country was riven by a fierce debate over its borders, Watzman took a two-week journey up the valley. Along the way he met scientists who try to understand the rift through the evidence lying on its surface—an archaeologist who reconstructs the fallen altars of a long-forgotten people, a zoologist whose study of bird societies has produced a theory of why organisms cooperate, and a geologist who thinks that the valley will some day be an ocean. He encountered people whose life and work on the shores of the Dead Sea and Jordan River have led them to dream of paradise and to seek to build Gardens of Eden on earth—a booster for a chemical factory, the director of a tourist site, and an aging socialist farmer who curates a museum of idols. And he discovered that the geography’s instability is mirrored in the volatility of the tales that people tell about the Sea of Galilee.
            As an observant Jew who has written extensively about science and scholarship, Watzman strives to understand the valley in all its complexity—its physical facts, its role in human history and in his own life, and the myths it has engendered. He realizes that human beings can never see the rift in isolation. “It is the stories that men and women have told to explain what they see and what they do as a result that create the rift as we see it   .   .   .   As hard as we try to comprehend the landscape itself, it is humanity that we find.”
            Watzman’s poetic evocation of the scientific and the human is a unique chronicle of a quest for knowledge.

  • Sales Rank: #2334611 in Books
  • Published on: 2007-05-29
  • Released on: 2007-05-29
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x .77" w x 5.50" l,
  • Binding: Hardcover
  • 208 pages

From Publishers Weekly
Israeli author Watzman (Company C) ambitiously takes on the whole of geological and human history as they developed in the Rift Valley, the defining geographical feature between Israel, Jordan and the Palestinian West Bank. Though he occasionally drops too much information too quickly, Watzman is a talented storyteller, deftly engaging readers interested in the Earth's constant evolution, along with those more likely to be interested in the humanity affected by it. With a nice sense of irony and the absurd, the American-born Watzman makes a lively tale out of his travels in the valley, lending a practiced ear to experts and plain folks alike. Yet there are important gaps. Though he clearly wants to do justice to all the rift's stories, frequently referring to his belief that "people see the same landscape differently depending on who they are," Watzman fails almost utterly to bring in non-Jewish voices; the one Arab we meet is an Israeli Bedouin. He is also inconsistent in his references to the Israeli-Palestinian conflict, mentioning Palestinian violence frequently, but largely ignoring Israeli military operations and the ongoing occupation of Palestinian lands. Though this is a thoroughly enjoyable read, readers won't get a fully rounded version of the tale Watzman attempts to tell. (June 3)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

Review
Praise for Company C: “An Israeli version of Anthony Swofford’s Jarhead (2004), both hard-nosed and illuminating.”   —Kirkus Reviews

About the Author
Haim Watzman is a translator and journalist who lives in Jerusalem with his wife and four children. He is the author of Company C: An American’s Life as a Citizen-Soldier in Israel (FSG, 2005).

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0 of 0 people found the following review helpful.
I enjoyed learning some background information and stories about the places ...
By Cypridopsis
I enjoyed learning some background information and stories about the places I visited. This was the reason I purchased the book. Have not been to Eilat, but have been to northern Negev and all the way to Mt. Hermon for geology field trip and field work.

3 of 4 people found the following review helpful.
Majestic Tales from a
By David B. Brumer
"The rift valley is a natural object, created by physical forces. But when we look at it, we don't see the physical object. We see stories and ideas and our own histories. People see the same landscape differently depending on who they are, when they live, what they've done, and what stories they heard when they were children."

Being congenitally predisposed to this unique and magnificent part of the physical world, I can attest to this pronouncement made by Haim Watzman in his majestic tale of a journey up the Jordan Rift Valley, "a crack in the earth's crust that begins where the Indian Ocean's waters mix with those of the Gulf of Aden." Watzman focuses on the stretch of the rift from the northern shore of the Dead Sea at Eilat to the Golan Heights bordering Syria in his riveting new book, "A Crack in the Earth".

Through a blend of science and faith, Watzman has crafted a story that tells about geological phenomena, scientific analysis, archeological examination, and philosophical musings through the distinct perspectives of biologists, zoologists, kibbutzniks, and other ordinary, modern-day inhabitants of the rift. Watzman, who is himself religiously observant, points out that he is also a journalist and a man of science, making him naturally skeptical. He challenges accepted biblical verities with the same investigative rigor that he uses when scrutinizing geological and biological ones. He notes that "modern archaeology and textual scholarship have cast doubt on the historical truth of the Bible for decades now...in many ways modern Orthodox Judaism is not a religion of the Bible. It's much more a religion built by the sages upon the foundation of the Bible, after the destruction of the Temple and the rise of Christianity." In the same way that the rift valley is the physical foundation upon which people have superimposed their `stories, ideas and histories,' the bible is the textual foundation which Judaism in its modern application builds upon, using human constructionists in the form of the sages of the rabbinic period.

