Sunday, May 31, 2015

## Ebook Sorry!: The English and Their Manners, by Henry Hitchings

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Sorry!: The English and Their Manners, by Henry Hitchings

Sorry!: The English and Their Manners, by Henry Hitchings



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Sorry!: The English and Their Manners, by Henry Hitchings

A humorous and charming investigation into what it really means to have proper manners

Most of us know a bit about what passes for good manners―holding doors open, sending thank-you notes, no elbows on the table―and we certainly know bad manners when we see them. But where has this patchwork of beliefs and behaviors come from? How did manners develop? How do they change? And why do they matter so much? In examining English manners, Henry Hitchings delves into the English character and investigates what it means to be English.
Sorry! presents an amusing, illuminating, and quirky audit of British manners. From basic table manners to appropriate sexual conduct, via hospitality, chivalry, faux pas, and online etiquette, Hitchings traces the history of England's customs and courtesies. Putting some of the most astute observers of humanity―including Jane Austen and Samuel Pepys―under the microscope, he uses their lives and writings to pry open the often downright peculiar secrets of the English character. Hitchings's blend of history, anthropology, and personal journey helps us understand the bizarre and contested cultural baggage that goes along with our understanding of what it means to have good manners.

  • Sales Rank: #922603 in Books
  • Brand: Hitchings, Henry
  • Published on: 2013-11-05
  • Released on: 2013-11-05
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.20" h x 1.25" w x 6.42" l, 1.35 pounds
  • Binding: Hardcover
  • 400 pages
Features
  • Used Book in Good Condition

From Booklist
Although most people have some idea of what good (or bad) manners are, it’s less likely they know where they come from. Hitchings addresses that through a comprehensive historical review, with some fun tidbits along the way. He brings the perspectives of the past to bear on customs of the present, using examples from writers such as Samuel Pepys, Lord Chesterfield, and Fanny Trollope. This rambling examination is concerned only with English manners, not those of other British countries. Hitchings is affectionate toward typically English mannerisms such as tactfully saying one thing, when meaning another—when told, “We really must have lunch sometime,” does anyone believe it’ll actually happen? The book contains some illuminating examples of how manners are a social construct and can vary widely across cultures. The tour of manners encompasses living conditions, language, social structures, innovations, and philosophy throughout centuries. This is not a book of etiquette instruction, but deconstruction. For those who wish to dig deeper into the myriad forces at work behind polite customs, large and small, the book is sure to please. --Bridget Thoreson

Review

“Henry Hitchings, the author of Sorry! The English and Their Manners has his work cut out for him. Thankfully, he seems to relish ripping the vanities and entitlements of self-proclaimed behavioral experts to shreds. Hitchings . . . has earned a reputation as that rare nonfiction author who suffuses his rigorous (and at times slightly eccentric) scholarly research with enough wit and lively skepticism to render otherwise dull passages entertaining. This reputation proves accurate: as the author embarks on his colorful, rambling, and critically exacting exploration of the evolution of English rules of behavior, it becomes obvious that he could make a detailed history of the canned food industry sing like a coloratura . . . He comes across more as a scattered but lovable history professor whose classes are legendarily entertaining . . . Not only does Hitchings charm us with illustrative details straight out of the gate, but, as he advances from medieval mores through the Renaissance and on to the Victorian era, he never loses sight of the conflicts inherent in the regulation of human behavior . . . The sharpness of Hitchings's analysis and the intensity of his passion for his subject shine through on every page.” ―Heather Havrilesky, The Barnes and Noble Review

“In this terrifically entertaining, surprisingly thoughtful book about manners and Englishness, Hitchings describes his own country's culture as a paradox: simultaneously rude and polite . . . Like a good conversation, [Sorry!] allows for many fruitful digressions . . . Hitchings is a lively guide through these thickets, pointing out the bizarre while inviting us to take another look at just how our conventional manners, so inevitable to us now, arose from history, circumstance, and luck.” ―Kate Tuttle, The Boston Globe

“[Sorry! is an] entertaining and informative survey of English manners past and present.” ―Jonathan Yardley, The Washington Post

“Part social history, part cultural critique, the book moves humorously from the ancient to the modern with pithy anecdotes and amusing factoids. In the medieval court of Henry II, ‘One shouldn't attack an enemy while he is defecating, should avoid sharing secrets with one's wife, and ought to look towards the ceiling when belching.' . . . This seriously amusing and illuminating book goes a long way toward explaining to Anglophobe, Anglophile, and the just plain puzzled why ‘the average Briton says "Sorry" eight times a day.'” ―Publishers Weekly

“Hitchings clearly has fun with his subject(s), both the English themselves and the code of conduct that has evolved since the Middle Ages--when, he notes, someone commodiously counseled that ‘one should not attack an enemy while he is at stool.' Evolve is a useful term here, since, as Hitchings notes, manners are not static . . . Hitchings' book . . . [is] a pleasure to read.” ―Kirkus

About the Author
Henry Hitchings was born in 1974. He is the author of The Language Wars, The Secret Life of Words, Who's Afraid of Jane Austen?, and Defining the World. He has contributed to many newspapers and magazines and is the theater critic for the London Evening Standard. He lives in London.

Most helpful customer reviews

10 of 12 people found the following review helpful.
A disappointment
By Stephen W. McKeever
The subject matter appears almost random. The flow of the text is rambling and the reader is left searching for a consistent theme. There are a few bright spots in which the reader is a has a "that's interesting" moment, but these are all too few and mostly the consistent question the reader has in mind while reading is "where is this heading?". The prose is pleasant, but overall the book is disappointing.

3 of 3 people found the following review helpful.
Great preparation for Americans visiting the UK
By ben arnold
I found this book to be both informative and hilarious. Hitchings provides the framework for a deeper understanding of the many nuanced rituals of everyday life in the UK.

3 of 3 people found the following review helpful.
Worth reading.
By Michael A. Kuhns
A very interesting book. It contains a lot of good stories that are obviously based on a great deal of research. It makes manners something you want to read about.

See all 13 customer reviews...

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Friday, May 29, 2015

@ Free Ebook Examined Lives: From Socrates to Nietzsche, by James Miller

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Examined Lives: From Socrates to Nietzsche, by James Miller

A New York Times Notable Book for 2011

We all want to know how to live. But before the good life was reduced to ten easy steps or a prescription from the doctor, philosophers offered arresting answers to the most fundamental questions about who we are and what makes for a life worth living.

In Examined Lives, James Miller returns to this vibrant tradition with short, lively biographies of twelve famous philosophers. Socrates spent his life examining himself and the assumptions of others. His most famous student, Plato, risked his reputation to tutor a tyrant. Diogenes carried a bright lamp in broad daylight and announced he was “looking for a man.” Aristotle’s alliance with Alexander the Great presaged Seneca’s complex role in the court of the Roman Emperor Nero. Augustine discovered God within himself. Montaigne and Descartes struggled to explore their deepest convictions in eras of murderous religious warfare. Rousseau aspired to a life of perfect virtue. Kant elaborated a new ideal of autonomy. Emerson successfully preached a gospel of self-reliance for the new American nation. And Nietzsche tried “to compose into one and bring together what is fragment and riddle and dreadful chance in man,” before he lapsed into catatonic madness.

With a flair for paradox and rich anecdote, Examined Lives is a book that confirms the continuing relevance of philosophy today—and explores the most urgent questions about what it means to live a good life.

