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Passionate, strong-minded nonfiction from the National Book Award-winning author of The Corrections
Jonathan Franzen's The Corrections was the best-loved and most-written-about novel of 2001. Nearly every in-depth review of it discussed what became known as "The Harper's Essay," Franzen's controversial 1996 investigation of the fate of the American novel. This essay is reprinted for the first time in How to be Alone, along with the personal essays and the dead-on reportage that earned Franzen a wide readership before the success of The Corrections. Although his subjects range from the sex-advice industry to the way a supermax prison works, each piece wrestles with familiar themes of Franzen's writing: the erosion of civic life and private dignity and the hidden persistence of loneliness in postmodern, imperial America. Recent pieces include a moving essay on his father's stuggle with Alzheimer's disease (which has already been reprinted around the world) and a rueful account of Franzen's brief tenure as an Oprah Winfrey author.
As a collection, these essays record what Franzen calls "a movement away from an angry and frightened isolation toward an acceptance--even a celebration--of being a reader and a writer." At the same time they show the wry distrust of the claims of technology and psychology, the love-hate relationship with consumerism, and the subversive belief in the tragic shape of the individual life that help make Franzen one of our sharpest, toughest, and most entertaining social critics.
- Sales Rank: #687085 in Books
- Published on: 2002-10-01
- Original language: English
- Number of items: 1
- Dimensions: 8.56" h x 1.12" w x 5.80" l,
- Binding: Hardcover
- 288 pages
- Jonathan Franzen. Signed.
Amazon.com Review
Jonathan Franzen is smart and brash, the kind of person you want as your social critic but not as a brother-in-law. Many of the 14 essays in How to Be Alone, by the author of the critically acclaimed novel The Corrections, first appeared in The New Yorker, Harper's, and elsewhere. A long, much-discussed rumination on the American novel, (newly) titled "Why Bother?," is included, as well as essays on privacy obsession, the U.S. post office, New York City, big tobacco, and new prisons. At his best, as in "My Father's Brain," a piece on his father's struggle with Alzheimer's, Franzen can make the ordinary world utterly riveting. But at times, it can be difficult to discern where Franzen stands on any particular subject, as he often takes both sides of an argument. Valid attempts to reflect ambiguity s! ometimes lead to obfuscation, especially in his essays on privacy and tobacco, although his belief that small-town America of years gone by offered the individual little privacy certainly rings true. Franzen can write with panache, as in this comment after he watched, without headphones, a TV show during a flight: "(It) became an exposé of the hydraulics of insincere smiles." A few of the shorter pieces appear to be filler. Franzen shines brightest when he gets edgy and a little angry, as in "The Reader in Exile": "Instead of Manassas battlefield, a historical theme park. Instead of organizing narratives, a map of the world as complex as the world itself. Instead of a soul, membership in a crowd. Instead of wisdom, data." --Mark Frutkin, Amazon.ca
From Publishers Weekly
Bestselling and National Book Award- winning novelist Franzen (The Corrections) urges readers to say no to drugs, but not the pharmaceutical kind; his opiates are those "technology offers in the form of TV, pop culture, and endless gadgetry," soporifics that "are addictive and in the long run only make society's problems worse." Franzen's just as hard on intellectual conformity-on academe's canonization of third-rate but politically correct novels, for example. As a serious artist, he knows that the deck is stacked against him; after all, a great novel is a kind of antiproduct, one that is "inexpensive, infinitely reusable, and, worst of all, unimprovable." The problem, he says, is that instead of being allowed to enjoy our solitary uniqueness we are all being turned into one gigantic corporate-created entity, a point Franzen makes tellingly when he says that while a black lesbian New Yorker and a Southern Baptist Georgian might appear totally different, the truth is that both "watch Letterman every night, both are struggling to find health insurance... both play Lotto, both dream of fifteen minutes of fame, both are taking a serotonin reuptake inhibitor, and both have a guilty crush on Uma Thurman." These canny, well-researched essays (which have appeared in the New Yorker, Harper's and elsewhere) range over a variety of subjects, from the antiquated and bizarrely inefficient Chicago postal system to the bizarrely efficient new privatized federal prisons, but they are united by a single passionate insistence that, in a cookie-cutter world, people who want simply to be themselves should have the right to do so.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
In this collection of 12 essays, Franzen, the author of the most-written-about novel of 2001, The Corrections, focuses on the growing commercialism and alienation in postmodern America. Presenting a number of variations on that theme, he addresses such personal topics as his smoking habit, an interview for the Oprah show, and his father's battle with Alzheimer's, a poignant account of the disease's impact on his family. In addition, pieces on the shortcomings of the Chicago post office, the supermax prison in Colorado, and the isolating effects of an increasingly computerized society show Franzen's skill as a journalist and social critic. Also included is "Why Bother?," a revision of his 1996 critique of the American novel. He has cut this version considerably and softened its strident tone, although, as he points out, "there's still plenty to be mad and scared about." This book will appeal to serious readers who appreciate penetrating yet entertaining social commentary. Enthusiastically recommended for public and academic libraries. Nancy R. Ives, SUNY at Geneseo
Copyright 2002 Reed Business Information, Inc.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Franzen does not write as a sociologist. He is not data driven in his analysis.
By Bikerguy
As a group these essays address the consumer-oriented, materialistic conformist culture in America.However, he addresses these issues from a humanist and writerly perspective. Franzen does not write as a sociologist. He is not data driven in his analysis - more the philosopher king like his friend David Eggers.
0 of 0 people found the following review helpful.
Cool book of Essays
By harrison
Amazing collection of essays. I enjoyed these essays thoroughly! Especially the essays on books, I.e, "the reader in exile" and "mr. Difficult". Also, why bother?, his Harper's essay. I would highly recommend this book! :)
0 of 0 people found the following review helpful.
Meh
By Nashville Nancy
Good in parts, really boring in a lot of the book. If you can get past the first essay, you'll find some good sections such as the essay on the prison.
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