Tuesday, October 28, 2014

# Free PDF Collected French Translations: Poetry, by John Ashbery

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Collected French Translations: Poetry, by John Ashbery

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Collected French Translations: Poetry, by John Ashbery

An essential, vibrant collection of masterful translations by one of the finest poets at work today

Collected French Translations: Poetry,half of a long-awaited two-volume collection of translations by America's foremost living poet, surveys John Ashbery's lifelong love of French poetry. Beginning in 1955, Ashbery spent nearly a decade in France, working as an art critic in Paris and forming a relationship with the poet Pierre Martory. His translations of Martory's poems, featured here, were collected in The Landscapist, a Poetry Book Society Recommended Translation in 2008 and a finalist for the National Book Critics Circle Award in poetry.

In this volume, Ashbery presents a wide selection of France's finest poets: Charles Baudelaire, Stéphane Mallarmé, Arthur Rimbaud, Max Jacob, Pierre Reverdy, Paul Éluard, and its greatest living poet, Yves Bonnefoy. A rich array of 171 poems by twenty-four poets, this bilingual volume also features a selection from Ashbery's masterly translation of Rimbaud's Illuminations. The development of modern French poetry emerges through Ashbery's chronology, as does the depth of French influences on his iconoclastic career and the poets of the New York School. Collected together for the first time, Ashbery's translations represent decades of remarkable work from the writer hailed by Harold Bloom as a part of the "American sequence that includes Whitman, Dickinson, Stevens, and Hart Crane."

  • Sales Rank: #997620 in Books
  • Published on: 2014-04-08
  • Released on: 2014-04-08
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.40" h x 1.53" w x 6.28" l, 1.00 pounds
  • Binding: Hardcover
  • 464 pages

Review
“Meticulously faithful yet nimbly inventive . . . We are fortunate that John Ashbery has . . . brought to it such care and imaginative resourcefulness.” ―Lydia Davis, New York Times Book Review on John Ashbery's translation of Illuminations

About the Author

John Ashbery's latest book of poems is Quick Question. From 1960 to 1965, he was the International Herald Tribune art critic and ARTnews Paris correspondent. France has named him Chevalier des Arts et des Lettres and Officier of the Légion d'Honneur. He has received a National Book Foundation Medal for Distinguished Contribution to American Letters, and President Obama awarded him a National Humanities Medal.

Rosanne Wasserman and Eugene Richie's latest poetry book is Psyche and Amor. They have edited Ashbery's essays in Other Traditions and in Selected Prose, as well as his translations of Pierre Martory. She teaches at the U.S. Merchant Marine Academy; he is the Director of Creative Writing at Pace University.

Most helpful customer reviews

0 of 0 people found the following review helpful.
An American Master Poet Brings an Array of French Poems to Our Language
By Pfritz
This is an essential volume for anyone who wants to be exposed to French poetry but lacks any fluency in French. Ashbery is uniquely qualified for this task, having lived in France for a number of years and being one of our most distinguished poets in his own right. Ashbery's poems can be very elusive, and so can many of the poems in this volume. Fascinating work expertly and creatively re-crafted in English for those who are willing to be open minded and make some effort. First rate.

7 of 11 people found the following review helpful.
ASHBERY
By Barry Tebb
Ashbery's translations of Pierre Reverdy are peerless.Reverdy in my opinion is the greatest French poet since Baudelaire.It is a tragedy that so little of his wonderful but complex work remains untranslated.There is a 2 vol Collected Reverdy from Flammarion whicjh I plunge into and wrestle with daily.How I envy John Ashbery's fluency! I wish I'd spent a decade in Paris as he did.

BARRY TEBB

1 of 14 people found the following review helpful.
Liken to lichen..
By Kierkegaard
I was truly, um, at a loss to have been introduced to this compilation unprepared for its impact. Now that it has impacted l can only wait for dislodgement.

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Monday, October 27, 2014

~ Download In Our Time, by Tom Wolfe

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In Our Time, by Tom Wolfe

Essays and caricatures by Tom Wolfe, chronicling American life in the 1970s.

  • Sales Rank: #2092500 in Books
  • Published on: 1980-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 12.30" h x .63" w x 8.44" l,
  • Binding: Hardcover
  • 128 pages

Most helpful customer reviews

41 of 49 people found the following review helpful.
The Writings and Drawings of Tom Wolfe
By A Customer
"In Our Time" examines, through essays and sketches, the fluxtuating cultural norms of 1970's America. It is a sort of logical literary culmination of Wolfe's "Me decade" works: The onservations of "Radical Chic," "Mauve Gloves and Madmen," and even bits of "The Painted Word" resonate in this more succinct and cutting collection. The "Me Decade" spawned countless small groups of so-called free thinkers, self-healers, and folks liberating themselves from the brutal tyranny of the worlds most prosperous economy. In "In Our Time," Wolfe is most interested with these people, whether they be the newly prosperous prole tearing up the roadways in monstrous autos, the bell-bottomed middle manager smoking marijuana during the lunch hour, or the literary, artistic, and political elements who fashioned themselves in response to wanton secularity. In addition to short essays, some pulled directly from his earlier books, Wolfe compiles and adds to his earlier drawings. These are wonderful to see in a large format, where Wolfe's rough, yet funny and insightful observations on the human body (specifically an American one) become all the better to revel in. Wolfe wonderfully expresses the basic silliness of fashion consciousness in the 1970's through sketches of hopefully hip septegenerians and young punks as dandies. In addition, the short essays, especially the opening comments on the end of the decade, are vintage Wolfe. Unfortunately, this edition is out of print and hard to find. However, it is the coffee table accesory for any fan of Wolfe or of that bitter pill of a decade we call the 1970's.

14 of 19 people found the following review helpful.
The Writings and Drawings of Tom Wolfe
By A Customer
"In Our Time" examines, through essays and sketches, the fluxtuating cultural norms of 1970's America. It is a sort of logical literary culmination of Wolfe's "Me decade" works: The onservations of "Radical Chic," "Mauve Gloves and Madmen," and even bits of "The Painted Word" resonate in this more succinct and cutting collection. The "Me Decade" spawned countless small groups of so-called free thinkers, self-healers, and folks liberating themselves from the brutal tyranny of the worlds most prosperous economy. In "In Our Time," Wolfe is most interested with these people, whether they be the newly prosperous prole tearing up the roadways in monstrous autos, the bell-bottomed middle manager smoking marijuana during the lunch hour, or the literary, artistic, and political elements who fashioned themselves in response to wanton secularity. In addition to short essays, some pulled directly from his earlier books, Wolfe compiles and adds to his earlier drawings. These are wonderful to see in a large format, where Wolfe's rough, yet funny and insightful observations on the human body (specifically an American one) become all the better to revel in. Wolfe wonderfully expresses the basic silliness of fashion consciousness in the 1970's through sketches of hopefully hip septegenerians and young punks as dandies. In addition, the short essays, especially the opening comments on the end of the decade, are vintage Wolfe. Unfortunately, this edition is out of print and hard to find. However, it is the coffee table accesory for any fan of Wolfe or of that bitter pill of a decade we call the 1970's.

