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The Last Painting of Sara de Vos: A Novel, by Dominic Smith
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"Written in prose so clear that we absorb its images as if by mind meld, "The Last Painting" is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it's fiction that keeps you up at night ― first because you're barreling through the book, then because you've slowed your pace to a crawl, savoring the suspense." ―Boston Globe
- A New York Times Book Review Editors' Choice
- A New York Times Bestseller
Amsterdam, 1631: Sara de Vos becomes the first woman to be admitted as a master painter to the city's Guild of St. Luke. Though women do not paint landscapes (they are generally restricted to indoor subjects), a wintry outdoor scene haunts Sara: She cannot shake the image of a young girl from a nearby village, standing alone beside a silver birch at dusk, staring out at a group of skaters on the frozen river below. Defying the expectations of her time, she decides to paint it.
New York City, 1957: The only known surviving work of Sara de Vos, At the Edge of a Wood, hangs in the bedroom of a wealthy Manhattan lawyer, Marty de Groot, a descendant of the original owner. It is a beautiful but comfortless landscape. The lawyer's marriage is prominent but comfortless, too. When a struggling art history grad student, Ellie Shipley, agrees to forge the painting for a dubious art dealer, she finds herself entangled with its owner in ways no one could predict.
Sydney, 2000: Now a celebrated art historian and curator, Ellie Shipley is mounting an exhibition in her field of specialization: female painters of the Dutch Golden Age. When it becomes apparent that both the original At the Edge of a Wood and her forgery are en route to her museum, the life she has carefully constructed threatens to unravel entirely and irrevocably.
- Sales Rank: #3928 in Books
- Published on: 2016-04-05
- Released on: 2016-04-05
- Original language: English
- Number of items: 1
- Dimensions: 9.27" h x 1.04" w x 6.29" l, .0 pounds
- Binding: Hardcover
- 304 pages
Amazon.com Review
An Amazon Best Book of April 2016: Across three continents and four hundred years, Dominic Smith has spun a stunning tale of forgeries and deaths, deception and love to reveal the lasting legacy of a fateful brush stroke. Akin to the page-turning greats like Girl with a Pearl Earring and The Goldfinch, The Last Painting of Sara de Vos is held together by the gravitas of a single painting to tell the story of two women—their mistakes and love affairs, their devotion to art and their struggles to thrive in a male dominated profession. When Ellie Shipley, a young art student, agrees to copy the seventeenth century painting, “At the Edge of a Wood,” her future becomes irrevocably entangled with Sara de Vos, the artist whose work she forged. Weaving together the past and present lives of Sara and Ellie and their two paintings, Smith brilliantly transports readers from 1950s New York - the mahogany walls of Upper West side apartments and the grit of Brooklyn, to the moody Dutch countryside of the 1600s to Sydney Australia’s sun-soaked harbor in 2000. A vivid, enthralling novel that is as timeless and luminous as the painting itself. --Al Woodworth
From Kirkus Reviews
Kirkus Reviews, starred review
"Smith’s latest novel is a rich and detailed story that connects a 17th-century Dutch painting to its 20th-century American owner and the lonely but fervent art student who makes the life-changing decision to forge it. This is a beautiful, patient, and timeless book, one that builds upon centuries and shows how the smallest choices—like the chosen mix for yellow paint—can be the definitive markings of an entire life."
