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"A writer is someone who pays attention to the world," Susan Sontag said in her 2003 acceptance speech for the Peace Prize of the German Book Trade, and no one exemplified this definition more than she. Sontag's incisive intelligence, expressive brilliance, and deep curiosity about art, politics, and the writer's responsibility to bear witness have secured her place as one of the most important thinkers and writers of the twentieth century. At the Same Time gathers sixteen essays and addresses written in the last years of Sontag's life, when her work was being honored on the international stage, that reflect on the personally liberating nature of literature, her deepest commitment, and on political activism and resistance to injustice as an ethical duty. She considers the works of writers from the little-known Soviet novelist Leonid Tsypkin, who struggled and eventually succeeded in publishing his only book days before his death; to the greats, such as Nadine Gordimer, who enlarge our capacity for moral judgment. Sontag also fearlessly addresses the dilemmas of post-9/11 America, from the degradation of our political rhetoric to the appalling torture of prisoners in Abu Ghraib.
At the Same Time, which includes a foreword by her son, David Rieff, is a passionate, compelling work from an American writer at the height of her powers, who always saw literature "as a passport to enter a larger life, the zone of freedom."
- Sales Rank: #611182 in Books
- Published on: 2007-03-06
- Released on: 2007-03-06
- Original language: English
- Number of items: 1
- Dimensions: 8.45" h x .99" w x 5.83" l, .89 pounds
- Binding: Hardcover
- 256 pages
From Publishers Weekly
Starred Review. Literature and politics are inextricably intertwined and unified by moral purpose in this powerful collection of pieces (a couple not previously published in English or at all) by iconic critic and novelist Sontag (Regarding the Pain of Others), who died in 2004. Sontag was a dedicated champion of literature in translation, and the book opens with several introductions to such works, led off by a meditation on beauty. The section might have been called "Art and Ardor," so laced is it with artistic passion, both Sontag's own and that of the writers she celebrates, such as Leonid Tsypkin and Anna Banti. Part three contains speeches Sontag gave in accepting the Jerusalem Prize and other awards, and honoring others whose moral courage she admired. But most striking is to re-read the pieces she wrote in the wake of 9/11 and the Abu Ghraib scandal, which constitute the book's middle section. Sontag's controversial attack on the Bush administration immediately after 9/11 may have been an act of courage or of folly, but from a distance of five years, her critique seems on the mark. Sontag's brilliance as a literary critic, her keen analytical skill and her genius for the searingly apt phrase (like her damning "the photographs are us" in relation to the Abu Ghraib photos) are all fiercely displayed here. (Mar. 6)
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From Booklist
The world lost a brilliant, passionate, and ethical thinker and writer when Susan Sontag died in December 2004. In his moving foreword to this collection of resonant essays and speeches, Sontag's son, David Rieff, writes that his mother "was interested in everything. Indeed, if I had only one word with which to evoke her, it would be avidity." But for all her arresting insights into photography and other arts, literature was Sontag's true love, and nowhere else has she so directly addressed what literature accomplishes. Sontag was working on this book at the end of her life, and it is a generously personal volume addressing her greatest ardors and gravest concerns. Here is Sontag on beauty, Russian literature, and the art of literary translation. Here, too, are Sontag's clarion writings on Israel, 9/11, and Abu Ghraib. Although Sontag was happiest writing fiction, she never failed to celebrate the work of others or protest injustice and brutality, and in this she was both artist and hero. More posthumous works are promised. Donna Seaman
Copyright © American Library Association. All rights reserved
Review
“Susan Sontag is a powerful thinker, as smart as she's supposed to be, and a better writer, sentence for sentence, than anyone who now wears the tag 'intellectual.'” ―Adam Begley, The New York Observer on Susan Sontag
“[Sontag is] one of our very few brand-name intellectuals. . .the bearer of the standard of high seriousness in a culture that has essentially capitulated to the easy lifting of the ironic mode or the ready clasp of pure entertainment.” ―Sven Birkets, The Yale Review on Susan Sontag
“Not only did [her work] serve what should be an essential function of criticism, that of introducing readers to new work, weird work, things they wouldn't ordinarily encounter . . . it did so in a notable un-weird manner. Thoroughly trained in literature and philospohy, Sontag applied the standard of the past--truth, beauty, transcendence, spirituality--to the new art of the sixties, with its alienation, extremity, perseverity . . . And the writing was marvelous--high-toned, Brahmin, but full of zest and the pleasure of performing.” ―Joan Acocella, The New Yorker on Susan Sontag
Most helpful customer reviews
26 of 26 people found the following review helpful.
