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The story of an odd couple-a British military historian and the Tawny Owl with whom he lived for fifteen years

Martin Windrow was a war historian with little experience with pets when he adopted an owl the size of a corncob. Adorable but with knife-sharp talons, Mumble became Windrow's closest, if at times unpredictable, companion, first in a South London flat and later in the more owl-friendly Sussex countryside. In The Owl Who Liked Sitting on Caesar, Windrow recalls with wry humor their finer moments as well as the reactions of incredulous neighbors, the awkwardness of buying Mumble unskinned rabbit at Harrods Food Hall, and the grievous sense of loss when Mumble nearly escapes.
As Windrow writes: "Mumble was so much a part of my life in those days that the oddity of our relationship seldom occurred to me, and I only thought about it when faced with other people's astonishment. When new acquaintances learned that they were talking to a book editor who shared a seventh-floor flat in a South London tower block with a Tawny Owl, some tended to edge away, rather thoughtfully . . . I tried to answer patiently, but I found it hard to come up with a short reply to the direct question 'Yes, but . . . why?'; my best answer was simply 'Why not?'"
Windrow offers a poignant and unforgettable reminiscence of his charmed years with his improbable pet, as well as an unexpected education in the paleontology, zoology, and sociology of owls.

• Sales Rank: #80285 in Books
• Published on: 2014-06-10
• Released on: 2014-06-10
• Original language: English
• Number of items: 1
• Dimensions: 7.82" h x 1.14" w x 5.23" l, .81 pounds
• Binding: Hardcover
• 320 pages

From Booklist
The sweetly smiling older gent on this book’s jacket is seen inside in photos, too, but they depict a much-younger man, often with a little, stern owl perched on his shoulder. The tawny owl, Mumble, met her end too soon, and thus it took Windrow (The Last Valley, 2005) many years to put aside his sadness and pull together his notebooks and photos depicting their 15-year owl-man relationship, living together in England. Windrow has an endearing, entertaining voice, not without a sense of humor. He not only describes his relationship with the little owl (“love at first sight”) but also gives owl history, the species’ contemporary existence, precautions, and more. Windrow’s journal entries from the time are scattered throughout, and they reveal his careful attention to Mumble’s learning to “speak” and fly and adapt to her unusual life. Containing many photos as well as Christa Cook’s beautifully detailed sketches, this is a gentle, touching love story that will appeal to all pet owners, not just those fond of tawny owls, which Windrow describes as “something like cats that can fly.” --Eloise Kinney

Review

“Anyone who thinks the bond between man and dog or cat is the supreme human-house pet attachment will have to reconsider after reading Martin Windrow's touching account of the bird who changed his life, a possessive and characterful tawny owl named Mumble who was his domestic companion for 15 action-packed years . . . [The Owl Who Liked Sitting on Caesar is] a memoir of his friendship with this singular creature, interwoven with a natural history of her species and a close, not to say obsessive, description of her traits . . . [It] is all the more affecting because of its gruff understatement.” ―Liesl Schillinger, The New York Times Book Review

“Charming . . . an eloquent yet unsentimental testimonial about a man devoted to his "one true owl", and the profound impact that relationship with this bird had on his life.” ―The Guardian

“Unlikely books are often very endearing--this is one such book. An utterly charming work, perhaps best read at night when there are owls about.” ―Alexander McCall Smith, author of the No. 1 Ladies' Detective Agency series

“The Owl Who Liked Sitting on Caesar is pure joy. Martin Windrow shows us the essence of a wild animal in a story as informative as a scientific paper on the species Strix aluco, but much more fun to read. Owls are among the world's most interesting creatures, and to see one up close and in detail as we do here is a valuable experience that will appeal to readers of every kind.” ―Elizabeth Marshall Thomas, author of A Million Years with You: A Memoir of Life Observed

“With a keen eye for the telling detail, Windrow has written an informative, tender and, yes, wise memoir on the blessed ties that bind people and their pets--one that should find a permanent perch on your shelf.” ―Jay Strafford, Richmond Times-Dispatch

“Funny, touching and divertingly novel . . . [Windrow] has produced an homage to both a creature and its species that is almost Leonardo-like in its precision and spirit of curiosity. The result is nothing less than a small masterpiece of animal literature . . . [A] perfect book.” ―Ben Downing, The Wall Street Journal

“Charming . . . Mr. Windrow's owl fascination knows no bounds. ” ―Carmela Ciuraru, The New York Times

About the Author

Martin Windrow is an English military historian and a long-time commissioning and art editor for Osprey Publishing. He is the author of numerous books of military history, including The Last Valley, a distinguished history of the French defeat in Vietnam. He lives in the Sussex Downs country of southern England.

Most helpful customer reviews

34 of 34 people found the following review helpful.
A tender, touching, and often witty memoir of a man and his unusual pet
By Neal Reynolds
Martin Windrow shares his 15 years with Mumble, his pet tawny owl, with us. This memoir is loving and often witty, but it is tinged with an anger the author has carried for twenty years after Mumble's death.

I suspect that there will be controversy about this book on these pages. The idea of raising a wild creature as a pet stirs different emotions in different people. Regardless of a person's opinion, the author here does portray a long pet/owner relationship as a happy one for both concerned.

Actually, a larger part of the book gives details on owls, especially the tawny owl, so there is an academic tone here. It's the latter chapters that tell us more specifically about the life shared by Windrow and Mumble. All in all, this is a memorable book which animal lovers especially will enjoy. The author is given credit for his admonitions at the book's start against "rescuing" an abandoned owlet you might think "lost". On the other hand, he shares the joy one can have in properly raising a creature such as a tawny owl and establishing a pet relationship.

The book is nicely enhanced with a number of drawings and photographs. Some of the photoghs were a bit indistinct in the reviewer's copy, but may be much clearer in the published version.

I enthusiastically endorse this book for all readers who love animals.

27 of 27 people found the following review helpful.
Amusing and boring by turns
By Lynnda Ell
Martin Windrow held my interest in the fascinating account of his life with a tawny owl. He writes well; his dry and witty voice suits his subject perfectly. Many times, I laughed aloud at his lively descriptions of the extra effort he used to provide a meaningful life to Mumbles. Nearly as often, I laughed at Mumbles's attempts to encourage Mr. Windrow into more owl-like behavior. Boredom kicked in - and my eyes began glazing over - when he began giving general information about owls. I'm glad I didn't skip those sections, however, because just about the time I lost interest, Mr. Windrow would tie the section into an amusing anecdote from his life with Mumbles. The book was, entertaining, informative, and meaningful. I especially recommend it to anyone who thinks they want to keep a wild bird or animal as a pet. As The Owl Who Liked Sitting on Caesar, clearly describes, it is not a choice to be made lightly.