2 of 2 people found the following review helpful.
To Look for America
By An admirer of Saul
Eugene Gant sets off from his home town to Harvard and his dream of the big city life. He has the furious passion and ambitions of youth, convinced of his immortality and his ability to leave a mark upon the great human masses. But his dreams are disillusioned. He takes up a position as a university instructor ; experiences the life of the New England elites and journeys to Europe. He has ambitions to be a writer and it is home-America-that finally calls him...
This is a huge novel-not just in terms of it's 1025 pages, but in its ambition and in the semi structured style Wolfe uses to layer his story to explore the furious passion of youth that dissolves with time ; wanting notoriety in a vast sea of humanity; the passing of time that fades us by the infirmities it brings and the inescapable death that claims us all.
Inbetween the concrete events portrayed-Gants elderly relative in New York;the pretentiousness of his university days;his time in Europe with Starwick Elinor and Ann (and the old Countess!) -the novel is heavily laced with Wolfe's poetic prose/ philosophies on the passage of time on people places and history, that can make this book heavy going if you're not in the right frame of mind to take it in. But "Of Time and the River" is like "Moby Dick"-which also has weighty passages-in that it leaves an indelible impression and is a book you know is great and will never leave you and offer something new on each fresh reading.
Wolfe initially (as Gant in this obviously biographical work) is over awed with the snobbery that great literature can only come from Europe with its history and seemingly superior cultural values compared to America; still searching for its identity. But he finds that this is just a snobbery as well as a falsehood-their are plenty of bad imitative writers in Europe and the whole continent of "culture" was about to destroy itself by war for the second time in a generation. He sees the coming of the American novel with Sinclair Lewis's break through novels "Main Street" and "Babbit". Dying prematurely at the age of 37, it's a big unknown and loss that Wolfe was never really able to go further. What great work-great American novel-might he have written ? This book gives a huge clue ; I'm convinced he would have used it as a blueprint for everything he had hoped to write.

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Sunday, October 26, 2014

** Ebook Age of Ambition: Chasing Fortune, Truth, and Faith in the New China, by Evan Osnos

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Age of Ambition: Chasing Fortune, Truth, and Faith in the New China, by Evan Osnos

Pulitzer Prize in General Nonfiction finalist

Winner of the 2014 National Book Award in nonfiction

An Economist Best Book of 2014

Winner of the bronze medal for the Council on Foreign Relations’ 2015 Arthur Ross Book Award

A vibrant, colorful, and revelatory inner history of China during a moment of profound transformation

From abroad, we often see China as a caricature: a nation of pragmatic plutocrats and ruthlessly dedicated students destined to rule the global economy-or an addled Goliath, riddled with corruption and on the edge of stagnation. What we don't see is how both powerful and ordinary people are remaking their lives as their country dramatically changes.
As the Beijing correspondent for The New Yorker, Evan Osnos was on the ground in China for years, witness to profound political, economic, and cultural upheaval. In Age of Ambition, he describes the greatest collision taking place in that country: the clash between the rise of the individual and the Communist Party's struggle to retain control. He asks probing questions: Why does a government with more success lifting people from poverty than any civilization in history choose to put strict restraints on freedom of expression? Why do millions of young Chinese professionals-fluent in English and devoted to Western pop culture-consider themselves "angry youth," dedicated to resisting the West's influence? How are Chinese from all strata finding meaning after two decades of the relentless pursuit of wealth?
Writing with great narrative verve and a keen sense of irony, Osnos follows the moving stories of everyday people and reveals life in the new China to be a battleground between aspiration and authoritarianism, in which only one can prevail.

  • Sales Rank: #76823 in Books
  • Published on: 2014-05-13
  • Released on: 2014-05-13
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.26" h x 1.36" w x 6.34" l, 1.42 pounds
  • Binding: Hardcover
  • 416 pages

Review

“In the pages of the New Yorker, Evan Osnos has portrayed, explained and poked fun at this new China better than any other writer from the West or the East. In Age of Ambition, Osnos takes his reporting a step further, illuminating what he calls China's Gilded Age, its appetites, challenges and dilemmas, in a way few have done.” ―John Pomfret, Washington Post

“Age of Ambition is… a riveting and troubling portrait of a people in a state of extreme anxiety about their identity, values and future, [and] a China rived by moral crisis and explosive frustration.” ―Judith Shapiro, New York Times

“For those new to China, Mr Osnos beautifully portrays the nation in all its craziness, providing a ringside seat for the greatest show on earth.” ―The Economist

“Beautifully written ... an absolute must-read.” ―Edward Steinfeld, Harvard Magazine

“China's Gilded Age has been every bit as fascinating, colorful and tragic as our own -- and [Osnos] offers an engrossing account of it… [He] understands the depths of the transformations, the complexity of the contradictions, and the fragility of the overall enterprise.” ―Chicago Tribune

“Evan Osnos ... has put his keen insight and intrepid research skills to use in his exploration of the internal intellectual and spiritual infrastructure of China's rise.” ―Dan Blumenthal, The National Interest

“[Osnos] adeptly chronicles… China's 35-year journey from poverty and collective dogmatism to a dynamic if cut-throat era of competition, self-promotion and materialism.” ―Julie Makinen, Los Angeles Times

“Age of Ambition [is] eloquent and comprehensive…” ―Jonathan Mirsky, New York Times Book Review

“Age of Ambition is a splendid and entertaining picture of 21st-century China…” ―Michael Fathers, Wall Street Journal

“Evan Osnos gives us twenty-first-century China the way the best American journalists gave us the Gilded Age--he introduces us to outsized characters, tells tales of aspiration, success, and defeat, rakes the muck of corruption and repression, and captures the tremendous energy, as well as the darker impulses, of a society in the throes of a historic transformation.” ―George Packer, author of The Assassins' Gate and The Unwinding

“The very hardest thing to convey about modern China is the combination of hope and despair, idealism and crassness, coordinated mass action and chaotic individual scheming, that you encounter each day. Evan Osnos has captured all parts of this disorienting 'reality,' but he has done so much more. Beautifully written, humane but critical-minded, funny on every page, Age of Ambition offers a better understanding of China's process of 'becoming' than most people could ever gain by living there. China veterans and amateurs alike will find it an illuminating and delightful read.” ―James Fallows, author of China Airborne

“How often have travelers asked: 'What is the one book about China that I should read before I depart?' Alas, for years I have had no good answer to this question. But now, Evan Osnos has provided a stellar candidate. Wonderfully engaging, readable and informative, this vivid tableau of actors from all walks of Chinese life goes a long way to helping us make sense out of the often confusing complexity that is today's China.” ―Orville Schell, coauthor of Wealth and Power: China's Long March to the Twenty-first Century

“The best book on China I've ever read. Witty, indispensable, and often moving. I look forward to stealing Evan Osnos's wisdom and passing it off as my own for years to come.” ―Gary Shteyngart, author of Little Failure and Super Sad True Love Story

“The rise of China is the biggest story of the past twenty-five years. Evan Osnos captures the country in all its striving, thunderous diversity, through a narrative that moves, provokes, and makes us laugh. Age of Ambition is a marvel of great reporting, careful thinking, and powerful writing.” ―Dexter Filkins, author of The Forever War

“For most of a decade, Evan Osnos has been one of the most energetic, skilled, and thoughtful observers of China. Whether he's accompanying Chinese tourists to the Best Western in Luxembourg or watching Ai Weiwei blur the lines between performance and protest, Osnos is always engaging. This is a wonderful book.” ―Peter Hessler, author of River Town: Two Years on the Yangtze and Country Driving: A Chinese Road Trip

“If you have time to read only one book about China today, read this one. Woven from vignettes of Chinese life at many different levels, it provides unerring insights into what makes the Chinese the people they are while wearing its learning so lightly that the narrative never flags. It should be in every tourist's baggage and every diplomat's library.” ―Philip Short, author of Mao: A Life

About the Author
Evan Osnos is a staff writer at The New Yorker, where he served as the China correspondent from 2008 to 2013. He is the winner of two Overseas Press Club awards and the Asia Society's Osborn Elliott Prize for Excellence in Journalism on Asia. Previously, he worked at the Chicago Tribune, where he was part of a team that won the Pulitzer Prize for investigative reporting in 2008. He lives in Washington, D.C.

