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Lila: A Novel, by Marilynne Robinson
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Winner of the National Book Critics Circle Award
National Book Award Finalist
A new American classic from the Pulitzer Prize-winning author of Gilead and Housekeeping
Marilynne Robinson, one of the greatest novelists of our time, returns to the town of Gilead in an unforgettable story of a girlhood lived on the fringes of society in fear, awe, and wonder.
Lila, homeless and alone after years of roaming the countryside, steps inside a small-town Iowa church-the only available shelter from the rain-and ignites a romance and a debate that will reshape her life. She becomes the wife of a minister, John Ames, and begins a new existence while trying to make sense of the life that preceded her newfound security.
Neglected as a toddler, Lila was rescued by Doll, a canny young drifter, and brought up by her in a hardscrabble childhood. Together they crafted a life on the run, living hand to mouth with nothing but their sisterly bond and a ragged blade to protect them. Despite bouts of petty violence and moments of desperation, their shared life was laced with moments of joy and love. When Lila arrives in Gilead, she struggles to reconcile the life of her makeshift family and their days of hardship with the gentle Christian worldview of her husband which paradoxically judges those she loves.
Revisiting the beloved characters and setting of Robinson's Pulitzer Prize-winning Gilead and Home, a National Book Award finalist, Lila is a moving expression of the mysteries of existence that is destined to become an American classic.
- Sales Rank: #45442 in Books
- Published on: 2014-10-07
- Released on: 2014-10-07
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x 1.09" w x 5.76" l, 1.00 pounds
- Binding: Hardcover
- 272 pages
Review
“Writing in lovely, angular prose that has the high loneliness of an old bluegrass tune, Ms. Robinson has created a balladlike story . . . The novel is powerful and deeply affecting . . . Ms. Robinson renders [Lila's] tale with the stark poetry of Edward Hopper or Andrew Wyeth.” ―Michiko Kakutani, The New York Times
“Lila is a book whose grandeur is found in its humility. That's what makes Gilead among the most memorable settings in American fiction . . . Gilead [is] a kind of mythic everyplace, a quintessential national setting where our country's complicated union with faith, in all its degrees of constancy and skepticism, is enacted.” ―Sam Sacks, The Wall Street Journal
“My message is simple. Even if you haven't found the two previous books to your taste, give Lila a try . . . what we get . . . is the highest fictional magic: a character who seems so real, it's hard to remember that she exists only in the page of this book . . . No writers can see life whole. There's too much of it, too many sides, to be comprehended by a single vision. But some books give us a sense of such wholeness, and they are precious for it. Lila is such a book.” ―John Wilson, Chicago Tribune
“Lila, Marilynne Robinson's remarkable new novel, stands alone as a book to read and even read again. It's both a multilayered love story and a perceptive look at how early depirvation causes lasting damage . . . Robinson is a novelist of the first order.” ―Ellen Heltzel, The Seattle Times
“Grade: A Emotionally and intellectually challenging, it's an exploration of faith in God, love, and whatever else it takes to survive.” ―Entertainment Weekly
“Gorgeous writing, an absolutely beautiful book . . . This should come as no surprise to anyone familiar with Robinson, a novelist who can make the most quotidian moments epic because of her ability to peel back the surfaces of ordinary lives . . . [a] profound and deeply rendered novel.” ―David L. Ulin, Los Angeles Times
“Marilynne Robinson is one of the great religious novelists, not only of our age, but any age . . . Not even gorgeous is a strong enough word for what grandeur charges the pages of Lila.” ―Casey Cep, New Republic
“Written in beautiful, precise language, [Lila] glows like a banked fire that provides steady illumination. Lila should prompt first-time Robinson readers to track down her other works.” ―Martha Woodall, Philadelphia Inquirer
“Set aside the idea that Housekeeping, Marilynne Robinson's groundbreaking 1980 debut novel, should be on anyone's short list for the Great American Novel . . . It's just as well to open Lila with no preconceptions and just star reading. The pages in this volume are dense, but once you release yourself to Robinson's rhythms, the rewards are profound and layered, and what was intimidating becomes magnetic . . . Robinson has created a work in Lila that's both old-fashioned and contemporary. Timeless.” ―The Denver Post
“Ever since the publication of Robinson's thrilling first novel, Housekeeping, reviewers have been pointing out that, for an analyst of modern alienation, she is an unusual specimen: a devout Protestant, reared in Idaho. She now lives in Iowa City, where she teaches at the Iowa Writers' Workshop and where, for years, she has been accustomed to interrupting her career as a novelist to produce essays on such matters as the truth of John Calvin's writings. But Robinson's Low Church allegiance has hugely benefited her fiction . . . This is an unflinching book.” ―Joan Acocella, The New Yorker