  • Sales Rank: #813724 in Books
  • Published on: 2011-01-04
  • Released on: 2011-01-04
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.23" h x 1.37" w x 6.45" l, 1.46 pounds
  • Binding: Hardcover
  • 432 pages

From Publishers Weekly
Miller (The Passion of Michel Foucault) profiles 12 thinkers whose philosophies may have been consistent but whose engagements with the social and political mores of their time were far more fraught. From Plato's failure to mold the tyrant Dionysius into a philosopher king through Seneca's murky relationship with the despotic Nero to Kant's capitulation to King Frederick William II, the author casts a welcome light on the flawed, all-too-human aspects of famed moralists. Likewise we are made privy to a Descartes struggling to avoid religious controversy and a contradictory, sometimes paranoid Rousseau determined to publicly justify the abandonment of his own children to orphanages. Miller remains neutral, preferring to juxtapose the behavior of his subjects side by side with their words, even if, as in the cases of Socrates and Diogenes, so much still remains unknown about their lives. Nonetheless, this compelling book elegantly lays bare the distance between the abstract formulation of right action and its achievement in the real world, indicating that the lives of the great philosophers can be exemplary but not always in the ways we might have hoped. (Jan.)
(c) Copyright PWxyz, LLC. All rights reserved.

From Booklist
Miller combines short biographies and compact synopses of 12 philosophers’ ideas of wisdom. In a format suiting those intrigued by the history of philosophy but not yet prepared to take on the texts, Miller introduces Socrates, Plato, Aristotle, Diogenes, Seneca, Augustine, Montaigne, Descartes, Rousseau, Kant, Emerson, and Nietzsche. Enlivened by Miller’s attention to how the subjects lives and actions measured up to their declamations, the presentations start with the thinkers’ adoption, in some cases from revelation, in others from reflection, of moral inquiry as a mode of the enlightened life. As well as the questions they strived to answer about truth and ideal conduct, Miller pointedly presents how their mental realms of abstraction, ever buffeted by demands of material or political realities, could agitate contemporaries or provoke posterity to bridle at inconsistencies between words and deeds, such as Rousseau’s notorious abandonment of his children. Conducting his audience safely through abstruse aspects of these philosophers’ precepts, Miller proves concise about their imitational symbolism to those of introspective bent. --Gilbert Taylor

Review
“Fascinating. . . Miller does not rest with digging out petty failings or moments of hypocrisy. He shows us philosophers becoming ever more inclined to reflect on these failings, and suggests that this makes their lives more rather than less worth studying.”—Sarah Bakewell, The New York Times Review of Books “Reading Jim Miller's Examined Lives is like watching Roger Federer play tennis.  The graceful movement of his mind is a joy to behold.”—Lewis H. Lapham “This book proves, once and for all, that philosophy isn't simply a body of knowledge, but a practice that requires a body—a living, breathing person in relentless pursuit of ever-elusive wisdom. May the Socratic passion that infuses its pages infect all who read them!” —Astra Taylor, director of Examined Life and Zizek! “James Miller has achieved an unlikely feat: he's written a page-turner about the history of philosophy. Examined Lives does for the great philosophers what Dr. Johnson did for the English poets in Brief Lives—given us biographies in miniature, portraits of the life behind the work. He makes even the toughest cases—Kant, Descartes, Nietzsche—come alive. It's a great story, and Miller is a superb story-teller.”—James Atlas, author of Bellow: A Biography

“All too often, philosophers’ ideas are presented acontextually. James Miller artfully shows how philosophers’ ideas reflect their lives and often, in turn, impact those lives.” —Howard Gardner, The John H. and Elisabeth A. Hobbs Professor of Cognition and Education, Harvard University

“James Miller’s Examined Lives is a wise and courageous book that reminds us of the sheer delight of the love of wisdom and the unsettling effect of the philosophic life. Our age is in many ways a battle between the hard-earned serenity of Montaigne and the inescapable torment of Nietzsche. Miller gives us armor in this battle!” —Cornel West, Princeton University

"James Miller's Examined Lives is a tour de force of biography, history, and philosophy. Rarely have great lives and great ideas of the past been presented so accessibly or with such relevance for the present." —James Carroll, author of Constantine's Sword

Most helpful customer reviews

87 of 97 people found the following review helpful.
A Wonderful Read
By Richard N. Flynn
It's easy to forget that philosophy has any relation to the concerns of real life. This collection of short biographies reminds us that, for some of history's most eminent philosophers, real life and philosophy aren't truly distinguishable from one another. In each biography, Miller also deftly outlines the subject's philosophical ideas, throwing into relief how each man's life shaped his philosophy, and, more importantly, how each figure attempted (often unsuccessfully) to embody his philosophy through his way of life. What to make of this is up to the reader. Miller avoids polemics, but leaves us with some suggestive thoughts about the rewards and perils of a life dedicated to the search for truth. "Examined Lives" is impressively erudite, thought-provoking, and a lively read...satisfying on every level.

208 of 254 people found the following review helpful.
A Work Not Worthy Of The Subject
By Daniel M. Conley
James Miller has some writing talent -- he turns the lives of eight philosophers into a fairly entertaining scan. Along the way, he doesn't get much of the philosophy right, a few hours in a library with the Routledge Encyclopedia of Philosophy (10 Volume Set) would have been time well spent for him (and if you care about the philosophy, probably for you as well.) He also paints a fairly cartoonish picture of all of his subjects. Having just read Sarah Bakewell's outstanding How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer, I found Miller's treatment of the 16th century French sage embarrassing.

All of this could have been forgiven if Miller had, either within the text or in an afterward, tied the mini-biographies together with some valuable insights about philosophy. Richard Ben Cramer's classic 1988 Presidential campaign opus What It Takes: The Way to the White House might have been a valuable template for such an effort. Unfortunately, Warren presents the stories in a linear fashion and makes no effort to draw connections between the philosophers in the main text, leaving the impression that he's going to get to the point of it all in his afterward.

But his afterward is repugnant -- giving right-wing preacher Rick Warren basically the last word on the utility of philosophy. Miller keeps reminding his readers that he is a historian, but his approach is deeply ahistorical -- detached from his subjects, observing them purely from a contemporary perspective with little appreciation for the way these men of thought were products of their times. And while Miller seems to agree with Rick Warren that philosophy is a complete waste of time, one has to wonder why read this book at all, unless one wants to gain a highly cursory knowledge of philosophy and license to never read or discuss it again.

21 of 23 people found the following review helpful.
Life of the Mind
By Lance Kirby
In his new book, Examined Lives: From Socrates to Nietzsche, James Miller reexamines one of philosophy's original prerogatives: to teach by example. The Greeks, and later the Romans, saw the conduct of a thinker as every bit as important as their thought. For this reason we find biographical compilations, such as Diogenes Laertius or Plutarch from antiquity, praising or faulting those who should be the exemplars of wisdom.

This idea, that the validity of a philosophy should be judged by the life of the philosopher, is out of fashion in current academic talk. In fact, as the author notes in regards to the final subject of the book, Friedrich Nietzsche:

"...it is one consequence of Nietzsche's own criticism of Christian morality that anyone who takes it seriously find it hard, if not impossible, to credit any one code of conduct as good for everyone, and therefore worth emulating."