Most helpful customer reviews

165 of 169 people found the following review helpful.
A rare balance
By Oracle of Adelphi
China books seem especially tricky to write, because the writer has to please two very different types of American reader: the one who has a great deal of experience with China, and the one who does not. The first reader cringes if he has to read yet another description of how Shenzhen used to be a fishing village; but the second reader can't really understand Shenzhen unless you explain this fact. (As a strange hybrid of these two readers -- I lived in China but have no deep expertise in its history -- I often experience the worst of both worlds.)

This book strikes a rare balance. It's a very absorbing read, and its multiple story-lines are impressively woven together, without any of the stitches showing. The people Osnos writes about run the gamut from a public figure like Lin Yifu (the World Bank economist who defected to mainland China from Taiwan in 1979) to an obscure figure like Michael Zhang, a young energetic optimist whom Osnos first meets at a Crazy English conference and then follows for a few years. (Zhang turns into one of the most interesting characters in the book.)

Osnos tells all these individual stories against the backdrop of most of the major events in China of the last five years: the violence in Xinjiang, the Liu Xiaobo fiasco, the "Jasmine" events of 2011, Ai Weiwei's ordeal, the flight of Chen Guangcheng, the Bo Xilai scandal, the bullet train crash, and so on. You learn a great deal about all these events, but the book is anchored in its very humane profiles of individual Chinese who are trying to make their lives better.

213 of 234 people found the following review helpful.
a book for Americans
By TracyF
I am a Chinese in the USA. An American friend recommended this Age of Ambition to me, saying it's amazing. But I found myself almost gave up when I read the first chapter on the Taiwan defector Lin Zhengyi. This is a story you can find on wikipedia, and lots of Chinese are very familiar with Lin Zhengyi too. I guess Americans will find it interesting, never mind. I decided to read on since I liked the writing style. The people and their stories in this book are nothing new to me. Even Ai Weiwei's part, I would just go to watch the movie Never Say Sorry again. The more I read, the more I think something is missing. Seems Mr. Even Osnos is keen on predicting the future of China. But the characters in his book are not representing the whole picture. I am not saying Hu Shuli, Lin Zhengyi or Han Han are passé, just the grass-root young strivers in the book are not those who are more likely to take over the throne. China is a elite society, even if you don't like the children of the officials, of the rich business men's, the truth is they are educated(some overseas) and have resources. They are more likely to govern the country in the future. I don't know why there is no voice from this group. If you are talking about ambitions, without input from that group, the picture of new China the author draws is just not completed. But again, for those who don't live in China, or never experience the culture, it's a good read.

60 of 65 people found the following review helpful.
A great look at sociological shifts in modern China
By W. Sherer
If you've been following Osnos's New Yorker pieces, you know he has a gift for finding seemingly eccentric anecdotes and using them to explain a larger point. In this new book, he takes that a step further and illustrates the overwhelming social change that has taken place in China over the past fifty years through the experiences of individuals that have lived through it. It's a wonderfully readable blend of idiosyncratic stories and insightful analysis that brings any reader, whether new to the topic or an experienced China watcher, a greater understanding of this emerging force in world events.

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Thursday, October 23, 2014

^ PDF Download As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980, by Susan Sontag

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As Consciousness Is Harnessed to Flesh: Journals and Notebooks, 1964-1980, by Susan Sontag

This, the second of three volumes of Susan Sontag's journals and notebooks, begins where the first volume left off, in the middle of the 1960s. It traces and documents Sontag's evolution from fledgling participant in the artistic and intellectual world of New York City to world-renowned critic and dominant force in the world of ideas with the publication of the groundbreaking Against Interpretation in 1966.

As Consciousness is Harnessed to Flesh follows Sontag through the turbulent years of the 1960s―from her trip to Hanoi at the peak of the Vietnam War to her time making films in Sweden―up to 1981 and the beginning of the Reagan era. This is an invaluable record of the inner workings of one of the most inquisitive and analytical thinkers of the twentieth century at the height of her power. It is also a remarkable document of one individual's political and moral awakening.

  • Sales Rank: #790996 in Books
  • Published on: 2012-04-10
  • Released on: 2012-04-10
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.44" h x 1.72" w x 5.97" l, 1.46 pounds
  • Binding: Hardcover
  • 544 pages

From Booklist
As in Reborn (2008), the first volume in the planned Sontag journals and notebooks trilogy, Sontag’s son, David Rieff, begins the second with a strikingly candid introduction. In the full-tilt, questioning, and expressive entries that follow, Sontag suffers epically over love and heartbreak in her relationships with women and her hasty marriage and grapples with haunting memories of her wounding childhood. Angst blooms repeatedly, followed by self-chiding for her emotional turmoil and an oft-repeated refrain, “I must be strong.” Toward her son, adoration flows unstintingly, however self-sustainingly. “One thing I know: if I hadn’t had David, I would have killed myself last year.” A champion list-maker, Sontag keeps track of books, movies, resolutions, even “qualities that turn me on.” Her journals accompany her all over the world as her stature rises. She writes incisively about the many remarkable writers, dancers, and artists she meets, and she is happiest recounting time spent with Joseph Brodsky. A truly moving and illuminating chronicle of the vital inner life of an exceptionally nuanced thinker and risk-taking artist coming into her full powers. --Donna Seaman

From Bookforum
Sontag is an enthusiast but not, properly speaking, a popularizer; she writes for the initiate, not the naif. The seduction of her sentences is their hardness and authority; they could never be accused of a light touch. She wears her learning like chain mail. —Christine Smallwood

Review

“Sontag's essays are arch, intransigent--so it is a rare pleasure to read, in her diary, discoveries being made in real time. She applies her mind to itself with enthusiasm . . . The overall portrait gained from these journals seems to be of an impossibly fractured author--but the diaries also remind us that Sontag the writer and Sontag the woman, inevitably, occupy the same territory, so that even when she is writing about culture, she is, in a sense, exploring herself . . [a] difficult, fascinating volume . . . As her diaries reveal with such intensity, she harnessed only a fraction of her mind to produce the writing we have seen until now; the rest is consciousness.” ―Emily Stokes, The Guardian

“In the three years since Reborn, the first volume of Susan Sontag's journals and notebooks, was published, at least three more books about the literary titan have appeared . . . [but] nothing compares with going to the source directly. The second of three volumes, As Consciousness Is Harnessed to Flesh, spans the years of Sontag's most prodigious output and her greatest intellectual influence, including the 1966 publication of her first volume of essays, the landmark Against Interpretation, and the equally influential Illness as Metaphor, a 1978 treatise inspired by her first bout with breast cancer.” ―Melissa Anderson, Newsday

“A powerful self-portrait gradually emerges. Sontag avoided personal writing, as Rieff explains; perhaps, he suggests, the diaries constitute ‘the great autobiographical novel she never cared to write' . . . the reader warms more to her through her sudden lists of appealing adjectives (‘besotted, cerulean, ogival') or her likes (‘Drums, carnations, socks, raw peas') and dislikes (‘television, baked beans, hirsute men') . . . a tribute by a scrupulous son to his difficult, gifted mother . . . In its fragmentation and incoherence and passion, its combination of the erudite and the everyday, it is more true to life, both intellectual and emotional, than the most artful novel or careful biography. It may well be that Sontag's diaries, like Virginia Woolf's (which she knew and admired) will come to be seen as just as brilliant and important as anything she wrote.” ―Anne Chisholm, The Telegraph