A Unique Voice
By Charlus
Reading this collection of essays is an exhilarating experience for anyone who cares about the ethical value of literature, as Sontag herself would say, the "seriousness" of literature. For Sontag was nothing if not "serious". This is not to say humorless, but always fully engaged, grappling with issues that she would return to time and again if her views changed or to clarify a point.
These issues, exemplified by this sterling collection of essays, range from the political to the moral to the literary (she would probably say the latter encompasses the former two). While her outspokeness frequently won her enemies, and her bluntness can be seen at times as insensitive, she was always looking inward to create a public person that she could admire, a strenuous egotism.
Readers of this volume can find her championing writers she feels have been neglected, criticizing the United States foreign policies and most notoriously, evaluating the attacks of 9/11 in yet further clarifications of her opinions.
The loss of this woman is incalculable; even when one disagrees with her(and at some points I am sure you will) you will never fail to find her challenging you to define your own point of view. Her aphorisms expand in widening concentric circles of thought, broadening your vistas with clarity and compassion.
16 of 16 people found the following review helpful.
Standard Sontag
By Steiner
Susan Sontag was one of the most insightful and intelligent essayists of the last century. Her death is a tremendous loss to American Arts and Letters. At the Same Time is a collection of postumously published essays and speeches from the last few years. The collection reads like much of her work: articulate, precise, and always intellectually and morally "serious." I particularly liked her essay on Dostoyevsky and on translation, her clarity and depth of thought are truly reminiscent of Walter Benjamin here. I found her speeches a bit dry and contrived, not the form she's most comfortable in clearly. As always, she champions a number of neglected works of literature, one Russian, one American. Additionally, you will find excellent essays on 9/11 and the horrible events that unfolded in Iraq. Sontag's indignation is appropriate and timely.
Not a collection that is likely to eclipse Against Interpretation or Under the Sign of Saturn, but definitely worthwhile for all readers.
0 of 0 people found the following review helpful.
A Joy of Knowing
By Mary E. Sibley
This collection of essays covers material prepared late in Susan Sontag's career. The piece on Leonid Tsypkin, an unheralded, virtually unpublished, Soviet writer, entitled 'Living Dostoyevsky' is very fine. Tsypkin's last work, a novel, was published in America seven days before he died of a heart attack. The title of the novel is SUMMER IN BADEN-BADEN. Tyspkin took care to get his facts right. A source of Tsypkin on Dostoyevsky was Leonid Grossman, (1888-1965). Tsypkin's great pssion was Kafka.
Victor Serge's novel, THE CASE OF COMRADE TULAYEV,was published a year after Victor Serge's death. He was a valiant dissident Communist. Sontag believed Victor Serge resembled Simone Weil in his rectitude. For Serge, fiction was truth. The truths of a novel differ from the truths of an historian. Trotsky accused Victor Serge of being more anarchist than Marxist.
Susan Sontag was not in new York City at the time of nine eleven. She was in Berlin. Returning, she read the heartbreaking biographies of the victims appearing in the NEW YORK TIMES. She believed the principal figures in leadership positions were at a linguistic loss. She rejected prevalent models of reaction to the event that we are at war or our civilization is superior. A year after the event the Bush administration decreed that the U.S. was at war, but it was a war without end.
Sontag believed that not calling what took place at Abu Graib torture was as outrageous as not calling what took place in Rwanda between the Tutsis and the Hutus genocide. The photographs represented the fundamental corruption of the occupation.
The essay entitled 'The Conscience of Words' notes that to speak truthfully about literature it is necessary to talk about paradox. Literature is a plural system of standards. In 'Literature is Freedom' Susan Sontag comments on the latent antagonism between Europe and America. Europe is regarded as socialist. The difference between most European countries and the U.S. is that the U.S. is a religious society.
A novel is a creation of a voice and of a world it is said in 'The Novelist and Moral Rasoning. The novel is a journey. Endings in a novel confer a kind of liberty. Storytelling by a novelist involves an ethical element. Writing fiction is a solitary task. The forward to this collection by Susan Sontag's son, David Rieff, stresses his mother's avidity, her interest in everything. For her there was a joy of living and a joy of knowing. These last writings are excellent.
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