Nevertheless, if a philosophy should not be judged by its philosopher, the life is not necessarily of no value. Hero worship is likewise considered old hat these days, but surely something can be salvaged in the example of those who came before us. Miller seems to think so:

"...each of these men prized the pursuit of wisdom. Each one struggled to live his life according to a deliberately chosen set of precepts and beliefs, discerned in part through a practice of self-examination...The life of each one can therefore teach us something about the quest for self-knowledge and its limits."

I have often thought of philosophy as a substitute for religion, and have found in the examples of mortal men greater hope than the deeds of gods or the promises of heaven. Life is a constant striving but, it is in what we strive for that makes the difference. If we seek truth, our reach may often exceed our grasp, but in the reaching we may just find our better selves.

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! Ebook Adventures in the Orgasmatron: How the Sexual Revolution Came to America, by Christopher Turner

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Adventures in the Orgasmatron: How the Sexual Revolution Came to America, by Christopher Turner

One of The Economist’s 2011 Books of the Year A Boston Globe Best Nonfiction Book of 2011

     Well before the 1960s, a sexual revolution was under way in America, led by expatriated European thinkers who saw a vast country ripe for liberation. In Adventures in the Orgasmatron, Christopher Turner tells the revolution’s story—an illuminating, thrilling, often bizarre story of sex and science, ecstasy and repression.

     Central to the narrative is the orgone box—a tall, slender construction of wood, metal, and steel wool. A person who sat in the box, it was thought, could elevate his or her “orgastic potential.” The box was the invention of Wilhelm Reich, an outrider psychoanalyst who faced a federal ban on the orgone box, an FBI investigation, a fraught encounter with Einstein, and bouts of paranoia.

     In Turner’s vivid account, Reich’s efforts anticipated those of Alfred Kinsey, Herbert Marcuse, and other prominent thinkers—efforts that brought about a transformation of Western views of sexuality in ways even the thinkers themselves could not have imagined.

  • Sales Rank: #1549514 in Books
  • Published on: 2011-06-07
  • Released on: 2011-06-07
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.10" h x 2.00" w x 6.20" l, 1.75 pounds
  • Binding: Hardcover
  • 544 pages

From Publishers Weekly
Anyone who has seen Woody Allen's Sleeper will remember the Orgasmatron. In fact, this futuristic parody was based largely on the work of Wilhelm Reich, who coined the slogan "sexual revolution" in the 1930s. A pupil of Freud's who believed sexual and political revolution had to go hand in hand, Reich was an often-misunderstood genius for good reason. He invented the orgone energy accumulator, a phone booth–size cupboard intended to bestow sexual emancipation on its users. When his writings delved into even greater unconventional beliefs, like flying saucers, credibility was further strained. Other gurus figure in London journalist Turner's first book. What is lacking in prose excitement and humor over the sheer nuttiness of much of Reich's work is made up for by the well-described backdrop of Vienna and Berlin as hotbeds of culture, anti-Semitism, and insight into the psyche. Reich sailed from Austria to the U.S. in 1939, and, like many leftist European intellectuals, came under the FBI's scrutiny, which was his downfall. As much of a screwball as Reich was, he opened a Pandora's box for future sexologists like Fritz Perls at Esalen. As Turner shows, Reich was a seminal figure. 8 pages of b&w photos. (June)

Review

“How [Reich] went from being one of the inspirational figures of the psychoanalytic movement, as a clinician, a teacher and a writer, to being a cult figure on the margins of 1960s America is an extraordinary story, and Turner tells it with subtlety and panache. Turner has interviewed many people who knew Reich well, and he casts his net wide, setting Reich’s quirks and crimes in their historical context so that a portrait of the man emerges rather than a diagnosis.” —Adam Phillips, The London Review of Books

“ Very amusing and intelligent . . . This book will change the way in which we employ that increasingly lazy phrase ‘thinking outside the box.’” —Christopher Hitchens, The New York Times Book Review

“Christopher Turner’s smart, thorough, wholly engaging book takes the reader on a tragicomic adventure of the history of an idea that became an object: Wilhelm Reich’s orgone box. What began in Vienna with Sigmund Freud’s belief that the sexually repressive mores of society can make people sick evolved into a utopian, quasi-scientific fantasy that spread through Europe as fascism rose and eventually crossed the ocean to the United States, where it would play a crucial role in what is now called the sexual revolution. Turner’s measured account, bolstered by interviews with various characters close to the action, is a study in charisma, belief, and mental contagions that infected an entire culture, and which are still with us today.” —Siri Hustvedt, author of The Summer Without Men

“Turner has created a masterful synthesis of social history, psychosexual theory, obsession, and farce. The narrative is a madcap parade: Freud and Einstein, Leon Trotsky and Mabel Dodge, the Red Scare and UFOs, Ginsberg and Burroughs, Bellow and Mailer, Dwight MacDonald and James Baldwin, Woody Allen and Kurt Cobain—and Wilhelm Reich’s quixotic hunt for the ideal orgasm.” —David Friend, Creative Development Editor at Vanity Fair, and author of Watching the World Change

About the Author
Christopher Turner lives in London and writes for The Guardian and other publications.

Most helpful customer reviews

23 of 30 people found the following review helpful.
For a balanced review look here!
By Alf
I picked up this book after reading excellent reviews in the UK's Sunday Times ("clever and colorful ... a terrific book") and Economist ("an erudite and engaging work of social history"). It did not disappoint; Reich is a fascinatingly complicated character - at one stage Freud's heir apparent, who believed that unleashed libido could bring about revolutionary social change. Turner's book is a well researched, scholarly yet accessible account of how Reich's ideas disseminated into American popular culture. There seems to be strong evidence that Reich himself became schizophrenic towards the end of his life (e.g., thinking he could shoot down UFOs and that Eisenhower was sending planes to protect him) - and reading some of the other reviews this is clearly hard to take for his devotees who approach his work uncritically. In fact Turner is well aware of the orthodoxy, and deals with it in a balanced way (the Sunday Times comments that Turner is "admirably restrained throughout and refrains from passing cheap judgements" and I would agree) - he shows in his book that Reich thought the orgone box could cure cancer and could "sexually excite" those that sat in it, and explains why Reich later distanced himself from those views. At any rate the beats and bohemians that picked up on Reich's thinking certainly believed in the box's potency; the book is a cultural history that traces the spread of his influence into those circles and the culture at large. For anyone interested in how we have come to believe that sexual liberation is the route to happiness and freedom this book offers a powerful historical, critical and entertaining perspective. I recommend giving it a read (expect some vitriolic responses from the Reichians to this review - according to the author's note they tried to censor this book).

12 of 16 people found the following review helpful.
Soft belly not bellicose.
By A. Alter
Regardless whether you agree or disagree with Reich, disagree or agree with Christopher Turner's presentation of Reich - this is a serious, scholarly, and underpriced book. What I didn't expect is that I would be so entertained.

3 of 4 people found the following review helpful.
I liked this book, despite some egrarious lies of omission.
By Merovie
First off, Wilhelm Reich is a personal hero of mine, and like many of my heroes, such as Hunter S. Thompson, Aleister Crowley, and George Carlin, he was also tragically flawed. I myself have suffered from mental illness and my tendency to become megalomaniacal, obsessive, and paranoid when I felt people were, in Karen Horney's words "moving against me" was all too real. I don't think Turner's book is an attack on Reich at all. I think it is an honest look at the man's genius AND his flaws. Is orgone real? Who knows? Was Reich somewhat mad? What member of the psychological professions isn't? I got a degree in psychology BECAUSE of my mental illness. He and Freud BOTH shared the same obsessive drive for fame and recognition.