“That tormented Sontag is known to many, but she was not all Dark Lady. It's impossible to read these journals and not experience the warmer sides of her ambition: her deep admiration for certain artists around her, her animating wish to encourage and promote . . . Rieff designates the second volume as his mother's ‘political bildungsroman,' the record, as she put it, of ‘falling out of love with Communism.' Yet he chose to call this volume As Consciousness Is Harnessed to Flesh, a title pointing to her inner life rather than her political one. It is through this startling image, noted in a margin in May, 1965, that we today see the thirty-two-year-old Sontag awaken to her finitude: her life had to reach an end, just as consciousness is harnessed to flesh. But, then again, perhaps it isn't: language--which can capture and embody consciousness--lives on, and has its own fleshiness. As Sontag's hero, Roland Barthes, once wrote, ‘Language is a skin: I rub my language against the other. It is as if I had words instead of fingers, or fingers at the tip of my words. My language trembles with desire.' If anyone else's language trembles that way, as this volume of her journals attests, it is Susan Sontag's.” ―Emily Greenhouse, The New Yorker

“The Sontag that appears here is, at times, very different from the strident academic who polarises public opinion. She is anxious, self-deprecating and frequently heartbroken . . . As in the earlier volume of diaries, Reborn, in which Sontag wrote reminders to herself to wash, this collection brings a more fragile, neurotic side into view. And yet there is still much of the academic who did not suffer fools--or ‘Modernist-nihilist-wise-guy-bullshit'--gladly. Her lengthy analyses of her relationships are broken up with quotations from Wittgenstein, or counterpoised by reported conversations with Jasper Johns and Joseph Brodsky . . . She writes dozens of obsessive lists . . . each a reminder of her voraciously catholic interests . . . Over the course of the diary, a picture of a complicated, brilliant person emerges. A little like her criticism, her diary entries combine her interests with bright, aphoristic turns of phrase . . . these diaries are a reminder of the value of the work that made her great, and also mysterious--"partly (and forever)" escaping from view.” ―The Economist

“Consciousness is ultimately a very serious book, as it would have to be, as the record of the inner life of a renowned and resolutely serious person . . . It is a story of settling and unsettling, of restlessness and of trying to find a place to rest, of examining the parameters of adulthood, of questioning what it means to be a friend, a lover, a writer, an artist, a mother, a person in the world. ‘I have a wider range as a human being than as a writer. (With some writers, it's the opposite.) Only a fraction of me is available to be turned into art,' Sontag writes. If this is the case, then Consciousness is a presentation of the residue of Sontag, the part that is not art. It's life . . . At its best, [Consciousness] is Sontag turning her keen intellect onto the world and onto herself, practicing criticism in her architectural, adversarial, serious way . . . we should . . . be grateful for the dissemination of these notebooks, with their long stretches of self-analysis and their pops of insight.” ―Lisa Levy, Los Angeles Review of Books

“Sontag seems addicted to writing lists--of films she has seen, or would like to see, and of her extensive reading, including Thomas Mann, Walter Benjamin and Sigmund Freud. But there is plenty of deeper, psychological revelation. While, outwardly, she appeared formidably confident, her entries here show her to be riddled with doubt, anxiety and a fear of showing weakness . . . These often intense accounts of the inner life of a passionate, highly cultured intellectual woman are riveting.” ―Rebecca Wallersteiner, The Jewish Chronicle

Most helpful customer reviews

19 of 20 people found the following review helpful.
Valuable Collection
By Steiner
The second volume of Susan Sontag's collected journals is an extraordinary testament to her brilliance and devotion to the creative life. This volume presents the perhaps the most productive and significant phase of her career as she publishes the major essays that were to appear in Against Interpretation. Here we find a truly voracious artist and intellectual-a thinker struggling with the tumultuous events of her time and struggling to develop a unique voice. Of course, we are entitled to see her lists-lists of authors, of movies, endless lists cataloging the trajectory of her creative life. There are really great and moving passages here-passages of vulnerability and self-doubt. Her personal life emerges as fairly frought and precarious. I was also suprised to see a great paucity of entries detailing her battle with cancer. Her son, David Rieff, has edited this collection. His comments reduce her work to that of a political commentator. I do not fully agree with his judgment that the reflections and entries about her trip to Vietnam are wise and incisive. And her trajectory as a political thinker was actually rather average for her generation. Yet was remains here, I believe, was the life of a real intellectual and artist. A thinker who devoted her undeniable gifts to novels, stories, film, and among the greatest American essays in modern letters.

6 of 7 people found the following review helpful.
Susan Sontag was one of the great literary critics of the 20th century - a novelist
By C. Middleton
"Not Worthy"

Completed reading "As Consciousness is Harnessed to Flesh"- Journals & Notebooks - 1964-1980 by Susan Sontag. In most cases, find reviewing a text or film a natural act. Over the years have written hundreds of reviews without a second thought. Sitting down to write about Sontag leaves me humble and unworthy.

It was my second year at university where Sontag was introduced; the text: "Against Interpretation", a collection of essays that shot this intellectual into the spotlight revealing her depth of thought and original notions about literature art and philosophy. We were required to write a 2000 word essay on the text, her propositions and ideas concerning literary theory. Well, dug around my files and found "that" essay, believing it might help with the review. The paper yellowing with age and written with my then, trusty electric typewriter - received a "Distinction", equivalent to a "B"; after reading this piece after so many years, I laughed ! Thinking , 'Courage in youth', what did my professor see in this rubbish to give me a "B"? Ah the audacity of my youth! I was wrong, the old essay did not help one bit.

It's true: The older and more you know, one realizes, the less you know.

Susan Sontag was one of the great literary critics of the 20th century - a novelist, filmmaker, and mostly, a life-long student of politics, philosophy, art the written word.

Down the line, might write a review but, at this moment, feeling:

"... not worthy!"

A favourite:

"Intellectuals played at crusaders and revolutionaries only to discover they were all patricians and liberals. (As kids played at being urban guerrillas and settled for being punks.) "Liberalism" seems a vast, obscure, swampy territory one never emerges from, no matter how one tries - and perhaps never should."

A book to ponder.

Anyway...great read.

Craig Middleton

1 of 1 people found the following review helpful.
I think this volume, and its predecessor, are ...
By David B.
I think this volume, and its predecessor, are the only diaries I have ever read. It must nearly always be a thrill to see “the man behind the curtain” when reading diaries, and maybe especially in this case, given how carefully crafted Susan Sontag’s public writing and persona were. Before reading these volumes I was afraid they would confirm the impression given me from reading "Sempre Susan," by Sigrid Nunez, that Sontag lacked insight into herself and was psychologically kind of shallow. Both volumes roundly disconfirm this. I think her insights into herself were as incisive and penetrating as her cultural criticism was. There is an exquisitely rich, 20-something page analysis of her relationship with her mother somewhere in the middle of the second volume that is something to behold. It’s a little heartbreaking that such insight didn’t lead to greater peace of mind. In any case, I found these diaries exhilarating to read. Her language, gifts of metaphor, and laser sharp analysis are magical.

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>> Ebook Download The Thirty-first of March: An Intimate Portrait of Lyndon Johnson's Final Days in Office, by Horace Busby

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The Thirty-first of March: An Intimate Portrait of Lyndon Johnson's Final Days in Office, by Horace Busby

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The Thirty-first of March: An Intimate Portrait of Lyndon Johnson's Final Days in Office, by Horace Busby

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The Thirty-first of March: An Intimate Portrait of Lyndon Johnson's Final Days in Office, by Horace Busby

An intimate, compulsively readable memoir by LBJ's closest aide and chief speechwriter.