19 of 20 people found the following review helpful.
Wonderful story of the bond between man and owl
By Akcloudwoman
I am a bird lover, and have owned and rehabbed birds so I had to read this story. It didn't disappoint and was thoroughly enjoyable! I loved the story and the way that the author interspersed educational tidbits and information about owls in the story. Having owned birds, it was fun to read about how the relationship and how routines developed between Martin (the author) and the owl. An out is not the type of pet you would expect to find in a downtown flat, and that made their adventures even more intriguing! This is a must read for anyone who has had a special relationship with a bird or other pet.

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Former "Village Voice" columnist Edward Ball takes readers on an unprecedented journey into his family's slave-owning past, telling the story of black and white families who lived side by side for five generations--and a tale of everyday Americans confronting their vexed inheritance together. Photos 7-city author tour. National publicity.

• Sales Rank: #448486 in Books
• Published on: 1998-02
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 6.50" w x 2.00" l,
• Binding: Hardcover
• 504 pages

Features

• White and black hardcover with gilt design, jacket with picture of slave owners and slave.
• 6x12 inches, 504 pages

Amazon.com Review
Writer Edward Ball opens Slaves in the Family with an anecdote: "My father had a little joke that made light of our legacy as a family that had once owned slaves. 'There are five things we don't talk about in the Ball family,' he would say. 'Religion, sex, death, money and the Negroes.'" Ball himself seemed happy enough to avoid these touchy issues until an invitation to a family reunion in South Carolina piqued his interest in his family's extensive plantation and slave-holding past. He realized that he had a very clear idea of who his white ancestors were--their names, who their children and children's children were, even portraits and photographs--but he had only a murky vision of the black people who supported their livelihood and were such an intimate part of their daily lives; he knew neither their names nor what happened to them and their descendents after they were freed following the Civil War. So he embarked on a journey to uncover the history of the Balls and the black families with whom their lives were inextricably intertwined, as well as the less tangible resonance of slavery in both sets of families. From plantation records, interviews with descendents of both the Balls and their slaves, and travels to Africa and the American South, Ball has constructed a story of the riches and squalor, violence and insurrection--the pride and shame--that make up the history and legacy of slavery in America.

From School Library Journal
YA-A compelling saga, Ball's biographical history of his family stands as a microcosm of the evolution of American racial relations. Meticulously researched, and aided by the fact that the South Carolina Ball families were compulsive record keepers, the story begins with the first Ball to arrive in Charleston in 1698. The family eventually owned more than 20 rice plantations along the Cooper River, businesses made profitable by the work of slaves. In the course of his research, the author learned that his ancestors were not only slave owners, but also that there was a highly successful slave trader company in his background. He was able to trace the offspring of slave women and Ball men (between 75,000 and 100,000 currently living) and locate a number of his own African-American distant cousins. Although records indicate that the author's forebearers were not by any means cruel or vicious owners, his remorse for these facets of his family history is clear. In the course of his research, he visited Bunce Island, off the coast of Sierra Leone, to see the fortress from which his ancestors loaded terrorized men, women, and children onto slave ships. Their story represents that of many African Americans. This book helps readers to visualize, if not understand, the slave legacy still enmeshed in this country today. Despite its length, this is an important, well-written slice of history that will be of interest to young adults.
Carol DeAngelo, Garcia Consulting Inc., EPA Headquarters, Washington, DC
Copyright 1998 Reed Business Information, Inc.

From Library Journal
In this National Book Award-winning saga, Ball traces his family back to their first arrival on American shores and also traces the lineage of the slaves his ancestors once owned. He follows their stories through the decades as the families branched out. The Balls grew to be among the most prominent of South Carolina plantation owners; the black people suffered both slavery and the wrenching disruption of emancipation. In between his genealogical and historical explorations, the author interviews living descendants from both groups. Somehow he avoids a liberal angst in favor of a directly honest, matter-of-fact approach to both the subject and the people. The living Ball descendants are generally cautious as they approach the subject; the black families show almost no bitterness, and their stories are varied and intense. As a reader, Ball is subdued and rarely shows emotion; the narrative itself is what gives this presentation its punch. A mandatory acquisition for all audiobook collections.ADon Wismer, Cary Memorial Lib., Wayne, ME
Copyright 1999 Reed Business Information, Inc.

Most helpful customer reviews

6 of 8 people found the following review helpful.
Fascinating detective story
By Dave Schwinghammer
Edward Ball is a descendant of rice plantation owners. Ball, son of a minister and former Village Voice columnist, set out to discover his connections to a slave-owning past. What he found was six generations of Balls who owned twenty plantations along the Cooper River near Charleston, South Carolina, masters over more than 4,000 African-Americans.
He finds Elias "Red Cap" Ball who inherited half of a 740-acre Comingtee Plantation and twenty black and Indian slaves in 1698. Elias had five white children and possibly two by his black housekeeper, Dolly. One of his children tells his heirs in his will to lend money at interest or buy young slaves. Henry Laurens, married to Red Cap's daughter Eleanor, owned the largest slave-trading firm in the colonies. They brought 7,800 Africans to America between 1751 and 1761, earning a hundred and fifty-six thousand pounds in commissions, making him and his wife one of the richest families in America. John Ball, Red Cap's grandson, leaves $227,191 to his heirs as a result of selling his belongings at auction, which included 367 people.
James Poyas, great-grandson of Red Cap, never married but seems to have had a relationship with a field hand named Diana, with whom he had a son, Frederick. Edward Ball finds Frederick's descendants, living in Ohio, Pennsylvania, and South Carolina. Ball also tracks a young slave girl from Sierra Leone to Charleston, where Second Elias Ball bought her, and traces her lineage to Thomas P. Martin, retired assistant school principal and a seventh-generation descendant of Priscilla.
Edward Ball visits Sierra Leone, looking for descendants of slave traders there. Peter Karefa-Smart, a descendant of Gumbo Smart, a middleman for the British, doesn't seem to bothered by what his ancestor did. He says, "If there were no buyers, there would be no sellers, but you could turn it around and say, if there were no sellers, there would have been no buyers."
There are a couple of incidents that caught my interest. One was the story of Boston King, who escaped from Tranquil Hill, one of the Ball plantations. In 1792, Boston King and Twelve hundred other escaped slaves boarded ships bound for Sierra Leone, thus coming full circle. Another is the amazing resemblance between the author, Edmund Ball and his William James Ball, the patriarch of the Ball family during the Civil War. Give William James a haircut and a shave and they could be twins.