Personally, I wonder if Reich, in his later "orgone" years wasn't 'touched in the head.' Claiming that your cloud-buster scares off malevolent radiation-spreading UFOs and that the planes in the sky were sent to watch over your family are things Reich actually told people.

The thing is, as a scientist, he may have been totally off, and it seems that he was driven to that because his true brilliance, as a socialist political thinker and psychoanalyst contributed to his rejection by members of both. I suppose he thought distancing himself from both was a way of "getting back" at both the communist party and the International Psychoanalytical community.

The book rightly describes Anna Freud as one of the most grotesque and repugnant human beings who has ever walked the planet, and describes Freud as having become a traitor to his own ideals. Freud was just as much of a "my way or the highway" control freak as Reich, yet many of the reviews here seem to think Reich was some kind of saint Who Could Do No Wrong.

Even Myron Sharaf does not paint this kind of rosy picture of Reich. Reich was a complicated, stubborn, fanatical, and often deluded and deeply flawed human being. I also read DeMeo's "In Defense of Wilhelm Reich" and was happy to find out that the story about Reich killing his dog, Troll, was a lie. But DeMeo's book is pretty terribly written, using words like "nasty" and "smutty" to describe people who slander Reich. DeMeo also seems to blame left-wingers for Reich's troubles and claims that those who advocate for unrestricted sexual freedom are pedophile apologists.

Turner, I found, wrote a mostly unbiased book, except that, as DeMeo points out, gets and reports personal information from people who felt betrayed by Reich, such as his last girlfriend and his estranged daughter, whose mother, with a head full of Anna Freud's neurotic ideas, turned her against Reich. To me, the worst lie in "Orgasmatron" is the story Aurora Karrer tells about Reich's dog. That Turner leaves out the veterinarian report or the facts as known by Ilsa Ollendorff is unconscionable. These days, you can be almost any kind of disgusting human being, but people draw the line at animal abuse. I found that most of the lies of omission and "slander" have more to do with Reich's personal life than his ideas. Demeo, an environmental scientist who obviously has a confirmation bias towards Reich's work, is happy to tell you that he can "personally verify" Reich's scientific findings, yet he also seems to imply that there has been a "scientific conspiracy" to suppress Reich's findings for 65 years, and that's just not how science works. If there was anything to orgone energy, mainstream scientists would support Reich, not vilify him. In truth, most scientists just don't find his work to have merit.

It was because of Reich's social and sexual ideas, and not his orgone energy research, that earned him the ire of the American people - but the FDA used his orgone research as an excuse to punish him for his sexual and social ideas. If Reich hadn't been so stubborn, and had shown up in court the first time he was asked, he probably could have argued his case under the First Amendment. That Demeo paints the ACLU as a commie organization "out to get Reich" is just ludicrous. The ACLU offered to defend Reich under the First Amendment and Reich turned them down because HE saw them as a commie organization.

That the FDA destroyed him is tragic and an injustice that will forever live in infamy. But for all Reich's flaws, he was absolutely right in assuming that it is not psychology's job, as Freud and his horrible, sex-hating daughter maintained, to help people adjust to a truly sick "status quo" but that it is psychology's job TO CHANGE THE STATUS QUO.

Nowadays, the profession of psychiatry doesn't even TRY. They just talk to you for ten minutes and send you on your way with a prescription for pills to gobble that will allow you to deal with a world run by sociopaths. College psychology classes would benefit greatly from courses about both Reich and Ignacio-Martin Baro (who said that neurosis cannot be understood outside the context of history, oppression, and environment). When you tell people that the things everyone takes for granted as "normal" - the "free market" system, the Protestant work ethic, there being an invisible sky monster that keeps tabs on you at all time, etc - are actually NOT normal, and lead to adjustment in a sick society, people inevitably think you are crazy.

Was Reich crazy? Hell yes. Most geniuses are.

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Thursday, May 28, 2015

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Straw Dogs: Thoughts on Humans and Other Animals, by John Gray

The British bestseller Straw Dogs is an exciting, radical work of philosophy, which sets out to challenge our most cherished assumptions about what it means to be human. From Plato to Christianity, from the Enlightenment to Nietzsche and Marx, the Western tradition has been based on arrogant and erroneous beliefs about human beings and their place in the world. Philosophies such as liberalism and Marxism think of humankind as a species whose destiny is to transcend natural limits and conquer the Earth. John Gray argues that this belief in human difference is a dangerous illusion and explores how the world and human life look once humanism has been finally abandoned. The result is an exhilarating, sometimes disturbing book that leads the reader to question our deepest-held beliefs. Will Self, in the New Statesman, called Straw Dogs his book of the year: "I read it once, I read it twice and took notes . . . I thought it that good." "Nothing will get you thinking as much as this brilliant book" (Sunday Telegraph).

  • Sales Rank: #46459 in Books
  • Brand: Gray, John
  • Published on: 2007-10-16
  • Released on: 2007-10-16
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .60" w x 5.50" l, .55 pounds
  • Binding: Paperback
  • 272 pages

From Publishers Weekly
Humans think they are free, conscious beings, when in truth they are deluded animals, writes London University economics professor Gray (Black Mass) in a series of brief and intriguing mini-essays. His themes include the similarities between hypnotism and financial markets and uncomfortable truths behind drug use and its prohibition. In a chapter called Deception, Gray traces Humanism from Plato through Postmodernism. He critiques both science and religion: Science can advance human knowledge, it cannot make humanity cherish truth. Like the Christians of former times, scientists are caught up in the web of power; they struggle for survival and success; their view of the world is a patchwork of conventional beliefs. At a certain point, it can be difficult to see where Gray's allegiances lie. He tears down institutions, especially consciousness, self, free will and morality, and questions our ability to solve the problems of overpopulation and overconsumption: Only a breed of ex-humans can thrive in the world that unchecked human expansion has created. So what's left? Gray recommends a devaluation of progress, mastery, and immortality, and a return to contemplation and acceptance: Other animals do not need a purpose in life. Can we not think of the aim of life as being simply to see? This comforting question punctuates an otherwise profoundly disturbing meditation on humankind's real place in the world. (Oct.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
In a work of thoroughgoing iconoclasm, British philosopher Gray attacks the belief that humans are different from and superior to animals. Invoking pure Darwinism, he savages every perspective from which humans appear as anything more than a genetic accident that has produced a highly destructive species (homo rapiens)--a species that exterminates other species at a phenomenal rate as our swelling numbers despoil the global environment. Gray explains the human refusal to confront the darker realities of our nature largely as the result of how we have consoled ourselves with the myths of Christianity and its secular offspring, humanism and utopianism. Human vanity, he complains, has even converted science (which should teach us of our insignificant place in nature) into an ideology of progress. But neither hope for progress nor confidence in human morality passes muster with Gray, who envisions a future in which the human population finally contracts as a world politics that grows ever more predatory and brutal shatters all such illusions. As a work of ruthless rigor, this provocative book will force readers to reexamine their own convictions. Bryce Christensen
Copyright © American Library Association. All rights reserved

Review

“Nothing will get you thinking as much as this brilliant book.” ―George Walden, The Sunday Telegraph