“Marilynne Robinson tracks the movements of grace as if it were a wild animal, appearing for fleeting intervals and then disappearing past the range of vision, emerging again where we least expect to find it. Her novels are interested in what makes grace necessary at all--shame and its afterlife, loss and its residue, the limits and betrayals of intimacy. In Lila, her brilliant and deeply affecting new novel, even her description of sunlight in a St. Louis bordello holds a kind of heartbreak . . . Robinson's determination to shed light on . . . complexities--the solitude that endures inside intimacy, the sorrow that persists beside joy--marks her as one of those rare writers genuinely committed to contradiction as an abiding state of consciousness. Her characters surprise us with the depth and ceaseless wrinkling of their feelings.” ―Leslie Jamison, The Atlantic
“Radiant . . . As in Gilead and Home, Robinson steps away from the conventions of the realistic novel to deal with metaphysical abstractions, signaling by the formality of her language her adoption of another convention, by which characters inhabiting an almost Norman Rockwell-ish world . . . live and think on a spiritual plane . . . [Lila is] a mediation on morality and psychology, compelling in its frankness about its truly shocking subject: the damage to the human personality done by poverty, neglect and abandonment.” ―Diane Johnson, The New York Times Book Review
“In her new novel, Lila, Marilynne Robinson has written a deeply romantic love story embodied in the language and ideas of Calvinist doctrine. She really is not like any other writer. She really isn't . . . Robinson has created a small, rich and fearless body of work in which religion exists unashamedly, as does doubt, unashamedly.” ―Cathleen Schine, The New York Review of Books
“Robinson's genius is for making indistinguishable the highest ends of faith and fiction . . . The beauty of Robinson's prose suggests an author continually threading with spun platinum the world's finest needle.” ―Michelle Orange, Bookforum
“The protagonist of the stunning Lila is as lost a character as can be found in literature . . . Don't hesitate to read Lila . . . It's a novel that stands on its own and is surely one of the best of the year.” ―Holly Silva, St Louis Post-Dispatch
“Existence and 'all the great storms that rise in it' are at the heart of Marilynne Robinson's glorious new novel, Lila . . . Lila is--at once--powerful, profound, and positively radiant in its depiction of its namesake, a child reared by drifters who finds a kindred soul in 'a big, silvery old man,' the Rev. John Ames . . . Life, death, joy, fear, doubt, love, violence, kindness--all of this, and more, dwells in Lila, a book, I will venture, already for the ages, its protagonist engraved upon our souls.” ―Karen Brady, The Buffalo News
“Lila is a dark, powerful, uplifting, unforgettable novel. And Robinson's Gilead trilogy--Gilead, Home, and Lila--is a great achivement in American fiction.” ―Bryan Wooley, Dallas Morning News
“Starred Review This third of three novels set in the fictional plains town of Gilead, Iowa, is a masterpiece of prose in the service of the moral seriousness that distinguishes Robinson's work . . . Lila is a superb creation. Largely uneducated, almost feral, Lila has a thirst for stability and knowledge. As she yearns to forget the terrible memories and shame of her past, Lila is hesitant to reveal them to her loving new husband. The courtship of the couple--John Ames: tentative, shy, and awkward; Lila: naïve, suspicious, wary, full of dread--will endure as a classic set piece of character revelation, during which two achingly lonely people discover the comfort of marital love . . . Robinson carefully crafts this provocative and deeply meaningful spiritual search for the meaning of existence. What brings the couple together is a joyous appreciation of the beauty of the natural world and the possibility of grace.” ―Publishers Weekly
“*Starred Review* Robinson has created a tour de force, an unforgettably dynamic odyssey, a passionate and learned moral and spiritual inquiry, a paean to the earth, and a witty and transcendent love story--all within a refulgent and resounding novel so beautifully precise and cadenced it wholly tranfixes and transforms us.” ―Donna Seaman, Booklist
“*Starred Review* This is a lovely and touching story that grapples with the universal question of how God can allow his children to suffer. Recommended for fans of Robinson as well as those who enjoyed Elizabeth Strout's Olive Kitteridge, another exploration of pain and loneliness set against the backdrop of a small town.” ―Evelyn Beck, Library Journal
“Literary lioness Robinson--she's won a Pulitzer Prize for fiction, a Hemingway Foundation/PEN Award, and a National Book Critics Circle Award, among other laurels--continues the soaring run of novels with loosely connected story lines and deep religious currents that she launched a decade ago, almost a quarter century after her acclaimed fiction debut, Housekeeping . . . Lila's journey--its darker passages illuminated by Robinson's ability to write about love and the natural world with grit and graceful reverence--will mesmerize both longtime Robinson devotees and those coming to her work for the first time.” ―Elle
About the Author
Marilynne Robinson is the author of the novels Home, Gilead (winner of the Pulitzer Prize), and Housekeeping, and four books of nonfiction, When I Was a Child I Read Books, Mother Country, The Death of Adam, and Absence of Mind. She teaches at the University of Iowa Writers' Workshop.