2 of 2 people found the following review helpful.
a courageous and engaging book. highly recommended
By English teacher
I found this book fascinating and admirable. Mr. Ball's research is impressive in its thoroughness and breadth. For example, how did he discover that many "loyalist slaves" who fought with the British in the Revolution and ended up in England had written memoirs of their lives? Ball gives the full sweep of his own white family history, but can only give partial histories of black families. When he only knows a fragment of someone's life, he gives that fragment, without apology, as testimony to the large, tragic gaps in Black History. This book is courageous, honest and moving. Highly recommended.

55 of 58 people found the following review helpful.
Coming to grips with the past...
By Cynthia K. Robertson
National Book Award-winner, Slaves in the Family, is one of the best nonfiction books I have read in the past ten years. Edward Ball comes from a very prominent family of plantation owners in the Charleston Low Country. The patriarch, Elias Ball, immigrates to the colonies in the late 1600's. Being very prolific when it came to progeny, he soon had children and grandchildren owning over two dozen plantations along the Ashley and Cooper Rivers. After the Civil War, the Ball plantations were sold or lost, one by one. Yet today, the Balls are still very prominent in Charleston Society. Their family tree is well documented, and instead of being plantation owners, they now count lawyers, judges, doctors and priests among their ranks.
In Edward Ball's first effort, he sets out to find the descendants of the thousands of Ball family slaves. This was no easy task. Many slaves had no last names. Others moved to distant states. Some descendants had no wish to speak with him. Ball also encountered reticence from his own family. The extended family did not like to talk about slavery. On the few occasions when the subject was raised, they all espoused the party line: 1. Balls never mistreated their slaves 2. Balls never separated slave families and 3. Ball masters never slept with female slaves.
Using surviving Ball journals, diaries, ledgers and inventories, Edward was able to contact a good many slave descendants. I found the most moving parts of the book are when Edward's research validates the oral history of many slave ancestors, and in some cases, helped them to fill in the missing pieces of their genealogical puzzle. Edward's research also helps him to discover more about his own ancestors. Contrary to Ball oral history, not all Ball plantation owners treated their slaves admirably. Also, slave families were sometimes separated-although mostly due to economic necessity (i.e. when slaves were sold to settle an estate). But what really shocked the author was when he discovered that he had ancestors of color! But save that topic for another book.
The only part of Slaves in the Family that bothered me was Edward Ball's insistence on being an apologist for slavery. Although slavery was a horrible institution, Ball was in no way responsible for what his ancestors did hundreds of years ago. Still, this is just a minor distraction in an otherwise fabulous book. In addition to reading Slaves in the Family, I also listened to it on tape and enjoyed it just as much the second time around. Edward Ball truly gives us a remarkable effort in his first at bat.

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• Sales Rank: #3186390 in Books
• Published on: 1956-01
• Number of items: 1
• Binding: Hardcover
• 52 pages

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1 of 9 people found the following review helpful.
His best,
By A Customer
probably, because he was sober; an aria rather than a jazz riff.

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A surprising, gripping narrative depicting the thinkers whose ideas shaped contemporary China, India, and the Muslim world

A little more than a century ago, as the Japanese navy annihilated the giant Russian one at the Battle of Tsushima, original thinkers across Asia, working independently, sought to frame a distinctly Asian intellectual tradition that would inform and inspire the continent's anticipated rise to dominance.

Asian dominance did not come to pass, and those thinkers―Tagore, Gandhi, and later Nehru in India; Liang Qichao and Sun Yatsen in China; Jamal al-Din al-Afghani and Abdurreshi al Ibrahim in the ruins of the Ottoman Empire―are seen as outriders from the main anticolonial tradition. But Pankaj Mishra shows that it was otherwise in this stereotype-shattering book. His enthralling group portrait of like minds scattered across a vast continent makes clear that modern Asia's revolt against the West is not the one led by faith-fired terrorists and thwarted peasants but one with deep roots in the work of thinkers who devised a view of life that was neither modern nor antimodern, neither colonialist nor anticolonialist. In broad, deep, dramatic chapters, Mishra tells the stories of these figures, unpacks their philosophies, and reveals their shared goal of a greater Asia.

Right now, when the emergence of a greater Asia seems possible as at no previous time in history, From the Ruins of Empire is as necessary as it is timely―a book essential to our understanding of the world and our place in it.

• Sales Rank: #700399 in Books
• Published on: 2012-09-04
• Released on: 2012-09-04
• Original language: English
• Number of items: 1
• Dimensions: 9.37" h x 1.22" w x 6.44" l, 1.29 pounds
• Binding: Hardcover
• 368 pages

Review

“History is sometimes a contest of narratives. Here Pankaj Mishra looks back on the 19th and 20th centuries through the work of three Asian thinkers: Jamal al-Din Afghani, Liang Qichao and Rabindranath Tagore. The story that emerges is quite different from that which most Western readers have come to accept. Enormously ambitious but thoroughly readable, this book is essential reading for everyone who is interested in the processes of change that have led to the emergence of today's Asia.” ―Amitav Ghosh, author of Sea of Poppies and River of Smoke

“With uncommon empathy, Mishra has excavated a range of ideas, existential debates, and spiritual struggles set in motion by Asia's rude collision with the West, leading to outcomes no one could have predicted but which, after his account, seem more comprehensible--and that is no mean achievement. Above all, Mishra sheds new light on an important part of our collective journey, the inner and outer turmoil we inhabited, the price we paid, and what we did to each other along the way. We might yet learn from it and redeem ourselves in some measure.” ―Namit Arora, 3 Quarks Daily

“After Edward Said's masterpiece Orientalism, From the Ruins of Empire offers another bracing view of the history of the modern world. Pankaj Mishra, a brilliant author of wide learning, takes us through, with his skillful and captivating narration, interlinked historical events across Japan, China, Turkey, Iran, India, Egypt, and Vietnam, opening up a fresh dialogue with and between such major Asian reformers, intellectuals, and revolutionaries as Liang Qichao, Tagore, Jamal al-din al-Afghani, and Sun Yatsen.” ―Wang Hui, author of China's New Order and The Rise of Modern Chinese Thought and Professor of Chinese Intellectual History at Tsinghua University, Beijing