“There is unlikely to be a more provocative or more compelling book published this year than Straw Dogs . . . Gray is one of the most consistently interesting and unpredictable thinkers in Britain.” ―Jason Cowley, The Observer (London)

“One of the most important books published this year, and will probably prove to be one of the most important this century. An attempt to suggest new ways of thinking and feeling . . . nobody can hope to understand the times in which we live unless they have read Straw Dogs.” ―Sue Corrigan, Mail on Sunday

“At once daunting and enthralling, Gray's remarkable new book shows us what it would be like to live without the distraction of consolations.” ―Adam Phillips

“This powerful and brilliant book is an essential guide to the new Millennium. Straw Dogs challenges all our assumptions about what it is to be human, and convincingly shows that most of them are delusions.” ―J.G. Ballard

Most helpful customer reviews

157 of 175 people found the following review helpful.
The folly of the human animal
By Autonomeus
John Gray was once upon a time an optimistic liberal. He fell under the spell of the Gospel of the Free Market in the Thatcherite 1980s, and thus made a transition to conservatism. When he discovered that Thatcherism/Reaganism wasn't really conservative at all, but rather a dogmatic radicalism, he became an old-school conservative. He proceeded to reject the Enlightenment tout court, and embraced post-modernist relativism. Now, he has taken a further step into simple misanthropy. Gray has written a jeremiad against Christianity, the Enlightenment, science, and any hope of bettering people or the planet we live on. This is a performative contradiction, of course, because if there is no cause for hope, why write a book? What's the point? Fame and money are the only reasons left, one must suppose, and that supposition is perfectly consistent with Gray's line of argument -- all lofty ideals and dreams are illusions.

Despite all that, I enjoyed the book and recommend it. It's a quick, easy read, quite entertaining, and I'm sure you can find it in the library. There are many useful citations in the back to more substantial books you might want to read to pursue Gray's points, many made in the form of sound-bite one-liners. Depending on what you bring to it, you may or may not find it shocking -- STRAW DOGS is mainly based on the growing knowledge from the field variously known as sociobiology or evolutionary psychology or biological anthropology. Humans are animals, not demigods. Gray's second main point I think is less appreciated and more important, and that is the evidence that the human species is embarked on a neomalthusian experiment -- overshoot the ecosystem and see what happens.

That's good cause for a jeremiad, and if Gray's disjointed ramblings focus more people's attention on this ("death focuses the mind") then it is worth something. Gray is having none of any sort of schemes for improvement, though, let alone salvation. His presentation is totally negative (we are nothing but "exceptionally rapacious primates"), which of course is a good strategy for provoking discussion, hostility and sales. I detect, though, a positive agenda, which Gray only intimates between the lines, and that is the most conservative belief system of all, animism. If humans dropped their pretense at superiority and stopped all their doomed scheming, accepting their equal status with their fellow animals, and acted with humility and reverence toward their fellow beings, then all might be well. This seems to be Gray's covert plan for salvation, and it is in fact one I can wholeheartedly endorse.

Gray goes too far in throwing out the Enlightenment. Rationality does clearly seem to be lacking in most human behavior, but what of it does exist is important to foster, encourage and spread. (See Daniel Dennett's FREEDOM EVOLVES, which makes the same assumptions as Gray, but reaches a very different conclusion.) Sure it seems like an uphill struggle that we're likely to lose, but I could see that years ago (33 years ago to be precise), and I don't know what I would have done if I hadn't found reasons to try. Being an intellectual bomb-thrower is fine for someone still young and full of indignation, but there is a planet of sentient beings who expect more of someone like John Gray -- carpe diem!

(verified library loan)

69 of 79 people found the following review helpful.
We cannot make the world to be for us.
By Bruno
It is over a hundred years since Darwin revealed to us our animal lineage, and yet the human primate is still having difficulty coming to terms with its animal origins. All bar creationists may indeed now accept that we are descended from apes, but most of us still cling to the belief that we have somehow become different to the rest of the animal kingdom. Our ability to use language and reason, to see ourselves as selves, selves that move forward in time and, with other selves, progress by building a culture based on moral rules and a technology that seems to give us ever increasing control over our environment. Surely this is enough to set us apart from the rest of nature? No. Thankfully, a British philosopher who lives and breathes today but who speaks with the depth and clarity of a modern day Schopenhauer is here to rid you of this delusion.

Human beings are still animals claims Gray, but the more profound insight that he delivers, and that his critics seem unable to grasp or admit, is that humans, and even whatever intelligence that might emerge in a 'posthuman' future, will always be inescapably rooted in the natural world as much as the lowliest of slime molds.

We believe that language and reason are what differentiates us, forgetting that we acquired these abilities through the blind mechanisms of evolution. This means that they are, as Hume, Schopenhauer and Nietzsche declared long before Darwin, mere tools in the brutish struggle for survival. These same tools enabled the human animal to create the illusions of free will, self and morality and the delusion to think that with these, man has the ability to stand apart from the animal world and choose his own fate. But the fundamental import of Darwinism is that it tells us that 'we' were 'made' for the world. The world was not made for us, nor can we ever make it, nor indeed any world, to be for us.

Some rather simple-minded criticisms of Gray's outlook are floating around the Internet, including on this page, so lest they deter you from reading this book, here are a few brief rejoinders that can be made to them.

1/ 'Gray teaches us nothing new. Postmodernism has been around for 40 years now.' Gray clearly isn't giving just another rehash of postmodernist thought. In fact his book is a savage attack on some of the postmodernist thought that has now been neatly incorporated into liberal thinking. The belief that the world is entirely a social construction, that this construction is determined by power relationships and that therefore by changing those power relationships society can mould the world into whatever form it chooses. The way that humans see the world may indeed be due to power relationships within society, but these arise because of the fact that humans are biological animals in an inherently competitive natural world. Postmodernism is, as Gray says, 'just the latest fad in anthropocentrism'.

2/ 'Gray criticises science as a faith but seems to hold Darwinism as a faith.' Gray is primarily attacking the faith that scientific progress leads to moral and social progress. If anything is right in science it is the broad theory of Darwinism. Yet people believe that science can enable man to take control of his destiny, when one of the most fundamental tenets of modern science teaches us that science and its consequences (as with any other sphere of human activity) is ultimately determined by the same laws that govern other animals' behaviour.

3/ 'No-one seriously believes in progress anymore'. Well the western world is without doubt led by two men who wholeheartedly believe in the vision of moral progress, as we are seeing with disastrous consequences in Iraq. As both have been re-elected as their heads of government, presumably a lot of the people who voted for them share that vision. The idea that western society is not still dominated by the belief in moral progress is absurd. A generation ago homosexuality was illegal and homosexuals were routinely sent to prison. Today, someone can be sent to prison for simply arguing that homosexuality is wrong. For this to be the case, society clearly has a conviction that the moral attitudes of today are without question a progression on the attitudes of yesterday. To give a different example, on the 10th of September 2001 not one person in a hundred could have believed that America would soon be holding a serious debate on whether or not to legalise torture.

It goes without saying that I found Straw Dogs to be an utterly rewarding intellectual experience. Read it and it may change the whole way you look at the world...though probably together with a feeling that, like all great writers, Gray has articulated for you something profound that you always suspected about the world.