"I have made up my mind. I can't get peace in Vietnam and be President too." So begins this posthumously discovered account of Lyndon Johnson's final days in office. The Thirty-first of March is an indelible portrait of a president and a presidency at a time of crisis, and spans twenty years of a close working and personal relationship between Johnson and Horace Busby.

It was Busby's job to "put a little Churchill " into Johnson's orations, and his skill earned him a position of trust in Johnson's staff from the earliest days of Johnson's career as a congressman in Texas to the twilight of his presidency. From the aftermath of the Kennedy assassination when Busby was asked by the newly sworn-in President to sit by his bedside during his first troubled nights in office, to the concerns that defined the Great Society, Busby not only articulated and refined Johnson's political thinking, he helped shape the most ambitious, far-reaching legislative agenda since FDR's New Deal.

Here is Johnson the politician, Johnson the schemer, Johnson who advised against JFK riding in an open limousine that fateful day in Dallas, and Johnson the father, sickened by the men fighting and dying in Vietnam on his behalf. The Thirty-first of March is a rare glimpse into the inner sanctum of Johnson's presidency.

  • Sales Rank: #1916362 in Books
  • Brand: Farrar, Straus & Giroux
  • Published on: 2005-03-31
  • Released on: 2005-03-09
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.25" h x 1.01" w x 5.50" l,
  • Binding: Hardcover
  • 272 pages

From Publishers Weekly
From Lyndon Johnson's chief speechwriter of 20 years (1948-1968) comes a revealing chronicle of LBJ's career. Although framed around March 31, 1968--the day Johnson announced that he would not seek re-election--Busby's book (left among his papers when he died in 2000) incorporates his eyewitness perspective on far more than just the narrow slice of time between March '68 and January '69. Busby was 24 when he went to work for the then Texas representative. He accompanied Johnson on to the Senate, the vice-presidency and the presidency. Always, he was an insider, and a shrewd, observant and eloquent one at that. Frustratingly, the manuscript had no chapters addressing Johnson's Senate career and his rise to majority leader. One of Busby's best and most important chapters explains his role as a key Johnson functionary on the day President Kennedy was killed and through the subsequent transition. Here are dramatic, intimate details of an uncommon and historically important variety. For example, Busby, who sat up with Johnson and other close associates on the evening of JFK's murder, notes, "I can only describe it as a night--and a room--almost unbearably alive with quiet stillness." A preface by Busby's son and an introduction by Busby's good friend Hugh Sidey help put this noteworthy work in context. (Mar.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Booklist
Despite the title, this memoir covers the 20 years during which Busby served as a trusted advisor and speechwriter for Johnson. This previously unpublished manuscript was discovered by Busby's son after his father's death in 2000. Busby came to work for Congressman Johnson in 1948 at the age of 24 after a brief career as a reporter in Austin, Texas; over the next two decades, Busby was a sounding board, occasional whipping boy, and always a fascinated observer of one of the most mercurial and gifted politicians in our history. Busby portrays Johnson as crude, overbearing, and frequently insensitive. Yet he was capable of great compassion for the downtrodden, and his worship of FDR and his devotion to the expansive policies of the New Deal era seem almost quaint in our age, when the limitations of massive government programs have been demonstrated. Busby offers wonderfully revealing anecdotes and insights as Johnson's career advances. This is an engrossing and important contribution to our understanding of a compelling political personality. Jay Freeman
Copyright © American Library Association. All rights reserved

Review
"The late Horace Busby knew and understood Lyndon Johnson as well as anyone who worked with the President. His book beautifully captures the complexity and the greatness of Johnson, while recognizing his imperfections as well. It is must-reading to understand an important period of American history." --Nick Kotz, author of Judgment Days: Lyndon Baines Johnson, Martin Luther King Jr., and the Laws that Changed America

Most helpful customer reviews

7 of 8 people found the following review helpful.
Snapshots From The Great Society
By Kevin Killian
Horace Busby was one of the more interesting witnesses in Robert Caro's biography of LBJ, and I was sorry to hear he had passed on a few years back, here in California. Busby knew where all the bodies were buried in his capacity as top speechwriter for Johnson, extremely close to the man for twenty years or more, and inventor of the catchphrase, "The Great Society."

The book, while never less than elegantly written, is scattershot in its approach, and jumps back and forth in chronology like a human pinball machine, skimming the surfaces here and there, then coming down to dwell lovingly and cinematically on some unlikely venues, such as a trip with Johnson in November of 1963, to Brussels for a conference. LBJ in Brussels, of all places, it's unreal! Here Busby really goes to town, exploring the insecurities that fueled Johnson's drive to the top and which made him the most feared man in politics.

And yet he had his charming side too, and Buzz was there for large chunks of it. There's a long, fleshed out memoir of arriving with Johnson at Hyannisport in 1960, not knowing whether or not Kennedy would want him as his candidate for Vice President. There's no denying that Johnson was the odd man out among the Kennedys; in one hilarious moment he can't understand JFK's accent, despite trying to read his lips. You won't get this kind of intimate, novelistic detail anywhere else.

But often "Buzz" seems overdiscreet, drawing a veil over the very things that the reader wants to know more about. Buzz's son Scott, who introduces this posthumously published memoir, suggests that Buzz came to feel he had given all his "good Lyndon stories" to Caro in their many interviews, and that the book we now have represents perhaps the not-so-good stories which Caro didn't find interesting enough to include in any of the three volumes published so far. And sometimes Buzz's speechwriting strength betray him as a memoirist; his highly praised alliteration for example, grows inane when it is employed to open a paragraph with "The prolonged procrastination was highly provocative . . . "

What else is memorable about this all too brief book? Well, I liked finding out more about Johnson's religious background as a "Digressive." I never even heard to term before, and now it seems utterly key to understanding the man. Buzz' dad, a strict preacher type, hesitated before giving his boy his blessing to work for LBJ, fearing that the latter's "Digressive" qualities would corrupt Buzz. Johnson's own father emerges as a salty old son of a gun, telling his son not to forget that "If a fella starts trying to climb a pole, he usually ends up showing his ass." It was a lesson Johnson was never to forget.

In one touching chapter Busby, together with Interior Secretary Stewart Udall, travel to Gettysburg to represent the administration at the Eisenhower farm, as Ike and Mamie prepare to leave their home forever (they have deeded it to the National Park Service). Both Eisenhowers come to life vividly, and their lives together for forty-five years touchingly adumbrated, in Busby's careful rendering of a moment in time.

Busby provides lovely word portraits both of fragile, thoughtful Jackie Kennedy and the amazing Lady Bird. Either of these would make the book worth reading all by themselves, but yet there is a whole lot more in THE THIRTY-FIRST OF MARCH. Don't let this one slip under your radar.

5 of 6 people found the following review helpful.
Intimate insight on a fascinating character
By Conor Cunneen
Querying "Lyndon Johnson" on Amazon generates over 18,000 references. The man was a dominant figure in US politics for over 20 years, which goes some way to explaining why he has been written about so prolifically.

Few books though can surely be as intimate and interesting as Horace Busby's memoir of the man he worked with for most of Johnson's career on the national stage.

The twenty-four year-old Busby joined then Congressman Johnson's team in 1948, a few months prior to Johnson winning a Senate seat. His initial brief was to "put a little Churchill" and motivation into the Texas politician's speeches. He remained with Johnson, in some capacity as adviser, speechwriter, confidante and sometimes almost as therapist until March 31 1968 when Johnson made his famous utterance to the US people that "I shall not seek and I will not accept the nomination of my party for another term as your President," - lines written by Horace Busby.