“Pankaj Mishra has produced a riveting account that makes new and illuminating connections. He follows the intellectual trail of this contested history with both intelligence and moral clarity. In the end we realise that what we are holding in our hands is not only a deeply entertaining and deeply humane book, but a balance sheet of the nature and mentality of colonisation.” ―Hisham Matar

“Mishra's survey knowledgeably presents an intellectual history of anti-imperialism.” ―Booklist

“Subtle, erudite and entertaining.” ―The Economist

“Meticulous scholarship…..History, as Mishra insists, has been glossed and distorted by the conqueror….[This] passionate account of the relentless subjugation of Asian empires by European, especially British, imperialism, is provocative, shaming and convincing.” ―Michael Binyon, Times (London)

“Fascinating…a rich and genuinely thought-provoking book.” ―Noel Malcolm, Telegraph

“One can only be thankful for writers like Mishra. From The Ruins Of Empire is erudite, provocative, inspiring and unremittingly complex; a model kind of non-fiction for our disordered days….May well be seen in years to come as a defining volume of its kind.” ―Stuart Kelly, Scotsman

“Deeply researched and arrestingly original…this penetrating and disquieting book should be on the reading list of anybody who wants to understand where we are today.” ―John Gray, Independent

“Lively…Engaging…From the Ruins of Empire retains the power to instruct and even to shock. It provides us with an exciting glimpse of the vast and still largely unexplored terrain of anti-colonial thought that shaped so much of the post-western world in which we now live.” ―Mark Mazower, Financial Times

“Superb and ground-breaking. Not just a brilliant history of Asia, but a vital history for Asians.” ―Mohsin Hamid

“Mishra has no time at all for big, broad-brush accounts of western success contrasted with eastern hopelessness. Instead, he is preoccupied by the tragic moral ambivalence of his tale. . . From the Ruins of Empire gives eloquent voice to their curious, complex intellectual odysseys as they struggled to respond to the western challenge . . . Luminous details glimmer through these swaths of political and military history.” ―Julia Lovell, The Guardian

“[An] ambitious survey of the decline and fall of Western colonial empires and the rise of their successors. . . A highly readable and illuminating exploration of the way in which Asian, and Muslim countries in particular, have resented Western dominance and reacted against it with varying degrees of success.” ―The Tablet (UK)

“From the Ruins of Empire jolts our historical imagination and suddenly places it on the right, though deeply repressed, axis. It is a book of vast and wondrous learning and delightful and surprising associations that will give a new meaning to a liberation geography. From close and careful readings of some mighty Asian intellectuals of the last two centuries who have rarely been placed in this creative and daring conversation with each other, Pankaj Mishra has discovered and revealed, against the grain of conventional and cliched bifurcations of 'The West and the Rest,' a continental shift in our historical consciousness that will define a whole new spectrum of critical thinking.” ―Hamid Dabashi, Columbia University

“In his brilliant new book Pankaj Mishra reverses the long gaze of the West upon the East, showing modern history as it has been felt by the majority of the world's population from Turkey to China. These are the amazing stories of the grandfathers of today's angry Asians. Excellent!” ―Orhan Pamuk

About the Author

Pankaj Mishra was born in India in 1969 and lives in London and Mashobra, India. The author of An End to Suffering (FSG, 2004) and Temptations of the West (FSG, 2006), as well as a novel, The Romantics, he writes for The New Yorker, The New York Review of Books, The New York Times Book Review, and The Guardian.

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28 of 31 people found the following review helpful.
Three Asian Intellectuals Present Their Side of the Story
By China Author Forum
"The West is becoming demoralized through being the exploiter, through tasting the fruits of exploitation. We must fight with our faith in the moral and spiritual power of men. We of the East have never reverenced death-dealing generals, nor lie-dealing diplomats, but spiritual leaders. Through them we shall be saved, or not at all. Physical power is not the strongest in the end... you are the most long lived race, because you have had centuries of wisdom nourished by your faith in goodness, not in mere strength." - Rabindranath Tagore, lecturing in Beijing in 1923

One of the ever-present scourges of expat life is arrogance. For many Westerners in Asian countries, even half a century after the collapse of colonialism, we retain a certain sense of moral superiority towards our hosts. We often feel their manners to be backwards; their habits of thought and social patterns keep them locked in a cycle of poverty; and that their own arrogance is holding them back from "truly" joining the modern (and by that we mean Western) world. Having lived nearly five years in Asia, I've often struggled to balance my own contrarian impulses, sympathy for Chinese (and other Asian) culture, and frustration with the less pleasant aspects of life here (as well as the ever-present temptation to make comparisons to my own place of origin) in the face of locals, both proud and self-hating, and other expatriates, both derisive and sympathetic. But until I read Pankaj Mishra's From the Ruins of Empire, I didn't realize just how deeply I'd failed to understand the Asian perspective on Western modernity, and just how that has skewed my entire outlook on the world.

Mishra's book isn't a piece of postcolonial critique, or an exploration of contemporary Asian thought on the role of Asia in the world today, but a gripping narrative of the life and thought of several prominent "Asian modernists" who foresaw a different path for their cultures than Westernization or traditionalism. The three characters that the book centers around- Jamal al-Din al-Afghani, Liang Qichao, and Rabindranath Tagore- are held up as representatives of the possibility for the development of "parallel modernities" in the Islamic, Confucian/Sinic, and Hindu civilizations, respectively. Around these three characters, many other figures emerge, some famous- Mohandas Gandhi, Sun Yatsen, Mao Zedong- some less well-known outside of their nations, and some who are understood quite differently in their home nations than they are outside (such as Aurobindo Ghose, better known as a spiritual guru and inspiration to new-age writers than an Indian nationalist, and Sayyed Qutb, a man unfairly - in Mishra's eyes - labeled as the intellectual godfather of global jihad.

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17 of 18 people found the following review helpful.
Asian history and political philosophy
By Gderf
This is an excellent introduction to Asian history and political philosophy. It traces the decline of Muslim and Chinese political influence in the late 19th and early 20th centuries. Mishra explains the background for the intellectual and political awakening of Asia after the declines of the nineteenth century. It features the careers and political philosophy of the Persian Muslim, Jamal al-Din al-Afghani and the Chinese writer Liang Quichao. Also featured prominently is Indian poet and political philosopher, Rabindraneth Tagore. Mishra well describes how these protagonists influenced philosophical development of later principles Sun yat-sen, Gandhi, Nehru, Lenin, Mao, Ho Chi-min, Atatürk and others. A major theme is antipathy to the encroachments of Europeans in Asia, particularly the British. The book also depicts rising militant influence of Japan, starting with the Chino-Japanese and Russo-Japanese wars.