39 of 47 people found the following review helpful.
An anguished plea
By Stephen A. Haines
John Gray concludes his book with a tragic entreaty: "Can we not think of the aim of life as simply to see?" His plea for awareness reveals the cloak of obscuratism our mythology has draped over all nature. Reading Straw Dogs is like being abruptly roused from a pleasant dream. "Wake and shake!", he cries. Wake up to the falsity of the dogmas under which you live. Shake them off and recognize that we live within reality's domain, not that of phantasms and fables. These ideas disturb the comfortable, yet offer little comfort to those seeking an easy answer to life's challenges. Gray understands our need for solace, but he knows reality isn't a tourist resort. Nature is a harsh realm and he wishes us to confront enduring questions honestly. Writing this book means he thinks we can do that.
Gray's thesis relies on aknowledging our place in the realm of nature. We are, he reminds us, merely a part of the animal kingdom. We are neither a special creation nor particularly unique. Writing alone, with the continuity it provides, sets us apart while granting significant powers. The "continuity" led to the notion of human "progress" and "perfectability". In an evolutionary sense both ideas are false, and we are evolution's product. Even humanism, supposedly rational and secular, has fallen into the trap of seeking "perfectability". Gray finds this misleading and self-serving. He examines the work of Western philosophers, the guides to our thinking, finding them mistaken or misleading. In today's milieu, Lovelock's Gaia concept of the whole planet acting like a single organism, should be reconsidered. Whether the details of this idea are valid is irrelevant. It is the notion that we are apart from the remainder of nature that we must cast away. The monotheist dogma granting us "dominion over the earth" is the most pernicious idea developed by humanity, Gray asserts.
Gray's text is fragmented without sacrificing continuity. His techique allows pauses for reflection. He posits ideas, questions, suggestions, assertions freely. Stop and think about them as you read. He tumbles many icons - he indicts Christianty on the second page, suggesting what will follow. He is resolute and articulate about how important these questions are to us. A superficial look at this work may lead the reader to feel hopeless. If there was no hope, however, Gray wouldn't have bothered to write this book. Like any thinker, he's concerned about the future. The prospects appear bleak, but not insurmountable. He assumes the reader is intelligent enough to consider and act on realistic solutions. "Perfectibility" of humanity within nature may be impossible, but with an informed outlook "accomodation" can be achieved. The first step, however, is the shedding of false dogmas.
Being informed isn't an easy task, Gray concedes. He presents the thoughts of previous philosophers, but without direct attribution. If you need references, his extensive bibliography is a fine starting point. It's also a few years' study syllabus. Taking his quotes at face value isn't the issue, however. What must be confronted are the values that you, the reader, hold and cherish. Can you "live to see", or will you remain wrapped blindly within dogma? Read Gray and make up your own mind. [stephen a. haines - Ottawa, Canada]

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Paris, I Love You but You're Bringing Me Down, by Rosecrans Baldwin

A self-described Francophile from when he was little, Rosecrans Baldwin always dreamed of living in Paris―drinking le café, eating les croissants, walking in les jardins―so when an opportunity presented itself to work for an advertising agency in Paris, he couldn't turn it down. Despite the fact that he had no experience in advertising. And despite the fact that he barely spoke French. After an unimaginable amount of red tape and bureaucracy, Rosecrans and his wife packed up their Brooklyn apartment and left the Big Apple for the City of Light. But when they arrived, things were not eactly what Rosecrans remembered from a family vacation when he was nine years old.

Paris, I Love You but You're Bringing Me Down is a nimble comic account of observing the French capital from the inside out. It is an exploration of the Paris of Sarkozy, text-message romances, smoking bans, and a McDonald's beneath the Louvre―the story of an American who arrives loving Paris all out of proportion, but finds life there to be completely unlike what he expected. Over eighteen months, Rosecrans must rely on his dogged American optimism to get him through some very unromantic situations―at work (writing booklets on how to breast-feed, raise, and nurture children), at home (trying to finish writing his first novel in an apartment surrounded on all sides by construction workers), and at every confusing French dinner party in between. An offbeat update to the expat canon, Paris, I Love You is a book about a young man finding his preconceptions replaced by the oddities of a vigorous, nervy city―which is just what he needs to fall in love with Paris for the second time.

  • Sales Rank: #987754 in Books
  • Published on: 2012-04-24
  • Released on: 2012-04-24
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.56" h x 1.01" w x 5.95" l, .92 pounds
  • Binding: Hardcover
  • 286 pages

From Booklist
When Baldwin lands a job with a French advertising agency, he and his wife trade Brooklyn for Paris and 18 months of opportunities seized, the idea being that his nine-to-five will support their otherwise writerly lives in the European capital. Maybe not naively, but idealistically, they aren’t anticipating some of the hurdles: an irrevocably bureaucratic infrastructure that turns most transactions into piles of paper and weeks of waiting, or an apartment surrounded on six sides by neighbors’ construction work. Baldwin works on his first novel (You Lost Me There, 2010) before and after work at the agency—a superlative fishbowl of characters who are so well remembered that one wonders when the author decided to write a memoir of the experience, in fact—until he’s satisfied, and the novel is picked up by a U.S. publisher. Baldwin proves that with the right attitude, everything in this perhaps most magically remembered of all cities is either beautiful, hilarious, or both, and his friendly voice and approachable style will grab those who want to be there and those who have never been. --Annie Bostrom

Review

“A charming entry into the expat canon, this book is Baldwin's true story of moving to his favorite city in the world -- favorite to the tune of obsession, mind you -- and realizing it's not quite as he had imagined.” ―Emily Temple, Flavorwire

“Baldwin proves that with the right attitude, everything in this perhaps most magically remembered of all cities is either beautiful, hilarious, or both, and his friendly voice and approachable style will grab those who want to be there and those who have never been.” ―Annie Bostrom, Booklist

“A charming, hilarious account of la vie Parisienne as experienced by an observant young American . . . his vivid impressions of Paris and its people (expats included) are most engaging. Great fun and surprisingly touching. Great fun and surprisingly touching.” ―Kirkus (starred review)

“Paris, I Love You but You're Bringing Me Down is a charming, hilarious, keenly-observed and surprisingly poignant journey into the Parisian state of mind. I read it late at night and kept waking up my wife because I was laughing out loud.” ―Anthony Doerr, author of Memory Wall and Four Seasons in Rome

About the Author

Rosecrans Baldwin's first novel, You Lost Me There, was named one of NPR's Best Books of 2010, a New York Times Book Review Editors' Choice, and a Time and Entertainment Weekly Best Book of Summer 2010. He is a cofounder of the online magazine The Morning News.

Most helpful customer reviews

12 of 14 people found the following review helpful.
OK snark with a French twist
By Rushmore
What this is: a rather funny, edgy memoir of a guy and his wife who lived in Paris for a while. The guy worked in advertising and wrote a novel. His wife looked for ways to keep busy.

What this is not: the definitive portrait of life in Paris for Americans.

Rosecrans Baldwin is a funny guy with an unusual name, and he gets an opportunity with all kinds of funny possibilities: he is offered a position in an advertising agency in Paris. He is supposed to bring the American viewpoint. People in advertising often have a reputation for being, shall we say, quirky, and Baldwin's co-workers definitely are. The situation is exacerbated by the fact that his first ad campaign is about breastfeeding, so he is surrounded by images of breasts all day long. So OK, the humor is not particularly subtle.

Rosecrans and his wife Rachel build a circle of friends. They go to parties. They eat French food and drink French wine. And after a while they decide they are ready to go back to America - not really a spoiler in view of the title.

