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Feeding The Eye: Essays, by Anne Hollander
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A new book on the nourishing powers of visual art-film, painting, dance, and clothes.
Since the advent of cinema more than a hundred years ago, visual art has tended to be perceived as if it were in motion, and as the century ends, we notice that artists create less often in fresco or carved stone and more on film or tape, on the dance stage or in the ever changing, ever moving medium of clothes. In this remarkable collection of writing that ranges over art of the past century with unusual depth of historical insight, the noted critic Anne Hollander explores these rich, diverse visual treasures and the underlying themes that connect them.
Feeding the Eye opens with a wonderful array of "modern legends"-essays on celebrated figures from Balanchine to Cartier-Bresson, from Kafka to Chanel, from Isadora Duncan to Simone de Beauvoir-who have helped to define our world. Other sections of the book are devoted to the arts of dressing or decorating the human body-Hollander is particularly celebrated for her bold and original interpretations of this theme-and to classic, often misinterpreted artists of the cinema: Chaplin and Garbo, among others. Hollander concludes by asking us to consider how great paintings of the past continue, in many different ways and contexts, to startle us with "the tonic effect of acute optical experience, which is the whole world's natural birthright."
- Sales Rank: #2150787 in Books
- Published on: 1999-10-07
- Original language: English
- Number of items: 1
- Dimensions: 1.29" h x 6.40" w x 9.37" l, 1.10 pounds
- Binding: Hardcover
- 352 pages
From Publishers Weekly
An essayist in the most balanced, dignified and old-fashioned sense, Hollander (Sex and Suits) presents 31 essays on film, fashion and art. The subtitle of the collection is more than a little deceiving, as most of the pieces included here are extended reviews or analytical sketches reprinted from such venues as the London Review of Books, the New Republic and the New Yorker. Organized around the notion that "artists make art by absorbing the effects of other artists' productions, transmuting them through a personal creative effort influenced by circumstances and then rendering a newly shaped thing back into the continuing stream," these pieces offer superb evidence of Hollander's intellectual confidence with subjects as diverse as Yves St. Laurent, Greta Garbo, and Caspar David Friedrich (among many, many others). Hollander never seems to meet an object of fashion that doesn't merit extensive critical treatment, but she brings generous, original insight to such topics as corsets, kimonos and body-decorating rituals. A review of a Chaplin biography leads her to one of the collection's most provocative connections, that between the expatriate English silent-film tramp and George Balanchine, the Russian emigr? ballet choreographer (there is also a separate Balanchine essay). Hollander's style can be a touch too precise, too effortlessly learned, but she has a genius for zippy phrasemaking, as when she writes in "Accounting for Fashion," a book review that ran in Raritan in 1993, that a dress "requires opposable thumbs and some kind of cosmology." That might not be Diana Vreeland talking, but it is her slightly more book-learned, and exquisitely well-spoken sister. (Oct.)
Copyright 1999 Reed Business Information, Inc.
From Library Journal
Hollander (Sex and Suits and Moving Pictures) is noted for her fascination with the concept of motion in visual art forms, but she should also be recognized for her remarkable knowledge of an array of artistic disciplines. In this rich collection of essays, she writes about the impact on modern culture of a variety of visual formsAfrom dance (George Balanchine, Isadora Duncan), clothing (Chanel, Yves St. Laurent), and film (Chaplin, Garbo) to body decoration, transvestism, Impressionism, and flowers. In her detailed and well-documented text, she makes observations about the style, development, and artistic contributions (sometimes controversial) of each of her subjects, offering insight into the visual aesthetics of modern culture. This unique perspective on the nature of artistic experience should be a welcome addition to art/humanities collections in academic and public libraries.ACarol J. Binkowski, Bloomfield, NJ
Copyright 1999 Reed Business Information, Inc.
From Kirkus Reviews
What might have been an unstable mix of essays and reviews on a variety of art formsdance, film, fashion, and paintinginstead coalesces into a thematically sound and richly varied collection. Critic Hollander (Sex and Suits: The Evolution of Modern Dress, 1994) knows how to link subjectseven those that seem to bear little or no relation to one anotherby isolating underlying themes and teasing them to the legible surface. Which is not to say that she manipulates her material; she simply remains true to her priorities as a critic. And her work benefits. In this latest collection, Hollander takes pains to assert that artists are increasingly working in mediums that reflect movement. Well, maybe, but her assertion functions largely as an excuse to indulge her own abiding fascination with clothing, costuming, and the intersection between artist and physical environment. Those obsessions seem reason enough to group these pieces together, especially since they're all imbued with Hollander's intellectualism. Expert and deeply informed, she examines fellow authors' work with considerable thoroughnessreading her can feel like eavesdropping on a passionate, if somewhat biased, debate. In her review of Mark Anderson's book Kafka's Clothes, she lauds his ability to combine serious literary criticism with a discussion of 19th-century attire. ``Clothes have always made useful literary metaphor (language is the dress of thought and so on),'' she writes, ``they have also offered a useful descriptive device for most novelists, however surreal their vision.'' Thus Gregor Samsa, ``the fearsome beetle, clad in his functional carapace,'' becomes ``the new-made Modern Artist.'' This contact point at which the artist's very body meets the outer worldand is mediated by clothing or costumingalways sparks Hollander's interest. And she brings a vital freshness and droll sense of humor to subjects that seem possibly trite, like the wearing of black, androgynous fashions, even tight-lacing corsets. While Hollander's intellectualism may verge on the academic, her passion for exploring the symbolism of art and clothing is anything but. -- Copyright ©1999, Kirkus Associates, LP. All rights reserved.
Most helpful customer reviews
8 of 10 people found the following review helpful.
The Art of Seeing
By A Customer
The art of seeing and the persistent human need for visual stimulation are the subjects of this group of book reviews and essays. Collections of articles are sometimes difficult to read straight through. These, however, are unified by Hollander's conviction that dance, film and fashion are the most distinctive art forms of the 20th century. Anyone interested in those subjects will find this book ideal. Again and again I found myself eager to explore the books that the author was discussing. As a book about books, this volume is a great success. A critic who can discuss art, fashion, film, dance and literature and offer creative comparisons betweem them is a national treasure in an age when most writers can only cover their own restricted turf.
4 of 6 people found the following review helpful.
Pleasurable
By bentmax
This woman knows how to write a book review! Most book reviews are rehashes of the book itself--a book report not a book review. Ann Hollander possesses a dazzling storehouse of knowledge about visual art and is able to bring far ranging comparisons to her reviews. Her style is a bit dry but always smooth and even both in praise and reproof. Her references and in-depth knowledge of her subjects caused me to purchase three more more books. Feeding the Eye is not always scintlating reading but is a book that need not be read all at once. Hollander's historical perception of dance, fashion, music and art makes one thirst for more from her. She is a woman that is well versed on many subjects. I would love to sit next to her at a dinner party and regale me with the stories of Coco Chanel and the little black dress....
0 of 0 people found the following review helpful.
Pleasurable
By A Customer
This woman knows how to write a book review! Most book reviews are rehashes of the book itself--a book report not a book review. Ann Hollander possesses a dazzling storehouse of knowledge about visual art and is able to bring far ranging comparisons to her reviews. Her style is a bit dry but always smooth and even both in praise and reproof. Her references and in-depth knowledge of her subjects caused me to purchase three more more books. Feeding the Eye is not always scintillating reading but is a book that need not be read all at once. Hollander's historical perception of dance, fashion, music and art makes one thirst for more from her. She is a woman that is well versed on many subjects. I would love to sit next to her at a dinner party and regale me with the stories of Coco Chanel and the little black dress....
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