Review
"As this story of art, beauty, deception, and the harshest kinds of loss ranged over continents and centuries, I was completely transfixed by the sense of unfolding revelation. The Last Painting of Sara de Vos is, quite simply, one of the best novels I have ever read, and as close to perfect as any book I'm likely to encounter in my reading life. One of those rare books I'll return to again and again in the coming years." --Ben Fountain, bestselling author of Billy Lynn's Long Halftime Walk, a National Book Finalist
"The Last Painting of Sara de Vos is a story told in layers of light. From afar, this novel is so beautiful, the prose so clear and vivid, that it seems effortless; on close examination, one sees the rich thematic palette Dominic Smith has used. This is a novel of love and longing, of authenticity and ethical shadows, and, most importantly, of art as alchemy, the way that it can turn grief into profound beauty." --Lauren Groff, New York Times bestselling author of Fates and Furies
"Gliding gracefully from grungy 1950s Brooklyn to the lucent interiors of Golden Age Holland and the sun-splashed streets of contemporary Sydney, the novel links the lives of two troubled, enigmatic, and hugely talented young women, one of them an artist, the other, her forger. A page-turning book with much to say about the pain and exhilaration of art and life." Geraldine Brooks, Pulitzer Prize-winning author of March and The Year of Wonders
"In The Last Painting of Sara de Vos, Dominic Smith moves effortlessly between his 17th century artist and those who fall under the spell of her work more than 300 years later. Smith is a writer of huge gifts and his descriptions of the painting and of those who fall in love with it, (and with each other) are rendered with wondrous intelligence and keen wit. The result is a novel of surprising beauty and piercing suspense. I couldn't stop turning the pages even while the last thing I wanted was to reach the end." Margot Livesey, New York Times bestselling author of The Flight of Gemma Hardy
"Highly evocative of time and place, this stunning novel explores a triumvirate of fate, choice, and consequence and is worthy of comparison to Tracy Chevalier's Girl with a Pearl Earring and Donna Tartt's The Goldfinch. Just as a painter may utilize thousands of fine brushstrokes, Smith slowly creates a masterly, multi-layered story that will dazzle readers of fine historical fiction." Library Journal
“An elegant page-turner that carries its erudition effortlessly on an energetic plot . . . His narratives may be complex, but that quality only enhances their suspense . . . Apart from the story’s firm historical grounding, the narrative has a supple omniscience that glides, Möbius-like, among the centuries without a snag . . . Smith’s 1637 is as convincing a realization as his 1957 or 2000, Amsterdam in its Golden Age no less vivid than millennial Manhattan . . . The Last Painting of Sara de Vos may begin as a mystery about a crime, but by the end the reader sees far beneath that surface: All along it was a mystery of the heart.” ―Kathryn Harrison, The New York Times Book Review
"Riveting . . . His descriptions are beautifully precise . . . The genius of Smith’s book is not just the caper plot but also the interweaving of three alternating timelines and locations to tell a wider, suspenseful story of one painting’s rippling impact on three people over multiple centuries and locations . . . Smith’s book absorbs you from the start." --Washington Post
"Lustrous . . . Fans of epoch-hopping fictions such as Cunningham's and David Mitchell's will enjoy tracing understated commonalities between the various plot lines and period-specific settings, which Smith nimbly depicts . . . Both melancholy and defiant, Smith's novel leaves us with the sense that the truths we make are no less valuable for being inexact." --Chicago Tribune
“Written in prose so clear that we absorb its images as if by mind meld, “The Last Painting” is gorgeous storytelling: wry, playful, and utterly alive, with an almost tactile awareness of the emotional contours of the human heart. Vividly detailed, acutely sensitive to stratifications of gender and class, it’s fiction that keeps you up at night ― first because you’re barreling through the book, then because you’ve slowed your pace to a crawl, savoring the suspense.” ―Boston Globe
“Rapturous . . . Smith’s writing is incandescent from the first sentence . . . With a virtuoso sense of place, [Smith] pulls you into very different worlds . . . In this extraordinary narrative, lives, like paintings, can be great works of art, dependent on the minutest of decisions and happenstance. So, too, can novels, and in this sublime work about longing, creativity, love and loss, Smith explores what is authentic and what is hidden, on both the canvas and in the human heart.” ―San Francisco Chronicle
"This beautiful meditation on love, loss and art is as luminous as a Vermeer." ―People
"Equal parts suspense tale and exploration of beauty and loss, this vivid novel charts the journey of one 17th-century Dutch painting as it passes through time, nations, and the lives of all who touch it." ―O, The Oprah Magazine
"The Last Painting of Sara de Vos does what the best books can do: sweep the reader into unfamiliar worlds filled with intriguing characters . . . [a] true pleasure to read." ―Bookpage
“Audacious . . . Absolutely transporting” ―Maureen Corrigan, NPR
"Art fans and historical fiction fans, this one's for you . . . Get ready to be blown away." ―Bustle
"In the company of recent art world novels such as Donna Tartt’s The Goldfinch and Peter Heller’s The Painter, along comes Dominic Smith’s The Last Painting of Sara de Vos, a sublime tale of one woman’s lost art, another woman’s tragic mistake, and a privileged man’s link between the two . . . Smith excels at offering insight into his reserved characters’ psyches through subtle details and masterfully juggles time and place, as well as the various machinations, with dexterity and a lyrical touch for description. There’s a lovely, genteel beauty here. As with Vermeer’s still lifes, the novel has a serene quality that belies its tension and intrigue." ―Dallas Morning News