The book starts with a somewhat puzzling reference to battle of Tsushima Bay as inciting Western awareness of Asiatic power. W.E.B. Dubois announced a world wide eruption of colored pride. That idea is not adequately explained, but doesn't detract from the book's interest. We see the Muslim viewpoint in politics of Egypt, Persia, India and Turkey through the career and philosophy of Jamal al-Din al-Afghani. Missing is the 19th century Muslim view of modern trouble spots Bosnia and Palestine. Although al-Afghani is not classified as a terrorist his influence on Bin Laden and others is evidenced and it would have been interesting to see his views on early Arab reactions in what later became Palestine.
At the end of his career, al-Afghani expressed regret that he had appealed largely to royalty, like Abdulhamid II, for support of his ideas, rather than to the common people.

Liang Qichao was, arguably, the most interesting political philosopher in the book. Liang moved away from revising Confucianism. His took influence from the West in the form of Social Darwinism. Liang and his mentor Kang Yowei were instrumental in the formulation Chinese political discourse leading to the overthrow of the Qing dynasty, to replaced by the republic under Sun Yat-sen and later, the PRC. Empress Cixi exiled Kang and Liang then instituted reforms, too late to save her dynasty. Along with exile in Japan, politically and militarily emerging after the Meiji reformation, Liang visited America, making prescient observations like a later day Tocqueville. Liang influenced both communist Mao and his rival Chiang Kai-shek, who espoused a revised Confucianism.
Al-Afghani's legacy was carried on in Egypt by Saad Zaghoul, PM who initiated the Wafd Party and Sayyeed Qutb and by Muhammad Iqbal and others in India. In Egypt the Muslim Brotherhood is seen as a reaction to Zionism a modern symbol of Western dominance of Asians. We see the futility of Wilson's Fourteen Points along with snubbing of he Asian nations at the Paris Peace Conference. Later leaders Gandhi, Nehru, Sukarno, Lee Kwan Yew and others, as well as terrorists Osama Bin Laden, were greatly influenced by the Asiatic philosophers of the previous century. Kim Il Jong is not mentioned. Among modern intellectuals, it seems that philosophers Edward Said or Noam Chomsky should be included.

Mishra shows impressive knowledge of a wide variety of Eastern philosophy. Although the extent of influence of Mishra's candidates is not made entirely clear, there is much of interest in his book. The book concludes with the rise of many Asian nations, predicting that Western dominance is a short lived historical phenomenon. Mishra states his modern interpretations in an epilogue. He says that the war on terrorism is misguided, as it should be related to the condition of the world's poor. The idea that globalization will enable the billions in China and India to enjoy an American life style is an absurd and dangerous fantasy. It's a realistic deviation from populists like Jeffry Sachs who think that a few billion dollars can eliminate world poverty.

This book is all the better because it depicts a history relatively unknown in the West, featuring protagonists that I was not familiar with. For myself, Pan Islamic and Pan Asiatic philosophy is a bit much to assimilate from a single book.

4 of 4 people found the following review helpful.
The Story of Power Told as Subaltern History
By Trey Menefee
Let me caveat the rest of what I write by saying that I've only gotten about a third through the book. Much of my critique might be found in the final chapters.

My priamry critique is that Mishra is in awe of centers and rather neglectful of peripheries. He's making a valid argument that a response to colonialism was the construction for the homogeneous, centralized, nation-states that could hold their own ground. I'm not yet finished with the book, but I'm hoping that he'll come back to a defense of an intellectual tradition of pre-modern Asian statecraft that had far less interest in direct-rule and interference in peripheries (Ottoman millet system; China's tributary system; 'padi states'). So far, there are no Uighurs, Tibetans, Visayans, Tanka, Hmong/Miao or anyone else that didn't lay the intellectual foundations for the modern Asian nation state power that eventually arose. It's a history of rising power told, I believe incorrectly, as a history of the subaltern. We are supposed to watch with awe as Chinese emperor's capture the steppes people and Japan beats Russia in colonizing Korea.

Mishra is right that the West-centric story of Asian modernity is insufficient. But Mishra is writing the intellectual history of the Ayatollah's, Mao's, Xi Jinping's, Aquino's, and Modi's. If we look a little harder, we'd also find a neglected local body of intellectual development that prizes diversity, autonomy, and political-cultural pluralism that could serve as an intellectual foundation for the politically frustrated youth and scholars in Hong Kong. Without this history, they're largely turning to 'Western' ideas, history, and scholarship to express their desires. So far, an American Yale professor who tends sheep between writing books and teaching classes in is one of the only scholars giving voice to this tradition.

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^^ Ebook How to Read a Novelist, by John Freeman

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The novel is alive and well, thank you very much

For the last fifteen years, whenever a novel was published, John Freeman was there to greet it. As a critic for more than two hundred newspapers worldwide, the onetime president of the National Book Critics Circle, and the former editor of Granta, he has reviewed thousands of books and interviewed scores of writers. In How to Read a Novelist, which pulls together his very best profiles (many of them new or completely rewritten for this volume) of the very best novelists of our time, he shares with us what he's learned.
From such international stars as Doris Lessing, Haruki Murakami, Salman Rushdie, and Mo Yan, to established American lions such as Don DeLillo, Norman Mailer, Toni Morrison, Marilynne Robinson, Philip Roth, John Updike, and David Foster Wallace, to the new guard of Edwidge Danticat, Dave Eggers, Jonathan Franzen, and more, Freeman has talked to everyone.
What emerges is an instructive and illuminating, definitive yet still idiosyncratic guide to a diverse and lively literary culture: a vision of the novel as a varied yet vital contemporary form, a portrait of the novelist as a unique and profound figure in our fragmenting global culture, and a book that will be essential reading for every aspiring writer and engaged reader―a perfect companion (or gift!) for anyone who's ever curled up with a novel and wanted to know a bit more about the person who made it possible.