Most helpful customer reviews
146 of 153 people found the following review helpful.
The perfect bookend to Gilead and Home
By fryjord
Gilead and Home are two of my favorite novels, so I could not have been more excited when Lila arrived at my doorstep. The character of Lila (Reverend Ames' wife) remained somewhat of a mystery in both the earlier novels. She was the much younger, loving wife of the wonderful Reverend Ames, but she was a woman with a private past that even her much older husband knew little about. This book fills in the character of Lila and begins with her as a 5 year-old girl crying outside a house with no one there to help her. She gets saved by Doll, and they develop a sweet maternal relationship that shapes the rest of her life.
Ultimately, Robinson might be my favorite writer. I do not have a religious bone in my body, but I find myself returning to Gilead again and again just to read Reverend Ames' thoughts on the world. And Robinson is also such an understanding, empathetic writer. In Home, Jack Boughton's struggles with religion and predestination shape the novel, but she refuses to condemn him for his atheism. Lila is a third piece to that puzzle about a woman uneasy with religion but read to engage with the questions it raises.
So yeah...these three novels have deeply affected me. The prose in Lila is as beautiful as her three earlier novels, and at points, possibly even more beautiful. Lila's torment gives Robinson the chance to do things with languages few people in the history of writing have been able to do. I recommend it highly.
221 of 236 people found the following review helpful.
Life and the Divine, as Perceived by a Near-Feral Woman
By Lynne Spreen
There are no chapters in this book. Is this a literary conceit, as in a writer playfully breaking rules, or is she making a point that what she has to say is so important that chapters might interfere with concentration? Since Robinson will never be accused of playfulness, and I don't sense she's dictatorial, I offer a third possibility: the lack of chapters (although there are section breaks) may be metaphoric. Because once you get into the story, you will become a wanderer, compelled to the journey, hungering for some bit of plot but only receiving as much as is necessary to give you enough energy to continue. You will be fed by stunningly compassionate depictions of the apparent worst in human behavior, and by contemplations of the divine, such that this will allow you to continue on through the sparse landscape that is Lila.
One of the high points for me, a reader who counts Gilead as one of her top five books of all time, was the return of the good Reverend Ames. This thoughtful, open-minded, generous man sees Lila as a gift, not only for her companionship but as a window into another dimension of human life and spirituality. Because while Lila is only a few degrees removed from feral, she is bright and curious, and her perspective is riveting if bleak. Indeed, her intellect causes her intense pain, hungering as she does for understanding about life on earth and her place in it - as don't we all. In this, as with Ames' tortured acceptance of his own mortality and that of his friend Boughton, the book touches universal chords.
This story primarily consists of internal monologue, and much of it is oblique, so if you are not drawn to that kind of writing, this may not be for you. I love introspection, but still, I veered between feeling gratified and frustrated as I read this beautiful book. Ultimately, I know I will have to read it again, probably more than once, in order to do it justice. I'm not sure I'm smart enough for this deep a book, but like Lila, I'm smart enough to sense there's more to it than I can see from where I'm standing.
112 of 121 people found the following review helpful.
"Whatever happens, just be quiet, and it'll pass, most likely."
By Amelia Gremelspacher
Lila voices that part of us that is fundamentally alone, and preternaturally outside the the bounds of society. I love this character. She is not the least cuddly in her wildness, and she knows only how to stand in the world she has learned. Marilynne Robinson has mastered that archetype of the loner ruled only by the internal truths of her ties to nature. Robinson has returned to Gilead, a poor town on the verge of collapsing to the surrounding wilderness, resisting only with the basic decency of its citizens. Robinson has woven a moral fiber which embraces the Bible as it is woven into the rules of empathy and natural order.
Lila was born into the ultimately neglectful family. She was found by Doll, alone on a porch and half dead at age of four. She and Doll wander the world in the days preceding the Dust Bowl. "Doll my have been the loneliest woman in the world, and she was the loneliest child." They were ruled by "Whatever happens, just be quiet, and it'll pass, most likely." We find her years later, aged by the places she has seen, drawn to the world of Gilead. She has found a savior in the kind, old minister who has fallen in love with her. The courtship is the loveliest thing I have read in years. They come to value the comfort of the other standing by her shoulder. She has come to care for the kind old man and finds him beautiful. Their marriage is lyrical to me.
The ethical code in Robinson's books is a rather lovely one. The old minister says, "Any judgment of the kind is a great presumption. And presumption is a very grave sin." Lila come to believe that the search for meaning is like knowing a song. "In a song a note follows the one before because it is that song and not another one.". This is a book in which to linger. I would honestly read a recipe written by Marilynne Robinson, but this is because she writes such wonderful language. She has found a way to put words to thought that surpasses the rule of silence.
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