This is a wonderfully warm, penetrating look at the psychology, temperament and mindset of LBJ particularly in the days prior to his famous announcement. The manuscript was discovered by Busby's son after the author's death in 2000, hence the publication date of 2005. Unfortunately, much of the manuscript seems to have been lost as it does not deal at all with the President's period in the Senate, which by all accounts he bestrode like a colossus.

The reader can appreciate why Busby was so highly rated by his political patron. Much of the book contains wonderful writing and descriptive passages including a very humorous account of how the infamously impatient Congressman Johnson treated Busby when he first reported for work in 1948 - three days later than expected.

Busby crafts some wonderful images, not least when he recounts the terrible events of November 22nd, 1963. The author was in Washington when President Kennedy was assassinated in Johnson's home state of Texas. Co-incidentally, Busby's wife was in Johnson's Washington home doing some research for Lady Bird Johnson at the time of the shooting. She stayed in the house until Mrs. Johnson returned from Dallas - "she saw as no one else did that day, the cold passing of power," as the secret service took control of the house and presidential communications infrastructure was put in place, even before the residents returned from Dallas.

Busby appears to have been a true confidant of the towering Texan. Few (if any) who worked under Johnson would claim he was an easy person to deal with. He could be mean, nasty, uncouth, self-centered, insecure and tyrannical, yet he had very strong motivational skills, sometimes conveyed with great good humor. Johnson was blessed to have a number of very loyal and competent aides - Jack Valenti, Joe Califano and of course Busby who writes of Johnson almost as a son might of a father.

Because of his close relationship with LBJ, Busby writes compellingly on a number of little known episodes about the President including a dirty tricks campaign initiated by White House insiders to prevent Vice-President Johnson from gaining the nomination to run with Jack Kennedy for the presumptive 1964 campaign. LBJ believed he had but one friend "in that place - President John Fitzgerald Kennedy himself."

The account of the 31st March, when Busby was called to the White House to draft Johnson's final words is both riveting and compelling. Many of Johnson's family and aides did not wish the President to remove himself from the race and blamed Busby for influencing his decision.

The initiative to withdraw though was Johnson's, but when Busby handed him four pages of script - much more than expected, the President `threw up his hands. "Damn" he exclaimed. "You must really want to get me out of town." `

Johnson on a one-to-one level was surprisingly humorous with strong motivational skills, something that rarely came across in his public appearances. Unlike his predecessor, JFK, Johnson never mastered the new media of television.

For those interested in one of the most intriguing characters to attain the presidency, this book is a little jewel. The one regret is that it covers such a short period of the political life of a man whom the author writes was "extroverted, gregarious, and roughshod," but who "sheltered a sensitive, introspective, and unaccountably fragile self inside."

2 of 2 people found the following review helpful.
An interesting and intimate view
By C. Ellen Connally
Horace Busby provides and intimate and interesting view of President Lyndon Johnson in THE 31ST OF MARCH. Although Busby provides selected views of other incidents that were key moments in the Johnson presidency and of course the story of how he became involved with Johnson the focus is on LBJ's decision not to seek re-election and the process of announcing that decision to the world.

Busby's view of LBJ is that of a much more fragile man than generally preceived of. It's a quick read. Busby's walks the reader through the family quarters of the White House and the inner workings of the presidency with facinating detail. One particulary interesting aspect of the story is how Johnson was treated at JFK's funeral. Most accounts are totally sympathetic to the Kennedy's but in reading Busby, you see that LBJ had a side too. The reader comes away with a very unique view LBJ.

Though brief, the work is very powerful. It is the story of friendship, loyality and devotion. I wish that the son, who edited the work would have provided a brief description of the relationship between Busby and LBJ after the White House years. It would rounded out the story.

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Wednesday, October 22, 2014

~ Fee Download Lucky Girl (Red Dress Ink Novels), by Fiona Gibson

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Lucky Girl (Red Dress Ink Novels), by Fiona Gibson

Sometimes luck is relative

Stella Moon isn't much for change. Why else would she have left her hometown to study music in London only to scurry back to teach scales to overgrown brats and the occasional curious adult? But sometimes you can't escape change, especially when it's staring you in the face (like, for instance, your boyfriend walking out on you), nipping at your heels (new kids next door who've decided your house is more fun to play at than theirs), whispering in your ear (sexy stranger who shows up in unexpected places) and knocking on your door (the return of Dad, who's had more than a few falls from TV chef grace).

With the world bearing down on her, it looks as if Stella has no choice but to embrace change and see where it takes her. Lucky girl.

  • Sales Rank: #1683919 in Books
  • Published on: 2006-10-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .95" h x 5.10" w x 8.00" l,
  • Binding: Paperback
  • 352 pages

From Booklist
Stella Moon, a guarded flute teacher, doesn't let people into her life easily. Still smarting from being dumped by her boyfriend, Alex, Stella also has a fair amount of deep-seated resentment toward her father, Frank, who always seemed to place the success of his cooking show over the needs of his two children, even after the untimely death of their mother. Stella's relationship with her father is cordial but distant. Enter Jojo and Midge, 10 and 7, respectively, who waltz into Stella's life when they move into the house next door with their flaky, self-centered mother, Diane. At first Stella is irritated that the girls are constantly over at her house, but as she gets to know them and even takes on Jojo as a student, she finds herself enjoying their company and their offbeat but strangely wise perspective on life. Gibson's third novel, following Wonderboy (2005), is a touching tale about embracing family, imperfections and all. Kristine Huntley
Copyright © American Library Association. All rights reserved

Review
"A funny, warm, compelling and wonderfully observed novel, hilarious to singletons and mothers alike." -- Marie Claire U.K. on Babyface

"A wonderful story, layered with ironic undertones, quiet affection and surprises." -- Romantic Times BOOKclub on Wonderboy

"With self-effacing, deadpan humor, Gibson concedes motherhood's quotidian moments while also conveying its fierce pleasures." -- Publishers Weekly on Babyface

About the Author
Fiona Gibson is a freelance journalist who was previously the editor of More! magazine. She is the mother of three small children and lives in Lanarkshire.

Most helpful customer reviews

4 of 5 people found the following review helpful.
excellent
By Robin
This book is quite different from her prior two novels. Very well done.

2 of 3 people found the following review helpful.
fine English chick lit coming of age tale
By A Customer
Paul Street Primary music teacher Stella Moon feels her world is collapsing when her boyfriend Alex dumps her and her dad Frankie the chef, once the star of TV show Frankie's Favorites has become a tabloid favorite for his embarrassing behavior. Even Robert stands her up on a lunch date. Although she feels like hiding, Stella's new neighbors Diane and her two young daughters Midge and JoJo who eat sugar on sugar for breakfast will not allow that` as they assault her yard and house at almost any hour.

As the girls need Stella, she begins to feel wanted. However, the stranger that seems to show up all the time frightens her not because he will harm her physically, but because she is attracted to this Ed. This quartet encourages Stella to dive into life with the euphoria and chaos she had as a child when Frankie was renowned and famous instead of a clown even as she reassesses her father who wants to give her stability at the cost of his needs.

Though Stella's sadness can become overwhelming at times, her self deprecating humor makes for an overall terrific character study of an introvert encouraged to come out of the dark by precocious people who care about her. Stella is the story as her neighbors will not allow her to hide from them and the stranger demands much more of her, which leads to her realizing how much her father has tried to protect her out of love for her. LUCKY GIRL is a fine English chick lit coming of age tale.