• Sales Rank: #771012 in Books
• Brand: Brand: FSG Originals
• Published on: 2013-10-08
• Released on: 2013-10-08
• Original language: English
• Number of items: 1
• Dimensions: 7.46" h x 1.01" w x 5.26" l, .61 pounds
• Binding: Paperback
• 384 pages

Features

• Used Book in Good Condition

From Booklist
Critic and former Granta editor Freeman (The Tyranny of E-Mail, 2009) presents a collection of 55 deeply informed and closely observed encounters with exceptional novelists. After stumbling through his first interview with John Updike, Freeman learned that “an interview is a form of conversation that has the same relationship to talking as fiction does to life.” Over the subsequent 13 years, Freeman spoke confidently with novelists who have something “to say about the world that can only be said in a story”in conversations he deftly wove into compact yet defining literary newspaper profiles. And what a spectrum he covers, from such towering figures as Toni Morrison, Nadine Gordimer, Joyce Carol Oates, and Günter Grass to Aleksandar Hemon, Kiran Desai, crime writer Donna Leon, and Jonathan Franzen. Haruki Murakami explains why a “repetitious life” is good for the imagination. E. L. Doctorow talks about the balance between the imagined and the historic, and Kazuo Ishiguro comments on the mess Freeman makes while eating scones. Ranging from the profound to the amusing,Freeman eloquently appreciates novelists and the “consolations of narrative.” --Donna Seaman

Review

"Ranging from the profound to the amusing,Freeman eloquently appreciates novelists and the “consolations of narrative.”―Booklist

"To read about the personal, emotional, mental, political, and artistic struggles and triumphs of great writers is to see them as flesh and blood human beings...intimate and thoughtful sketches."―Publishers Weekly

About the Author
John Freeman is an award-winning writer and book critic. The former editor of Granta and onetime president of the National Book Critics Circle, he has written about books for more than two hundred publications worldwide, including The New York Times Book Review, the Los Angeles Times, the San Francisco Chronicle, The Wall Street Journal, The Guardian, La Repubblica, and La Vanguardia. His first book, The Tyranny of E-mail, was published in 2009. His poetry has been published in The New Yorker, ZYZZYVA, and The Paris Review. He lives in New York City.

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10 of 13 people found the following review helpful.
Unmet expectations
By Nikolay Nikolov
Although this book received a big praise by the brainpickings.org website as 'THE handbook' to any aspiring novelist, I found very few takes of the literally giants interviewed useful. What I found strange is that this book is a collection of interviews between 204-2008, yet it is being advertised as something very contemporary. While containing invaluable communications with individuals who have unfortunately passed away, I can find no logic as to why it is published so many years after the interviews conducted in relation to selected books by the given authors.

2 of 2 people found the following review helpful.
Not what I expected, not very enlightening.
By Ralph Glebe
In his forward John Freeman states that he started out with an outline of what he wanted to ask during his interviews and he soon discarded that in favor of a more freewheeling interview. Maybe he should have held on to the outlines. Perhaps it's my expectations that are at fault. "How to Read a Novelist," I suppose suggested to me that I might see some samples of a writers work and some commentary on it by the author or, failing that, at least by John Freeman. OK, I hadn't done my homework. What I got was a series of short, very short, blurbs about an author. The author, when we get a few words from the author, doesn't even really cover the body of his work, just the novel or collections he's pushing at the time of the interview. (Which may be many years out of date.) I can't really call them interviews, because there may have been a few sentences that could be directly attributed to the author, surrounded by Freeman's off the cuff impressions:
"Author X entered the room with a slight limp. Once handsome he'd lately begun balding. Once forceful on the literary scene, he hadn't released anything in the last five years and his physical stature was diminished as well. Yet as we talked about his latest release, he seemed grow as we spoke. The gleam in his eye reminded me of the lion he'd been and might become again. 'Yes," he said. 'A novel should encompass the world, and that's what this does.'"
I guess the bottom line for me is, if you want to learn about reading or writing a novel, or you want to read some kind of insightful interview, this is not the book to get it. If you want to read a short blurb that doesn't require too much effort to read or thought to digest, such as you might see in the Sunday supplement or even on the jacket cover, then this is your book.

1 of 1 people found the following review helpful.
Short, warmly written essays about the literati of today
By Abeer Y. Hoque
Full disclosure: John Freeman is a friend.

"How To Read A Novelist" by John Freeman is a warmly written review of modern literature. In the last 15 years, John has interviewed the literati and rising lit stars of our generation, a contemporary canon, from Salman Rushdie to David Mitchell to Margaret Atwood to Doris Lessing to Haruki Murakami to Mohsin Hamid and so on. If someone has published something marvelous in the last decade and half, chances are John has met its author on intimate and literary terms.

HtRaN is a collection of his interviews/essays, and not only do they give cultural, historical, political, feminist, and literary context, they are beautifully written, giving a sense of not just the author, but what their books might mean to us, and this more mysterious thing, what their work means to themselves. What it means to be a writer, and in turn, a reader.

I love John's language and his articulate and encompassing perspective. Take for example his description of Edmund White as having "a gentle colossal intelligence," his writing with "rivetless construction, as if it were built in a wind tunnel." How inventive, and how clear, all at once.

I would have liked the essays to be longer and more in depth. I know there's much more that John could have written, but perhaps some of that depth was sacrificed for the incredible range of writers reviewed. The good thing about that is if you have a short attention span like I do, then you will be able to rip through the essays right quick.

That all said, the essays in HtRaN will give you a window into the work and world of your favourite contemporary author, and perhaps inspiration to pick up something new.

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An engaging new novel about love, on-stage and off

In the spring of 1971, Will Bartlett, an ambitious director at a small resident theatre, has an idea: he will invite his cast of Steinbeck's Of Mice and Men to his country farm for a month, giving them the opportunity of "becoming" their characters, and enhancing the realistic atmosphere of his next production. Will's family grudgingly agrees to his sudden change of plan, but events and personalities rapidly spiral out of his control. The cast of nine men and one woman is already unevenly balanced, but the situation is made even worse when Melinda--the woman playing the part of Curley's Wife--fails to turn up at the farm as expected. Will's wife, Myra, takes the role, although she has not been on stage since their daughter, Beth, was born. Sixteen-year-old Beth is furious, having already decided that the part should be hers. When the self-obsessed Will remains oblivious to the problems between Myra and Beth, as well as the increasing distance between himself and his wife, Myra finds herself looking at her husband's best friend in a new light. The tension grows between members of Will's family, and the other actors find themselves drawn into a complex tangle of relationships, leading them to question not only how well they know each other, but also how well they know themselves.