Ultimately, it is the people who have inhabited the sacred lands of the rift that have kept it so fertile in our imaginations. From the Israelites crossing into the Promised Land from Egypt to Jesus being baptized by John in the waters of the Jordan, all the way up to modern Zionists like Rachel the Poetess; these are the stories of the people that fascinate Watzman, and his infectious love of the land and its people enraptures us as well.

Watzman, who is something of an anomaly in Israel as a religiously observant Jew with leftist leanings, largely refrains from politics in this book. Occasionally though, he does weave some political context into his narrative, explaining why, for example, Jericho became off limits to Israelis after the outbreak of the second Intifada. Watzman draws parallels to the turbulent landscape (Tiberias has experienced severe earthquakes almost once a century since the beginning of the Common Era) with the incessant political and social turmoil. He ruefully observes that "to an Israeli living in the first years of the 21st century, turmoil seems to be the rule. Periods of equilibrium seem few, far off, and short-lived." Yet, in geological terms, the ebbs and flows are much slower and deliberate. Some of the rocks on both sides of the rift are between 570 million and one billion years old. In that context, humankind's effect on the region is insignificant. God, who is unchanging, watches bemusedly over it all.

Perhaps not surprisingly, some have already criticized Watzman for not incorporating more of a Palestinian, Arab voice. John Leonard, in Harper's Magazine (June edition) somehow manages, through a tortured interpretation, to read into Watzman "his homeland's hateful modern indulgence of Bronze Age identity politics." Leonard continues with his knee-jerk critique. "He has a hard time even talking to a Palestinian, as if Palestinians were remnants of some antediluvian proto-species prior to language." Or Publishers Weekly, noting that "Watzman fails almost utterly to bring in non-Jewish voices; the one Arab we meet is an Israeli Bedouin."
Both critiques conveniently leave out the poignant encounter Watzman has with a Palestinian at a West Bank gas station at the end of the book, where he risks his own physical safety to preserve his moral bearings and psychic equilibrium. For those of us who know Haim Watzman and what he stands for, the irony would be hilarious if it weren't so deadly. Even in a book that is so decidedly apolitical, by an Israeli Jew who has been so vocal in his criticisms of his country's treatment of Palestinians, critics of Israel can't help but find racism and xenophobia under any and every rock.
But Haim Watzman is if anything, the ultimate mensch. The last section of his book, in which he has a very real encounter with a very real Palestinian, attests to his own very real humanity, and bravery for his beliefs (unlike some Western intellectuals who `shoot first' from the safety of their ivory towers and do their homework later, if ever) . Just before he turns back to "meet the Palestinian halfway" and offer him a ride, he muses that "since humans first began to call the names of gods, they have created their own valley of prayers, desires, deeds, and choices, which overlay the landscape just as the rain clouds do. As hard as we try to comprehend the landscape itself, it is humanity that we find."
This is a beautiful book that radiates a personal warmth and love of the land and its people. It is as uplifting as it is inspired.

[...]

1 of 1 people found the following review helpful.
More Politics and Personal Memories than Geology
By DHB
The author is a good writer and his descriptions are interesting but the book is not very much about the geology or the archeology of the Jordan Rift Valley. In writing about about places, he gives us more of his on reminiscences than anything else. When writing about geologists he seems more interested in their personal lives than their work.

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In the Light of What We Know: A Novel, by Zia Haider Rahman

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In the Light of What We Know: A Novel, by Zia Haider Rahman

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In the Light of What We Know: A Novel, by Zia Haider Rahman

A bold, epic debut novel set during the war and financial crisis that defined the beginning of our century

One September morning in 2008, an investment banker approaching forty, his career in collapse and his marriage unraveling, receives a surprise visitor at his West London townhouse. In the disheveled figure of a South Asian male carrying a backpack, the banker recognizes a long-lost friend, a mathematics prodigy who disappeared years earlier under mysterious circumstances. The friend has resurfaced to make a confession of unsettling power.
In the Light of What We Know takes us on a journey of exhilarating scope--from Kabul to London, New York, Islamabad, Oxford, and Princeton--and explores the great questions of love, belonging, science, and war. It is an age-old story: the friendship of two men and the betrayal of one by the other. The visitor, a man desperate to climb clear of his wrong beginnings, seeks atonement; and the narrator sets out to tell his friend's story but finds himself at the limits of what he can know about the world--and, ultimately, himself. Set against the breaking of nations and beneath the clouds of economic crisis, this surprisingly tender novel chronicles the lives of people carrying unshakable legacies of class and culture as they struggle to tame their futures.
In an extraordinary feat of imagination, Zia Haider Rahman has telescoped the great upheavals of our young century into a novel of rare intimacy and power.