It's a funny book, but not laugh-out-loud funny for me. Being of the female persuasion, when I read memoirs by married men I often find myself wishing for more of the wife in the story. Unfortunately for Rachel, she is not as quirky as some of the other people in Rosecrans's orbit. She is not neglected exactly. She has a really beautiful moment in this narrative. But really it's mostly about him.

After a glut of reverent memoirs about buying villas in Tuscany and Provence, this book is a refreshing change.

I do recommend it for anyone who's curious about what it's really like to live in Paris, or just generally to be an expat. It's a well-told story with plenty of funny details.

15 of 18 people found the following review helpful.
A Book You'll Really Want to Like
By Graham Bell
As someone who is planning on going on a "Big Trip" of my own soon, I was naturally drawn to these sorts of travel books. The unfortunate part of this book is that while it's very well written, it's actually kind of boring. Mr. Baldwin does his best to spice it up with some wit and humour, but even as MOST of the jokes land, you can't help but feel like nothing is really going on. Simply put, this book has no hook. There are no huge moments, no insights that you couldn't get from reading a site on the net or watching an episode of No Reservations. That such a flat story can be told in a way that compels you to finish the book is a testament to Rosencrans Baldwin's ability as an author. His descriptions are well written and suitably flowery for a book about Paris, and the dialog is punchy. I would genuinely love to read something by Mr. Baldwin where something actually happens. As for this book, though, read it for the beautiful descriptions of Paris, but the rest is pretty blah.

27 of 34 people found the following review helpful.
AWESOME Book- BUY IT
By Christopher
This book, was real, hilarious and evoked the romance of living in Paris but with the realities of Living in Paris. Even if you have not lived in Paris ( I have for very short stints), you can appreciate the idea of being a foreigner even in a place as friendly and western as Paris.

The author style is fluid and so familiar you will breeze through this book as if he was telling you his story in person.

Best book I have read all year.

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Monday, May 25, 2015

^ Download A Great Unrecorded History: A New Life of E. M. Forster, by Wendy Moffat

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A Great Unrecorded History: A New Life of E. M. Forster, by Wendy Moffat

A REVELATORY LOOK AT THE INTIMATE LIFE OF THE GREAT AUTHOR—AND HOW IT SHAPED HIS MOST BE LOVED WORKS

With the posthumous publication of his long-suppressed novel Maurice in 1970, E. M. Forster came out as a homosexual— though that revelation made barely a ripple in his literary reputation. As Wendy Moffat persuasively argues in A Great Unrecorded History, Forster’s homosexuality was the central fact of his life. Between Wilde’s imprisonment and the Stonewall riots, Forster led a long, strange, and imaginative life as a gay man. He preserved a vast archive of his private life—a history of gay experience he believed would find its audience in a happier time.

A Great Unrecorded History is a biography of the heart. Moffat’s decade of detective work—including first-time interviews with Forster’s friends—has resulted in the first book to integrate Forster’s public and private lives. Seeing his life through the lens of his sexuality offers us a radically new view—revealing his astuteness as a social critic, his political bravery, and his prophetic vision of gay intimacy. A Great Unrecorded History invites us to see Forster— and modern gay history—from a completely new angle.

  • Sales Rank: #381544 in Books
  • Published on: 2010-05-11
  • Released on: 2010-05-11
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.28" h x 1.34" w x 6.13" l, 1.48 pounds
  • Binding: Hardcover
  • 416 pages

From Booklist
*Starred Review* It will come as no surprise to readers of literary fiction that E. M. Forster (1879–1970), author of such classic novels as Howards End (1910) and Passage to India (1924), was gay. His sexual orientation has been noted since the 1970 publication of his posthumous novel, Maurice, which was about love and sex between men. But Moffat places, more firmly than has been done by previous biographers, Forster’s homosexuality at the core of his being, both as the lodestar by which he lived his life and as a source of intense frustration because of social prohibition against depicting it in fiction. He realized early on his attraction to his own gender, and we are given, with no hint of salaciousness, an honest account of his sex life over the years. At once powerful and sensitive, Moffat’s irresistibly compelling and responsible biography sees an unimpressive physical persona whose shyness reduced him to “disappearing into the woodwork.” And his long public silence—silent in that he published no more novels while he lived, after Passage to India—can be attributed to his having “grown tired of the masquerade of propriety.” Forster may have been regarded as mousy, but this treatment of his life is undeniably robust. In fact, it shines with the beauty its subject was made sad that he did not possess. --Brad Hooper

Review

“[A Great Unrecorded History is] a well-written, intelligent and perceptive biography . . . [Moffat] uses the sources for our knowledge of Forster’s sexuality, including letters and diaries, without reducing the mystery and sheer individuality of Forster, without making his sexuality explain everything.” —Colm Tóibín, The New York Times Book Review

“None of [Forster’s] biographers have had either the will or the wherewithal to concentrate as closely on Forster’s sexuality as Wendy Moffat . . . In A Great Unrecorded History, she offers an insightful, revelatory portrait of a man who deeply resented having to hide such an important side of himself . . . Ms. Moffat’s overarching interests are in tracing Forster’s attitudes about sex and hypocrisy and in placing this increasingly outspoken figure within the context of his changing times.” —Janet Maslin, The New York Times

“Wendy Moffat’s reexamination of E. M. Forster identifies his homosexuality as the essence of his creative life. Using unpublished writings, she charts his gradual awakening to the moral, intellectual, and emotional significance of his homoerotic imagination. Her book is an astute and original new portrait of this major novelist.” —Michael Holroyd, author of A Strange Eventful History

“A Great Unrecorded History explores the intimate life of E. M. Forster with sensitivity and scholarship. Wendy Moffat writes with profound insight about a great writer who believed in the vital significance of personal connection while being unable to openly express his sexual feelings for the men he desired. She also gives us an illuminating picture of gay sexual culture in the first half of the twentieth century. This biography is at once an engrossing read and a book to cherish and go back to. Essential for understanding E. M. Forster and the times in which he lived.” —Sheila Rowbotham , author of Edward Carpenter

“Wendy Moffat’s biography of E. M. Forster is splendid—beautifully researched and written, imaginatively structured, and deeply revealing. We finally have a life of Forster that foregrounds his homosexuality and skillfully traces its impact on his life and art. We’ve had a long wait for a fully honest book on Forster—but at last we have it.” —Martin Duberman, author of Paul Robeson

“A Great Unrecorded History is a bold new re-imagining of Forster’s long career, which makes some striking connections between his life and work.” —D. J. Taylor, author of Bright Young People

About the Author
WENDY MOFFAT is a professor of English at Dickinson College in Carlisle, Pennsylvania. A Great Unrecorded History is her first book. 

Most helpful customer reviews

53 of 54 people found the following review helpful.
"I Should Want Everything Told, Everything."
By Foster Corbin
The great novelist E. M. Forster on the subject of his posthumous legacy wanted everything told. Wendy Moffat, to her credit, certainly does just that. In A GREAT UNRECORDED HISTORY, a quotation from Forster, as are all the chapter headings, Moffat draws from his journals and a "locked diary" that he kept for sixty years as well as interviews with his friends. She also includes voluminous notes and an extensive bibliography at the end of this most informative and heartwarming biography.