• Sales Rank: #4828158 in Books
• Published on: 2001-10-03
• Original language: English
• Number of items: 1
• Dimensions: 1.03" h x 6.70" w x 8.64" l, 1.20 pounds
• Binding: Hardcover
• 272 pages

Features

• Sarah Willis
• fiction
• drama

From Publishers Weekly
In Willis's second novel (after Some Things That Stay), theater director Will Bartlett has invited the actors in his resident theater company to his family's small upstate New York farm, before the opening of their summer production of Steinbeck's Of Mice and Men. It's 1971, resident companies are struggling financially and the theater is changing artistically under the influence of new ideas like Artaud's Theatre of Cruelty. In his late 50s, Will is not avant-garde enough for nude rehearsals, but he does want to try something new. So he asks his cast to "live" their characters while offstage as well as on. The pressures created by this effort, together with the strains imposed by communal life in a small house and decrepit barn, exacerbate problems in the Bartlett family. Will's wife, Myra, a musical comedy actress who retired after a severe bout of stage fright that followed marriage and motherhood, is reexamining her life, while his daughter, Beth, is maneuvering to get her first role. The addition of the sexual and professional tensions that inevitably plague actors adds fuel to the fire. The present-tense narrative creates a sense of urgency, but the potentially combustible ingredients don't come together to create an explosion; the few sparks struck ultimately fizzle. Although dramatically unsatisfying, this is true to life, as are the portrayals of Will and the various members of his personal and professional families, especially the angry and confused 16-year old Beth.

Copyright 2001 Cahners Business Information, Inc.

From Library Journal
Director Will Bartlett, 60 and irresistibly charismatic, has a great idea. He invites his small Pittsburgh theater company to spend a month at his country place near Lake Chautauqua, where the troupe is scheduled to perform Of Mice and Men later in the summer. The members will immerse themselves in the characters they play, actually becoming them while rehearsing and living on the farm. Unfortunately, Will's family is less than thrilled. The much younger Myra, a thwarted actress, is falling out of love with her oblivious husband and into love with his best friend, Ben, who plays Lenny. The Bartletts' hormonally furious 16-year-old daughter, Beth, is planning to poison her mother. Eight-year-old Mac, sweet, overlooked, and fearful of mostly everything, seeks non-Bartlett nurturing. The actors get into the adventure until the Bartlett family starts seriously unraveling, hurtling everyone toward disaster. Willis, author of the award-winning Some Things That Stay, has nailed the various quirks of the acting world quirks that mightily exacerbate the relationship insecurities of people who spend a great deal of time pretending to be what they are not. A brief refresher of the Steinbeck masterpiece will add to the pleasure of Willis's offbeat tale. Recommended for most public libraries. Beth E. Andersen, Ann Arbor District Lib., MI
Copyright 2001 Reed Business Information, Inc.

From Booklist
Throw a dying theater company, a handful of volatile actors, a brilliant director, a failing marriage, a troubled family, and a Steinbeck play onto a rural farm in the early 1970s, and you have an interesting story. Will is the director, who invites his theater company, facing possible breakup, to spend a month on his family farm, where his wife and children live during the summer. He intends for them to live out the roles of the play they are scheduled to perform later that summer, which is Of Mice and Men. Skeptical, they arrive on the scene to discover that Will's wife and family are not enthusiastic about their visit. Will's wife, who longs to act once again, begins to find comfort in his best friend. Will's daughter, an often chemically enhanced 17-year-old ball of hormones, also has acting aspirations. Will's tragic flaws bring his ideas and relationships crashing down on him, but his hubris brings redemption as well. Willis creates a good story imbued with a great deal of pathos. Michael Spinella
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

6 of 6 people found the following review helpful.
An interesting prism
By A Customer
I found this second book by Sarah Willis to be a good read, in large part because of its original approach. Willis puts the rehearsal for "Of Mice and Men" center stage; we learn about the troubled family members as they walk into scene, work backstage or look on as spectator.
As if we were looking through a kaleidoscope, we see the characters develop, discontinue, or renew relationships with each other in subtle shifts; the novel benefits from this multi-layered texture. Willis also demonstrates her skill as an author by maintaining a deliberate pace throughout these shifts. Certainly the stakes become more and more intense, and as a reader, you can't help but think ahead to the final scene, but in this book the conclusion is not one you can predict.
From the start, it is apparent to the reader how Will's role as director eclipses his role as husband and father. How much he has ignored his family becomes starkly evident in the climax of the book, but as the cast rehearses there are plenty of other surprises along the way.
My only criticism would be in regard to the character of Beth, the bratty teenage daughter. In an otherwise rich ensemble of characters, this painfully screechy character is the only discordant note. I realize her character functions as a catalyst, but I would have preferred it if she had been less hysterical. I was a sixteen year old girl once; we're not that bad!

3 of 3 people found the following review helpful.
Life imitating art...
By Laume
Sarah Willis' "The Rehearsal" had great expectations to live up to. Not only did this book capture the magic her first novel "Some Things That Stay" had, but it exceeded my expectations.
The Rehearsal is about Will, the director of a Pittsburgh theatre company. He has heard rumors that they might not ask the company to return after this season since it is the early 70's and broadway and New York actors are all the rage. Determined to save his company he invites the cast of his latest play "Of Mice And Men" to his summer home where he and his family go each summer. The idea is to live the play. To sleep like the ranch hands in the play who sleep in barns, the point is to do everything in character. Will and his wife, Myra and their two children live along side these actors for a month. The story is about all of these lives that become entwined and how things change, why they change and sometimes why they stay the same.
Sarah Willis has the most beautiful prose, both of her books have quickly become favorites of mine. Her words flow on the page like poetry, with the most incredible metaphors and ways of looking and describing things. I would not hesitate to recommend either book to anyone, they do not disappoint.

2 of 4 people found the following review helpful.
When Theater becomes Life, Life becomes Theater!
By Michael Meredith
Will Bartlett, the director of a small resident company of actors in the 1970's, senses that their work has become a bit complacent, making their company vulnerable to closing in favor of more popular (and "safe") touring productions. His solution is to bring the entire cast to his rural summer home, so that they might "live" the production of Steinbeck's "Of Mice and Men", thus uncovering new depth to their roles that will energize the audience and the company's benefactors. Unfortunately, he has failed to notice the complacency and stagnation within his own family. The result of this exercise in creativity is a mixture of chaos and pathos as various members of Will's theatrical and home families jockey and learn more about themselves, their friends and rivals.
Will's wife Myra and daughter Beth discover a mutual yearning for the role of Curley's Wife, that threatens to send their already robust mother/daughter rivalry over the edge. Meanwhile, Melinda the flower child actress embraces the role along with a castmate. Meanwhile, the motley collection of actors discover that living the lives of farm workers is much more difficult than recreating them on stage.
The near-communal living conditions stretch hormones as well, as Beth plots her seduction of the hunky young heartthrob, Myra looks to re-energize her life with Will's best friend, and a closeted gay man discovers a potential soul mate. Throughout the week, Will the director focuses so tightly on his concept of the play that he is completely blind to the shifting relationships offstage. The events of man and nature bring the ensemble to a collection of resolutions that range from poignant to worrisome.
With a third person literary style that constantly shifts from character to character, Ms. Willis has created a nice novel that somehow left me wanting more. The players are all vividly portrayed, however I can't help but wish that events could have moved just a little faster than a snail's pace.