Harriet Klausner

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Friday, October 17, 2014

^^ Get Free Ebook Hot, Flat, and Crowded: Why We Need a Green Revolution--and How It Can Renew America, by Thomas L. Friedman

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Hot, Flat, and Crowded: Why We Need a Green Revolution--and How It Can Renew America, by Thomas L. Friedman

Thomas L. Friedman’s no. 1 bestseller The World Is Flat has helped millions of readers to see globalization in a new way. Now Friedman brings a fresh outlook to the crises of destabilizing climate change and rising competition for energy—both of which could poison our world if we do not act quickly and collectively. His argument speaks to all of us who are concerned about the state of America in the global future.

Friedman proposes that an ambitious national strategy— which he calls “Geo-Greenism”—is not only what we need to save the planet from overheating; it is what we need to make America healthier, richer, more innovative, more productive, and more secure.

As in The World Is Flat, he explains a new era—the Energy-Climate era—through an illuminating account of recent events. He shows how 9/11, Hurricane Katrina, and the flattening of the world by the Internet (which brought 3 billion new consumers onto the world stage) have combined to bring climate and energy issues to Main Street. But they have not gone very far down Main Street; the much-touted “green revolution” has hardly begun. With all that in mind, Friedman sets out the clean-technology breakthroughs we, and the world, will need; he shows that the ET (Energy Technology) revolution will be both transformative and disruptive; and he explains why America must lead this revolution—with the first Green President and a Green New Deal, spurred by the Greenest Generation.

Hot, Flat, and Crowded is classic Thomas L. Friedman—fearless, incisive, forward-looking, and rich in surprising common sense about the world we live in today.

  • Sales Rank: #116169 in Books
  • Brand: Farrar, Straus & Giroux
  • Published on: 2008-09-08
  • Released on: 2008-09-08
  • Ingredients: Example Ingredients
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.00" h x 1.13" w x 6.00" l, 1.55 pounds
  • Binding: Hardcover
  • 448 pages
Features
  • ISBN13: 9780374166854
  • Condition: USED - Good
  • Notes: 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

Amazon.com Review
Book Description

Thomas L. Friedman’s phenomenal number-one bestseller The World Is Flat has helped millions of readers to see the world in a new way. In his brilliant, essential new book, Friedman takes a fresh and provocative look at two of the biggest challenges we face today: America’s surprising loss of focus and national purpose since 9/11; and the global environmental crisis, which is affecting everything from food to fuel to forests. In this groundbreaking account of where we stand now, he shows us how the solutions to these two big problems are linked--how we can restore the world and revive America at the same time.

Friedman explains how global warming, rapidly growing populations, and the astonishing expansion of the world’s middle class through globalization have produced a planet that is “hot, flat, and crowded.” Already the earth is being affected in ways that threaten to make it dangerously unstable. In just a few years, it will be too late to fix things--unless the United States steps up now and takes the lead in a worldwide effort to replace our wasteful, inefficient energy practices with a strategy for clean energy, energy efficiency, and conservation that Friedman calls Code Green.

This is a great challenge, Friedman explains, but also a great opportunity, and one that America cannot afford to miss. Not only is American leadership the key to the healing of the earth; it is also our best strategy for the renewal of America.

In vivid, entertaining chapters, Friedman makes it clear that the green revolution we need is like no revolution the world has seen. It will be the biggest innovation project in American history; it will be hard, not easy; and it will change everything from what you put into your car to what you see on your electric bill. But the payoff for America will be more than just cleaner air. It will inspire Americans to something we haven’t seen in a long time--nation-building in America--by summoning the intelligence, creativity, boldness, and concern for the common good that are our nation’s greatest natural resources.

Hot, Flat, and Crowded is classic Thomas L. Friedman: fearless, incisive, forward-looking, and rich in surprising common sense about the challenge--and the promise--of the future.

Thomas Friedman and Fareed Zakaria: Author One-to-One

Fareed Zakaria: Your book is about two things, the climate crisis and also about an American crisis. Why do you link the two? 

Thomas Friedman: You're absolutely right--it is about two things. The book says, America has a problem and the world has a problem. The world's problem is that it's getting hot, flat and crowded and that convergence--that perfect storm--is driving a lot of negative trends. America's problem is that we've lost our way--we've lost our groove as a country. And the basic argument of the book is that we can solve our problem by taking the lead in solving the world's problem.

Zakaria: Explain what you mean by "hot, flat and crowded."

Friedman: There is a convergence of basically three large forces: one is global warming, which has been going on at a very slow pace since the industrial revolution; the second--what I call the flattening of the world--is a metaphor for the rise of middle-class citizens, from China to India to Brazil to Russia to Eastern Europe, who are beginning to consume like Americans. That's a blessing in so many ways--it's a blessing for global stability and for global growth. But it has enormous resource complications, if all these people--whom you've written about in your book, The Post American World--begin to consume like Americans. And lastly, global population growth simply refers to the steady growth of population in general, but at the same time the growth of more and more people able to live this middle-class lifestyle. Between now and 2020, the world's going to add another billion people. And their resource demands--at every level--are going to be enormous. I tell the story in the book how, if we give each one of the next billion people on the planet just one sixty-watt incandescent light bulb, what it will mean: the answer is that it will require about 20 new 500-megawatt coal-burning power plants. That's so they can each turn on just one light bulb!

Zakaria: In my book I talk about the "rise of the rest" and about the reality of how this rise of new powerful economic nations is completely changing the way the world works. Most everyone's efforts have been devoted to Kyoto-like solutions, with the idea of getting western countries to reduce their carbon dioxide emissions. But I grew to realize that the West was a sideshow. India and China will build hundreds of coal-fire power plants in the next ten years and the combined carbon dioxide emissions of those new plants alone are five times larger than the savings mandated by the Kyoto accords. What do you do with the Indias and Chinas of the world?

Friedman: I think there are two approaches. There has to be more understanding of the basic unfairness they feel. They feel like we sat down, had the hors d'oeuvres, ate the entrée, pretty much finished off the dessert, invited them for tea and coffee and then said, "Let's split the bill." So I understand the big sense of unfairness--they feel that now that they have a chance to grow and reach with large numbers a whole new standard of living, we're basically telling them, "Your growth, and all the emissions it would add, is threatening the world's climate." At the same time, what I say to them--what I said to young Chinese most recently when I was just in China is this: Every time I come to China, young Chinese say to me, "Mr. Friedman, your country grew dirty for 150 years. Now it's our turn." And I say to them, "Yes, you're absolutely right, it's your turn. Grow as dirty as you want. Take your time. Because I think we probably just need about five years to invent all the new clean power technologies you're going to need as you choke to death, and we're going to come and sell them to you. And we're going to clean your clock in the next great global industry. So please, take your time. If you want to give us a five-year lead in the next great global industry, I will take five. If you want to give us ten, that would be even better. In other words, I know this is unfair, but I am here to tell you that in a world that's hot, flat and crowded, ET--energy technology--is going to be as big an industry as IT--information technology. Maybe even bigger. And who claims that industry--whose country and whose companies dominate that industry--I think is going to enjoy more national security, more economic security, more economic growth, a healthier population, and greater global respect, for that matter, as well. So you can sit back and say, it's not fair that we have to compete in this new industry, that we should get to grow dirty for a while, or you can do what you did in telecommunications, and that is try to leap-frog us. And that's really what I'm saying to them: this is a great economic opportunity. The game is still open. I want my country to win it--I'm not sure it will.

