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American Rhapsody: Writers, Musicians, Movie Stars, and One Great Building, by Claudia Roth Pierpont
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Ranging from the shattered gentility of Edith Wharton's heroines to racial confrontation in the songs of Nina Simone, American Rhapsody presents a kaleidoscopic story of the creation of a culture. Here is a series of deeply involving portraits of American artists and innovators who have helped to shape the country in the modern age.
Claudia Roth Pierpont expertly mixes biography and criticism, history and reportage, to bring these portraits to life and to link them in surprising ways. It isn't far from Wharton's brave new women to F. Scott Fitzgerald's giddy flappers, and on to the big-screen command of Katharine Hepburn and the dangerous dames of Dashiell Hammett's hard-boiled world. The improvisatory jazziness of George Gershwin's Rhapsody in Blue has its counterpart in the great jazz baby of the New York skyline, the Chrysler Building. Questions of an American acting style are traced from Orson Welles to Marlon Brando, while the new American painting emerges in the gallery of Peggy Guggenheim. And we trace the arc of racial progress from Bert Williams's blackface performances to James Baldwin's warning of the fire next time, however slow and bitter and anguished this progress may be.
American Rhapsody offers a history of twentieth-century American invention and genius. It is about the joy and profit of being a heterogeneous people, and the immense difficulty of this human experiment.
- Sales Rank: #163211 in Books
- Published on: 2016-05-10
- Released on: 2016-05-10
- Original language: English
- Number of items: 1
- Dimensions: 9.30" h x 1.12" w x 6.30" l, 1.00 pounds
- Binding: Hardcover
- 320 pages
Review
"An ingenious and captivating way to spotlight the kaleidoscopic rhapsody of America’s spirit.” ―Amy Henderson, The Washington Post
“Stunningly evocative … Pierpont writes with sensitivity and erudition – and always in dazzling prose … American Rhapsody is compulsively readable and fascinatingly informative. Learning this much has almost never been so much fun.” ―Kevin O'Kelly, Christian Science Monitor
"A kaleidoscopic mural of America’s cultural coming-of-age in the early to mid-20th century” and “Pierpont’s shining prose provides ... bright and memorable moments.” ―Publishers Weekly
"A virtuoso of the profile form . . . exquisitely precise in perception and language . . . [Pierpont] reinvigorates our appreciation for artists instrumental in shaping our culture and propelling our ongoing struggle to realize our ideals.” ―Donna Seaman, Booklist (starred review)
"[Pierpont’s] witty but sober and evenhanded voice is a consistent pleasure, her prose is limpid and evocative, and her insights consistently dazzle. . . a refreshingly clear-eyed piece of cultural history and an inspiring paean to the American artistic spirit. As vital and entertaining as the creators and work it celebrates.” ―Kirkus Reviews (starred review)
About the Author
Claudia Roth Pierpont is a staff writer for The New Yorker, where she has written about the arts for more than twenty years. She is the author of Roth Unbound: A Writer and His Books, an exploration of the life and work of Philip Roth, and Passionate Minds: Women Rewriting the World, which was nominated for a National Book Critics Circle Award. She lives in New York City.
Most helpful customer reviews
0 of 0 people found the following review helpful.
Rhapsodic, insightful, richly humane portraits of American artists and artistry
By Reader in Cambridge
It's hard to imagine that anyone but Claudia Roth Pierpont could have tackled the subjects in this collection in their startling variety--from Edith Wharton to Nina Simone--or nailed, as she does, the specificity of each one. Pierpont balances warmth and compassion with a sharp (occasionally withering!) critical eye.
Pierpont makes the perfect guide to a particular moment in twentieth-century American culture when, perhaps, the promise of America was first fulfilled. This is a collection about "the joy and profit of being an invented and heterogenous people," as she puts it, but this does not mean that the very real challenges faced by many of the books protagonists--women, Jews, African Americans--are swept under the rug. On the contrary, Pierpont shows that those difficulties make the achievements all the more remarkable, and indeed imbued them with their distinctive character. (Her attention to prejudice and racism allows readers to measure the distance traveled between then and now, and the book ends with essays on James Baldwin and Simone.)
Above all, however, this book is a celebration; the prose is lyrical and assured. The Gershwin and Chrysler Building essays are standouts--how did we ever do without the "honky-tonk sublime"! (If only all of American studies were written with this much verve and grace.)
Long-time readers of the New Yorker magazine will be delighted to find their way back to some of Pierpont's unforgettable profiles here--F. Scott Fitzgerald, Peggy Guggenheim--and new readers will discover a rare critical voice that illuminates the American past and its artistic achievements with humanity, wisdom and, there's no other word for it, love.
1 of 1 people found the following review helpful.
A collection of meditations on Americana
By alex wilson
This is a collection of articles Ms. Pierpont had written for 'The New Yorker' and organized (loosely) on a '30s theme. Although each article wandered around a bit, each contained fresh (to me) facts and a fresh viewpoint. I am passing it on to a friend who is embarking on a long road trip in anticipation that it will be read aloud as discrete subject chapters so well lend themselves to.
0 of 0 people found the following review helpful.
The American Rhapsody
By Stephen Trusedell
Excellent, interesting profiles of interesting people. Written very well. Good job!
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