  • Sales Rank: #263372 in Books
  • Published on: 2014-04-22
  • Released on: 2014-04-22
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x 1.64" w x 6.20" l, 1.65 pounds
  • Binding: Hardcover
  • 512 pages

From Booklist
This expansive novel sprawls over the past half-century and has as its primary settings the U.S., the UK, and South Asia. Its nameless narrator is an upper-class Englishman of Pakistani parentage, and its main character and secondary voice is the Bangladeshi-born Zafar, the narrator’s brilliant former Oxford classmate. Our narrator gets ensnared in the banking scandals of the early 2000s, and Zafar in the coterminous conflict in Afghanistan. This is, in part, a novel of international geopolitics going back to American involvement (or inaction) in the South Asian wars of 1971; in part, a novel of global finance; in referential detail, a novel of ideas; and, in addition, a novel of personal relationships in which issues of caste and class figure prominently. The narrator (and the book’s author) has background on Wall Street, and the complex narrative weaves together the strands of worldwide interconnectedness with which both are familiar. This is a big book with grand themes, and while some readers may enjoy its discursiveness, others might wish for a tighter narrative style. --Mark Levine

Review

“Rahman's novel [is] astonishingly achieved for a first book…Rahman proves himself a deep and subtle storyteller, with a very good eye for dramatic detail--the wounding stray comment, the surge of shame, the livid parable... In the Light of What We Know is what Salman Rushdie once called an ‘everything novel.' It is wide-armed, hospitable, disputatious, worldly, cerebral. Ideas and provocations abound on every page.” ―James Wood, The New Yorker

“An ambitious novel by any measure, In the Light of What We Know is particularly striking as a first novel. …[It] is a novel of ideas, a compendium of epiphanies, paradoxes, and riddles clearly designed to be read slowly and meditatively… [A] unique work of fiction bearing witness to much that is unspeakable in human relationships as in international relations, while it is also unknowable.” ―Joyce Carol Oates, New York Review of Books

“[A] strange and brilliant novel . . . I was surprised it didn't explode in my hands.” ―Amitava Kumar, The New York Times Book Review

“[B]ristling with ideas about mathematics and politics, history and religion, Rahman's novel also wrestles with the intricacies of the 2008 financial crash. It is encyclopedic in its reach and depth, dazzling in its erudition... In the Light of What We Know is an extraordinary meditation on the limits and uses of human knowledge, a heartbreaking love story and a gripping account of one man's psychological disintegration. This is the novel I'd hoped Jonathan Franzen's Freedom would be (but wasn't)--an exploration of the post-9/11 world that is both personal and political, epic and intensely moving.” ―Alex Preston, The Guardian

“[A]n ambitious and extraordinary achievement . . . Pre-eminently a novel of ideas, the book overflows with sparkling essays on free will, the perception of time, the nature of memory, maps, flags, etymology and the axioms of mathematics... As a meditation on the penalties of exile, the need for roots and the ways in which anger can consume a thoughtful man slighted by prejudice, this is a dazzling debut.” ―Sunday Times (UK)

“[A] sweeping and brilliant tale... Rahman's rich and complex debut novel is like [a] great meal... In the Light of What We Know may be the best meal you eat this year. [Rahman's] insights--whether related to Pakistan-India enmity, Ivy-League attitude or non-governmental organizations' idealism--were right on target, [his] characters' experiences plausible and compelling, and [his] grasp of the widely varied subjects in the novel was breathtaking.” ―Paul Overby, Pittsburg Post-Gazette

“[A] hugely impressive… and profound debut… The book's depth is utterly absorbing, its stories as real in their effect as they are illusory.” ―Alex Clark, The Guardian

“Beautifully written and renewed evidence that some of the most interesting writing in English is coming from the edges of old empires.” ―Kirkus (starred review)

“[In The Light of What We Know] is a splendidly enterprising debut.” ―The Wall Street Journal

“[Rahman's] fascination with mathematics and the universe of ideas is contagious, and enriches the complex narrative about how we know the reality around us… [T]his ambitious debut novel has considerable depth and scope.” ―Library Journal (starred review)

“[I]t is immediately apparent that one is dealing with a work of major ambition…[T]he main reason to get excited over Rahman's emerging presence as a writer are his sentences, ramifying and unraveling to bring in more and more ideas between full-stops in a way that few still alive can command.” ―Nicholas Muncusi, The Daily Beast