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! Get Free Ebook Killing the Black Dog: A Memoir of Depression, by Les Murray

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In 1988, shortly after moving from Sydney back to his birthplace in the rural New South Wales hamlet of Bunyah, Les Murray was struck with depression. In the months that followed, the "Black Dog" (as he calls it) ruled his life. He raged at his wife and children. He ducked a parking ticket on grounds of insanity, and begged a police officer to shoot him rather than arrest him. For days on end he lay in despair, a state in which, as he puts it precisely, "you feel beneath help."

Killing the Black Dog is Murray's recollection of those awful days: brief, pointed, wise, and full of beauty in the way of his poetry. The prose text―delicately balanced between personal and informative―gives a glimpse of the imprint that depression can leave on a life. The accompanying poems show their roots in his crisis―a crisis from which, he reports toward the close of this poignant book, he has fully recovered. "My thinking is no longer jammed and sooty with resentment," he recalls. "I no longer wear only stretch-knit clothes and drawstring pants. I no longer come down with bouts of weeping or reasonless exhaustion. And I no longer seek rejection in a belief that only bitterly conceded praise is reliable."

Killing the Black Dog is a crucial chapter in the life of an outstanding poet.

• Sales Rank: #1368625 in Books
• Published on: 2011-03-15
• Released on: 2011-03-15
• Original language: English
• Number of items: 1
• Dimensions: 8.50" h x .23" w x 5.50" l, .30 pounds
• Binding: Paperback
• 96 pages

Review

“. . . equipped with a fierce moral vision and a sensuous musicality . . . [Murray] writes subtly about post-colonialism, urban sprawl and poverty and, in his most intimate poems, reminds us of the power of literature to transubstantiate grievance into insight. (His admirers have argued he ought to be considered for a Nobel.) But he is equally capable of writing emotionally simplistic and strangely soured poems in which the enraged adolescent emerges all but unmediated. This mercurial doubleness can make his work hard to categorize or describe: this is a mind at once revolutionary and reactionary. Or maybe just a poet who's willing to show more id than most.” ―Meghan O'Rourke, The New York Times Book Review

“Mr. Murray's verse wears, from the waist up, a cosmopolitan, Philip Larkin-like wit. From the waist down, it dresses in worn dungarees and mud-caked boots. There's a sense of rural astringency . . . Mr. Murray employs both rhyme and meter, but variably--he's like a man walking a large, randy, omnivorous dog on a retractable leash. He can cinch his words tightly in an instant; he owns one of poetry's most sensitive verbal choke collars . . . ” ―Dwight Garner, The New York Times

“In the ever-diminishing world of contemporary poetry, Les Murray is one of the few undeniable titans.” ―Emily Colette Wilkinson, The Washington Times

About the Author

Les Murray is the author of twelve books of poetry. His collection Subhuman Redneck Poems received the T. S. Eliot Prize, and in 1998 he was awarded the Queen's Gold Medal for Poetry, presented by Queen Elizabeth II. He lives in New South Wales, Australia.

Most helpful customer reviews

14 of 14 people found the following review helpful.
Brilliant
By Arlenerichards89
Conveys the sense of how it feels to be depressed in a clear, engrossing and honest narrative free of whining or self pity. Shows how much knowing the causes helps, how much medication helps and the ultimate vulnerability to recurrence remains. Great read for a depressive person and for whoever loves one. The combination of poetry and prose allows the reader to know the facts and feel the emotions.

1 of 10 people found the following review helpful.
Not a real memoir of depression
By AgnesaB.
This tiny book has two parts: the short essay on author ' s depression - vague, full of unimportant details and the second part are poems. I know something about depression myself, so i know little piece of writing tells almost nothing valuable about it. Vague and useless.

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!! Download PDF The Habit of Being: Letters of Flannery O'connor, by Flannery O'Connor

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A collection of the letters of one of America's greatest authors.

• Sales Rank: #1064165 in Books
• Brand: Farrar, Straus & Giroux
• Published on: 1979-01
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.25" h x 6.50" w x 2.00" l,
• Binding: Hardcover
• 617 pages

Features

• Hardcover

Most helpful customer reviews

77 of 78 people found the following review helpful.
Her Own Words--The Best Words
By A Customer
THE HABIT OF BEING is required reading for any Flannery O'Connor fan. Nobody can explain Flannery like Flannery. Through her letters the reader has an immediate connection to the writer and the woman, and that connection made me regret even more that I did not know her personally. Sally Fitzgerald includes letters that show Flannery's human side, her cranky side, her funny side, even her arrogant side. I read the letters before the identity of A was revealed, and I was intrigued. I went back and read them again after that identify was made public, and I'm even more intrigued. To understand fully what Flannery was attempting in her stories, one needs to read the letters. To understand fully what she was attempting in her life, one needs to read the letters. No satisfactory biography has been written about Flannery O'Connor, but I'm not sure that one is necessary when we have at least a start at an autobiography with THE HABIT OF BEING.

42 of 44 people found the following review helpful.
Humor, Faith, and Work
By Stephen E. Adams
Flannery O'Connor's correspondence is a fine testimony to humor, faith, and work in the life of a fascinating and absolutely unswerving human being. As she says in a letter to Andrew Lytle from this collection, the fact that she was a Catholic kept her from being a regional writer and the fact that she was a Southerner kept her from being a Catholic writer. If you want the best tutorial you're apt to ever read on how to write fiction, forget the usual "Write a Novel in 30 Days" garbage and get a copy of THE HABIT OF BEING. She'll also teach you quite a bit about living.

0 of 0 people found the following review helpful.
Anyone who is intrigued and possibly puzzled with O'Connor's writings ...
By Amazon Customer
Anyone who is intrigued and possibly puzzled with O'Connor's writings will find this book helpful in plumbing the depths of her thinking and spirituality. It added to my appreciation of this immensely talented writer. Anyone who wants to be a writer will gain much in studying her craft.

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