"Lovely, quietly resonant . . . Smith [has a] singular gift for conjuring distant histories. In his hands, the damp cobblestones and canals of 1600s Holland and the shabby gentility of Eisenhower-era New York feel as real and tactile and tinged with magic as de Vos’ indelible brushstrokes." ―Entertainment Weekly
"[I]n his new novel, The Last Painting of Sara de Vos, Australian-American writer Dominic Smith removes the barriers between the artist, the work and the viewer in a moving exploration of the way art impacts us . . . Laced with subtle tension and emotion, The Last Painting of Sara de Vos is exquisitely human, highlighting characters who are endearing even at their worst. Smith’s novel illustrates why art remains a powerful force, both for those who create it and those who view it." ―Paste Magazine
"A beautiful, patient, and timeless book, one that builds upon centuries and shows how the smallest choices―like the chosen mix for yellow paint―can be the definitive markings of an entire life." ―Kirkus (starred review)
“Highly evocative of time and place, this stunning novel explores a triumvirate of fate, choice, and consequence and is worthy of comparison to Tracy Chevalier's Girl with a Pearl Earring and Donna Tartt'sThe Goldfinch . . . Just as a painter may utilize thousands of fine brushstrokes, Smith slowly creates a masterly, multilayered story that will dazzle readers of fine historical fiction.” ―Library Journal (starred review)
"In this wonderfully engaging novel, centered on the paintings of fictional seventeenth-century Dutch artist Sara de Vos, Smith immerses the reader in three vibrant time periods . . . Rich in historical detail, the novel explores the immense challenges faced by women in the arts (past and present), provides a glimpse into the seedy underbelly of the art world across the centuries, and illustrates the transformative power and influence of great art. An outstanding achievement, filled with flawed and fascinating characters. ―Booklist (starred review)
"A mesmerizing and magically faux historical novel . . . The Last Painting of Sara de Vosis a splendid thing: a riveting mystery set in the rarified world of art collection about a stolen masterpiece and a gorgeous, haunting novel rooted in history, an incandescent achievement of literary imagination." ―Jeanette Zwart, Shelf Awareness
"As in Girl with a Pearl Earring, the technical process and ineffable aspects of creating a masterpiece enrich this novel, but Smith had to invent his masterpieces because no works survive by the real-life Sarah van Baalbergen, who was the first woman admitted to the Guild of St. Luke. Smith’s paintings, like his settings, come alive through detail: the Gowanus Expressway, ruins of an old Dutch village, two women from different times and places both able to capture on canvas simultaneous beauty and sadness." ―Publishers Weekly
“Gliding gracefully from grungy 1950s Brooklyn to the lucent interiors of Golden Age Holland and the sun-splashed streets of contemporary Sydney, the novel links the lives of two troubled, enigmatic, and hugely talented young women, one of them an artist, the other, her forger. A page-turning book with much to say about the pain and exhilaration of art and life.” ―Geraldine Brooks, author of The Secret Chord
“The Last Painting of Sara de Vos is a story told in layers of light. From afar, this novel is so beautiful, the prose so clear and vivid, that it seems effortless; on closer examination, one sees the rich thematic palette Dominic Smith has used. This is a novel of love and longing, of authenticity and ethical shadows, and, most compelling, of art as alchemy, the way that it can turn grief to profound beauty.”―Lauren Groff, author of Fates and Furies and the New York Times-bestselling Arcadia
“As this story of art, beauty, deception, and the harshest kinds of loss ranged over continents and centuries, I was completely transfixed by the sense of unfolding revelation. The Last Painting of Sara de Vos is, quite simply, one of the best novels I have ever read, and as close to perfect as any book I’m likely to encounter in my reading life. One of those rare books I’ll return to again and again in the coming years.”―Ben Fountain, author of Billy Lynn’s Long Halftime Walk, a National Book Award finalist
“In The Last Painting of Sara de Vos, Dominic Smith moves effortlessly between his seventeenth century artist and those who fall under the spell of her work more than three hundred years later. Smith is a writer of huge gifts and his descriptions of the painting and of those who fall in love with it (and with each other) are rendered with wondrous intelligence and keen wit. The result is a novel of surprising beauty and piercing suspense. I couldn't stop turning the pages even while the last thing I wanted was to reach the end.”―Margot Livesey, author of The Flight of Gemma Hardy
"The Last Painting of Sara de Vos is a deeply researched, beautifully written, intellectually absorbing novel that also has the qualities of a page-turner . . . I doubt you will be disappointed: The Last Painting of Sara de Vos is a tremendous story of art, deception, love, ambition and the place of women in the world, and in history. From the opening pages you know you are in the hands of a writer at the top of his game." ―The Australian
Most helpful customer reviews
73 of 78 people found the following review helpful.
"At the End of a Wood" in my mind from the perfectly detailed and beautiful description in the beginning of the book
By Angela
I see the painting titled , "At the End of a Wood" in my mind from the perfectly detailed and beautiful description in the beginning of the book . For a minute I forget what I just read about Sara de Vos's character being a blend of the biographical details of several Dutch women painters in the 17th century and I'm ready to go find the image online . I'm immediately disappointed when I realize the only image I'll have of this painting is what's in my mind's eye . That disappointment dissipates as the story unfolds because the painting plays such a prominent role I can always see it based on the description.