Zakaria: I'm struck by the point you make about energy technology. In my book I'm pretty optimistic about the United States. But the one area where I'm worried is actually ET. We do fantastically in biotech, we're doing fantastically in nanotechnology. But none of these new technologies have the kind of system-wide effect that information technology did. Energy does. If you want to find the next technological revolution you need to find an industry that transforms everything you do. Biotechnology affects one critical aspect of your day-to-day life, health, but not all of it. But energy--the consumption of energy--affects every human activity in the modern world. Now, my fear is that, of all the industries in the future, that's the one where we're not ahead of the pack. Are we going to run second in this race?

Friedman: Well, I want to ask you that, Fareed. Why do you think we haven't led this industry, which itself has huge technological implications? We have all the secret sauce, all the technological prowess, to lead this industry. Why do you think this is the one area--and it's enormous, it's actually going to dwarf all the others--where we haven't been at the real cutting edge?

Continue reading the Q&A between Thomas Friedman and Fareed Zakaria

From Publishers Weekly
Pulitzer Prize-winning New York Times columnist Friedman (The World Is Flat) is still an unrepentant guru of globalism, despite the looming economic crisis attributable, in Friendman's view, to the U.S. having become a "subprime nation that thinks it can just borrow its way to prosperity." Friedman covers familiar territory (the need for alternate energy, conservation measures, recycling, energy efficiency, etc.) as a build-up to his main thesis: the U.S. market is the "most effective and prolific system for transformational innovation.... There is only one thing bigger than Mother Nature and that is Father Profit." While he remains ostensibly a proponent of the free market, he does not flinch from using the government to create conditions favorable to investment, such as setting a "floor price for crude oil or gasoline," and imposing a new gasoline tax ($5-$10 per gallon) in order to make investment in green technologies attractive to venture capitalists: "America needs an energy technology bubble just like the information technology bubble." To make such draconian measures palatable, Friedman poses a national competition to "outgreen" China, modeled on Kennedy's proposal to beat the Soviets to the moon, a race that required a country-wide mobilization comparable to the WWII war effort. Recognizing the looming threat of "petrodicatorship" and U.S. dependence on imported oil, this warning salvo presents a stirring and far-darker vision than Friedman's earlier books.
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

From Bookmarks Magazine
It’s hard not to admire Thomas Friedman’s reporting, even if it sometimes feels like a sales pitch. That’s why those who agree with Friedman’s analysis were excited about this book: it may not be the best volume available on the subject, but it will encourage millions of people to think about the central role climate change should play in the national discourse. But Bjøorn Lomborg, author of Cool It: The Skeptical Environmentalist’s Guide to Global Warming, wrote that Friedman exaggerates the impact of global warming, uses random research to support his argument, and completely fails to take economics into account when he proposes solutions. Eric Fisher, on the other hand, was so annoyed with Friedman’s drastic tone and predilection for coining sociological “laws” that his review skirted Friedman’s argument and mocked its form, which may represent the reaction of some of those seeking a more sophisticated take on this timely subject.
Copyright 2008 Bookmarks Publishing LLC

Most helpful customer reviews

49 of 50 people found the following review helpful.
Friedman takes a long walk to make a short but critical point
By Scott Schiefelbein
NY Times columnist Tom Friedman has written some of the more important current events books of the last twenty years. This effort is a spin-off of his (so far) magnum opus, "The World is Flat." In that book, Friedman chronicled the dizzying array of changes that technology, demographics, and the fall of communism have unleashed upon the world. The message - the world has entered a new epoch fueled by instant communication and the mammoth human resources that have been unleashed in India, Latin America, and even Africa. A clear must-read, "TWIF" is an Important Book.

So it was no surprise that Friedman has cranked out a follow-up. In "Hot, Flat and Crowded," Friedman takes the same dynamics that he described in "TWIF" and examines their consequences on our polluted, energy-starved world. What will we do when literally hundreds of millions of people who previously consumed little or no energy (because they were so poor and had no infrastructure) enter the middle class work force thanks to the benefits of technology?

One of the problems Friedman posed in "TWIF" is that Americans who do not fight to stay ahead will be surpassed by ambitious folks from India, China, Latin America, etc. In "HFC," Friedman posits that a Green Energy revolution is the answer - the world is going to be crying out for alternative energy resources and products that encourage smart consumption of energy. If America can take the lead in these areas, our leadership role in the world is assured.

But Friedman sees problems everywhere - rightly so. Our government and economy are addicted to fossil fuels, and nobody is stepping up to take the leadership mantle.

So why only three stars? Well, first thing - Friedman has never been much of a stylist. The prose is workmanlike, which is fine for a column but gets tedious after a few hundred pages. And the book starts to resemble a piano player playing one note over and over again. This is not a bloated Tom Clancy novel by any means, but one wishes that Friedman could have tightened things up a bit.

But the book is still an important read - because as Friedman points out, our green revolution is most likely to come from the American people (and its entrepreneurs) rather than the political leadership. In that, he is surely right.

234 of 271 people found the following review helpful.
Spurring on Energy Creativity
By John Zxerce
Friedman writes on world population, the increase of the global middle class, and the growing energy crisis. All of this has contributed to a world that is in desperate need of an energy solution. The thing I like about Friedman's approach is he's optimistic and he's practical. His major points are...

-- The battle over green (energy) will define the first part of the 21st century, just like the battle over red (communism) defined the last half of the 20th century.
-- Everyone needs to accept that oil will never again be cheap...
-- Off-shore drilling may be a temporary fix, but it's not the long-term solution.
-- The fossil-fuel age will end only when we invent our way out of it...
-- The last big innovation in energy production was nuclear power half a century ago, which is an important component to solving our energy problem, but we need additional solutions...
-- In order to further real innovation we need people "throwing crazy dollars at every idea, in every garage, that we have 100,000 people trying 100,000 things, five of which might work, and two might be the next green Google."
-- Friedman emphasizes the practical side of green - "It's the incredible sense of opportunity here. It's not just about saving the polar bears. It's not just about saving three generations from climate change. It's also about rising to the greatest economic opportunity that's come along in a long, long, time."

In the end, he is asking for collaboration and innovation. Of course that begs the question - where does the money come from for all of this? It's always easy to point at the government, but when we look at where real economic solutions have come from it's most often private industry. I wish Friedman would have written on how governments can create environments were private industry is incentivized to create, invent, and discover. Even so, Friedman's book is a needed wake-up call.

45 of 49 people found the following review helpful.
A must-read
By Martin N. Pettet
Tom Friedman's book is a journalistic tour de force. He has been everywhere, it seems, and interviewed everyone who matters in doing his research. With that engaging style we are used to from his columns, he confronts here the biggest issues facing our nation and the planet. The book is essentially in two parts; a diagnosis, and a proposed cure. The first section is one of the most succint summaries that I am aware of what has gone wrong in our civilization over the past fifty years. His equations of financial meltdown with global warming are clever...The second half of the book, however, is very different, though no less impressive in its way; a kind of well-informed optimistic wish list of steps to turn the crisis around. It does, however, as Friedman states himself several times, often sound a bit like science fiction. Everything he suggests, from a 'smart' utility grid, to universal green fiscal incentives, is possible, but you come away from the book feeling that their achievement, on the grand or global scale, is rather like trying to scale Mount Everest with a Segway. Friedman points out plenty of examples of individual pioneers, but that's an entirely different thing to remolding the national consciousness from the inside, which is what he proposes. The book is actually replete with example of the vast entrenched obstacles in the way of getting to where he wants to go. It seems a pity, but after reading this book I actually feel more pessimistic about the possibility of America regenerating itself in the twenty first century.

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