“[In the Light of What We Know is] epic in scale and reach, and pulsing with life.” ―The National

“[A] a sprawling and thrillingly ambitious debut novel…A cross between Herman Melville and David Foster Wallace as refracted through Graham Greene, In the Light of What We Know offers 500 pages of self-described "digressions" and "tangents" involving bracing, sometimes mind-blowing discussions of high math, theoretical physics, cognitive science, Central Asian politics, the English class system, the bloody birth of Bangladesh, Bach, literature, epistemology, collateralized debt obligations and the 2008 collapse of world markets... Rahman drives home that every story is a lie. But stories like this one can teach us great truths about the ways we see--and how much we therefore miss.” ―Mike Fischer, Milwaukee Journal Sentinel

“[A] standout debut.” ―Vogue

“This formidable and compelling novel offers the reader pleasures not often found in the same venue. Its boldness in engaging elements of our contemporary crisis is bracing. In presenting his cast of characters, Rahman supplies close readings of class, mores, and manners that are extraordinary. And throughout, he sustains an almost subliminal resonance with the conventions, strengths, and tone of certain classic social novels in the English canon--Conrad's in particular. This is a debut to celebrate.” ―Norman Rush, author of Mating and Subtle Bodies

“Here it is, the vast and brilliant debut novel of our time for which readers have been waiting. Set against the backdrop of economic crises and the war in Afghanistan, Zia Haider Rahman's novel about a troubled friendship between two men--one born in the United States to well-placed parents from Pakistan, and the other born in Bangladesh--is deeply penetrating and profoundly intimate, as if made by a muralist whose heart belongs to the details. In the Light of What We Know is a novel of startling vision, written in a prose that's as strong and bold as it is impeccable. Who's the true heir to such greats as George Orwell and V.S. Naipaul? It's Zia Haider Rahman.” ―Richard McCann, author of Mother of Sorrows

“Brilliant and heartbreaking, In the Light of What We Know is the first truly great book of the new century.” ―Ceridwen Dovey, author of Blood Kin

About the Author
Born in rural Bangladesh, Zia Haider Rahman was educated at Balliol College, Oxford, and at Cambridge, Munich, and Yale Universities. He has worked as an investment banker on Wall Street and as an international human rights lawyer. In the Light of What We Know is his first novel.

Most helpful customer reviews

76 of 81 people found the following review helpful.
Learning what we know
By Kathy Perutz
Some months ago, facing long illness, I read Thomas Mann's The Magic Mountain, and was enthralled by it, a book that ends with the outbreak of World War I and contains in its pages more or less everything that was known in the Western world at that time. When I finished the book, I felt restless; nothing else could measure up to the intensity and breadth of Mann's great novel. Then I read James Wood's review in The New Yorker, and felt that Zia Haider Rahman's book was exactly what I'd been seeking. As indeed it is. A wonderful book, written in clear prose that never grows arch or hectoring - thereby avoiding even the missteps of Mann - that looks at the world we have inherited in 2014 through the consciousness of a man who is aware of the sides and angles of whatever topic he is concentrating on. A Bengali, he is from the East, whereas his friend the banker (to whom the story is being told) is from Pakistan, the West, with India between them and the legacy of British colonialism all around. Zafar, the protagonist, goes to Afghanistan and finds the same attitudes, the same patronizing views of native inhabitants that he has learned at first hand at home in Bangladesh and in the sitting rooms of London, where he, a brilliant mathematician with an Oxford degree, is often treated as a curiosity, a colonial with a brain. This is only one of a labyrinth of themes that wend their way through this marvel of a book. Through it the reader learns to know what she already suspected, and confronts the reality of confusion and complexity. No either/ors, no good/bad, we are all only partly decipherable selves, containing goodness and violence, love and treachery, radiance and darkness.

5 of 5 people found the following review helpful.
The ending ruined it for me [no spoilers]
By Amos
This is a book very much assured of its own intelligence, which often comes across as a bit smug. I got it because I know a lot of the worlds it deals with first hand or through friends, and like the themes. However, much of the story's satisfaction hangs on how the threads are all brought together in the end, and--without spoiling anything--the ending left such a bad taste in my mouth that I retroactively disliked the rest of the book and gave it away rather than have to be reminded of it every time I see it on my shelf. It's possible that there are thematic justifications for the ending, but I found it gratuitous and it made the character--the only one in the book possibly likable--completely repulsive. What's to like?

0 of 0 people found the following review helpful.
Five Stars
By Mary Ann Eagle
Riveting. A bit dense in parts, but a marvelous 5 day marathon read.

See all 176 customer reviews...

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