There's a mystery of sorts , a theft of a Sara de Vos painting from a New York apartment of a privileged couple in 1958, that according to the rules of The Guild of St. Luke in Holland should not have been painted by a woman . Women were only supposed to paint still lifes. A forgery by a young woman , Ellie , trying to make it in the art world and centuries later, the men are still dominating it. The story spans the globe - Amsterdam , New York and Sydney and cuts across time the 1600's , the 1950's and finally 2000 with three narratives moving around these times and places . I almost always enjoy the novels I've read blending the past and present and for some reason I almost always enjoy the story from the past more . That held true for me in this novel as well. Whenever I read the part from 1950's or 2000, I couldn't wait to get back to Sara's story. I just had more of an emotional connection to Sara and I really wanted to know what happened to her . Having said that the meshing of Ellie's story with Sara's in the end was perfect !
I don't know much about the art world but came away from this feeling as if I learned something about it as well as enjoying the skillful story telling of Dominic Smith, an author I have not read until now .
Thanks to Farrar, Straus and Giroux and NetGalley.
63 of 67 people found the following review helpful.
Wonderful book on art, honesty, living with personal and historical past.
By Susan Drees
This excellent novel took me somewhat by surprise. I was expecting to be interested in this tale of the art world, theft and possible forgery, Netherlands and the art of the 17th century, but instead I was captivated.
This is such a fascinating story, taking place in 3 distinct time eras: 17th century Netherlands, 1950s New York City and Sydney, Australia of 2000. What might potentially become dangerously confused in less sure hands, is here intriguing and pulls the reader on through the pages and years. The author is assured in taking us through these times and peoples' lives; learning their secrets, their inspirations, their pain and hope and love and loss. And it centers ultimately on painting and the painting of Sara de Vos, the first woman admitted to the Guild of St. Luke's in Holland. We see her difficult life, as well as the difficult early life of grad student Ellie Shipley, freelancing as an art restorer to make money while working on her dissertation in New York City, thousands of miles from her place of birth in Australia.
Along the way, Smith treats the reader to a minor course in the creation and restoration of classic art as well as some gorgeous descriptions of art theory through Shipley's later lectures on Dutch artists such as Vermeer. But there is the matter of the forgery! Why was it made? Who for? Where is it? And what repercussions will this copy made in the early 1950s have in present day Australia?
In an exquisite moment, one of the primary characters, Ellie, is giving a lecture on qualities of light in art and uses Vermeer's Woman Holding a Balance to explain what she sees, what the artist has used and created. I think this book will affect the way I look at art in the future, how I think when I'm in a museum or a gallery. I also think I will read this book again and have added all of Smith's other books to my tbr.
Highly recommended
A copy of this book was provided by the publisher through NetGalley in return for an honest review.
45 of 50 people found the following review helpful.
A love story for a painting and a time...
By Jill Meyer
Very few authors write a novel set in two or three places, characters, and times well. It's difficult to give each part it's own distinctive voice without shortchanging the other parts. And that's especially true when the author switches back and forth between time and place and character. However, author Dominick Smith has done a superb job of juggling in his new novel, "The Last Painting of Sara de Vos".
The novel, set in New York City in 1957, Amsterdam/Haarlem in 1636, and Sydney/New York in 2000. The varying "faces" and places and times all circle around a painting created by a female Dutch artist named Sara de Vos whose works have been lost to time and non-recognition. Since most art was created by men, the most important art was credited to men. In Smith's book, a modern art historian - Eleanor Shipley - was studying Dutch women's art and was writing a thesis on Judith Leyster, an acknowledged artist of the 1600's. Shipley was living in New York in the mid-1950's and studying at Columbia University. She was also dabbling in artistic restoration to older paintings. She somehow gets mixed up with a man who wanted her to exactly copy a painting by Sara de Vos. The painting she is copying belongs to a Dutch/American lawyer who lives on the Upper East side and whose family has owned the painting for 300 years.
The story line set in 1636 concerns the woman artist Sara de Vos, who has lost her only beloved child to illness. Her husband has deserted her and In her attempt to assuage her pain, she begins to paint a scene of a village, with a young girl viewing the village life from a hill. It is this painting, "At the Edge of a Wood", that belongs to Martin de Groot. He sets out to find the original picture that had been swapped for the fake painted by Ellie Shipley. The story then turns to Sydney in the year 2000, when de Groot and Shipley and the paintings all meet up again in a special exhibition.
If the plot sounds complicated, it certainly is. But Dominick Smith juggles his plot and characters with such efficiency that the book comes together. There was very little misstepping that I could find, though may be some question of the painting on the front of the book. Smith's book is a masterpiece of both painterly and human love for a young girl depicted on a canvas.
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