It of course has been long known by readers that Forster's novel MAURICE and a collection of short stories THE LIFE TO COME, dealing with love and sex between men, were published at his direction only after his death in 1970. Moffat writes extensively about MAURICE. One of the most moving portions of this biography appears early when Forster-- he was called "Morgan" by friends and family"-- showed a typewritten copy of the novel to Christopher Isherwood. His eyes wet with tears, Isherwood told Forster that he found the novel "wonderful and brave." Isherwood encouraged Forster to publish the novel-- in 1928, 1948, 1951-- to no avail, however. Forster finished MAURICE before he ever touched another man-- he had his first sexual encounter when he was 37-- and certainly that is one of the saddest facts about Forster's life. Sergeant Leonard Matlovich-- discharged from the USAF for being openly gay-- said something similar in his autobiography when he remembered that he had never touched another human being until he was well into adulthood. Through the years a copy of MAURICE made the rounds of Forster's friends although T. E. Lawrence chose not to read it. The author later in his life revised the novel to give it a happier ending.

In an example of life imitating art, as in the novel, Forster chose men from the lower classes as lovers. He, for example, remembered forty years after his affair with the Egyptian tram conductor Mohammed el Adl that this friendship was one of the two '"greatest things"' in his life. The two men had a single suit made for each of them to wear. It was slightly too big for Adl and a litle small for Forster. He was devastated when Adl died of consumption at the age of 23. He kept for the rest of his life studio photographs of Adl, the ticket stub from their first tram ride together and Adl's letters to him: "Do not forget your ever friend." Forster's longest relationship was with Bob Buckingham, a British policeman he met in 1930 who like Adl, married and named a child Morgan after Forster. Buckingham and his wife May-- with whom Forster became good friends in the most interesting of triangles-- were with him when the writer died in 1970.

Forster's homosexuality was at the center of who he was. He essentially stopped writing fiction for publication after A PASSAGE TO INDIA, which became a best seller and made him rich, because he believed he could not write about gay characters although he would never have used the word "gay" to describe the love between two men. Throughout his long life--he died at the age of 91-- Forster met other writers and moved in literary circles, both gay and otherwise, around the world, including the United States where he made two visits: D. H. Lawrence, W. H. Auden, Christopher Isherwood, Virginia and Leonard Woolf, C. P. Cavafy (Forster believed that meeting the very "out" Greek poet was one of the most fortunate things that happened to him), Henry James (to whom he did not warm) and Gore Vidal whom he did not like at all. He also wrote the libretto for Benjamin Britton's opera from Melville's BILLY BUDD and became friends with Paul Cadmus who included him in one of his paintings and George Platt Lynes who photographed him and Bob Buckingham on their visit to the U. S.

In what has to be one of the most unusual dinner parties ever held--"Guess Who's Coming To Dinner?"-- on their visit to the United States, Forster and Buckingham were the guests of honor at a party hosted by Glenway Wescott and Monroe Wheeler. Also in attendance were Joseph Campbell and Dr. Alfred Kinsey. What the two Brits did not know was that the theme of the party--Wescott and Wheeler's parties always had themes-- was sex although Forster and Buckingham rose to the occasion. Bob invited Kinsey to visit England to see Scotland Yard's confiscated pornography and Morgan took comfort in learning-- as did he-- that Kinsey believed that homosexual men were as much a male as heterosexual men although he chose not to discuss his sex life with the sex researcher.

It is easy to criticize Forster for the life he chose to live-- his relationship with his mother, for example. Apparently he always bowed to her wishes. In his own words: '"We were a classic case."' Other writers published gay works without having their careers ruined: Christopher Isherwood, James Baldwin Andre Gide, to name three, although Forster quipped that Gide did not have a mother. There is much, however, to admire about his life. He spoke out in defense of D. H. Lawrence and Radclyffe Hall and their right to publish LADY CHATTERLY'S LOVER and WELL OF LONELINESS. He also later in life advocated-- if cautiously-- for gay rights, supporting the Wolfenden Report that recommended that "homosexual acivity between consenting adults over the age of twenty-one be no longer a criminal offense." And Forster tried to bridge the gap between social classes, no easy task for a man of his time and station. Finally his friend Eudora Welty in her review of Forster's collection of short stories THE LIFE TO COME said that "his greatness surely had root in his capacity to treat all human relationships seriously and truthfully."

Ms. Moffat in this biography has created a really fine portrait of E. M Forster that brings to life this great writer and-- more importantly-- decent and good person.

27 of 28 people found the following review helpful.
Illuminating and engrossing
By Emily Wylie
It's not an easy thing to write with Forster-esque humanity, humor, and acute perception in any genre, but Wendy Moffat has done it here, in a biography of all things, writing a "new life" of E.M. Forster. I have loved Forster's work for a long time, and built an image of him in my head...so it was a risk, a bit, to read a biography of him....however, i've come out of it with my love intact and deepened. Moffat builds a portrait that I think Morgan Forster would have liked: amused, humane, casting a wide net to gather in all the parts of his life that informed his work. Which is nice, considering that Forster states his own agenda as "wishing to connect up all the fragments I was born with". Of course, within his lifetime, this was not possible to do - not publicly anyway: homophobic law and vicious anti-gay attitudes in early 20th century England made it necessary for him to conceal a great many parts of himself, and in consequence a great deal of his work.

Moffat situates his homosexuality where he did: right at the center of his life. From that understanding she works through his life to explain the mystery of why his last work was published in just his middle-age -- when he lived in sound mind and body much longer than that. In that seemingly barren time, we see a life teeming with connection and purpose. He was an avid patron and supporter of upcoming authors (many of them homosexual). He built a network of deep, sustaining friendships with men and women (of all stripes: mingling cab drivers and policemen with T.E. Lawrence and the Woolfs). He made quiet forays into advocacy against morality laws, and publicly defended young people endangered by them. At the same time, Forster searched for relationship and connection on another, romantic level: he wanted real affection and domestic bliss (not just sex) in a loving male-male relationship.

It's great fun getting to know Morgan Forster (as Moffat calls him), and all the other luminaries and regulars who wrote to him and of him in their letters and diaries. Which is something, considering the potentially heavy, even tragic, material. Moffat has an extraordinarily light touch, a quick, connective brain, and writes beautifully fluid prose. So it's an Important Book, for sure, but one you'll finish eagerly. How wonderful that we finally get to hear from a temperate genius on a subject we seem only now (barely) ready to understand: Forster wrote, at 85, "...how ANNOYED I am with Society for wasting my time by making homosexuality criminal. The subterfuges, the self-consciousness that might have been avoided." Indeed.

21 of 22 people found the following review helpful.
A fine, absorbing biography
By Michael Squires
Wendy Moffat's new biography opens in an amateur, theatrical way - probably the opening a literary agent demanded. But after she settles down to Forster's life and portrays the ways in which Forster crept out - passively and furtively - from his mother Lily's cruel thumb, the book is readable, insightful, well paced, and often highly absorbing. His Cambridge friends, from HOM to Leonard Woolf, reveal how central were his early university experiences. Later, the sexual relationships he managed to secure show an amazing tolerance for half-requited passion. Despite his core of passivity - he provided the equivalent of a lady's companion to his own mother - he managed to write several fascinating novels, all crisp with chagrin. HOWARDS END, we learn, is a superb rendering of aspects of Forster's experience, ably recalibrated to show both his extraordinary humanity and his terror of exposure. Alive with a good blend of specifics and analysis, Moffat's biography is recommended to those wanting a fresh portrait of a classic twentieth-century novelist whose star is gracefully falling.

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