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Susan Sontag has said that her earliest idea of what a writer should be was "someone who is interested in everything." Thirty-five years after her first collection of essays, the now classic Against Interpretation, our most important essayist has chosen more than forty longer and shorter pieces from the last two decades that illustrate a deeply felt, kaleidoscopic array of interests, passions, observations, and ideas.
"Reading" offers ardent, freewheeling considerations of talismanic writers from her own private canon, such as Marina Tsvetaeva, Randall Jarrell, Roland Barthes, Machado de Assis, W. G. Sebald, Borges, and Elizabeth Hardwick. "Seeing" is a series of luminous and incisive encounters with film, dance, photography, painting, opera, and theatre. And in the final section, "There and Here," Sontag explores some of her own commitments: to the work (and activism) of conscience, to the concreteness of historical understanding, and to the vocation of the writer.
Where the Stress Falls records a great American writer's urgent engagement with some of the most significant aesthetic and moral issues of the late twentieth century, and provides a brilliant and clear-eyed appraisal of what is at stake, in this new century, in the survival of that inheritance.
- Sales Rank: #681097 in Books
- Published on: 2001-09-21
- Released on: 2001-09-21
- Original language: English
- Number of items: 1
- Dimensions: 9.00" h x .94" w x 6.00" l, 1.43 pounds
- Binding: Hardcover
- 288 pages
From Publishers Weekly
One of the few Americans to manage superbly the dual roles of public intellectual and novelist, Sontag, whose novel In America won a National Book Award in 2000, reaches a big audience even as she divides critics. First and foremost an essayist, Sontag tackles varied interests that are compelling in part for their apparent randomness. This new collection of occasional articles includes punditry on literature, film, photography, theater and her own literary career, among other subjects. Once a champion of then-lesser-known writers like Jorge Luis Borges and Roland Barthes, she now boosts the worthy Brazilian novelist Machado de Assis and Swiss writer Robert Walser. Sometimes her enthused advocacy seems overstated, such as when she argues a little too forcefully for Glenway Wescott as a novelist and for the poet Adam Zagajewski as a prose writer. A sugary memorial for New York City Ballet founder Lincoln Kirstein is also inadequate on many levels. Still, Sontag's appetite for trends and achievements is still so fierce, and she switches subjects so quickly and lithely, that if one short essay does not convince, the next one probably will. One can't help admiring the conviction evident in "Waiting for Godot in Sarajevo," her account of directing a Beckett play in the war-torn city. There is no one quite like Sontag, and her many admirers will enjoy following up on her reading tips and engaging in debate with her via this book. (Sept.)Forecast: Expect solid sales among Sontag's fans, some of whom will pick this book up as a first foray into her essays. For those who need assistance in entering the Sontag oeuvre, biographer and Baruch College professor Carl Rollyson's Reading Susan Sontag: An Introduction to Her Work is forthcoming in October (Ivan R. Dee).
Copyright 2001 Cahners Business Information, Inc.
From Library Journal
Sontag collects 41 essays that frame over 20 years of astute observations on culture, arts, and aesthetics. Previously published as magazine articles, articles for tourist catalogs, program notes for puppet theater or ballet performances, notes for art exhibition catalogs, and introductions, forewords, or afterwords in other authors' monographs, the essays are organized into three categories. "Reading" encompasses Sontag's erudite, critical renderings on autobiography and the works and influence of international literary figures such as Machado de Assis, Roland Barthes, Danilo Ki, Marina Tsvetaeva, and Robert Walser. In the middle section, "Seeing," Sontag is more approachable, expressing her perceptive and provocative opinions on cinema, garden history, photography, painting, opera, drama, and dance. Finally, in "There and Now," Sontag recounts her experiences in Sarajevo and her feelings regarding travel, activism, writing, and translations. Several of the essays such as "A Letter to Borges" appear here in English for the first time. Although an introduction to prepare newcomers to Sontag for what follows would have been helpful, this remains an attractive and interesting collection from an important cultural thinker. Recommended for academic and public libraries. Jeris Cassel, Rutgers Univ. Lib., New Brunswick, NJ
Copyright 2001 Reed Business Information, Inc.
From Booklist
Sontag won the National Book Award for her novel In America [BKL F 1 00], and readers of her ardent literary essays know that, for Sontag, novelists are nearly at the pinnacle of the universe of words, just a step below the poets. Yet her criticism is art in its own right, so gorgeously formed and creative, so vital and searching, deeply rooted in passionately intelligent reading and unstinting curiosity. Forty-one essays based on two decades of international cultural attentiveness create a substantial and wonderfully musical collection that makes matters literary and artistic urgent and thrilling. A close consideration of poets' prose inspires a sizzling tribute to Russian literature, and thoughts of Glenway Wescott's all-but-forgotten novel, The Pilgrim Hawk, spark a rousing discussion of various approaches to fiction. Sontag is just as piercing and revelatory in her criticism of dance (Lincoln Kirstein), photography (Bellocq), and painting (Howard Hodgkin). And in her reflections on staging Waiting for Godot in Sarajevo in 1993, she is indelibly eloquent about what art brings to life and vice versa. Donna Seaman
Copyright © American Library Association. All rights reserved
Most helpful customer reviews
0 of 1 people found the following review helpful.
A Writer's Writer
By A Customer
Sontag's essays on the writing life are useful and fascinating. Keep an open mind and decide for yourself.
6 of 19 people found the following review helpful.
A Writer's Writer
By A Customer
Sontag's essays on the writing life are useful and fascinating. Keep an open mind and decide for yourself.
0 of 0 people found the following review helpful.
try to imagine a trip you would like to take
By epic phlegm Hooha
By the time I had seen many books by Susan Sontag, I became picky about how much I wanted to read from this book. When I saw an essay called Homage to Halliburton, I felt an irony calling me to read the entire essay no matter what it was about. Mostly a girl was inspired by reading the Book of Marvels by Halliburton, like one of my daughters wanted to see more of the world after being in Japan three years ago. I was hoping to find a book with a picture of President George Herbert Walker Bush puking on the Prime Minister of Japan, but when Susan Sontag was a little girl, many boojks did not have pictures of the things that were exciting to see. She found some snapshots of the author standing next to the Taj Mahal, with bits of so forth.
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